Correction to my previous post: It seems that my mind was playing a trick on me after more than fifty years. 2001 did in fact open at the Windsor Cinerama Theater in Houston in 1968 and not at the Gaylynn Theater the way I remembered it. I just found a newspaper ad confirming that it was the Windsor theater. The newspaper ad says the theater was at Post Oak and Richmond, the funny thing is I can’t ever recall going to see a movie at that location.
I saw Thrillarama at the Metropolitan theater in 1956 and boy was it awful. The seams were bad enough in Cinerama, but having one big fuzzy line running directly down the middle of the screen was intolerable, because there was no way to ignore it. The only movie made in Thrillarama was a Texas travelogue and I don’t see how they could have ever used the process for a dramatic movie. I saw Windjammer in Cinemiracle at the Uptown in ‘59 and I loved that movie. Unlike Cinerama, the three-strip Cinemiracle seams were barely noticeable. A year later I saw This is Cinerama at the Rivoli in the original three-strip Cinerama. Before they converted the Rivoli in Houston to Cinerama one had to drive all the way to the Melba Theater in Dallas to see the original three-strip Cinerama films. The first thing I noticed about the remodeled Rivoli after the shock of the giant curved Cinerama screen wore off was how they installed two new projection booths on the sides of the theater for the two additional projectors. Not only were the seams noticeable in the original Cinerama, but the color of the sky in the three panels didn’t match in many scenes and there was noticeable distortion in the image. I’d swear that I saw 2001 in 70mm at the beautiful Gaylynn Theater in '68 but this page says it was shown at the Windsor at that time. My mind could be playing tricks on me, but I saw It’s A Mad Mad Mad Mad World at the Windsor and I don’t see how I could get the two theaters confused, because the Gaylynn had a spectacular lobby, which was not like the lobby in any other Houston theater at that time. 2001 had an intermission in the middle of the 70mm version, so I had plenty of time to roam around the lobby drinking my lemonade from an elegant little container. The Gaylynn was so fancy when it first opened with 2001 that they didn’t sell popcorn, only lemonade, which one had to drink in the lobby. And at night, men wore suit coats with ties or sport jackets to see 2001. It was really special to go the the Gaylynn back when it first opened. Years later I took a friend to see a revival of 2001 at a different theater. The re-issue was printed down to 35mm CinemaScope. Without the razor sharp image of 70mm shown on a giant curved screen, and without the 6-track stereo surround sound, the 2001 revival was like a completely different movie. In addition, the inferior CinemaScope print was so scratchy that we got up and walked out. 2001 is still my favorite movie, but if you’ve never seen it on a big screen in 70mm with six-track stereo surround sound, then you’ve never actually seen it.
I saw a “special presentation” of “Thrillarama” in 1956 at the Tyler Theatre in Tyler Texas. It was a poor man’s version of Cinerama with a specially installed portable curved widescreen. It utilized the existing two 35 mm cameras instead of the three required to be installed for Cinerama. There was a visible join line down the middle of the presentation where the projection of both cameras running at once met.
After a scant few presentations the film disappeared. It most likely would have never played in Tyler except one of the sequences was a performance of the “Apache Belles”, an all girl sports support precision group that performed at sports functions representing Tyler, Tx. More info can be found about Thrillarama at the below webwsite
I thought I should add that while researching the Cinerama presentations in Houston, I could find no booking details for the following Cinerama films, suggesting they were never commercially screened in Houston:
SEARCH FOR PARADISE (1957, 3-strip Cinerama)
HOLIDAY IN SPAIN (1960/61, 3-strip Cinerama)
THE BEST OF CINERAMA (1962, 3-strip Cinerama)
MEDITERRANEAN HOLIDAY (1962/64, 70mm)
RUSSIAN ADVENTURE (1966, 70mm)
Also worth mentioning is that Houston was among the handful of markets that did show CUSTER OF THE WEST (1968; see list) as a reserved-seat Cinerama (70mm) presentation. Most Cinerama markets (including all of the major markets previously featured in this series) showed CUSTER only as a 35mm general release.
The suggestions for posting the Cinerama details for other markets is encouraging. I can state that, yes, there will be more to come, but in the spirit of creating anticipation, I would prefer not to reveal in advance which markets will be featured.
Great job. What history. I did notice however, that it appears the duration of the runs appear to be shorter than in parts 1 & 2. I did not see the 50, 60, 70 week runs as we did earlier. Still it had to be great to be able to expierience this in a large venue, with a giant bigger than life screen.
Correction to my previous post: It seems that my mind was playing a trick on me after more than fifty years. 2001 did in fact open at the Windsor Cinerama Theater in Houston in 1968 and not at the Gaylynn Theater the way I remembered it. I just found a newspaper ad confirming that it was the Windsor theater. The newspaper ad says the theater was at Post Oak and Richmond, the funny thing is I can’t ever recall going to see a movie at that location.
I saw Thrillarama at the Metropolitan theater in 1956 and boy was it awful. The seams were bad enough in Cinerama, but having one big fuzzy line running directly down the middle of the screen was intolerable, because there was no way to ignore it. The only movie made in Thrillarama was a Texas travelogue and I don’t see how they could have ever used the process for a dramatic movie. I saw Windjammer in Cinemiracle at the Uptown in ‘59 and I loved that movie. Unlike Cinerama, the three-strip Cinemiracle seams were barely noticeable. A year later I saw This is Cinerama at the Rivoli in the original three-strip Cinerama. Before they converted the Rivoli in Houston to Cinerama one had to drive all the way to the Melba Theater in Dallas to see the original three-strip Cinerama films. The first thing I noticed about the remodeled Rivoli after the shock of the giant curved Cinerama screen wore off was how they installed two new projection booths on the sides of the theater for the two additional projectors. Not only were the seams noticeable in the original Cinerama, but the color of the sky in the three panels didn’t match in many scenes and there was noticeable distortion in the image. I’d swear that I saw 2001 in 70mm at the beautiful Gaylynn Theater in '68 but this page says it was shown at the Windsor at that time. My mind could be playing tricks on me, but I saw It’s A Mad Mad Mad Mad World at the Windsor and I don’t see how I could get the two theaters confused, because the Gaylynn had a spectacular lobby, which was not like the lobby in any other Houston theater at that time. 2001 had an intermission in the middle of the 70mm version, so I had plenty of time to roam around the lobby drinking my lemonade from an elegant little container. The Gaylynn was so fancy when it first opened with 2001 that they didn’t sell popcorn, only lemonade, which one had to drink in the lobby. And at night, men wore suit coats with ties or sport jackets to see 2001. It was really special to go the the Gaylynn back when it first opened. Years later I took a friend to see a revival of 2001 at a different theater. The re-issue was printed down to 35mm CinemaScope. Without the razor sharp image of 70mm shown on a giant curved screen, and without the 6-track stereo surround sound, the 2001 revival was like a completely different movie. In addition, the inferior CinemaScope print was so scratchy that we got up and walked out. 2001 is still my favorite movie, but if you’ve never seen it on a big screen in 70mm with six-track stereo surround sound, then you’ve never actually seen it.
I saw a “special presentation” of “Thrillarama” in 1956 at the Tyler Theatre in Tyler Texas. It was a poor man’s version of Cinerama with a specially installed portable curved widescreen. It utilized the existing two 35 mm cameras instead of the three required to be installed for Cinerama. There was a visible join line down the middle of the presentation where the projection of both cameras running at once met.
After a scant few presentations the film disappeared. It most likely would have never played in Tyler except one of the sequences was a performance of the “Apache Belles”, an all girl sports support precision group that performed at sports functions representing Tyler, Tx. More info can be found about Thrillarama at the below webwsite
View link
I thought I should add that while researching the Cinerama presentations in Houston, I could find no booking details for the following Cinerama films, suggesting they were never commercially screened in Houston:
SEARCH FOR PARADISE (1957, 3-strip Cinerama)
HOLIDAY IN SPAIN (1960/61, 3-strip Cinerama)
THE BEST OF CINERAMA (1962, 3-strip Cinerama)
MEDITERRANEAN HOLIDAY (1962/64, 70mm)
RUSSIAN ADVENTURE (1966, 70mm)
Also worth mentioning is that Houston was among the handful of markets that did show CUSTER OF THE WEST (1968; see list) as a reserved-seat Cinerama (70mm) presentation. Most Cinerama markets (including all of the major markets previously featured in this series) showed CUSTER only as a 35mm general release.
The suggestions for posting the Cinerama details for other markets is encouraging. I can state that, yes, there will be more to come, but in the spirit of creating anticipation, I would prefer not to reveal in advance which markets will be featured.
What about Pittsburgh,Pa or Washington D.C.?
What about Boston?
Great job. What history. I did notice however, that it appears the duration of the runs appear to be shorter than in parts 1 & 2. I did not see the 50, 60, 70 week runs as we did earlier. Still it had to be great to be able to expierience this in a large venue, with a giant bigger than life screen.
These are great! Any chance for Kansas City?