Four places called Hamilton appear in the drop-down menu in our search box, but for some reason this Hamilton is not among them. I only found this page for the Gaumont Hamilton from its link on the page for the architect. Maybe that’s why it hasn’t gotten any comments in more than four years.
Becky: The screen in the main auditorium of the Edwards Big Newport is 71 feet wide, at maximum. The screen has masking which can be used to block light from part of it when the theater shows movies that don’t have the right aspect ratio to fill it completely.
I don’t think the auditorium building was actually demolished. It appears to have been gutted and filled with floors, and windows were punched in the side walls. If you move Street View three clicks south, you can see the side of the building across the parking lot. Even the stage house is still standing.
The satellite view of the Joy Cinema shows that the building tapers toward the screen end of the auditorium, as does the auditorium of the Tigard Theatre as seen in the Boxoffice photo Tinseltoes linked to. They probably are the same theater. The Tigard Theatre was designed by Portland architect James W. DeYoung.
The Heathman Hotel, which contains the entrance to the Arlene Schnitzer Concert Hall, was designed by Portland architects James W. DeYoung and Knud A. Roald. Knud & Roald also acted as supervising architects for the construction of the Paramount Theatre. 23 photos of the interior of the Paramountare in the DeYoung and Roald Architectural Plans and Photographs collection at the University of Oregon Library at Eugene, Oregon. The collection is open to the public, but can be viewed only in the Special Collections & University Archives Reading Room.
Another photo has solved the mystery of the two different old addresses for the Bijou. The Bijou occupied two different locations. This photo shows what must have been the first Bijou, of 1904. It is on the east side of Main Street several doors north of Washington. The building with the white awning near the corner of Washington, at right, was the Lyric Theatre, at old address 132 N. Main Street. That means that old address 140 N.Main probably was the correct address of the Bijou of 1904-1906.
The second location of the Bijou, which became the Majestic, was in one of the buildings farther up the block on the left side of Main Street. I think that the library’s interior photo must show the second Bijou. The first Bijou looks like it was a storefront nickelodeon conversion. Its replacement most likely opened in 1906, which the interior photo’s caption gives as the Bijou’s closing date, and operated as the Bijou until becoming the Majestic in 1912.
The photo from the Time Theatre’s web site (linked in my first comment on this thread) shows that the Bijou was contemporary with the Superba, which operated under that name from 1908 until 1911 or 1912.
The address 132 N. Main Street is obsolete. In 1957 Oshkosh renumbered the lots on Main Street. The old 100 block became the modern 400 block.
This historical photo shows that the Lyric Theatre was almost at the corner of Washington Street. The Lyric and its neighbors were demolished long ago when the site was cleared for the First National Bank building, which appears to have been erected in the 1920s. The modern address of the Lyric’s lot would probably be either 402 or 404 N. Main Street.
Caption information for this interior photo of the Bijou says that it opened on January 18, 1904, closed in 1906, and reopened as the Majestic Theatre in 1912. But then it also gives the address of the Bijou as 140 N. Main Street, so I don’t know how accurate the other information is.
Oshkosh did renumber many of its lots in 1907, as well as during the more general overhaul of 1957, so it’s entirely possible that, as of 1904, the Bijou’s lot was numbered 140 N. Main. The 1907 renumbering included changing the odd and even-numbered sides of many streets, which prior to that had not followed a standardized pattern. It’s possible that no other American city ever endured so irregular a street numbering system as Oshkosh did, or for so long a time.
165-167 was the historic address of the Bijou/Majestic Theatre. Oshkosh renumbered the lots on Main Street in 1957, and the modern address of the building that housed the theater is 439 N. Main Street.
The first photo in the Historical Photos section of the web site of the Time Community Theatre shows the Time’s predecessor, the Superba Theatre, with the Bijou in the foreground. The building has lost its ornate cornice and parapet, but is still recognizable.
We need to find a modern address for the Plaza Theatre. Oshkosh renumbered the lots on Main Street in 1957, and the former 200 block became the modern 500 block. The address of The Magnet, a billiard parlor across the street from the former entrance of The Plaza, is 519 N. Main. The address of Mainview Apartments, which appears the be the former entrance to the Raulf Hotel, is 530 N. Main. I would guess that the theater entrance, which was at the south end of the hotel’s frontage, was approximately at modern address 518 N. Main.
Street View needs to be reset, too. It currently shows the Time Theatre, in the modern 400 block of Main Street.
The Time Theatre was in part-time operation earlier this year, with events on Fridays and Saturdays, including some movies. The last event was held on October 20, and the Calender of Events on the theater’s web site currently shows only board meetings scheduled, but perhaps there will be more events next year.
The web site’s photo gallery has an album of historical photos, including several showing the Rex Theatre. There is also an album showing the renovation work, and three albums with photos from live events that have since been presented in the theater.
Bruce is correct. Oshkosh renumbered the lots on many of its streets, including Main Street, in 1957. 157 N. Main was the Oshkosh Theatre’s old address. 427 N. Main is the modern address.
Volume 3 of a 1994 publication called History of the City of Oshkosh, by Clarence Jungwirth, has a chapter about the theaters in Oshkosh, and it says that the Oshkosh Theatre was on the site of an earlier house called the Orpheum. The text is a bit ambiguous, so I don’t know if the Oshkosh was entirely new construction or was an extensive remodeling of the Orpheum. There are photos of both theaters, the Orpheum on page 33 and the Oshkosh on page 37. A digital scan of the chapter can be seen online at this link, courtesy of the Oshkosh Public Library.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists an unnamed theater at Lakeshore Boulevard West and Fourth Street in New Toronto as a 1929 project. It must have been the Capitol.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists the Hollywood Theatre as a 1930 project, with an addition dated 1946. The 1946 design must have been for the 1947 twinning of the theater, which was noted in my previous comment on this house, January 7, 2009.
This article from the St. Thomas Times Journal of December 22, 2008, about the closing of the Capitol Theatre, says that the house first opened in 1931. That conforms to the page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada, which lists a theater for Famous Players on Talbot Street in St. Thomas as a 1931 Duerr project.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists an unnamed theater of his design built for for William Dineen, located on King Street North in Waterloo. Designed in 1936 and opened in 1937, this project must have been the Star Theatre/Waterloo Stage.
When Google’s camera car went by, half of the Strand Theatre building was occupied by an insurance agency, McFarlan Rowlands, which has the address 169 Broadway Street. The vacant half of the building is probably 167 Broadway. The theater must have used one or the other of those numbers.
The Regent Theatre in the photos probably opened in early 1923. The October, 1922, issue of The Bridgemens Magazine ran this item:
“Sudbury—Theatre—Regent Theatre, Ltd., had plans prepared by Hall & Duerr, architects, Lumsden building, Toronto. 2-story and basement, 50x120 feet, concrete, brick and steel. $150,000.”
Sudbury: Rail Town to Regional Capital, by Carl Murray Wallace and Ashley Thomson, indicates that this project was a new building for an existing theater. The book doesn’t say if the new Regent was on the same site as the old one or not.
Hall & Duerr designed at least five theaters. After dissolving his partnership (1919-1926) with B. Kingston Hall, architect Herbert George Duerr established his own practice, and over the next quarter century or so he designed or remodeled at least twenty more theaters, many for the Famous Players chain.
The page for architect B. Kingston Hall at the Biographical Dictionary of Architects in Canada lists the Tivoli Theatre in Hamilton as a 1924 project of the firm of Hall & Duerr. The page lists a total of five theater projects for the firm.
After the firm was dissolved in 1926, partner Herbert George Duerr established his own practice and went on to design at least twenty more theaters.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists his design for an unnamed theater at Yonge Street and Norton Avenue in North York as a 1947 project. It must have been the Willow Theatre.
The caption should read that the theater was converted to retail space in 1921. The retailer’s lease was signed in 1920, and went into effect when the theater’s lease ended in January, 1921.
An item on this web page says that the first movie shown at the Nechako Theatre was The Eddy Duchin Story. The movie was released in the summer of 1956.
Raney, of course, was a well-known Northern California theater architect who designed dozens of movie theaters. Robert Blunk was a Burlingame architect who, as far as I’ve been able to discover, designed only one other house, the Hillbarn Theatre at Foster City, California, (1966) which, like the Hyatt, was a stage venue.
The entry for Atlanta architect John Arthur Busby, Jr., in the 1972 edition of the AIA’s American Architects Directory lists the Festival Cinema as one of his projects, dated 1966. His firm, formed that same year, was Jova/Daniels/Busby. The firm is still in existence, but its web site doesn’t list any theaters among its projects.
Four places called Hamilton appear in the drop-down menu in our search box, but for some reason this Hamilton is not among them. I only found this page for the Gaumont Hamilton from its link on the page for the architect. Maybe that’s why it hasn’t gotten any comments in more than four years.
Becky: The screen in the main auditorium of the Edwards Big Newport is 71 feet wide, at maximum. The screen has masking which can be used to block light from part of it when the theater shows movies that don’t have the right aspect ratio to fill it completely.
I don’t think the auditorium building was actually demolished. It appears to have been gutted and filled with floors, and windows were punched in the side walls. If you move Street View three clicks south, you can see the side of the building across the parking lot. Even the stage house is still standing.
The satellite view of the Joy Cinema shows that the building tapers toward the screen end of the auditorium, as does the auditorium of the Tigard Theatre as seen in the Boxoffice photo Tinseltoes linked to. They probably are the same theater. The Tigard Theatre was designed by Portland architect James W. DeYoung.
The Heathman Hotel, which contains the entrance to the Arlene Schnitzer Concert Hall, was designed by Portland architects James W. DeYoung and Knud A. Roald. Knud & Roald also acted as supervising architects for the construction of the Paramount Theatre. 23 photos of the interior of the Paramountare in the DeYoung and Roald Architectural Plans and Photographs collection at the University of Oregon Library at Eugene, Oregon. The collection is open to the public, but can be viewed only in the Special Collections & University Archives Reading Room.
Another photo has solved the mystery of the two different old addresses for the Bijou. The Bijou occupied two different locations. This photo shows what must have been the first Bijou, of 1904. It is on the east side of Main Street several doors north of Washington. The building with the white awning near the corner of Washington, at right, was the Lyric Theatre, at old address 132 N. Main Street. That means that old address 140 N.Main probably was the correct address of the Bijou of 1904-1906.
The second location of the Bijou, which became the Majestic, was in one of the buildings farther up the block on the left side of Main Street. I think that the library’s interior photo must show the second Bijou. The first Bijou looks like it was a storefront nickelodeon conversion. Its replacement most likely opened in 1906, which the interior photo’s caption gives as the Bijou’s closing date, and operated as the Bijou until becoming the Majestic in 1912.
The photo from the Time Theatre’s web site (linked in my first comment on this thread) shows that the Bijou was contemporary with the Superba, which operated under that name from 1908 until 1911 or 1912.
The address 132 N. Main Street is obsolete. In 1957 Oshkosh renumbered the lots on Main Street. The old 100 block became the modern 400 block.
This historical photo shows that the Lyric Theatre was almost at the corner of Washington Street. The Lyric and its neighbors were demolished long ago when the site was cleared for the First National Bank building, which appears to have been erected in the 1920s. The modern address of the Lyric’s lot would probably be either 402 or 404 N. Main Street.
Caption information for this interior photo of the Bijou says that it opened on January 18, 1904, closed in 1906, and reopened as the Majestic Theatre in 1912. But then it also gives the address of the Bijou as 140 N. Main Street, so I don’t know how accurate the other information is.
Oshkosh did renumber many of its lots in 1907, as well as during the more general overhaul of 1957, so it’s entirely possible that, as of 1904, the Bijou’s lot was numbered 140 N. Main. The 1907 renumbering included changing the odd and even-numbered sides of many streets, which prior to that had not followed a standardized pattern. It’s possible that no other American city ever endured so irregular a street numbering system as Oshkosh did, or for so long a time.
165-167 was the historic address of the Bijou/Majestic Theatre. Oshkosh renumbered the lots on Main Street in 1957, and the modern address of the building that housed the theater is 439 N. Main Street.
The first photo in the Historical Photos section of the web site of the Time Community Theatre shows the Time’s predecessor, the Superba Theatre, with the Bijou in the foreground. The building has lost its ornate cornice and parapet, but is still recognizable.
We need to find a modern address for the Plaza Theatre. Oshkosh renumbered the lots on Main Street in 1957, and the former 200 block became the modern 500 block. The address of The Magnet, a billiard parlor across the street from the former entrance of The Plaza, is 519 N. Main. The address of Mainview Apartments, which appears the be the former entrance to the Raulf Hotel, is 530 N. Main. I would guess that the theater entrance, which was at the south end of the hotel’s frontage, was approximately at modern address 518 N. Main.
Street View needs to be reset, too. It currently shows the Time Theatre, in the modern 400 block of Main Street.
The Time Theatre was in part-time operation earlier this year, with events on Fridays and Saturdays, including some movies. The last event was held on October 20, and the Calender of Events on the theater’s web site currently shows only board meetings scheduled, but perhaps there will be more events next year.
The web site’s photo gallery has an album of historical photos, including several showing the Rex Theatre. There is also an album showing the renovation work, and three albums with photos from live events that have since been presented in the theater.
Bruce is correct. Oshkosh renumbered the lots on many of its streets, including Main Street, in 1957. 157 N. Main was the Oshkosh Theatre’s old address. 427 N. Main is the modern address.
Volume 3 of a 1994 publication called History of the City of Oshkosh, by Clarence Jungwirth, has a chapter about the theaters in Oshkosh, and it says that the Oshkosh Theatre was on the site of an earlier house called the Orpheum. The text is a bit ambiguous, so I don’t know if the Oshkosh was entirely new construction or was an extensive remodeling of the Orpheum. There are photos of both theaters, the Orpheum on page 33 and the Oshkosh on page 37. A digital scan of the chapter can be seen online at this link, courtesy of the Oshkosh Public Library.
The grand opening ad Mike Rivest linked to says that the Fischer Theatre was designed by the Milwaukee architectural firm Chas. J. Keller & Son.
Frank W. Fischer’s circuit was a regional affiliate of Paramount Pictures, Fischer-Paramount Theatres.
The style of the theater was Spanish-Atmospheric.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists an unnamed theater at Lakeshore Boulevard West and Fourth Street in New Toronto as a 1929 project. It must have been the Capitol.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists the Hollywood Theatre as a 1930 project, with an addition dated 1946. The 1946 design must have been for the 1947 twinning of the theater, which was noted in my previous comment on this house, January 7, 2009.
This article from the St. Thomas Times Journal of December 22, 2008, about the closing of the Capitol Theatre, says that the house first opened in 1931. That conforms to the page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada, which lists a theater for Famous Players on Talbot Street in St. Thomas as a 1931 Duerr project.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists an unnamed theater of his design built for for William Dineen, located on King Street North in Waterloo. Designed in 1936 and opened in 1937, this project must have been the Star Theatre/Waterloo Stage.
When Google’s camera car went by, half of the Strand Theatre building was occupied by an insurance agency, McFarlan Rowlands, which has the address 169 Broadway Street. The vacant half of the building is probably 167 Broadway. The theater must have used one or the other of those numbers.
The Regent Theatre in the photos probably opened in early 1923. The October, 1922, issue of The Bridgemens Magazine ran this item:
Sudbury: Rail Town to Regional Capital, by Carl Murray Wallace and Ashley Thomson, indicates that this project was a new building for an existing theater. The book doesn’t say if the new Regent was on the same site as the old one or not.Hall & Duerr designed at least five theaters. After dissolving his partnership (1919-1926) with B. Kingston Hall, architect Herbert George Duerr established his own practice, and over the next quarter century or so he designed or remodeled at least twenty more theaters, many for the Famous Players chain.
The page for architect B. Kingston Hall at the Biographical Dictionary of Architects in Canada lists the Tivoli Theatre in Hamilton as a 1924 project of the firm of Hall & Duerr. The page lists a total of five theater projects for the firm.
After the firm was dissolved in 1926, partner Herbert George Duerr established his own practice and went on to design at least twenty more theaters.
The page for architect Herbert George Duerr at the Biographical Dictionary of Architects in Canada lists his design for an unnamed theater at Yonge Street and Norton Avenue in North York as a 1947 project. It must have been the Willow Theatre.
The caption should read that the theater was converted to retail space in 1921. The retailer’s lease was signed in 1920, and went into effect when the theater’s lease ended in January, 1921.
An item on this web page says that the first movie shown at the Nechako Theatre was The Eddy Duchin Story. The movie was released in the summer of 1956.
Here is an architectural rendering of the Hyatt Music Theatre. The theater was designed by architects Vincent G. Raney and Robert M. Blunk.
Raney, of course, was a well-known Northern California theater architect who designed dozens of movie theaters. Robert Blunk was a Burlingame architect who, as far as I’ve been able to discover, designed only one other house, the Hillbarn Theatre at Foster City, California, (1966) which, like the Hyatt, was a stage venue.
The entry for Atlanta architect John Arthur Busby, Jr., in the 1972 edition of the AIA’s American Architects Directory lists the Festival Cinema as one of his projects, dated 1966. His firm, formed that same year, was Jova/Daniels/Busby. The firm is still in existence, but its web site doesn’t list any theaters among its projects.