Photos favorited by Kinospotter

  • <p>February 20, 1932.</p>
  • <p>March 28, 1973</p>
  • <p>Ziegfeld Folies 1913</p>
  • <p>A nice view of the Fox in 1924</p>
  • <p>8-01-64 photo credit George Nelson.</p>
  • <p>Original auditorium towards stage</p>
  • <p>“Skourasized” auditorium</p>
  • <p>How can we get that out of the Fox Theatre salvage sale in 1980?</p>
  • <p>February 19, 1932</p>
  • <p>Original 1931 poster for “Road to Life,” shown here in February 1932.</p>
  • <p>The Dawn-A-Vu Drive-In was opened in May 1956 when it was operated by Donald Mendenhall. In the late-1970’s it was renamed Idan-ha Drive-In. Jeff and Shauna Bowen, who also run the indoor Idan-ha Theatre on Main Street.</p>
            
              <p>Contributed by Greg Lynch - <script type="text/javascript">
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  • <p>October 21, 1933</p>
  • <p>1974 print ad courtesy Peter Noorish.</p>
  • <h1>Love in 3-D at the Bryson (original German title: Liebe in drei Dimensionen) is a 1973 West German adult comedy film directed by Walter Boos. It is historically notable for being shot in 70mm (specifically using the Triarama process)</h1>
            
              <p>The film is a sexploitation comedy featuring multiple erotic vignettes. It gained significant international success, partly due to the novelty of combining “eroticism and 3-D”.</p>
            
              <p>In filmmaking, Triarama is an alternative name for a specific three-dimensional (3D) film process officially known as Hi-Fi Stereo 70 or Stereovision 70. This technical process allows for the recording and projection of stereoscopic images using a single camera and a specialized 65mm or 70mm film format.</p>
            
              <p>How the Triarama Process Works – The process creates a 3D effect by simulating human depth perception through the following steps: Dual Image Capture: A single camera uses two lenses spaced at a distance similar to human eyes (approximately 63.5mm) to record two separate images simultaneously.</p>
            
              <h1>Anamorphic Squeeze: These two images (left and right perspectives) are placed side-by-side on a single 65mm negative frame and subjected to an anamorphic squeeze.</h1>
            
              <p>Stereoscopic Projection: During exhibition, the film is projected onto a screen where the two images are “unsqueezed.” Audience members wear polarised 3D glasses to ensure each eye sees only its corresponding image, which the brain then merges to perceive depth.</p>
            
              <h1>Release: While shot in 70mm, it was frequently screened in a 35mm single-strip 3D format for exhibition, as was the Bryson season.</h1>
            
              <p>Cinematography: The film is characterized by extreme 3D effects designed to jump out of the screen, including scenes with twigs hitting a car window, a girl on a swing moving toward the camera, and various objects thrusted toward the audience.</p>
            
              <p>Cast: The film starred Ingrid Steeger, Christina Lindberg, and Elisabeth Volkmann.</p>
            
              <h1>Season - Love in 3D commenced at the Bryson on July 5th 1974 and ran for a six week season, concluding on Aug 15, 1974.</h1>
            
              <p>Contributed by Greg Lynch - <script type="text/javascript">
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  • <p>Bryson Theatre 184 Exhibition Street, Melbourne, VIC</p>
            
              <p>Photo - Caths Archive</p>
            
              <p>Contributed by Greg Lynch - <script type="text/javascript">
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  • <p>the theatre was newly remodeled by Louis Denavaut</p>
  • <p>September 30, 1970</p>
  • <p>October, 1940</p>
  • <p>The Mayfair Theatre auditorium at its opening</p>
  • <p>Goddammit Oakland!</p>
  • <p>Orchestra Hall, Chicago in 1915</p>
  • <p>W.L. Hill comes over from Famous Players Lasky to direct the prologue to “The Blue Bird” in 1918 here on the stage of the Orchestra Hall.</p>