ABC Blackpool

terry on September 25, 2016 at 10:08 pm

Although, as I recall, the Dick Emery Show in 1976 was presented at ABC Great Yarmouth the previous year ie 1975.

terry on April 23, 2017 at 9:03 pm

4 images uploaded

terry on April 25, 2017 at 12:25 am

If anyone has a copy of ‘ABC News’ from May 1963 there are a number of photos of the proscenium both with house tabs fully closed and with Cliff Richard, Carole Gray, The shadows etc in front of a huge ‘Elstree Studios’ backdrop. I used to have a copy (together with about 200 others, all of which I foolishly parted with).

Perhaps if someone out there still has a copy of this magazine (an ‘in house'glossy monthly)they would scan the relevant pages and upload them.

Ironic that the theatre is preserved on videotape somewhere (as I understand that many of the ABC TV Sunday spectaculars survive) but no one, it seems, bothered to photograph the impressive 60' pros….

GramRfone on November 26, 2017 at 10:20 pm

I was the Chief Projectionist at the ABC Lyric, Wellingborough & when I heard about the plans for the ABC Blackpool I applied for a position and became Co-Chief Projectionist / Lighting Engineer. My interview was with the (in) famous Nick Mole who was in charge of all the ABC Circuit projection equipment. The other Co-Chief was the Sound Engineer Brian Wall who came from the Regal, Chesterfield, and who I understand remained at the cinema right up to the day when it ceased showing films…having been tripled for some years. The Manager was indeed Robert (Bob) Parsons, a Manager who I found to be very un-approachable and not made any the better because he’d expected the Chief projectionist at his former cinema to be given the position that I had! In turn Bob Parsons was replaced by Mr Chadwick, who it may not be known was the brother of the very famous Cinema, broadcasting and recording organist Doreen Chadwick. The Strand Board arrived one morning prior to the opening of the theatre, and it was manhandled by 6 of the projection & (visiting) Strand Engineers from street level up to the mid Circle entrance, and then right up to the back wall where there was a huge hole waiting for the console to pass through. The wall was then bricked up and decorated to fit in with the theatre decor. The Sound Engineer had a box sited on the back row beneath the projection room portholes, from where he controlled all the mics and sound levels /tape machines etc for the live shows. The room containing all the lighting switches, circuits and solenoids to actuate them was several floors up above the dressing rooms back stage, but almost in line with the projection room, from where the multi cable from the console travelled across the ceiling void and into this room. Now the problems began! The building was still being knocked about and rebuilt into what were the four exterior remaining walls of the original cinema/theatre (The Hippodrome) and so dust was flying and settling everywhere. The Strand Engineers (I believe one was a Mike Brown) had already spent many days in this switch room installing all the stacks and circuits. The settling dust caused them huge headaches as it got into all the contacts, despite the entire room eventually being shielded in poly sheeting. Came the very first day of rehearsal for the Cliff Richards Show. It had been agreed that prior to rehearsals I would go down to London to Strand and be given tuition on the board. This never happened and so the first time I even saw the Lighting Plot for the show was on the morning of the first rehearsal. The aforementioned Strand Engineer was designated to sit next to me at the console in order to show me what switches, pre-sets etc did and also how to set them up for scene changes and store the settings for immediate re-capture. I set up Scene 1 on the top bank and Scene 2 on the lower bank. On cue I pressed the first pre-set. The Producer of the show got on the intercom and told me to re-check everything as this was not what he had written down. Doubled checked everything and we began again. He called a halt as it was still wrong. The Strand Engineer then took over and set it to the lighting plot. It was still not correct. Rehearsal was cancelled as it was obvious something was wrong. After several hours the fault was traced to the wiring …which at least exonerated me. The fault? When they wired up the console they did it in reverse. So every time I selected (for instance) Tab 1 which should have given me circuit 1…..the switchgear at the other end of the building actuated circuit 200. Tab 2 = 199 / Tab 3 = 198 etc etc. Only one circuit was correct i.e.: circuit 100 which was half way between the wrong and correct circuits of 200. The entire Lighting plot had to then be re-written showing the opposite numbers to the original ones. Even when the board was then up and running the dust still permeated the switch room and for the first couple of weeks the Strand Engineer spent his time in the theatre sorting out all kinds of associated problems. In the Pathe News sequence, which shows the very last time that a tram travelled down Church Street, there is a brief shot of me operating the board at 5’45”. I later moved into TV at Granada Studios in Manchester and a couple of years ago I tried to find out if the Strand Console was still there, because the only way it could have been removed would have been to have smashed a hole in the front projection room wall again. Over the years the cinema eventually was tripled and the board was still there, but there was no use for it anymore. It was then gutted and turned into a Nite Club, and I learned that the console was removed and was last known to have been stored in an understage dressing room from where it was eventually sold. It now resides, purely as an exhibit, in the foyer of a huge Production Resource venue [LS-LIVE] in West Yorkshire.

terry on November 5, 2020 at 1:38 am

The first five minutes of one of the 1960’s ABC TV ‘spectaculars’:-

https://www.youtube.com/watch?v=5ql5vdAwFzQ&t=205s

Appearing in the above: Peter Gordeno & Dancers, Tony Hancock, John Junkin and Bob Sharples & the ABC Television Orchestra. I believe that others appearing on the same bill included Freddie Davis and Jeannie Carson.

“Who were they?”, I hear many people asking…..

I understand that these TV recordings survive intact and, if so, one would have thought that the enterprising married couple who own and operate the wonderful (I think) ‘Talking Pictures’ TV channel would try and acquire them for Sunday evening screenings as a refreshing change from the third repeat of the same episodes of ‘Sunday Night at The London Palladium’. The ABC Blackpool shows were equally as good and often featured the ‘revolve’ (yes, like the London Palladium had).