Embassy 1,2,3 Theatre
707 7th Avenue,
New York,
NY
10036
707 7th Avenue,
New York,
NY
10036
39 people
favorited this theater
Additional Info
Previously operated by: Brandt Theaters, Loew's Inc., RKO, Walter Reade Theatres
Architects: Thomas White Lamb, William H. McElfatrick
Styles: Art Deco
Previous Names: Columbia Theatre, RKO Mayfair Theatre, Loew's Mayfair Theatre, Brandt's Mayfair Theatre, DeMille Theatre, Mark I,II,III Theatre, Embassy 2,3,4 Theatre
Nearby Theaters
News About This Theater
- Mar 8, 2014 — Remnants of Times Square’s Loew’s Mayfair Theater
- Oct 6, 2010 — Happy 50th, "Spartacus"
- Sep 10, 2008 — Remembering Cinerama
- Oct 15, 2007 — 70mm World Premieres now listed in introductions of New York City movie palaces
Originally opened on January 10th, 1910 as the Columbia Theatre on Times Square at the northeast corner of W. 47th Street and Broadway/7th Avenue inside a steel frame office building. It operated as a burlesque theatre and was designed by noted theatre architect William McElfatrick.
Walter Reade bought the theatre in 1928 and rebuilt it into a movie theatre. A major renovation was undertaken by architect Thomas W. Lamb who removed the two original balconies and placed a single balcony in an Art Deco style auditorium which had 2,300-seats. It reopened on October 23, 1930 as the RKO Mayfair Theatre, with RKO as the operator and the movie “Check and Double Check” starring Amos & Andy. In 1935 it was taken over by Loew’s Inc. on a 10-years lease. By 1950, it had been taken over by the Brandt Theatres chain.
The name was changed to the DeMille Theatre when road-show, reserved-seat movies were popular during the early-1960’s. World Premiere’s of 70mm movies at the DeMille Theatre included “Spartacus” (October 6th 1960) “The Fall of the Roman Empire” (March 26, 1964) and “Hawaii” (October 10, 1966).
On November 24, 1976, the theatre became the Mark I,II,III. The triplexing was crudely done by putting a wall dividing the balcony down the center, creating a very narrow tube that inclined upward. One entered near the screen and had to climb very steep steps to reach the seating area. Seating was provided for 540, 300 & 300.
It became the Embassy 2,3,4 Theatre in December 1977 when Guild Enterprises took it over. (The Embassy 1 Theatre was on Broadway at W. 46th Street, almost adjacent to the Palace Theatre). In 1997, after the Embassy 1 was closed for conversion into the Times Square Visitor Center, this theatre was renamed Embassy 1,2,3 Theatre. The Embassy 1,2,3 Theatre was one of the last Times Square movie houses to close, which happened on December 31, 1998.
It was shuttered for several years, until around 2007, when it was virtually gutted and converted into a Famous Dave’s BBQ Restaurant. This had closed by May 2013 and the building was partially demolished in spring of 2015 retaining most of the original steel superstructure.
Contributed by
William Gabel
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Recent comments (view all 1,100 comments)
Didn’t Krakatoa open continuous run at the Warner Cinerama in NY and roadshow in LA?
And then you had the films that opened at two theaters in one city and one was road show and the other continuous run.
Since no one else chimed in, I should mention that “MAGNIFICENT MEN” indeed did have a Philly Road Show run at the Trans-Lux.
Hello-
to Al A.-
I have often lauded you on your considerable font of knowledge,
to which a question. what are your thoughts on why a studio
would exhibit a film on a roadshow basis in one major city
but not another major city?
Thanks, bigjoe. From what I can tell, the most likely reason was a soft opening in NY or LA and/or poor reviews. The available venues were also a factor. Some cities had limited theatres that were practical for Roadshow use. For example, a prized booking at RADIO CITY was guarantee that the film would not Roadshow in NY since the place has so many seats plus a live show and a super-extended run was not practical. Some films went on to have successful runs even after poor advanced sales, so they proved to not be good Roadshow prospects after the first major markets failed to generate significant advanced sales. Near the end of the Roadshow era, studios had to re-evaluate the marketing costs and extended profit delays of Roadshow runs for films like “KRAKATOA”, “ROMEO & JULIET”, “THE LOVES OF ISADORA”, “CABARET” and “PATTON” since core movie-going audiences were getting younger and less likely to plan movie night in advance.
Hello-
to Al A.-
many thanks for your learned take on the subject. an interesting note on The Loves of Isadora. the only engagement the original cut or proposed roadshow cut of the film in the entire U.S. was at the now El Capitan Theater on Hollywood Blvd.
Hello-
Otto Preminiger’s film The Cardinal opened here Dec. 1963 on a roadshow engagement. did his film In Harm’s Way open here as well?
In Harm’s Way did open at the DeMille, on April 6, 1965. It also played at the Coronet on the east side.
I just posted the opening day ad in Photos.
The preview in the coming attractions for In Harms Way was done in scope which was unheard of in the 60’s
It’s not entirely correct to say that the building was demolished. There is a completely new building on the site, but in order to take advantage of some zoning loophole they had to keep and then build up from most of the original steel superstructure. So of you walk into the candy store from Seventh Avenue you are walking in the exact same entranceway as the Embassy used, the candy store itself is still mostly in the footprint of the Embassy Two, and the exit on to 47th Street — well, it might be the same as the fire exit for the Embassy Two, but I don’t want to swear to that. I don’t want to say the theater wasn’t demolished, but also, this site probably has theatres that are considered as still being around that have less of the theatre left than you can find here.