klongwilson: you might be interested in this brief item from the October 1, 1932 issue of Motion Picture Herald: “TED WILSON has taken over management of the Royal Theatre, Cashmere, Wash.”
There is also this item from the March 27, 1937 issue of Film Daily:
Leavenworth, Wash.— Reopening of the Alpine was staged with a big ‘open house’ preceding regular show starting at 4:30. Ted Wilson, owner and operator, has expended over $6,000 on remodeling improvements, modernistic front and illuminated marquee. Modern blue and silver trimmings dominate box office appearance, while interior is declared to be an ‘architect’s dream.’“
An item in an earlier issue said that the opening was slated for March 12.
I see we don’t have a Cinema Treasures page for the Alpine Theatre at Leavenworth. I’ll try to dig up more about it and submit it. All I’ve found so far is that it was at 907 Front Street and was still open at least as late as 1972. I can’t tell if the building now on that site is the theater’s or not. If it is, it has been substantially altered.
The July 3, 1941 issue of Film Daily had this item about the proposed (but not yet named) Crest Theatre:
“Shindler to Construct $100,000 Pic Theater
“Wilmington, Del.— Benjamin Shindler, manager of the Ace Theater, has announced that construction of a film theater to cost more than $100,000 will be started within a few weeks at Boxwood Road and Maryland Ave. in suburban Crestwood.
“The property in Crestwood was purchased recently by Shindler, and an initial survey was immediately started.
“House will seat about 800, Shindler said, and will incorporate every modern design of theater construction. It is planned to have the theater ready for opening in the Autumn.”
This item from the July 3, 1941 issue of Film Daily indicates that the remodeling of the Norwood Theatre that year was actually to be a complete reconstruction.
“To Demolish Norwood
“The Norwood Theater on Woodward Ave., one of the oldest neighborhood theaters in the city, is to be torn down in about a month for street widening, and will be replaced by an entirely new theater structure.”
I wonder if the July 3, 1941 issue of Film Daily got Mildred Rauth’s surname wrong, or if she remarried sometime before selling the Ritz to R. E. Carney?: “MRS. MILDRED KARSCH, following a business visit to St. Louis, has returned to Farmington, Mo., and will open her new theater in Rolla, Mo., on July 15.”
Here is the announcement about the proposed Dueber Theatre from Film Daily of July 3, 1941:
“Canton, O.— A. M. Dueber, retired industrialist here will construct a $75,000 neighborhood theater on the site of the former Dueber Hampden watch works plant, he has announced. Work will be started immediately and the theater, to seat 1000, and to be called the Dueber, will be ready about Sept. 1. It will be the first new theater construction here in several years.
“The building will measure 60 x 172 feet, will have two stories in front to accommodate offices, and one story in the rear. Construction will be of brick and front will be terra cotta. Charles Firestone, Canton, is architect.
“Theater has been leased for 15 years by the Park Theater Co., Barberton, O. ”
One of the Canton region’s most prolific architects, Charles Essig Firestone designed more than 200 buildings over the course of a career spanning more than fifty years, from 1915 to 1968. He formed the firm of Firestone & Motter with Laurence Motter in 1936.
The Morrison Theatre is not among the six houses listed at Alliance in the 1927 FDY (Columbia, Ideal, American, Ohio, Star, and State) but it is mentioned in the November 5, 1927 issue of Moving Picture World, in which it is referred to as the new Morrison Theatre.
The Columbia Theatre followed an unusual policy in the summer of 1934, as noted in the July 3 issue of Film Daily:
“Alliance House on Part Time
“Alliance, O.— The Columbia Theater, which closed June 1, will reopen July 5 with stage attractions and first-run films, playing the last half of each week. House will be closed the first half until Sept. 1, when it resumes full time. Ray Wallace, manager, also operates the Morrison and Strand.”
The Nelson Theatre was listed in the 1898 Cahn guide as a ground floor house with 538 seats in the orchestra and 369 in the balcony. There was also a gallery seating 500, presumably later closed when it became a movie theater.
A court case settled in 1913 reveals that the William Fox Amusement Company actually got a lease on the Nelson Theatre in March, 1909. Documents in the case also cover events during the few years prior to the Fox lease, and don’t mention any disaster befalling the building during that time. I think we can conclude that the Nelson was the theater built in 1897 and designed by architect E. W. Maynard (per my comment of October 10, 2011.)
The Nelson was eventually operated for a time by Arthur Theaters as well, as shown in an item from the July 3, 1934 issue of Film Daily which says “Springfield, Mass. — The Fox-Nelson Theater has been closed by Arthur Theater Corp.”
A survey of historic buildings in Tazewell prepared for a proposed historic district in 1998 says “[a] new opera house to serve the citizens of Tazewell was provided in 1916 with the building of the Clinch Theater at the comer of Church and Main streets. This theater was demolished in the 1980s to enlarge the Methodist Church.” Another page of the survey says “[m]ovies were viewed at the Clinch Theater, the former opera house built in 1916. This theater was demolished in recent years.”
The only new theater I can find that was built at Tazewell in 1916 was the New Theatre. It is listed with 600 seats in FDYs in 1926 and 1934, but in 1935 it vanishes and the 360-seat Amusu Theatre appears. Starting in 1936 the 360-seat Clinch Theatre is listed. I’ve found no news items that would account for the drop in capacity at the time of the name change, but it’s easy to imagine something such as a fire that led to a rebuilding without a balcony, for example. In any case, it appears that New Theatre was the opening name of the house we have listed as the Clinch Theatre.
I can’t understand why anyone would have considered the Branford a “…‘big barn’ without architectural distinction.” Photos show Fred Wentworth’s restrained Adamesque interiors to have been quite lovely.
The 1914-1915 American Motion Picture Directory lists a house called the New Monogram Theatre at 3529 S. Halsted. Neither of the State Street Monograms are listed.
The item about the opening of the Manhattan Theatre cited in my previous comment was from the July 9, 1910 issue of Moving Picture World.
The 1970 obituary of a Mr. Roy M. Stevens says that “[f]or six years he owned and operated the Manhattan Theater in Meadville….” It doesn’t give the years, and I’ve been unable to find Stevens mentioned in theater trade journals.
The July 2, 1910 issue of Moving Picture World had a few words to say about the Bijou, recently converted to a movie house, and they were not entirely complementary:
“BROADWAY’S LATEST MISTAKE.
“We have noticed for some weeks past that the popular little Bijou Theater on Broadway at Thirtieth street has been converted into a picture house, and we have waited for a convenient opportunity to pay the theater a visit and see for ourselves whether those who are responsible for putting on the pictures have grasped the opportunities which Broadway offers, and which nobody, not a single soul, between Twenty-third and Sixtieth streets, seems to realize; that is, of giving Broadway a real picture house. We mean a house in which the picture is made the predominant feature, plus good music and the like. The Bijou has not risen to its opportunity, although it is a comfy little house, we might say an almost ideal house, for the purpose of studying the picture leisurely and amidst agreeable surroundings.
“To begin with, it seems to be felt that at the Bijou there is no necessity for excluding superfluous and extraneous light from the screen. The result was that on the occasion of our visit one afternoon last week some excellent Gaumont. Pathe and Selig pictures were almost, nay, we might say absolutely, spoilt by too much light being thrown on the picture. Then again, a little to the right of the proscenium opening there was visible all through the piece the shadow of the revolving arm of the operator, who was working in the gallery. Also the operator seemed to us to work too fast. We feel that if these little defects are seen to in future and greater care be taken to show the picture at its best, the Bijou Theater still has a chance of becoming a first-class picture house. And in order further to increase that chance, it must cut out the stupid vaudeville which we saw. Also the very indifferent singing. The vaudeville end of matters was only redeemed from absolute failure by some very clever dancing on the part of a boy and a girl.”
The Rose Supper Club closed in 2013, following a shooting incident which left several patrons dead. It reopened briefly under a new name but the building now appears to have been vacant for a long time. Satellite view shows that the roof is in terrible condition, so it wouldn’t be surprising if this building has to be demolished soon. The real estate web site xome says that it was built in 1940. The State probably opened after the 1941 FDY was compiled, but most likely did operate for at least part of that year, and maybe even for a small part of 1940.
The Digital Archive of Alabama has that photo, and says that the buildings were on the south side of Coosa Street between Bibb and North Court, so it is Montgomery after all. They date the photo August 4, 1966. The entire block has since been demolished. We have no theaters listed at this location. I’ve been unable to find anything about it on the Internet. CinemaTour has a Ritz listed in Montgomery, but has no address for it.
A Ritz Theatre was listed at Montgomery in the 1929 FDY, but I have no idea if it was this one. This is quite a puzzle.
The theater at 954 Highland is already listed at Cinema Treasures under the name State Theatre. Also, Darren Snow is right about the Ritz in the photo not being the one in Montgomery.
The Strand was up the block to the left. The Strand vertical sign was put on the Blanchard’s building to attract people passing along Main Street. If you look closely you’ll see a small arrow pointing up Elm Street at the bottom of the sign. The entrance to Blanchard’s Theatre was near the center of the Main Street side of the building, with the word “THEATRE” above it.
An Empire Theatre in the 1914-1915 American Motion Picture Directory was listed at 19 Commerce Street. The New Empire Theatre on Montgomery Street did not open until the summer of 1917. The December 1, 1917 issue of Moving Picture World devoted most of this page to an article about the new house, which it said had opened “a few weeks ago.” It had actually been a few months. This was the August 2 opening, an ad for which Mike Rivest has uploaded to the photo page. The new house was under the management of H. C. Farley, “…who for many years was in charge of the Empire theater on Commerce street.”
Much of the article is concerned with the Empire’s cooling and ventilation system, reputedly the first of its kind in any theater. A later issue of the magazine noted that a similar system had previously been installed in chambers of both the U.S. Senate and House of Representatives in Washington.
The March 11, 1917 issue of the Montgomery Advertiser ran an article which said that the plans for the new theater were being drawn by “architect Ausfeld.” This was undoubtedly Frederick Ausfeld, one of Montgomery’s leading early 20th century architects, several of whose projects are now listed on the NRHP. Too bad the Empire Theatre can’t be among them.
It looks like it would have been just about impossible to fit this room with a decent sized CinemaScope screen. There just wouldn’t have been room.
klongwilson: you might be interested in this brief item from the October 1, 1932 issue of Motion Picture Herald: “TED WILSON has taken over management of the Royal Theatre, Cashmere, Wash.”
There is also this item from the March 27, 1937 issue of Film Daily:
An item in an earlier issue said that the opening was slated for March 12.I see we don’t have a Cinema Treasures page for the Alpine Theatre at Leavenworth. I’ll try to dig up more about it and submit it. All I’ve found so far is that it was at 907 Front Street and was still open at least as late as 1972. I can’t tell if the building now on that site is the theater’s or not. If it is, it has been substantially altered.
The July 3, 1941 issue of Film Daily had this item about the proposed (but not yet named) Crest Theatre:
This item from the July 3, 1941 issue of Film Daily indicates that the remodeling of the Norwood Theatre that year was actually to be a complete reconstruction.
The building, now completely gutted, is currently listed for sale for $625,000.I wonder if the July 3, 1941 issue of Film Daily got Mildred Rauth’s surname wrong, or if she remarried sometime before selling the Ritz to R. E. Carney?: “MRS. MILDRED KARSCH, following a business visit to St. Louis, has returned to Farmington, Mo., and will open her new theater in Rolla, Mo., on July 15.”
Here is the announcement about the proposed Dueber Theatre from Film Daily of July 3, 1941:
One of the Canton region’s most prolific architects, Charles Essig Firestone designed more than 200 buildings over the course of a career spanning more than fifty years, from 1915 to 1968. He formed the firm of Firestone & Motter with Laurence Motter in 1936.The 1940 FDY lists the Butler Theatre with 1,120 seats.
Craig Bara and Lyle Crist’s book Alliance says that the Morrison Theatre opened on September 1, 1927.
The Morrison Theatre is not among the six houses listed at Alliance in the 1927 FDY (Columbia, Ideal, American, Ohio, Star, and State) but it is mentioned in the November 5, 1927 issue of Moving Picture World, in which it is referred to as the new Morrison Theatre.
The Columbia Theatre followed an unusual policy in the summer of 1934, as noted in the July 3 issue of Film Daily:
The Nelson Theatre was listed in the 1898 Cahn guide as a ground floor house with 538 seats in the orchestra and 369 in the balcony. There was also a gallery seating 500, presumably later closed when it became a movie theater.
A court case settled in 1913 reveals that the William Fox Amusement Company actually got a lease on the Nelson Theatre in March, 1909. Documents in the case also cover events during the few years prior to the Fox lease, and don’t mention any disaster befalling the building during that time. I think we can conclude that the Nelson was the theater built in 1897 and designed by architect E. W. Maynard (per my comment of October 10, 2011.)
The Nelson was eventually operated for a time by Arthur Theaters as well, as shown in an item from the July 3, 1934 issue of Film Daily which says “Springfield, Mass. — The Fox-Nelson Theater has been closed by Arthur Theater Corp.”
A survey of historic buildings in Tazewell prepared for a proposed historic district in 1998 says “[a] new opera house to serve the citizens of Tazewell was provided in 1916 with the building of the Clinch Theater at the comer of Church and Main streets. This theater was demolished in the 1980s to enlarge the Methodist Church.” Another page of the survey says “[m]ovies were viewed at the Clinch Theater, the former opera house built in 1916. This theater was demolished in recent years.”
The only new theater I can find that was built at Tazewell in 1916 was the New Theatre. It is listed with 600 seats in FDYs in 1926 and 1934, but in 1935 it vanishes and the 360-seat Amusu Theatre appears. Starting in 1936 the 360-seat Clinch Theatre is listed. I’ve found no news items that would account for the drop in capacity at the time of the name change, but it’s easy to imagine something such as a fire that led to a rebuilding without a balcony, for example. In any case, it appears that New Theatre was the opening name of the house we have listed as the Clinch Theatre.
I can’t understand why anyone would have considered the Branford a “…‘big barn’ without architectural distinction.” Photos show Fred Wentworth’s restrained Adamesque interiors to have been quite lovely.
The 1914-1915 American Motion Picture Directory lists a house called the New Monogram Theatre at 3529 S. Halsted. Neither of the State Street Monograms are listed.
The Glenwood Theatre was listed in the 1914-1915 American Motion Picture Directory.
The item about the opening of the Manhattan Theatre cited in my previous comment was from the July 9, 1910 issue of Moving Picture World.
The 1970 obituary of a Mr. Roy M. Stevens says that “[f]or six years he owned and operated the Manhattan Theater in Meadville….” It doesn’t give the years, and I’ve been unable to find Stevens mentioned in theater trade journals.
Marginal though it may have been, the Clinton Theatre was listed in the 1914-1915 American Motion Picture Directory.
The July 2, 1910 issue of Moving Picture World had a few words to say about the Bijou, recently converted to a movie house, and they were not entirely complementary:
The Rose Supper Club closed in 2013, following a shooting incident which left several patrons dead. It reopened briefly under a new name but the building now appears to have been vacant for a long time. Satellite view shows that the roof is in terrible condition, so it wouldn’t be surprising if this building has to be demolished soon. The real estate web site xome says that it was built in 1940. The State probably opened after the 1941 FDY was compiled, but most likely did operate for at least part of that year, and maybe even for a small part of 1940.
The Digital Archive of Alabama has that photo, and says that the buildings were on the south side of Coosa Street between Bibb and North Court, so it is Montgomery after all. They date the photo August 4, 1966. The entire block has since been demolished. We have no theaters listed at this location. I’ve been unable to find anything about it on the Internet. CinemaTour has a Ritz listed in Montgomery, but has no address for it.
A Ritz Theatre was listed at Montgomery in the 1929 FDY, but I have no idea if it was this one. This is quite a puzzle.
The theater at 954 Highland is already listed at Cinema Treasures under the name State Theatre. Also, Darren Snow is right about the Ritz in the photo not being the one in Montgomery.
The Grand Theatre was listed in the 1914-1915 American Motion Picture Directory.
The Strand was up the block to the left. The Strand vertical sign was put on the Blanchard’s building to attract people passing along Main Street. If you look closely you’ll see a small arrow pointing up Elm Street at the bottom of the sign. The entrance to Blanchard’s Theatre was near the center of the Main Street side of the building, with the word “THEATRE” above it.
An Empire Theatre in the 1914-1915 American Motion Picture Directory was listed at 19 Commerce Street. The New Empire Theatre on Montgomery Street did not open until the summer of 1917. The December 1, 1917 issue of Moving Picture World devoted most of this page to an article about the new house, which it said had opened “a few weeks ago.” It had actually been a few months. This was the August 2 opening, an ad for which Mike Rivest has uploaded to the photo page. The new house was under the management of H. C. Farley, “…who for many years was in charge of the Empire theater on Commerce street.”
Much of the article is concerned with the Empire’s cooling and ventilation system, reputedly the first of its kind in any theater. A later issue of the magazine noted that a similar system had previously been installed in chambers of both the U.S. Senate and House of Representatives in Washington.
The March 11, 1917 issue of the Montgomery Advertiser ran an article which said that the plans for the new theater were being drawn by “architect Ausfeld.” This was undoubtedly Frederick Ausfeld, one of Montgomery’s leading early 20th century architects, several of whose projects are now listed on the NRHP. Too bad the Empire Theatre can’t be among them.
An item in The Gadsen County Times from the week of April 12, 1934 mentions the Shaw Theater.