Charles A. Pittman opened the Jest-A-Mere Theatre on November 27, 1918. Pittman was the only African American owner/builder of a new-build St. Louis movie theater at that time as labor unions reportedly tried to tamper with the construction of the venue.
Its grand reopening as the (Frederick) Douglass Theatre on September 1, 1927 with Ralph Graves in “The Swell-Head” supported by live vaudeville and selected film shorts in in photos. The venue added sound to remain viable. It closed at end of lease on April 22, 1962 with Elizabeth Taylor in “Butterfield 8” and, appropriately enough, “The Last Sunset” with Kirk Douglas.
The New Lincoln Theatre opened on March 13, 1921 with a live presentation by the Conolly Colored Players of “Mutt and Jeff” supported by a film, “Leigh Whipper’s Reel Negro News” newsreel with Leigh Whipper in person.
T he Dexter Theatre opened on April 7, 1940 in the existing Bretlinger Building . On September 3, 1943, it reopened as the Gem Theater with “Boots and Saddles.” Advertisements cease on November 10, 1954 with a four-wall screening of “Martin Luther.”
This was a different theater / building than the Gordon (sorry). It did open as the Bloomfield operating for 15 years from 1912 through January 21, 1927 under that name. On April 18, 1927, it was renamed under new operators, Mr. and Mrs. C.E. Baehl as the Joylan Theatre seating 300 patrons. They closed at the theater’s 15-year lease expiry that November.
New operators took on the venue still as the Joylan before skipping town late in December of 1927. The building at 401 S. Prairie has since been demolished. For the next ten plus years, the townspeople had to commute 7.5 miles to nearby Dexter, Missouri for films. That changed when the town got a movie theater under a variety of names operating in the sound era from 1938 to 1960. It has its own entry under its final operational name as the SEMO Theatre.
The Allen Theater closed May 18, 1950 for the summer at the end of a 30-year lease. That summer was a long one lasting through 1950, 1951, 1952 and 1953. The Allen reopened on August of 1953 now equipped with widescreen projection equipment and likely on a 5-year sublease. It closed in 1958. Dr. Robert H. Merz salvaged the 40-year old venue and spent $200,000 on purchasing and refreshing the theater. It reopened as the Astor Theatre in 1960. Dropping burlesque it became the all new Astor Adult Cinema in 1978.
Correction from above. The Astor closed permanently on October 26, 1978 with a double feature of Linda Wong in “The Final Sin” and Jean Dalton in “Peach Fuzz.” The local police shut down the building due to safety concerns. The venue moved two blocks away resuming as the “all new” Astor Adult Cinema. It closed with a double feature of Veronica Hart in “Touch Me In the Morning” and Kitty Shayne in “Three Ripening Cherries” on August 30, 1981. Meanwhile, the original Allen/Astor and Hotel Marne/Millner building was sold at a sheriff’s auction in 1982 bringing just $20,500. It was demolished beginning in March of 1982.
College Hills Mall opened on August 14, 1980 and its theater, the College Hills Movies 4, opened by George Kerasotes Cinemas (GKC) four months later on Christmas Day 1980. At launch, it opened with two 240 seat auditoriums and two 340 seat auditorium or 1,160 seats total. Opening films were A Change of Seasons, Private Benjamin, Private Eyes and The Formula. GKC closed at the end of a 20-year leasing agreement on December 10, 2000 with What Lies Beneath, The Exorcist, Dr. T and the Women, and Ladies' Man.
Parkway Cinemas was opened in the Parkway Shopping Center on a 20-year leasing agreement on May 18, 1990 by George Kerasotes Corporation / GKC Theatres. Carmike Theatre bought the GKC locations on April 22, 2005. Carmike closed at the expiry of that lease on May 13, 2010.
Charles J. Goodwin grand opening ad on April 5, 1926 with Colleen Moore in “Orchids and Ermine” supported by Hedda Hopper in “The Mona Lisa” and organist Ruby McMathe at the console of the Etsey Pipe Organ in photos. Reboot ad under Gulf States as the Rose Cinema on November 10, 1967 with “The Dirty Dozen” in photos.
The Rose Drive-In grand opening with August 1, 1950 with “Rock Island Trial.” It closed in 1963 screening exploitation films. It became the Bastrop Raceway race track in 1968.
The Swan launched December 22, 1935 with “Whipsaw.” J.W. Smith and Associates did the architectural work. After a November 1, 1941 fire after hours, it was rebuilt as the Swan Theatre opening June 5, 1942 with Sabu in “Jungle Book.” The theatre closed at the expiry of its 20-year leasing agreeing in 1955. In 1956, the building was gutted for other retail purposes.
The Dallas City Opera House dates back to 1887. It began as a live event house and as early as 1902 traveling shows would bring moving pictures to the opera house, likely the first movies seen by Dallas City residents. The Cathers Opera House is advertised from 1903 to 1908 - likely the same building - and is called the Dallas Opera House from 1909 to 1940.
Like many opera houses, the Dallas City Opera House switched almost primarily to movies by the end of the 1910s. A small 150-seat venue, the Dallas City Theatre located in a converted business building, takes over full-time sound movies at the advent of talkies before going out of business. The Opera House is then equipped for sound running to 1940.
The Opera House gets a new false front becoming the Dallas Theatre which opened in 1940 by C. Justus Garard presumably on a 30-year leasing agreement. Gerard also operated the Woodbine Theatre in Carthage. The Dallas Theatre opened November 16, 1940 by Justus Guard with a live talent show and the first film was screened was Betty Grable in “Down Argentine Way.” It closed June 7, 1970 with “The Love Bug.” The building stood vacant for decades in Downtown Dallas City.
S.E. Pirtle Circuit came to town in May of 1921 when it bought the existing Cozy Theatre from Ellis and Frank Jackson. In 1924, Pirtle went to the voters and said if they’d vote for Sunday movies, banned by local blue laws, he would build them a state of the art movie house. The voters responded and the planning began. Early in 1925, Hamilton Dox of Peoria drew the architectural plans for Bushnell’s Rialto Theatre and Felix North & Son Contractors built the venue.
The Rialto opened with Betty Compson in “Paths to Paradise” on August 7, 1925. Longtime McDonough County resident Howard Silberer was at the piano for the Rialto. The theater got additional area patronage when Macomb continued to not allow its theater to open on Sundays. C.M. Albright of Bushnell’s Cozy Theatre helmed both for S.E. Pirtle’s Circuit with the Cozy (former Nickelodium) bowing out first.
In 1945, the Rialto is supposed to have been replaced with a new-build theater with plans completed in 1947. This venue was never constructed and, instead, the Rialto was completed remodeled in 1950. And in 1955, Bushnell’s Rialto goes widescreen to accommodate CinemaScope films. Pirtle dropped the venue likely after its second 20-year leasing expiry. Robert Hugel of the Tazwell Theatre took on the Rialto in time for its 40th Anniversary… but there would be no 50th Anniversary with the venue closing.
The Princess Theatre opened May 15, 1913 with Belle Bennett in “Vengeance.” The Princess was a very late converter to sound films not doing so until March 3, 1931 under new operator Robert A. Isaacs of Bloomington. Under C.A. Haines, on September 10, 1937, the theatre received a shocking streamline moderne makeover becoming the Roxy Theatre. Two years later, in 1939, Byrnes Amusement of Chicago took on the venue. On March 8, 1940 Byrnes sold the theatre ton Edwin Arthur of Arthur Theatres who changed the name of the venue to the Saybrook Theatre starting with Gene Autry in “Mexicali Rose.”
Television took its toll on small town theaters nationwide. In April of 1954, the Saybrook reduced to just two days a week operation. Likely ash the expiry of 15-year leasing agreement, operator Charles McNarney closed up in 1955 offering the theater for sale. The final showings were of Francis, the Talking Mule in “Francis Joins the WACs” on January 17, 1955. In 1956, Russell Fields bought the theater and its equipment. He decided to remove the equipment and use the building for other purposes.
Address 110 South Walnut
304 North Walnut - address. Demolished
January 10, 1932 reopening ad under the Chicago Amusement Company Circuit with Stepin Fetchit in person in photos.
Charles A. Pittman opened the Jest-A-Mere Theatre on November 27, 1918. Pittman was the only African American owner/builder of a new-build St. Louis movie theater at that time as labor unions reportedly tried to tamper with the construction of the venue.
Its grand reopening as the (Frederick) Douglass Theatre on September 1, 1927 with Ralph Graves in “The Swell-Head” supported by live vaudeville and selected film shorts in in photos. The venue added sound to remain viable. It closed at end of lease on April 22, 1962 with Elizabeth Taylor in “Butterfield 8” and, appropriately enough, “The Last Sunset” with Kirk Douglas.
The New Lincoln Theatre opened on March 13, 1921 with a live presentation by the Conolly Colored Players of “Mutt and Jeff” supported by a film, “Leigh Whipper’s Reel Negro News” newsreel with Leigh Whipper in person.
T he Dexter Theatre opened on April 7, 1940 in the existing Bretlinger Building . On September 3, 1943, it reopened as the Gem Theater with “Boots and Saddles.” Advertisements cease on November 10, 1954 with a four-wall screening of “Martin Luther.”
June 24, 1950 grand opening ad with “Valley of Giants” In photos.
This was a different theater / building than the Gordon (sorry). It did open as the Bloomfield operating for 15 years from 1912 through January 21, 1927 under that name. On April 18, 1927, it was renamed under new operators, Mr. and Mrs. C.E. Baehl as the Joylan Theatre seating 300 patrons. They closed at the theater’s 15-year lease expiry that November.
New operators took on the venue still as the Joylan before skipping town late in December of 1927. The building at 401 S. Prairie has since been demolished. For the next ten plus years, the townspeople had to commute 7.5 miles to nearby Dexter, Missouri for films. That changed when the town got a movie theater under a variety of names operating in the sound era from 1938 to 1960. It has its own entry under its final operational name as the SEMO Theatre.
(Grossberg and Cahill Florists is in the foreground, btw)
The Circle opened September 25, 1920 with a speech by Governor Albert Ritchie - big crowd and the films “High and Dizzy” and “Scratch My Back”
The Allen Theater closed May 18, 1950 for the summer at the end of a 30-year lease. That summer was a long one lasting through 1950, 1951, 1952 and 1953. The Allen reopened on August of 1953 now equipped with widescreen projection equipment and likely on a 5-year sublease. It closed in 1958. Dr. Robert H. Merz salvaged the 40-year old venue and spent $200,000 on purchasing and refreshing the theater. It reopened as the Astor Theatre in 1960. Dropping burlesque it became the all new Astor Adult Cinema in 1978.
Correction from above. The Astor closed permanently on October 26, 1978 with a double feature of Linda Wong in “The Final Sin” and Jean Dalton in “Peach Fuzz.” The local police shut down the building due to safety concerns. The venue moved two blocks away resuming as the “all new” Astor Adult Cinema. It closed with a double feature of Veronica Hart in “Touch Me In the Morning” and Kitty Shayne in “Three Ripening Cherries” on August 30, 1981. Meanwhile, the original Allen/Astor and Hotel Marne/Millner building was sold at a sheriff’s auction in 1982 bringing just $20,500. It was demolished beginning in March of 1982.
William Koehl of Cleveland architectural layout from 1920 in photos.
College Hills Mall opened on August 14, 1980 and its theater, the College Hills Movies 4, opened by George Kerasotes Cinemas (GKC) four months later on Christmas Day 1980. At launch, it opened with two 240 seat auditoriums and two 340 seat auditorium or 1,160 seats total. Opening films were A Change of Seasons, Private Benjamin, Private Eyes and The Formula. GKC closed at the end of a 20-year leasing agreement on December 10, 2000 with What Lies Beneath, The Exorcist, Dr. T and the Women, and Ladies' Man.
Parkway Cinemas was opened in the Parkway Shopping Center on a 20-year leasing agreement on May 18, 1990 by George Kerasotes Corporation / GKC Theatres. Carmike Theatre bought the GKC locations on April 22, 2005. Carmike closed at the expiry of that lease on May 13, 2010.
Charles J. Goodwin grand opening ad on April 5, 1926 with Colleen Moore in “Orchids and Ermine” supported by Hedda Hopper in “The Mona Lisa” and organist Ruby McMathe at the console of the Etsey Pipe Organ in photos. Reboot ad under Gulf States as the Rose Cinema on November 10, 1967 with “The Dirty Dozen” in photos.
The Rose Drive-In grand opening with August 1, 1950 with “Rock Island Trial.” It closed in 1963 screening exploitation films. It became the Bastrop Raceway race track in 1968.
The Swan launched December 22, 1935 with “Whipsaw.” J.W. Smith and Associates did the architectural work. After a November 1, 1941 fire after hours, it was rebuilt as the Swan Theatre opening June 5, 1942 with Sabu in “Jungle Book.” The theatre closed at the expiry of its 20-year leasing agreeing in 1955. In 1956, the building was gutted for other retail purposes.
The Semri June 28, 1951 grand opening ad with “Give My Regards to Broadway” is posted in photos.
The Dallas City Opera House dates back to 1887. It began as a live event house and as early as 1902 traveling shows would bring moving pictures to the opera house, likely the first movies seen by Dallas City residents. The Cathers Opera House is advertised from 1903 to 1908 - likely the same building - and is called the Dallas Opera House from 1909 to 1940.
Like many opera houses, the Dallas City Opera House switched almost primarily to movies by the end of the 1910s. A small 150-seat venue, the Dallas City Theatre located in a converted business building, takes over full-time sound movies at the advent of talkies before going out of business. The Opera House is then equipped for sound running to 1940.
The Opera House gets a new false front becoming the Dallas Theatre which opened in 1940 by C. Justus Garard presumably on a 30-year leasing agreement. Gerard also operated the Woodbine Theatre in Carthage. The Dallas Theatre opened November 16, 1940 by Justus Guard with a live talent show and the first film was screened was Betty Grable in “Down Argentine Way.” It closed June 7, 1970 with “The Love Bug.” The building stood vacant for decades in Downtown Dallas City.
Operator Bertha Gerard used architect E.A. Payne of Galesburg to perform an entire balcony-less interior in 1944 after fire damage.
Demolished in November of 1963 after final operator James Faul sold the building. Previous operators were Garrett Jett, Robert A. Page and Roy Kinney.
The Park Drive-In launched on August 5, 1955 with Gary Cooper in “Vera Cruz” in Superscope.
S.E. Pirtle Circuit came to town in May of 1921 when it bought the existing Cozy Theatre from Ellis and Frank Jackson. In 1924, Pirtle went to the voters and said if they’d vote for Sunday movies, banned by local blue laws, he would build them a state of the art movie house. The voters responded and the planning began. Early in 1925, Hamilton Dox of Peoria drew the architectural plans for Bushnell’s Rialto Theatre and Felix North & Son Contractors built the venue.
The Rialto opened with Betty Compson in “Paths to Paradise” on August 7, 1925. Longtime McDonough County resident Howard Silberer was at the piano for the Rialto. The theater got additional area patronage when Macomb continued to not allow its theater to open on Sundays. C.M. Albright of Bushnell’s Cozy Theatre helmed both for S.E. Pirtle’s Circuit with the Cozy (former Nickelodium) bowing out first.
In 1945, the Rialto is supposed to have been replaced with a new-build theater with plans completed in 1947. This venue was never constructed and, instead, the Rialto was completed remodeled in 1950. And in 1955, Bushnell’s Rialto goes widescreen to accommodate CinemaScope films. Pirtle dropped the venue likely after its second 20-year leasing expiry. Robert Hugel of the Tazwell Theatre took on the Rialto in time for its 40th Anniversary… but there would be no 50th Anniversary with the venue closing.
Indeed, J.C. Plasket originally opened in the building August 1909 as the Electric Theatre for a 45-year run of films in the small town.
The Princess Theatre opened May 15, 1913 with Belle Bennett in “Vengeance.” The Princess was a very late converter to sound films not doing so until March 3, 1931 under new operator Robert A. Isaacs of Bloomington. Under C.A. Haines, on September 10, 1937, the theatre received a shocking streamline moderne makeover becoming the Roxy Theatre. Two years later, in 1939, Byrnes Amusement of Chicago took on the venue. On March 8, 1940 Byrnes sold the theatre ton Edwin Arthur of Arthur Theatres who changed the name of the venue to the Saybrook Theatre starting with Gene Autry in “Mexicali Rose.”
Television took its toll on small town theaters nationwide. In April of 1954, the Saybrook reduced to just two days a week operation. Likely ash the expiry of 15-year leasing agreement, operator Charles McNarney closed up in 1955 offering the theater for sale. The final showings were of Francis, the Talking Mule in “Francis Joins the WACs” on January 17, 1955. In 1956, Russell Fields bought the theater and its equipment. He decided to remove the equipment and use the building for other purposes.