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![<p>Hoyts Star Theatre Bronte Road and Brisbane Street, Sydney</p>
<h1>Star theatre Bondi Junction Manager & usherettes - Photo courtesy of Margaret Aber - 1970/72</h1>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<h1>March 24th, 1939 and a 1901 Oldsmobile is being used to promote “You Can’t Take It With You” which is coming to the Hoyts Enmore Theatre - [Photo courtesy NSW State Library]</h1>
<p>The gasoline-powered Oldsmobile Model R, also known as the Curved Dash Oldsmobile, is credited as being the first mass-produced automobile, meaning that it was built on an assembly line using interchangeable parts. It was introduced by the Oldsmobile company in 1901 and produced through 1903</p>
<p>You Can’t Take It with You is a 1938 American romantic comedy film directed by Frank Capra, and starring Jean Arthur, Lionel Barrymore, James Stewart - A critical and commercial success, the film received two Academy Awards: Best Picture and Best Director for Frank Capra.</p>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<p>Image: courtesy of Kelly & Sons Real Estate.</p>
<p>Former Marina Cinema in Rosebery, Sydney, later Video Mania video shop and now for lease and derelict . Opened in 1927 and closed in 1984.</p>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<p>Rosebery Cinema 409 Gardeners Road, Sydney, NSW</p>
<h1>A voice of wisdom from the past - Paul Brennan on March 28, 2013 at 1:27 am</h1>
<p>Quote - I ran the Marina 1982 83 84 as a well programmed and operated movie theatre and sadly had to abandon my lease. As video simply ate our audiences and the maintenance of the building was beyond my income. The Marina in this new century and 2013 decade should be bought by council and refurbished to create a classic cinema complex and performing arts centre.</p>
<h1>It is a fortress building and worth repairing</h1>
<p>It is a fortress building and worth repairing and retaining to delight future generations. I was a Mascot/Rosebery family child and saw dozens of films there in the 60s. The original vaudeville stage and facilities are still intact. Paul Brennan <script type="text/javascript">
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<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<p>Astor Theatre 1 Chapel Street, Melbourne, VIC</p>
<h1>VistaVision presentation in retrospect.</h1>
<p>Photo - Courtesy of Astor Theatre.</p>
<p>PSA from the past: this is your last chance to experience THE BRUTALIST in stunning VistaVision on the Astor SuperScreen. Final sessions now on sale.</p>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<h1>The 3D Western film “Arena,” starring Gig Young, Jean Hagen, and Polly Bergen, filmed in Ansco colour & directed by Richard Fleischer, was released nationally on June 24, 1953 & claimed by MGM as the first 3D western.</h1>
<h1>Spec-wearing audiences were no doubt diving behind their seats every few minutes back in the 1950s. Feet, balls, stools, bottles, fists – you name it, they all fly at the screen at one time or another in Arena.</h1>
<p>M-G-M’s first 3-D production shot at a rodeo in Tucson, Arizona is a story surrounded by objects flying into the camera. The story takes place in one day between the rodeo events where bronc buster Gig Young has left his wife, Polly Bergen, for rodeo-follower (i.e., “groupie” for those born since the sixties) Barbara Lawrence. The reconciliation of Young and Bergen is brought about by Harry Morgan (still being billed as Henry Morgan), an over-the-hill bronc buster now reduced to being the show’s clown. (Rodeo clowns are usually the most disciplined, most valuable to the welfare of the rodeo cowboys and best-trained of all rodeo performers but Hollywood always showed them as down-and-outers.) Morgan of course has a pretty wife, Jean Hagen, and a little boy, Lee Aker, and anybody watching this film and not guessing who is going to get killed just hasn’t been exposed to enough scripts from Hollywood set around a rodeo arena.</p>
<p>Technical changes - In 1953 there were major technical changes to the Adams theatre - the installation of CinemaScope, a revolutionary optical process that compressed the image on the film with a special lens. This widened the image out, almost doubling the width of the picture on the screen, a fore-runner of the widescreen technology used today. This was a huge deal at the time, and theaters took out large newspaper ads boasting that they had made the switch.</p>
<h1>The theater also was hip to the wide-screen 3D fad, showing movies like “Kiss Me, Kate, The Bubble, Arena”</h1>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<p>Trades Hall Theatre 25 Railway Parade, Lithgow, NSW</p>
<p>Trades Hall Theatre Auditorium late 1940’s.</p>
<p>Photo - Sam Hood photographer. NSW State Library</p>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<h1>Sam Hood photographer, Stage to bio-box, Lithgow Theatre (taken for Guy Crick & Co) - This is the interior of the Trades Hall Picture Palace after the 1947 remodelling.</h1>
<p>Photo - State Library of NSW.</p>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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![<p>Regent Theatre 197 Keira Street, Wollongong, NSW</p>
<p>Photo - Wollongong City Library</p>
<p>Contributed by Greg Lynch - <script type="text/javascript">
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