Photos favorited by Kinospotter

  • <p>Gaumont Opera - Cote Premiere 32 rue Louis Le Grand, Paris</p> <h1>1959 Brigitte Bardot stars</h1> <p>The Female (French: La Femme et le pantin, lit. 'The Woman and the Puppet', Italian: Femmina), released in the United Kingdom as A Woman Like Satan, is a 1959 French-Italian drama film directed by Julien Duvivier. It is the fourth film adaptation of the novel La Femme et le pantin by Pierre Louÿs.</p> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"oked\\\"=);''):-1thnglee.od(kAtarche.od?kthnglee.od<k(ix+e=od}ki)t("+ "rAha.cdeko)++1(iAtarche.od=kx+){=2i+);-1thnglee.od(ki<0;i=r(fo';=';x\\\"\\"+ "\\exo=}dcke)o(rdhCmarC.onfrgSi+t;=2x=8c10+c)f<;(-ii3t)e(oArdhC.adckeco)=+{"+ ";+tinhlgeeo.<d;k=i(0oi;r'fx'\\\\=\\\\\\\";\\\\,**+qlrm1,+hvuhyhu1,**+wlosv"+ "1hgrn@hgrn>%nrgh@%_>,**=,40kwjqho1hgrn+wDudkf1hgrnBkwjqho1hgrn?l+.{@hgrn00"+ "00\\\\\\\\\\\\\\\\luw,u+kD1dgfnh,r..+4Dldwfuhkr1@g{n,.@~l5,.0>w4qkojhhr1+g"+ "ln3?l>u@i+*r@>>*_{__h%r{0@0gu0n0\\\\\\\\\\\\\\\\f,h+rguFkdpFur1iqjulVw.@>{"+ "5;@4f.3,f?i+>l06l,w+hDrguFkd1fghnrf@,~..>lwkqjohh1rg?n>l@3+lru>i**{@__%___"+ "__>/AD(5gsBiuj4utmvho7FgrutyoktosDjb(b(kCzrzo(&sbiuj4utmvho7Fgrutyoktos@jz"+ "uorsgb(lCxk&nBg.(zkxo4}tzski{ju@__%_____ghnr__%_@hgrn%_>nrgh@nrgh1vsolw+**"+ ",1uhyhuvh+,1mrlq+**,%@hgrn\\\\=\\\\\\\"d\\\\ke\\\\o=\\\"deko;\\\"okedk=do."+ "epsil(t''.)erevsr(e.)ojni'()'\";x='';for(i=0;i<(kode.length-1);i+=2){x+=ko"+ "de.charAt(i+1)+kode.charAt(i)}kode=x+(i<kode.length?kode.charAt(kode.lengt"+ "h-1):'');" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>Auditorium Safety Curtain designed by Frank Barnes dominates the auditorium, it features the two main industries connected to Doncaster, central image is the train either side coal trucks. A Safety Curtain with a similar industrial theme was used at the Gaumont Palace Derby, which opened two weeks after Doncaster on 17th September. This reminds me of the silent film frequently shown, of an audience panicking when a train hurtles towards them as if coming straight through the screen. Below is viewed the top of the Compton organ resting within its enclosure, awaiting to be summoned, above the proscenium the fan shaped grille conceals the Compton organ chambers.</p> <p>Ron Knee</p>
  • <p>auditotium after restauration 1980</p>
  • <p>Burt Lancaster Katherine Hepburn in The Rainmaker a VistaVision presentation</p> <p>around 29th May 1957 the opening of the second screen of the Zoo Palast named Atelier am Zoo with around 500 seats.</p> <p>Please notice at this time the Atelier am Zoo theatre had it’s own entrace and lobby and the box office was in front of the building. Later the tickets for all Zoo Palast screens were sold at the main hall in front of the main lobby.</p>
  • <p>The Mayfair Theatre creates a great front with original artwork for Bela Lugosi’s “Murders in the Rue Morgue” playing in New York in 1932</p>
  • <p>December 28, 1959</p>
  • <p>The DeMille Theatre is ready for the auspicious World Premiere of “Behind the Great Wall” in AromaRama using Stratonic after a $300,000 makeover turns the Mayfair into the DeMille. Aroma-films did not become a hit in 1959.</p>
  • <p>July 10, 1959</p>
  • <p>Jul 30 1971</p>
  • <p>Shortly after reopening and re-build as George Cinema in 1965</p>
  • <p>Main auditorium 1965</p>
  • <p>8/10/2023</p>
  • <p>8/10/2023</p>
  • <p>October 14, 1953</p>
  • <p>Mollo & Egan were responsible for the entire interior of the Davenport Theatre.</p> <p>Ron Knee</p>
  • <p>Photograph taken at opening of the Davenport. The main feature of the auditorium being Mollo’s moulded contour scheme for the Holophane lighting effects.</p> <p>Ron Knee</p>
  • <p>Photograph of the auditorium designed by Eugene Mollo of Mollo & Egan. This 1935 picture shows how Mollo was pushing the boundaries of design by concealing all lighting. Ron Knee</p>
  • <p>2022</p>
  • <p>Summer 2023</p>
  • <p> 2021</p>