The 1914-1915 AMPD lists the Majestic Theatre at 231 E. Main Street, but addresses might have been shifted since then, as the caption of this historic photo from the Lakeland Retro Facebook page says it was at 219 Main, in the Deen-Bryant building, which is still standing.
The Busby Opera House opened on March 13, 1908, with a performance of popular star DeWolf Hopper’s comic opera “Happyland.” A few months later the Busby’s generous (42x80 foot) stage hosted perhaps its grandest production, the road show of “Ben Hur,” the company of which gave four performances. Cast, crew, orchestra, stagehands and assorted helpers numbered two hundred, arriving on a special train which had been preceded by another train bringing sets, properties and stage machinery, as well as the live horses that appeared in the famous chariot race scene. The production was a grand success, drawing patrons from surrounding territory by more special trains. The 1,362 seats were filled for every performance, and several hundred standees also attended.
The great era of the Busby Opera House lasted a bit over a decade. The builder of the house, William Busby, died in 1913 and his heirs sold the theater and adjacent hotel to outside investors, but for several years long-time manager A. B. Estes remained in charge and continued to follow the ambitious policy Busby had established. During this time hardly a single major roadshow or popular concert performer failed to make at least one appearance at the Busby, and McAlester gained a reputation as one of the cultural capitals of Oklahoma.
Also during these years, movies were run when other events were not available, and both the theater and Mr. Estes were often mentioned in movie theater industry trade journals. After Mr. Estes departed in 1919 movies became more frequent, though live events continued to be an important part of the Busby Theatre’s programming, but fewer each year. For a while in the 1920s Publix had a lease on the house, which they sold to the regional Robb & Rowley circuit in 1929. That was also the year in which the last big stage production, a minstrel company, appeared at the Busby. With the onset of the depression, the theater was closed, and in 1933 it was sold to a church.
Sadly, the various houses of worship that had occupied the building during its later years had been unable to afford the upkeep necessary to maintain the structure, and in 1983, despite the attempts of a newly organized historical society to acquire and save the property, the theater was demolished and its site converted into a parking lot for the nearby Baptist congregation.
The Palace, previously a Publix house, became part of the Robb & Rowley chain in early 1929, according to this item from Film Daily of January 20 that year: “R & R Gets Three Houses
“McAlester, Okla. — The Palace, Rialto and Busby leases have been secured by R & R Theaters from Publix. The R & R circuit consists of 65 houses in Texas, Oklahoma and Arkansas. The new leasees plan extensive alterations at the Palace, installing sound equipment. The Busby which has been closed will reopen while the policy at the Rialto remains the same.”
The reopening of the Palace with talking pictures was noted in the April 21 Film Daily.
The Model Building was at 15 E. Choctaw, so the Fotosho was probably at either 13 or 17 Choctaw. Either address would have been almost across the street from what is now the Okla Theatre, and not far from the corner of Main Street. The whole block across from the Okla has been demolished, so the Fotosho’s building is gone. I haven’t been able to find any photos of the Fotosho, but here is a ca.1964 photo of the Model Building which shows part of the neighboring buildings, one of which once held the theater: McAlester community page at Facebook.
The 1918 Sanborn map of McAlester shows a bakery and restaurant at 113 N. First Street, so the Star Theatre had been dismantled at least three years before the Rex opened in the Star’s former building.
The November, 1913 Sanborn map of McAlester shows “Moving Pictures” in the storefront at 32 E. Choctaw Avenue, which is directly opposite the end of First Street. This has to have been the Liberty.
I’ve managed to scrape together fragments of search results indicating that the Palace Theatre was built in 1910 by a Samuel O. Small, and opened as the Majestic Theatre. Although the pages the search results reference are infuriatingly unavailable, the 1914-1915 American Motion Picture Directory does list the Majestic Theatre at 18-20 E. Choctaw Avenue in McAlester, so the place did exist.
The October 2, 1915 issue of Motography mentioned a Star Airdome in McAlester: “The Star Airdome at McAlester, Okla., closed for the season Saturday night, September 11. The Dome will reopen in the spring with A. Bert Estes as manager and will show moving pictures on dates not filled by stock, musical comedy and vaudeville companies.” I haven’t been able to find evidence of any connection between the Star and the Star Airdome, but it seems likely there was one.
The Wellmont’s official web site provides a bit more detailed information than our current description. The house opened on June 16, 1922, and though it presented vaudeville and stage plays it was used primarily as a movie theater from the beginning, which was not surprising since the builder, Herman Wellenbrink, was a pioneer in film exhibition, having opened his first movie house (in Los Angeles) in 1906. The web site says that the Stanley Fabian chain took over operations in 1929 (but maybe they didn’t.)
A September 9, 1974 Boxoffice article about the takeover of the house by local exhibitor Paul Peterson (owner since 1960 of the Clairidge theatre) from RKO-Stanley Warner Theatres also mentions the Fabian connection, but says that Wellenbrink leased the house to Jacob Fabian in 1927. I haven’t found exactly when Robert Roberts took over the house, but his 2002 obituary said he began acquiring theaters in the early 1980s. It might be that it was Paul Peterson who triplexed the Wellmont, before the Roberts chain took over.
This house opened on New Year’s Day, 1912 as the Pico Grand Theatre, according to this item from the January 6, 1912 issue of Moving Picture News: “Mr. H. H. Wellinbrink opened his new house, The Pico Grand, at 1408 Pico street, last Monday night. This is one of the largest surburban theaters in the city, having a seating capacity of 650. Four reels of Trust pictures are shown; the admission charged is ten and fifteen cents. Mr. Wellinbrink’s chief operator, Mr. Roy Robbins, has been transferred from the Central Theater to take charge
of the new house.”
1408 Pico is listed in the 1912 city directory only under the name “Wellenbrink H H” but in the 1913 edition it is listed as the Pico Grand. From 1915 through 1923 it was listed as the Sunbeam Theatre, a name it shared with a house on Pasadena Avenue (later to be North Figueroa Street.) In 1924 it was listed as the New Sun Theatre, and in 1925 became simply the Sun Theatre.
An item about the future Park 70 Theatre from Moving Picture News of January 6, 1912: “Mason City, Ia.—The H. L. Stevens Company, of Chicago, have been awarded the contract for the erection of
a new $10,000 theater here to replace the Wilson Theater which was destroyed by fire.”
This item from the January 6, 1912 issue of Moving Picture News indicates that the Forum Theater operated in at least two locations in McAlester: “McAlester, Okla.—The Forum Moving Picture Theater No. 2 was slightly damaged by fire.” This may explain why there is a photo of a Forum Theater running a movie released around 1917 (as per the description above) even though the house apparently closed in 1914.
A history of the Drift Theatre on this web page says that the original Drift theatre burned and was rebuilt by Ernest and Mae Turner. Ernest was the son of W. J. Turner, who might have been the original builder.
A fellow named John Newsome commenting on a 2015 Facebook post about the Drift Theatre said the first time he went to a movie theater was the Drift, in 1968. The movie was Clint Eastwood in “The Good, the Bad, and the Ugly” (apparently took a while for movies to reach this small town, as it was a 1966 release.)
This web page about the Drift Theatre in Drift, Kentucky, has one photo (the second one down) showing the Wheelwright Theatre. The house had a large, free-standing kiosk-like box office standing several feet away from the building entrance. The theater’s marquee had a neon W on it, but no attraction board. The crowd outside the theater in this ca.1946 photo includes several people of obvious African ancestry, so perhaps Wheelwright was an exception to the strict segregation that prevailed in most of Kentucky during this period.
The NRHP nomination form for the Wheelwright Commercial District (PDF here) says that most of the buildings in the district had been built between 1916 and 1920, but “[d]uring 1940 and 1941, an intensive modernization program was undertaken: the theater was brick-veneered and the ticket booth-pay window was built…” A new clubhouse was built at the same time, designed by architect Albert Franklin Tucker, who probably handled the entire renovation project as well.
The Wheelwright Theatre is listed in the 1926 FDY. A map in the NRHP form shows the theater on Main Street across from the Post Office. The address 1590 KY-306, Wheelwright brings up a Google street view of the site.
I have come across information leading me to believe that the Marengo Theatre originally opened in 1912 as the Orient Theatre, and that the grocery business that had previously occupied the building was long operated by the Leib family, one of whom moved it to a new location in 1911. This information comes from a biographical sketch of Mrs. E.N.(Rebecca) Leib on on this web page. It specifically says that the Leib’s grocery store was in the Eddy Building, and I have found the Eddy building mentioned in a theater industry trade journal item about the Orient Theatre.
An Orient Theater is mentioned in the January 2, 1915 issue of Moving Picture World: “L. E. ALEXANDER of Calmar has purchased the Orient theater at Marengo from C. W. Eddy and has assumed possession.
The January, 1912 issue of Motography told of the beginning of this house: “A moving picture theater will be opened at Marengo by Jos. Reynolds.” The story continued in the February issue: “Messrs. J. H. Reynolds, George Bishop and A. W. Skersick will open a moving-picture theater in the Eddy building at Marengo.” A July 20 item in the same journal indicates that one of the partners then came into full possession of the house: “The Orient Theater at Marengo has been purchased by A. W. Skersick.”
Trade journals from 1913 and 1914 mention a W. G. Eddy of Marengo who was secretary of the Iowa Motion Picture Exhibitors' League, and the July 4, 1914 issue of The Billboard even devoted a large part of a page to a letter he wrote to them regarding the evils of censorship. It appears that the Eddy family were the landlords for the theater, then one of them took over its operation for a couple of years, becoming deeply involved in the theater industry, for a while at least.
I think we’ll have to find another name for this house, as I’ve found evidence that the Oriental (or more likely Orient) Theatre opened in 1912, and so would not have been this house on the 1910 Sanborn. I now suspect that Orient was the original name of the house that later became the Strand and then the Marengo. I’ll put a comment about this on the Marengo page.
The December 28, 1907 issue of The Show World mentioned the Yale Amusement Company and the Yale film Rental Company of Kansas City, both headed by an A. D. Flinton. The Yale Amusement Company had been mentioned in passing in the June 24, 1905 issue of The Billboard.
I’m seeing four houses operated by Yale listed in the 1914-1915 AMPD: The Wonderland and Princess, plus Yale’s Crystal at 1205 Grand and Yale’s Automat Theatre, 1116 Main Street.
The 1914-1915 American Motion Picture Directory lists a house called Yale’s Automat Theatre at 1116 Main Street. It sounds like it would have been under the footprint of the Paramount, and thus demolished to make way for the Newman.
In an October 14, 1911 Moving Picture World article about Kansas City’s movie houses, Nelson T. Stephens wrote: “I paid my next admission at Yale’s Twelfth Street theater, the Lyric, I believe.” Kansas City had two houses called the Lyric over the years, but neither was on Twelfth Street. I suspect that Mr. Stephens lost track of where he was, visiting so many theaters in a short time, and he probably attended the original 12th Street Theatre. Chances are he visited the Lyric as well, but chose not to write about it. Dallasmovietheaters' earlier comment says the 12th Street, opened April 22, 1911, closed after about a year and reopened under new management.
The current use of the Ritz Theatre building is as an art gallery (entrance to the facility is around the corner at 810 W. Walnut Avenue. The old theater entrance on 8th Street is largely unrecognizable.)
An advertisement for the Folly Theatre in the December 15, 1922 issue of The Duncan Daily Eagle and Banner touted performances by the Ferguson Bros. Stock Company continuing through the following week, so the house did present stage shows.
This item appeared in the April 5, 1952 issue of Boxoffice: “Parksville on Vancouver island will have a 300-seat quonset-type of theater which will open this summer. The house will be financed by the citizens and will be air conditioned. Parksville, which is midway between Nanaimo and Port Alberni, formerly was serviced by a 16mm outfit.”
Like many quonset-style theaters, the Park featured a plain, boxy front, as seen in this photo post on the Parksville Museum’s Facebook page. Over 100 comments on the post indicate that the house is fondly remembered by Parksvillians (Parksvillagers?) At least two comments note that the first movie shown was “The African Queen” and one commenter says that the last movie run was “Honey I Shrunk the Kids,” though another says that it was “The Rocky Horror Picture Show.” It’s possible that the latter was a midnight show following the final evening performance of the former.
The 1914-1915 AMPD lists the Majestic Theatre at 231 E. Main Street, but addresses might have been shifted since then, as the caption of this historic photo from the Lakeland Retro Facebook page says it was at 219 Main, in the Deen-Bryant building, which is still standing.
The Busby Opera House opened on March 13, 1908, with a performance of popular star DeWolf Hopper’s comic opera “Happyland.” A few months later the Busby’s generous (42x80 foot) stage hosted perhaps its grandest production, the road show of “Ben Hur,” the company of which gave four performances. Cast, crew, orchestra, stagehands and assorted helpers numbered two hundred, arriving on a special train which had been preceded by another train bringing sets, properties and stage machinery, as well as the live horses that appeared in the famous chariot race scene. The production was a grand success, drawing patrons from surrounding territory by more special trains. The 1,362 seats were filled for every performance, and several hundred standees also attended.
The great era of the Busby Opera House lasted a bit over a decade. The builder of the house, William Busby, died in 1913 and his heirs sold the theater and adjacent hotel to outside investors, but for several years long-time manager A. B. Estes remained in charge and continued to follow the ambitious policy Busby had established. During this time hardly a single major roadshow or popular concert performer failed to make at least one appearance at the Busby, and McAlester gained a reputation as one of the cultural capitals of Oklahoma.
Also during these years, movies were run when other events were not available, and both the theater and Mr. Estes were often mentioned in movie theater industry trade journals. After Mr. Estes departed in 1919 movies became more frequent, though live events continued to be an important part of the Busby Theatre’s programming, but fewer each year. For a while in the 1920s Publix had a lease on the house, which they sold to the regional Robb & Rowley circuit in 1929. That was also the year in which the last big stage production, a minstrel company, appeared at the Busby. With the onset of the depression, the theater was closed, and in 1933 it was sold to a church.
Sadly, the various houses of worship that had occupied the building during its later years had been unable to afford the upkeep necessary to maintain the structure, and in 1983, despite the attempts of a newly organized historical society to acquire and save the property, the theater was demolished and its site converted into a parking lot for the nearby Baptist congregation.
The Palace, previously a Publix house, became part of the Robb & Rowley chain in early 1929, according to this item from Film Daily of January 20 that year: “R & R Gets Three Houses
“McAlester, Okla. — The Palace, Rialto and Busby leases have been secured by R & R Theaters from Publix. The R & R circuit consists of 65 houses in Texas, Oklahoma and Arkansas. The new leasees plan extensive alterations at the Palace, installing sound equipment. The Busby which has been closed will reopen while the policy at the Rialto remains the same.”
The reopening of the Palace with talking pictures was noted in the April 21 Film Daily.
The Model Building was at 15 E. Choctaw, so the Fotosho was probably at either 13 or 17 Choctaw. Either address would have been almost across the street from what is now the Okla Theatre, and not far from the corner of Main Street. The whole block across from the Okla has been demolished, so the Fotosho’s building is gone. I haven’t been able to find any photos of the Fotosho, but here is a ca.1964 photo of the Model Building which shows part of the neighboring buildings, one of which once held the theater: McAlester community page at Facebook.
The 1918 Sanborn map of McAlester shows a bakery and restaurant at 113 N. First Street, so the Star Theatre had been dismantled at least three years before the Rex opened in the Star’s former building.
The November, 1913 Sanborn map of McAlester shows “Moving Pictures” in the storefront at 32 E. Choctaw Avenue, which is directly opposite the end of First Street. This has to have been the Liberty.
I’ve managed to scrape together fragments of search results indicating that the Palace Theatre was built in 1910 by a Samuel O. Small, and opened as the Majestic Theatre. Although the pages the search results reference are infuriatingly unavailable, the 1914-1915 American Motion Picture Directory does list the Majestic Theatre at 18-20 E. Choctaw Avenue in McAlester, so the place did exist.
The October 2, 1915 issue of Motography mentioned a Star Airdome in McAlester: “The Star Airdome at McAlester, Okla., closed for the season Saturday night, September 11. The Dome will reopen in the spring with A. Bert Estes as manager and will show moving pictures on dates not filled by stock, musical comedy and vaudeville companies.” I haven’t been able to find evidence of any connection between the Star and the Star Airdome, but it seems likely there was one.
The Wellmont’s official web site provides a bit more detailed information than our current description. The house opened on June 16, 1922, and though it presented vaudeville and stage plays it was used primarily as a movie theater from the beginning, which was not surprising since the builder, Herman Wellenbrink, was a pioneer in film exhibition, having opened his first movie house (in Los Angeles) in 1906. The web site says that the Stanley Fabian chain took over operations in 1929 (but maybe they didn’t.)
A September 9, 1974 Boxoffice article about the takeover of the house by local exhibitor Paul Peterson (owner since 1960 of the Clairidge theatre) from RKO-Stanley Warner Theatres also mentions the Fabian connection, but says that Wellenbrink leased the house to Jacob Fabian in 1927. I haven’t found exactly when Robert Roberts took over the house, but his 2002 obituary said he began acquiring theaters in the early 1980s. It might be that it was Paul Peterson who triplexed the Wellmont, before the Roberts chain took over.
This house opened on New Year’s Day, 1912 as the Pico Grand Theatre, according to this item from the January 6, 1912 issue of Moving Picture News: “Mr. H. H. Wellinbrink opened his new house, The Pico Grand, at 1408 Pico street, last Monday night. This is one of the largest surburban theaters in the city, having a seating capacity of 650. Four reels of Trust pictures are shown; the admission charged is ten and fifteen cents. Mr. Wellinbrink’s chief operator, Mr. Roy Robbins, has been transferred from the Central Theater to take charge of the new house.”
1408 Pico is listed in the 1912 city directory only under the name “Wellenbrink H H” but in the 1913 edition it is listed as the Pico Grand. From 1915 through 1923 it was listed as the Sunbeam Theatre, a name it shared with a house on Pasadena Avenue (later to be North Figueroa Street.) In 1924 it was listed as the New Sun Theatre, and in 1925 became simply the Sun Theatre.
An item about the future Park 70 Theatre from Moving Picture News of January 6, 1912: “Mason City, Ia.—The H. L. Stevens Company, of Chicago, have been awarded the contract for the erection of a new $10,000 theater here to replace the Wilson Theater which was destroyed by fire.”
This item from the January 6, 1912 issue of Moving Picture News indicates that the Forum Theater operated in at least two locations in McAlester: “McAlester, Okla.—The Forum Moving Picture Theater No. 2 was slightly damaged by fire.” This may explain why there is a photo of a Forum Theater running a movie released around 1917 (as per the description above) even though the house apparently closed in 1914.
A history of the Drift Theatre on this web page says that the original Drift theatre burned and was rebuilt by Ernest and Mae Turner. Ernest was the son of W. J. Turner, who might have been the original builder.
A fellow named John Newsome commenting on a 2015 Facebook post about the Drift Theatre said the first time he went to a movie theater was the Drift, in 1968. The movie was Clint Eastwood in “The Good, the Bad, and the Ugly” (apparently took a while for movies to reach this small town, as it was a 1966 release.)
Here is a web page about the Drift Theatre, with several photos.
This web page about the Drift Theatre in Drift, Kentucky, has one photo (the second one down) showing the Wheelwright Theatre. The house had a large, free-standing kiosk-like box office standing several feet away from the building entrance. The theater’s marquee had a neon W on it, but no attraction board. The crowd outside the theater in this ca.1946 photo includes several people of obvious African ancestry, so perhaps Wheelwright was an exception to the strict segregation that prevailed in most of Kentucky during this period.
The NRHP nomination form for the Wheelwright Commercial District (PDF here) says that most of the buildings in the district had been built between 1916 and 1920, but “[d]uring 1940 and 1941, an intensive modernization program was undertaken: the theater was brick-veneered and the ticket booth-pay window was built…” A new clubhouse was built at the same time, designed by architect Albert Franklin Tucker, who probably handled the entire renovation project as well.
The Wheelwright Theatre is listed in the 1926 FDY. A map in the NRHP form shows the theater on Main Street across from the Post Office. The address 1590 KY-306, Wheelwright brings up a Google street view of the site.
I have come across information leading me to believe that the Marengo Theatre originally opened in 1912 as the Orient Theatre, and that the grocery business that had previously occupied the building was long operated by the Leib family, one of whom moved it to a new location in 1911. This information comes from a biographical sketch of Mrs. E.N.(Rebecca) Leib on on this web page. It specifically says that the Leib’s grocery store was in the Eddy Building, and I have found the Eddy building mentioned in a theater industry trade journal item about the Orient Theatre.
An Orient Theater is mentioned in the January 2, 1915 issue of Moving Picture World: “L. E. ALEXANDER of Calmar has purchased the Orient theater at Marengo from C. W. Eddy and has assumed possession.
The January, 1912 issue of Motography told of the beginning of this house: “A moving picture theater will be opened at Marengo by Jos. Reynolds.” The story continued in the February issue: “Messrs. J. H. Reynolds, George Bishop and A. W. Skersick will open a moving-picture theater in the Eddy building at Marengo.” A July 20 item in the same journal indicates that one of the partners then came into full possession of the house: “The Orient Theater at Marengo has been purchased by A. W. Skersick.”
Trade journals from 1913 and 1914 mention a W. G. Eddy of Marengo who was secretary of the Iowa Motion Picture Exhibitors' League, and the July 4, 1914 issue of The Billboard even devoted a large part of a page to a letter he wrote to them regarding the evils of censorship. It appears that the Eddy family were the landlords for the theater, then one of them took over its operation for a couple of years, becoming deeply involved in the theater industry, for a while at least.
I think we’ll have to find another name for this house, as I’ve found evidence that the Oriental (or more likely Orient) Theatre opened in 1912, and so would not have been this house on the 1910 Sanborn. I now suspect that Orient was the original name of the house that later became the Strand and then the Marengo. I’ll put a comment about this on the Marengo page.
The December 28, 1907 issue of The Show World mentioned the Yale Amusement Company and the Yale film Rental Company of Kansas City, both headed by an A. D. Flinton. The Yale Amusement Company had been mentioned in passing in the June 24, 1905 issue of The Billboard.
I’m seeing four houses operated by Yale listed in the 1914-1915 AMPD: The Wonderland and Princess, plus Yale’s Crystal at 1205 Grand and Yale’s Automat Theatre, 1116 Main Street.
The 1914-1915 American Motion Picture Directory lists a house called Yale’s Automat Theatre at 1116 Main Street. It sounds like it would have been under the footprint of the Paramount, and thus demolished to make way for the Newman.
Drat, I just realized that Yale’s Wonderland was on 12th Street, so it might have been the house Mr. Stephens had attended.
In an October 14, 1911 Moving Picture World article about Kansas City’s movie houses, Nelson T. Stephens wrote: “I paid my next admission at Yale’s Twelfth Street theater, the Lyric, I believe.” Kansas City had two houses called the Lyric over the years, but neither was on Twelfth Street. I suspect that Mr. Stephens lost track of where he was, visiting so many theaters in a short time, and he probably attended the original 12th Street Theatre. Chances are he visited the Lyric as well, but chose not to write about it. Dallasmovietheaters' earlier comment says the 12th Street, opened April 22, 1911, closed after about a year and reopened under new management.
The current use of the Ritz Theatre building is as an art gallery (entrance to the facility is around the corner at 810 W. Walnut Avenue. The old theater entrance on 8th Street is largely unrecognizable.)
An advertisement for the Folly Theatre in the December 15, 1922 issue of The Duncan Daily Eagle and Banner touted performances by the Ferguson Bros. Stock Company continuing through the following week, so the house did present stage shows.
This item appeared in the April 5, 1952 issue of Boxoffice: “Parksville on Vancouver island will have a 300-seat quonset-type of theater which will open this summer. The house will be financed by the citizens and will be air conditioned. Parksville, which is midway between Nanaimo and Port Alberni, formerly was serviced by a 16mm outfit.”
Like many quonset-style theaters, the Park featured a plain, boxy front, as seen in this photo post on the Parksville Museum’s Facebook page. Over 100 comments on the post indicate that the house is fondly remembered by Parksvillians (Parksvillagers?) At least two comments note that the first movie shown was “The African Queen” and one commenter says that the last movie run was “Honey I Shrunk the Kids,” though another says that it was “The Rocky Horror Picture Show.” It’s possible that the latter was a midnight show following the final evening performance of the former.