The Fargo Theatre was damaged by a fire on March 19, 1937. The April 3 issue of Boxoffice said that repairs were proceeding rapidly and the theater would reopen soon. The theater was owned by Charles Fargo and was then being operated by the Fred Anderson circuit.
The latest mention of the Fargo I’ve found is from 1939, and the earliest mention of the Geneva is from 1943.
The Valos circuit had the Geneva Theatre extensively remodeled in 1947, and an illustrated article about the theater by the decorator on the project, Hanns Teichert, was published in Boxoffice Magazine’s issue of June 19, 1948.
So far the only mention of the Palace I’ve found in Boxoffice is from the May 7, 1949, issue, which said that the house had been sold to Margaret Hedgecock by R.J. Barrett.
The November 9, 1957, issue of Boxoffice carried a list of theaters in Arkansas that had recently been closed by the United Theatres circuit, and the Rialto was among them. The Hope Drive-In was closed at the same time.
That means that the New Theatre probably wasn’t operating before 1935 either. The earliest mention I’ve found of it is in 1937. Hope apparently had two movie houses opened in the mid 1930s.
The April 17, 1937, issue of Boxoffice announced that the Rialto Theatre at Hope had opened the previous Thursday. It was located in the rebuilt New Grand Theatre building. I’ve found the New Grand mentioned in issues of The Reel Journal going back as far as 1925, but don’t know how long it was closed before being rebuilt as the Rialto.
The Rialto opened with 450 seats, including those in its segregated balcony. It was originally operated by Malco Theatres.
Incidentally, not only has the Concatenated Order of Hoo-Hoo, from which this theater’s name was derived, outlasted the theater, it even has a web site.
It now occurs to me that, long ago, I saw a vintage postcard of a building called the Hoo-Hoo that was at one of the world’s fairs- probably San Francisco’s in 1915. I remember wondering then what it was, as the card had no explanatory details. Now I realize it was probably operated by this organization.
A special event took place at the Hoo-Hoo Theatre in 1940. The September 7 issue of Boxoffice announced it:
“A men’s burlesque bathing beauty review will be held at the Hoo-Hoo, Gurdon, September 10.”
An item datelined Gurdon, Ark., in the January 13, 1940, issue of Boxoffice was headed “The Hoo-Hoo Bows” and gave the opening date as January 4. The house had recently been purchased by K. Lee Williams, and had previously been called the Wright Theatre.
I’ve found the New Theatre in Hope mentioned in Boxoffice as early as April 17, 1937. The operator was R.V. McGinnis, who later also operated a house called the New Theatre in Nashville, Tennessee.
The original Saenger Theatre in Hope burned on Easter Sunday, 1944. Malco Theatres, the operator, didn’t get government permission to rebuild until 1947. The January 17, 1948, issue of Boxoffice announced that the new Saenger had opened. As rebuilt, the house had 900 seats.
Back on November 6, 1926, an item in The Reel Journal said that the Saenger Amusement company was planning to build a $150,000 theater on the site of the Alice Theatre in Hope. The new theater was probably the Saenger. It was being designed by architects Witt, Seibert & Halsey. A December 4 Reel Journal item said that starting on December 15 construction bids would be taken for the new Saenger house to be built on the site of the old Alice Theatre on Second Street.
The October 29, 1949, issue of Boxoffice reported that Mr. and Mrs. A.B. Muller were opening the Monticello Theatre on that date. The original auditorium had 500 seats. The house was being called the Monti Theatre in issues of Boxoffice as early as 1954.
I can’t find the Clement mentioned in Boxoffice or any of its predecessors. The place must have closed.
If somebody wants to add the Broadway Theatre in Dover, the April 6, 1946, issue of Boxoffice said it had burned down on November 4, 1945, and was being rebuilt. However, when the new theater on the Broadway’s site opened it was named the Uptown. Lloyd Bridgham was the owner of both houses.
This theater operated as the State for about 17 years. From Boxoffice, February 23, 1935:
“The State is the new name for the Orpheum which was operated by Mike White for 25 years. Fred Couture is the new owner.”
From Boxoffice, March 20, 1954:
“The State, Dover, N.H., originally built as the Orpheum, will be converted into three stores. The theatre has been under lease to Lloyd Bridgham for the last five years, but he was forced to close the doors two years ago because of lack of patronage.”
Mann was not the last operator of the Strand. An article about the destruction of the theater by fire on December 11, 1974, was published in Boxoffice Magazine’s issue of January 13, 1975. The operator at the time was Joella Cohen of Omaha.
She also operated the Crest Theatre across the street from the Strand as a porn house, using its profits to support the Strand, which she operated at a loss as a family theater. The night the Strand burned it had been closed early because no customers had shown up for the last feature. Ms. Cohen had operated the Strand for eleven months, having picked up the lease after Mann dropped the house.
The item also mentioned that the Strand had been built as an opera house in 1890 and had undergone a major renovation in 1927.
The February 23, 1952, issue of Boxoffice lists the Esquire as one of two Cleveland theaters that had been converted to broadcasting studios. The other was the Metropolitan.
The February 23, 1952, issue of Boxoffice lists the Metropolitan as one of two Cleveland theaters that had been converted to broadcasting studios. The other was the Esquire.
The 1924 map of downtown Hugo to which Okie Medley linked above has been moved Here. You can also fetch any of the other photos in dead rootsweb links by changing the domain in their url from rootsweb.com to okgenweb.org.
There was a nickelodeon in Hugo called the Dixie, opened in 1909 by Mr. and Mrs. Henry Fickensher. There was an article about the Fickenshers in the June 30, 1956, issue of Boxoffice Magazine, which said they sold the Dixie in 1910 and moved to Frederick, Oklahoma, to operate the Gem and Airdome theaters.
This is a photo of the Dixie taken long after it had closed (the same as one of the photos in the now-dead link posted by Okie Medley above.)
I’m not sure if this nickelodeon was the same theater mentioned in the October 6, 1946, issue of Boxoffice which said: “C.L. Walker and L. McMillan are opening the Dixie Theatre at Hugo on November 17. This will be a second-run house and will seat about 500 persons.” The building in the photo doesn’t look big enough to have held 500 seats (though the figure might be a Boxoffice exaggeration) nor does it look as though it had been remodeled in the 1940s, as it probably would have been had it been reopened then. I’d guess there were two Dixie theaters in Hugo, and the photo depicts the silent era house.
The July 16, 1949, issue of Boxoffice announced that the Galion Theatre had opened on July 7. The house was the ninth in the Modern Theatres circuit, operated by P.E. Essick and Howard Reif. The Galion Theatre included a 30-foot stage with facilities to accommodate road shows.
The item also mentions the State Theatre, which was also operated by Modern Theatres. The State had been closed for the summer (probably due to its lack of air conditioning) but was to be reopened in the fall with a policy of westerns and action pictures.
The article attributes the design of the Galion to “…Matzinger & Grosell, Cleveland architects who specialize in theatre construction.” This would be Paul Matzinger, who began practicing in Cleveland in 1902, and Rudolph Grosel (the Boxoffice item about the Galion misspelled his surname) who Matzinger took on as a partner in the 1940s. Though both architects are long gone, there is a successor firm called Jencen Architecture which specializes in retail design.
The firm designed a number of theaters for the Modern Theatres circuit, including the Mayland, but I also found a list of buildings designed by Matzinger before 1930 which includes a Park Theatre at 1207 Starkweather Avenue, Cleveland, built in 1907. This building is still standing.
The May 20, 1968, issue of Boxoffice ran an item about the planned construction of a new, 1000-seat theater in Wood River, to be called the Wood River Cinema and to be located on Edwardsville Road. It was a project of Cinema Systems, Inc.. But the item also included the following information: “The old Wood River Theatre, converted in the early 1960s to a shopping center and cocktail lounge, burned to the ground in January 1966. It had been built in 1917….”
Judging from the style of the Wood River Theatre building as depicted in the painting Bryan Krefft linked to above, I’d say 1917 is apt be the correct opening year. That sort of tapestry brick and terra cotta trim was long out of fashion by 1932. The marquee in the painting certainly looks like something that could have been put up in 1932, but a February 4, 1939, Boxoffice item said that the Wood River Theatre had reopened after a complete remodeling, so that might be a more likely date for the installation of the spiffy moderne marquee.
An August 21, 1954, Boxoffice item said that the Wood River Theatre was being fitted for CinemaScope. The house was then being operated by the Publix Great States circuit.
As for the proposed Wood River Cinema, after a few more items in Boxoffice late in 1968, reporting that plans had been completed, the name never appears in the magazine again that I can find. Most likely the project never got built.
To revive the discussion that took place in April, 2006, about the architect of this theater, at least one author (architectural historian Gerard R. Wolfe) credits both Albert E. Westover and John B. McElfatrick for the design of the Republic Theatre. The 3rd edition of Wolfe’s “New York: 15 Walking Tours” says that Westover designed the theater in 1899, and McElfatrick was responsible for the renovation of the house the following year. Wolfe does not mention the remodeling for David Belasco, which some sources say was done by Bigelow, Wallis & Cotton. He does mention that the 1995 restoration was done by Hardy Holzman Pfeiffer.
For what it’s worth, the Wikipedia article on the New Victory also credits Westover (but only Westover) for the design, and cites the 4th edition of the “AIA Guide to New York City”, by Norval White and Eliot Willensky as a source. I don’t have the AIA Guide, but from the snippet views available at Google Books, it looks like the 4th edition doesn’t mention either McElfatrick or Bigelow, Wallis & Cotton in connection with this theater at all.
But another vote for McElfatrick & Sons comes from a PDF of a 1987 document from New York’s Landmarks Preservation Commission (available here) which is about the Hudson Theatre, but which mentions the Republic as one of the theaters designed by McElfatrick. This paper gives the building date as 1900, but both Wolfe’s Guide and the AIA Guide date the original construction to 1899.
Interestingly, the Hudson’s architectural pedigree was once in question as well, and the Preservation Commission researcher checked the theater’s plans on file at the New York Buildings Department and found that while McElfatrick did the early drawings, most of the Hudson’s design was attributable to the firm of Israels & Harder. Somebody will probably have to check the building records for the Republic as well, before we can be sure who did what to it and when.
The Astro Theatre opened in June, 1962, according to the June 25 issue of Boxoffice Magazine. The theater had been mostly dark since 1952, with the exception of a few stage shows and the brief period when it had housed Omaha’s professional bowling league. In March, 1962, the theater was leased from Creighton University by Dubinsky Bros. Theatres of Lincoln, Nebraska, and the Dubinskys were responsible for the hasty remodeling. As the Astro the house seated 1465, reduced from the nearly 3000 it had previously held.
I wasn’t questioning the opening date the newspaper gave. I was just disappointed that Boxoffice didn’t run an item about the event. The magazine ran very few items about Marysville’s theaters, unfortunately. Other towns in the valley often got better coverage.
The Fargo Theatre was damaged by a fire on March 19, 1937. The April 3 issue of Boxoffice said that repairs were proceeding rapidly and the theater would reopen soon. The theater was owned by Charles Fargo and was then being operated by the Fred Anderson circuit.
The latest mention of the Fargo I’ve found is from 1939, and the earliest mention of the Geneva is from 1943.
The Valos circuit had the Geneva Theatre extensively remodeled in 1947, and an illustrated article about the theater by the decorator on the project, Hanns Teichert, was published in Boxoffice Magazine’s issue of June 19, 1948.
So far the only mention of the Palace I’ve found in Boxoffice is from the May 7, 1949, issue, which said that the house had been sold to Margaret Hedgecock by R.J. Barrett.
The November 9, 1957, issue of Boxoffice carried a list of theaters in Arkansas that had recently been closed by the United Theatres circuit, and the Rialto was among them. The Hope Drive-In was closed at the same time.
That means that the New Theatre probably wasn’t operating before 1935 either. The earliest mention I’ve found of it is in 1937. Hope apparently had two movie houses opened in the mid 1930s.
The April 17, 1937, issue of Boxoffice announced that the Rialto Theatre at Hope had opened the previous Thursday. It was located in the rebuilt New Grand Theatre building. I’ve found the New Grand mentioned in issues of The Reel Journal going back as far as 1925, but don’t know how long it was closed before being rebuilt as the Rialto.
The Rialto opened with 450 seats, including those in its segregated balcony. It was originally operated by Malco Theatres.
Incidentally, not only has the Concatenated Order of Hoo-Hoo, from which this theater’s name was derived, outlasted the theater, it even has a web site.
It now occurs to me that, long ago, I saw a vintage postcard of a building called the Hoo-Hoo that was at one of the world’s fairs- probably San Francisco’s in 1915. I remember wondering then what it was, as the card had no explanatory details. Now I realize it was probably operated by this organization.
A special event took place at the Hoo-Hoo Theatre in 1940. The September 7 issue of Boxoffice announced it:
An item datelined Gurdon, Ark., in the January 13, 1940, issue of Boxoffice was headed “The Hoo-Hoo Bows” and gave the opening date as January 4. The house had recently been purchased by K. Lee Williams, and had previously been called the Wright Theatre.
I’ve found the New Theatre in Hope mentioned in Boxoffice as early as April 17, 1937. The operator was R.V. McGinnis, who later also operated a house called the New Theatre in Nashville, Tennessee.
The original Saenger Theatre in Hope burned on Easter Sunday, 1944. Malco Theatres, the operator, didn’t get government permission to rebuild until 1947. The January 17, 1948, issue of Boxoffice announced that the new Saenger had opened. As rebuilt, the house had 900 seats.
Back on November 6, 1926, an item in The Reel Journal said that the Saenger Amusement company was planning to build a $150,000 theater on the site of the Alice Theatre in Hope. The new theater was probably the Saenger. It was being designed by architects Witt, Seibert & Halsey. A December 4 Reel Journal item said that starting on December 15 construction bids would be taken for the new Saenger house to be built on the site of the old Alice Theatre on Second Street.
The October 29, 1949, issue of Boxoffice reported that Mr. and Mrs. A.B. Muller were opening the Monticello Theatre on that date. The original auditorium had 500 seats. The house was being called the Monti Theatre in issues of Boxoffice as early as 1954.
I can’t find the Clement mentioned in Boxoffice or any of its predecessors. The place must have closed.
If somebody wants to add the Broadway Theatre in Dover, the April 6, 1946, issue of Boxoffice said it had burned down on November 4, 1945, and was being rebuilt. However, when the new theater on the Broadway’s site opened it was named the Uptown. Lloyd Bridgham was the owner of both houses.
I found a reference to the Publix-Strand Theatre in Dover, N.H., in the May 27, 1930, issue of Motion Picture Times.
This theater operated as the State for about 17 years. From Boxoffice, February 23, 1935:
From Boxoffice, March 20, 1954:Mann was not the last operator of the Strand. An article about the destruction of the theater by fire on December 11, 1974, was published in Boxoffice Magazine’s issue of January 13, 1975. The operator at the time was Joella Cohen of Omaha.
She also operated the Crest Theatre across the street from the Strand as a porn house, using its profits to support the Strand, which she operated at a loss as a family theater. The night the Strand burned it had been closed early because no customers had shown up for the last feature. Ms. Cohen had operated the Strand for eleven months, having picked up the lease after Mann dropped the house.
The item also mentioned that the Strand had been built as an opera house in 1890 and had undergone a major renovation in 1927.
The New Broadway had become a bowling alley by 1952, according to the February 23 issue of Boxoffice that year.
The February 23, 1952, issue of Boxoffice lists the Esquire as one of two Cleveland theaters that had been converted to broadcasting studios. The other was the Metropolitan.
The February 23, 1952, issue of Boxoffice lists the Metropolitan as one of two Cleveland theaters that had been converted to broadcasting studios. The other was the Esquire.
The 1924 map of downtown Hugo to which Okie Medley linked above has been moved Here. You can also fetch any of the other photos in dead rootsweb links by changing the domain in their url from rootsweb.com to okgenweb.org.
There was a nickelodeon in Hugo called the Dixie, opened in 1909 by Mr. and Mrs. Henry Fickensher. There was an article about the Fickenshers in the June 30, 1956, issue of Boxoffice Magazine, which said they sold the Dixie in 1910 and moved to Frederick, Oklahoma, to operate the Gem and Airdome theaters.
This is a photo of the Dixie taken long after it had closed (the same as one of the photos in the now-dead link posted by Okie Medley above.)
I’m not sure if this nickelodeon was the same theater mentioned in the October 6, 1946, issue of Boxoffice which said: “C.L. Walker and L. McMillan are opening the Dixie Theatre at Hugo on November 17. This will be a second-run house and will seat about 500 persons.” The building in the photo doesn’t look big enough to have held 500 seats (though the figure might be a Boxoffice exaggeration) nor does it look as though it had been remodeled in the 1940s, as it probably would have been had it been reopened then. I’d guess there were two Dixie theaters in Hugo, and the photo depicts the silent era house.
The July 16, 1949, issue of Boxoffice announced that the Galion Theatre had opened on July 7. The house was the ninth in the Modern Theatres circuit, operated by P.E. Essick and Howard Reif. The Galion Theatre included a 30-foot stage with facilities to accommodate road shows.
The item also mentions the State Theatre, which was also operated by Modern Theatres. The State had been closed for the summer (probably due to its lack of air conditioning) but was to be reopened in the fall with a policy of westerns and action pictures.
The article attributes the design of the Galion to “…Matzinger & Grosell, Cleveland architects who specialize in theatre construction.” This would be Paul Matzinger, who began practicing in Cleveland in 1902, and Rudolph Grosel (the Boxoffice item about the Galion misspelled his surname) who Matzinger took on as a partner in the 1940s. Though both architects are long gone, there is a successor firm called Jencen Architecture which specializes in retail design.
The firm designed a number of theaters for the Modern Theatres circuit, including the Mayland, but I also found a list of buildings designed by Matzinger before 1930 which includes a Park Theatre at 1207 Starkweather Avenue, Cleveland, built in 1907. This building is still standing.
The May 20, 1968, issue of Boxoffice ran an item about the planned construction of a new, 1000-seat theater in Wood River, to be called the Wood River Cinema and to be located on Edwardsville Road. It was a project of Cinema Systems, Inc.. But the item also included the following information: “The old Wood River Theatre, converted in the early 1960s to a shopping center and cocktail lounge, burned to the ground in January 1966. It had been built in 1917….”
Judging from the style of the Wood River Theatre building as depicted in the painting Bryan Krefft linked to above, I’d say 1917 is apt be the correct opening year. That sort of tapestry brick and terra cotta trim was long out of fashion by 1932. The marquee in the painting certainly looks like something that could have been put up in 1932, but a February 4, 1939, Boxoffice item said that the Wood River Theatre had reopened after a complete remodeling, so that might be a more likely date for the installation of the spiffy moderne marquee.
An August 21, 1954, Boxoffice item said that the Wood River Theatre was being fitted for CinemaScope. The house was then being operated by the Publix Great States circuit.
As for the proposed Wood River Cinema, after a few more items in Boxoffice late in 1968, reporting that plans had been completed, the name never appears in the magazine again that I can find. Most likely the project never got built.
To revive the discussion that took place in April, 2006, about the architect of this theater, at least one author (architectural historian Gerard R. Wolfe) credits both Albert E. Westover and John B. McElfatrick for the design of the Republic Theatre. The 3rd edition of Wolfe’s “New York: 15 Walking Tours” says that Westover designed the theater in 1899, and McElfatrick was responsible for the renovation of the house the following year. Wolfe does not mention the remodeling for David Belasco, which some sources say was done by Bigelow, Wallis & Cotton. He does mention that the 1995 restoration was done by Hardy Holzman Pfeiffer.
For what it’s worth, the Wikipedia article on the New Victory also credits Westover (but only Westover) for the design, and cites the 4th edition of the “AIA Guide to New York City”, by Norval White and Eliot Willensky as a source. I don’t have the AIA Guide, but from the snippet views available at Google Books, it looks like the 4th edition doesn’t mention either McElfatrick or Bigelow, Wallis & Cotton in connection with this theater at all.
But another vote for McElfatrick & Sons comes from a PDF of a 1987 document from New York’s Landmarks Preservation Commission (available here) which is about the Hudson Theatre, but which mentions the Republic as one of the theaters designed by McElfatrick. This paper gives the building date as 1900, but both Wolfe’s Guide and the AIA Guide date the original construction to 1899.
Interestingly, the Hudson’s architectural pedigree was once in question as well, and the Preservation Commission researcher checked the theater’s plans on file at the New York Buildings Department and found that while McElfatrick did the early drawings, most of the Hudson’s design was attributable to the firm of Israels & Harder. Somebody will probably have to check the building records for the Republic as well, before we can be sure who did what to it and when.
The Astro Theatre opened in June, 1962, according to the June 25 issue of Boxoffice Magazine. The theater had been mostly dark since 1952, with the exception of a few stage shows and the brief period when it had housed Omaha’s professional bowling league. In March, 1962, the theater was leased from Creighton University by Dubinsky Bros. Theatres of Lincoln, Nebraska, and the Dubinskys were responsible for the hasty remodeling. As the Astro the house seated 1465, reduced from the nearly 3000 it had previously held.
I wasn’t questioning the opening date the newspaper gave. I was just disappointed that Boxoffice didn’t run an item about the event. The magazine ran very few items about Marysville’s theaters, unfortunately. Other towns in the valley often got better coverage.
The remodeling was quite extensive, so Lee should be credited. Also the aka Maybell Theatre should be added.