Either the 1941 listing or the Sarasota Herald-Tribune of December 20, 1942, had the seating capacity of the Bonifay Theatre wrong. The newspaper reported that 500 patrons had escaped unharmed when the Bonifay Theatre was destroyed by a fire (Google News.)
The June, 1934, issue of The Architect & Engineer had this item about the remodeling of the Piedmont Theatre:
“Extensive alterations and additions are to be made to the Piedmont Theater, Oakland, from plans by A. A. Cantin, 557 Market Street, San Francisco. About $10,000 will be expended on the improvements, which will be in charge of A. J. Hopper.”
The May, 1934, issue of The Architect & Engineer had an item about a theater project in Alameda then being designed by architect F. Frederic Amandes, and it ended with this line: “Mr. Amandes has also made plans for extensive alterations to the Fox-Virginia theater in Vallejo.”
The March 23, 1935, issue of Motion Picture Herald said that the new Sierra Theatre in Susanville would soon be opened. The May, 1934, issue of The Architect & Engineer ran this brief item about two proposed theaters in Northern California:
“The T & D Enterprises will erect a two story reinforced concrete moving picture house in Susanville, and a one story reinforced concrete theater at Redding. They will cost $40,000 and $120,000 respectively. L. H. Nishkian of San
Francisco is the structural engineer.”
The theater to be built in Redding must have been the Cascade. As both theaters were being built for the same company, and the Cascade was designed by San Francisco architect J. Lloyd Conrich, it seems likely that Conrich would have designed the Sierra Theatre as well. A 2001 post by Warren E. Bechtolt on this message board says: “Research from AIA lists over 190 projects designed by Conrich, 31 of which are theatres.” It does seem very likely that the Sierra would be among them.
Engineer Leon Hagop Nishkian had a long career which included working as the structural engineer on a number of notable theaters, including the Fox, Loew’s Warfield, Orpheum (both the O'Farrell Street and Market Street locations), and Castro Theatres in San Francisco, and the Paramount in Oakland. He began his career in the office of San Francisco theater architect G. Albert Landsburgh in 1906, and in 1919 he founded an engineering firm that is still in operation today. The Nishkian Companies web site provides this biography of its founder.
The best way to get Google Maps to fetch something close to the proper location for this theater would be to give the address as Washington and Illinois Streets. Here is an item about the opening of the rebuilt theater as the Rialto from the August 5, 1916, issue of The Moving Picture World:
“The Rialto theater, Indianapolis, has been opened. The new house is at the intersection of three streets at the busiest downtown corner. The interior is striking. It probably has the largest number of lights in use of any theater in the state. A Seeberg piano is being installed.”
The third street refereed to in the item was, of course, Kentucky Avenue, this section of which has since been obliterated.
This theater was probably the house built in 1916 as the Holmes Theatre, as noted in the August 5 issue of The Moving Picture World that year:
“The Holmes Brothers of West Terre Haute are building The Holmes theater at 213-15 Paris avenue. The house is just two doors west of the theater being operated by the Holmes Brothers at this time.”
The Haskell Theatre is listed at 118 N. Haskell Avenue in the 1929 Film Daily Yearbook. That would place it in the block between Main and Elm Streets, which would open the possibility that it was the project mentioned in the July 6, 1921, issue of The American Architect:
“Dallas, Texas.—Theatre.
“Dr. C. M. Grigsby, Dallas, will erect a brick, 90 x 72.6 ft. motion picture theatre at Elm St. and Haskell Ave. $45,000. J. F. Woerner & Co., Sumpter Bldg., archts.”
The June 10, 1916, issue of The American Contractor had an item about a proposed movie theater in New Bethlehem, Pennsylvania:
“New Bethlehem, Pa. — Theater: About $12,000. 1 sty. 60x100. Archt. H. S. Bair, Vandergrift bldg., Pittsburgh. Owner A. K. Andrews Lumber Co., New Bethlehem. Plans in progress; owner will build and buy material. Work will start shortly.”
Here is an item about the Andrews Theatre form the August 12, 1916, issue of The Moving Picture World:
“New Bethlehem to Have Theater.
“C. E. Andrews is erecting a modern 800 seat house at New Bethlehem, Pa. This is the first moving picture theater in the town, which has a population of 2,500. It will be completed in about three months.”
In June, 1936, architect Victor A. Rigaumont received a copyright on plans for alterations to the lobby of a theater at New Bethlehem, Pennsylvania. As the Arcadia appears to have been the only movie theater in the town, this must have been the one he worked on.
The aka should definitely be Lehigh Orpheum and not Lehigh Emporium. I found a 1915 ad for the Lehigh Orpheum and the wording, aside from the wrong name, was identical to an ad quoted in Raniere and Samuels. I’ve found a reference to a Lehigh Orpheum Company that in operation as late as 1933.
South Bethlehem, by Kenneth F. Raniere, Karen M. Samuels, and the South Bethlehem Historical Society (Google Books preview), has a photo of the Lehigh Theatre. The caption says that the house opened as the Lehigh Emporium [sic] Theatre in the early 20th century, was renamed the State Theatre in the 1930s and the Lehigh Theatre in the 1960s. The building was demolished in 1976.
I found a reference in the December 20, 1913, issue of The Moving Picture World to a Bethlehem house called the Lehigh Orpheum Theatre, and it has made me wonder if Lehigh “Emporium” Theatre was not an error, perhaps from a transcribed oral history. Emporium was not typically a theater name, but Orpheum certainly was. Raniere and Samuels' book is the only place I’ve found any reference to a Lehigh Emporium Theatre, while I’ve found multiple period references to a Lehigh Orpheum Theatre.
I believe that the First United Life Insurance Company building, which is at the Gary Theatre’s address, is the theater building, andit has not been demolished. The front is very modern, but the side and back walls show a combination of modern and very old brick. I think the auditorium was probably gutted and filled in with office floors, and windows were punched into its walls. The current building is the same size as the theater in the historic photo.
A history of Lake County published in 1915 says that the New Gary Theatre was built by Ingwald Moe and was designed by local architect J. J. Verplank. It opened on August 29, 1913.
According to City of the Century: A History of Gary, Indiana, by James B. Lane, the original Gary Theatre was located at 9th and Jefferson, and was in operation by 1908.
A history of Lake County, Indiana, published in 1915 mentions the Grand Theatre, then operated by the Simon brothers. It started as a stock and vaudeville theater, but by 1915 was devoted exclusively to movies.
JRS: Do you know anything about the building at 2224 Broadway? It now houses a social club, but it looks very much like it might have been a theater at one time. Cinema Treasures has nothing listed for the address, and I can’t find anything about it on the Internet.
Also, this old building at 17th and Broadway looks like a former theater. The building still appears in Street View, taken in August, 2011, but the lot appears to be vacant in the satellite view, which is probably more recent, so I think it must have been demolished since the Street View was made.
augie53: This theater was opened as the Ridge Theatre in very late 1941 or very early 1942. It was probably renamed the Glen Theatre after a 1968 remodeling. See my earlier comment here for citations.
JRS40: The theater around the corner on Broadway was the Roxy, not the Ridge. The Glen was called the Ridge when it opened. Your older brothers told you, and that’s how I found out that the Ridge and the Glen were the same theater.
Los Alamos and the Pajarito Plateau, by Sharon Snyder and Toni Michnovicz Gibson, reveals that the Centre Theatre opened in 1948 with the Clifton Webb comedy Sitting Pretty.
Given its location, the Fine Arts Theatre might be the house that was mentioned in the July 20, 1912, issue of Motography:
“Articles of incorporation have been filed for the Stage-Simpson Amusement Company, which will open a motion picture theater at South avenue and Gregory street, Rochester, about July 15. The company is capitalized at $1,000, and the directors are Clarence G. Stage, Maggie Stage and Frank I. Simpson.”
Frank I. Simpson was mentioned as operator of the Princess Theatre at Rochester in the October 25, 1913, issue of The Moving Picture World. We don’t have a Princess Theatre listed yet, and the side walls of the building the Fine Arts was in look old enough to have been built in the early 1910s. It’s quite possible that this house opened in 1912 as the Princess Theatre.
Hdtv267: I do know that Proctor’s 23rd Street was not the same theater as Proctor’s Pleasure Palace/58th Street Theatre. I was just adding a gloss to Warren’s comment of May 22, 2008, noting that this was not the only Proctor house that was called the Bijou Dream for a while. Proctor’s 58th Street was still operating as the Bijou Dream as late as 1913.
Sara D. Roosevelt Parkway was the result of the demolition of the blocks between Chrystie and Forsyth Streets, from Canal Street to Houston Street. Shortly before this project got underway, all the buildings along the east side of Allen Street, two blocks east of Forsyth Street, from Canal to Houston were demolished, and Allen Street was widened.
In the exuberant days of the late 1920s, it was thought by the city’s planners that Allen Street could become a broad boulevard in the manner of certain avenues in Paris, but lined with tall, luxurious apartment blocks, like Park Avenue north of Grand Central Station. A dubious idea at best, given the surrounding neighborhood, but the onset of the depression put an end to the plan in any case. With today’s less grandiose approach to planning, the buildings lost to those projects would probably now be far more valuable to the city than is the empty space the projects created.
AlAlvarez: I found another reference to the Grand Street Theater, this in Ruth Crosby Dimmick’s 1913 book Our Theatres To-day and Yesterday. It says that the house opened on February 4, 1903, as a Yiddish theater. It was leased to Bedford Theatrical Company in December, 1909, and as of 1913 was playing “…Marcus Loew attractions.” I don’t know if that means vaudeville only or vaudeville and pictures. Most of Loew’s early houses in New York appear to have presented both.
Either the 1941 listing or the Sarasota Herald-Tribune of December 20, 1942, had the seating capacity of the Bonifay Theatre wrong. The newspaper reported that 500 patrons had escaped unharmed when the Bonifay Theatre was destroyed by a fire (Google News.)
The June, 1934, issue of The Architect & Engineer had this item about the remodeling of the Piedmont Theatre:
The May, 1934, issue of The Architect & Engineer had an item about a theater project in Alameda then being designed by architect F. Frederic Amandes, and it ended with this line: “Mr. Amandes has also made plans for extensive alterations to the Fox-Virginia theater in Vallejo.”
The March 23, 1935, issue of Motion Picture Herald said that the new Sierra Theatre in Susanville would soon be opened. The May, 1934, issue of The Architect & Engineer ran this brief item about two proposed theaters in Northern California:
The theater to be built in Redding must have been the Cascade. As both theaters were being built for the same company, and the Cascade was designed by San Francisco architect J. Lloyd Conrich, it seems likely that Conrich would have designed the Sierra Theatre as well. A 2001 post by Warren E. Bechtolt on this message board says: “Research from AIA lists over 190 projects designed by Conrich, 31 of which are theatres.” It does seem very likely that the Sierra would be among them.Engineer Leon Hagop Nishkian had a long career which included working as the structural engineer on a number of notable theaters, including the Fox, Loew’s Warfield, Orpheum (both the O'Farrell Street and Market Street locations), and Castro Theatres in San Francisco, and the Paramount in Oakland. He began his career in the office of San Francisco theater architect G. Albert Landsburgh in 1906, and in 1919 he founded an engineering firm that is still in operation today. The Nishkian Companies web site provides this biography of its founder.
The recent opening of the Gem Theatre at Gillett, Wisconsin, was noted in the August 5, 1916, issue of The Moving Picture World.
I’ve found the Palace Theatre in Bethlehem advertised as early as 1922, but this photo of the auditorium is on a picture postcard mailed in 1912.
The best way to get Google Maps to fetch something close to the proper location for this theater would be to give the address as Washington and Illinois Streets. Here is an item about the opening of the rebuilt theater as the Rialto from the August 5, 1916, issue of The Moving Picture World:
The third street refereed to in the item was, of course, Kentucky Avenue, this section of which has since been obliterated.This theater was probably the house built in 1916 as the Holmes Theatre, as noted in the August 5 issue of The Moving Picture World that year:
The Haskell Theatre is listed at 118 N. Haskell Avenue in the 1929 Film Daily Yearbook. That would place it in the block between Main and Elm Streets, which would open the possibility that it was the project mentioned in the July 6, 1921, issue of The American Architect:
The June 10, 1916, issue of The American Contractor had an item about a proposed movie theater in New Bethlehem, Pennsylvania:
Here is an item about the Andrews Theatre form the August 12, 1916, issue of The Moving Picture World:In June, 1936, architect Victor A. Rigaumont received a copyright on plans for alterations to the lobby of a theater at New Bethlehem, Pennsylvania. As the Arcadia appears to have been the only movie theater in the town, this must have been the one he worked on.An early photo of the Lehigh Orpheum Theatre can be seen on this web page.
The aka should definitely be Lehigh Orpheum and not Lehigh Emporium. I found a 1915 ad for the Lehigh Orpheum and the wording, aside from the wrong name, was identical to an ad quoted in Raniere and Samuels. I’ve found a reference to a Lehigh Orpheum Company that in operation as late as 1933.
South Bethlehem, by Kenneth F. Raniere, Karen M. Samuels, and the South Bethlehem Historical Society (Google Books preview), has a photo of the Lehigh Theatre. The caption says that the house opened as the Lehigh Emporium [sic] Theatre in the early 20th century, was renamed the State Theatre in the 1930s and the Lehigh Theatre in the 1960s. The building was demolished in 1976.
I found a reference in the December 20, 1913, issue of The Moving Picture World to a Bethlehem house called the Lehigh Orpheum Theatre, and it has made me wonder if Lehigh “Emporium” Theatre was not an error, perhaps from a transcribed oral history. Emporium was not typically a theater name, but Orpheum certainly was. Raniere and Samuels' book is the only place I’ve found any reference to a Lehigh Emporium Theatre, while I’ve found multiple period references to a Lehigh Orpheum Theatre.
I believe that the First United Life Insurance Company building, which is at the Gary Theatre’s address, is the theater building, andit has not been demolished. The front is very modern, but the side and back walls show a combination of modern and very old brick. I think the auditorium was probably gutted and filled in with office floors, and windows were punched into its walls. The current building is the same size as the theater in the historic photo.
A history of Lake County published in 1915 says that the New Gary Theatre was built by Ingwald Moe and was designed by local architect J. J. Verplank. It opened on August 29, 1913.
According to City of the Century: A History of Gary, Indiana, by James B. Lane, the original Gary Theatre was located at 9th and Jefferson, and was in operation by 1908.
In light of some previous comments, is this bad news for Fenton?
A history of Lake County, Indiana, published in 1915 mentions the Grand Theatre, then operated by the Simon brothers. It started as a stock and vaudeville theater, but by 1915 was devoted exclusively to movies.
JRS: Do you know anything about the building at 2224 Broadway? It now houses a social club, but it looks very much like it might have been a theater at one time. Cinema Treasures has nothing listed for the address, and I can’t find anything about it on the Internet.
Also, this old building at 17th and Broadway looks like a former theater. The building still appears in Street View, taken in August, 2011, but the lot appears to be vacant in the satellite view, which is probably more recent, so I think it must have been demolished since the Street View was made.
augie53: This theater was opened as the Ridge Theatre in very late 1941 or very early 1942. It was probably renamed the Glen Theatre after a 1968 remodeling. See my earlier comment here for citations.
JRS40: The theater around the corner on Broadway was the Roxy, not the Ridge. The Glen was called the Ridge when it opened. Your older brothers told you, and that’s how I found out that the Ridge and the Glen were the same theater.
Los Alamos and the Pajarito Plateau, by Sharon Snyder and Toni Michnovicz Gibson, reveals that the Centre Theatre opened in 1948 with the Clifton Webb comedy Sitting Pretty.
Given its location, the Fine Arts Theatre might be the house that was mentioned in the July 20, 1912, issue of Motography:
Frank I. Simpson was mentioned as operator of the Princess Theatre at Rochester in the October 25, 1913, issue of The Moving Picture World. We don’t have a Princess Theatre listed yet, and the side walls of the building the Fine Arts was in look old enough to have been built in the early 1910s. It’s quite possible that this house opened in 1912 as the Princess Theatre.Hdtv267: I do know that Proctor’s 23rd Street was not the same theater as Proctor’s Pleasure Palace/58th Street Theatre. I was just adding a gloss to Warren’s comment of May 22, 2008, noting that this was not the only Proctor house that was called the Bijou Dream for a while. Proctor’s 58th Street was still operating as the Bijou Dream as late as 1913.
Sara D. Roosevelt Parkway was the result of the demolition of the blocks between Chrystie and Forsyth Streets, from Canal Street to Houston Street. Shortly before this project got underway, all the buildings along the east side of Allen Street, two blocks east of Forsyth Street, from Canal to Houston were demolished, and Allen Street was widened.
In the exuberant days of the late 1920s, it was thought by the city’s planners that Allen Street could become a broad boulevard in the manner of certain avenues in Paris, but lined with tall, luxurious apartment blocks, like Park Avenue north of Grand Central Station. A dubious idea at best, given the surrounding neighborhood, but the onset of the depression put an end to the plan in any case. With today’s less grandiose approach to planning, the buildings lost to those projects would probably now be far more valuable to the city than is the empty space the projects created.
AlAlvarez: I found another reference to the Grand Street Theater, this in Ruth Crosby Dimmick’s 1913 book Our Theatres To-day and Yesterday. It says that the house opened on February 4, 1903, as a Yiddish theater. It was leased to Bedford Theatrical Company in December, 1909, and as of 1913 was playing “…Marcus Loew attractions.” I don’t know if that means vaudeville only or vaudeville and pictures. Most of Loew’s early houses in New York appear to have presented both.