New Dolby Cinema at Lincoln Square
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Taken on: November 5, 2018
Uploaded on: November 6, 2018
Exposure: 1/4 sec, f/1.8, ISO 320
Camera: Apple iPhone XS Max
Software: Adobe Photoshop Elements 14 Editor 14.0 (Macintosh)
GPS: 40° 46' 28" N, -73° 58' 56" W
Size: 4.3 MB
Views: 17,643
Full EXIF: View all
F number: 9/5
Aperture value: 54823/32325
GPS dest bearing: 555941/3088
GPS latitude: 4046714/25
GPS speed: 0
Image length: 3024
Date time original: Mon Nov 05 15:38:23 +0000 2018
Pixel Y dimension: 3024
Resolution unit: 2
Y resolution: 72
Subsec time orginal: 206
Brightness value: -129531/24293
Exposure program: 2
Flash: 25
Focal length in 35mm film: 26
GPS longitude ref: W
YCbCr positioning: 1
Bits per sample: 888
Date time digitized: Mon Nov 05 15:38:23 +0000 2018
Focal length: 17/4
Scene capture type: 0
Exposure bias value: 0
Subsec time digitized: 206
GPS longitude: 73581396/25
Photometric interpretation: 2
Subject area: 2013151122171330
Software: Adobe Photoshop Elements 14 Editor 14.0 (Macintosh)
ISO speed ratings: 320
GPS img direction ref: T
GPS altitude ref:
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Comments (2)
The Dolby® people never learn anything. They always place their red or blue Dolby Cinema® lights close to the screen and all the pre show ads are ruined by stray light. Buy ad time and your image is ruined.
Ads? Every theater I go to keeps the lights half up during ads anyway. Who cares? What’s more disconcerting is the reflection of the EXIT lights on the screen during the actual movie, but due to NYC Fire Department rules, there’s not much one can do. These are antiquated rules that go back to the days of nitrate film. When was the last time there was a fire in a NYC movie theater? And even if there was, if the EXIT lights were dimmer, do they really think people wouldn’t see them?