Loew's Jersey Theatre

54 Journal Square,
Jersey City, NJ 07306

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GDellaFa on April 7, 2013 at 3:07 pm

My guess is it’s just political rhetoric. The Loew’s Jersey has built momentum and popularity. It will continue to grow and improve over time.

bolorkay on April 7, 2013 at 11:28 am

I am hoping that the grand Loews Landmark will survive this latest wave of political rhetoric and posturing. I guess in a very naieve sense I’ve been very heartened to see many huge crowds at the Loews monthly film weekends and their live presentations such as “Stage Craft” (not sure if that’s the correct name.) Aren’t these large audiences indicative of a positive response to what the Loew’s has been and is capable of doing for the community?

GDellaFa on April 7, 2013 at 10:44 am

OK, what’s going on with the City of Jersey City this time? “I am not committing more taxpayers dollars to the Loew’s theater,” Healy said.


bolorkay on April 7, 2013 at 6:56 am

Any word as to what the April films might be? May?

HowardBHaas on February 18, 2013 at 6:48 pm

I saw “One, Two, Three” when it was earlier shown, in 2004 at the Loews Jersey. It was an awesome movie & looked great on the huge screen.

Ed Solero
Ed Solero on February 18, 2013 at 6:41 pm

Cagney really gave a spectacular performance in “One, Two, Three.” A wonderful swan song, his brief late-life cinematic resurrection notwithstanding. I absolutely love this movie.

mdvoskin on January 25, 2013 at 8:34 am

Tonight & Tomorrow Night, Presented in 35mm

A short filmed interview with Sir Arthur Conan Doyle in his only appearance on film, will be presented Friday before the features.

bolorkay on December 31, 2012 at 8:14 am

The Christmas Spirit really found a home at the Landmark Loew’s this year, with the holiday concert and “Elf”. Looking forward to many great films and performances in 2013.

Happy and Healthy 2013, FOL. Bob

bolorkay on December 16, 2012 at 7:51 pm


Are any efforts being made to help the great Loew’s Jersey enter the digital projection age while at the same time keeping its 35mm capabilities? (Thinking along the lines of fund-raisers etc.)

HowardBHaas on November 17, 2012 at 11:50 pm

I agree with Bob, and also the earlier film “Stairway to Heaven” (US title) was shown in a gorgeous BW & Technicolor print. Wings had a very large audience.

BobFurmanek on November 17, 2012 at 11:47 pm

A fabulous presentation at the Jersey tonight for WINGS. The focus was sharp and the changeovers were flawless. Combined with the masterful accompaniment by Bernie Anderson on the organ and the fascinating recollections of William Wellman Jr, it made for a great night of entertainment at this New Jersey showplace.

Congratulations to the projection team for an excellent show!

mdvoskin on November 16, 2012 at 6:50 am

I have been informed that Keir Dullea will not be appearing at the Loews Jersey this Sunday due to change in his schedule.

Don Murray will still be here to host The Hoodlum Priest and Bus Stop, as planned.

HowardBHaas on November 15, 2012 at 5:45 pm

Anybody from Philly driving there? I am eager to see Wings but due to Hurricane, mass transit (Path from Jersey City to Newark) won’t do. Would be happy to share expenses. Let me know before Saturday.

mdvoskin on November 11, 2012 at 11:33 am

This coming weekend 11/17/2012 and 11/18/2012 at The Landmark Loews Jersey

mdvoskin on October 22, 2012 at 7:50 pm

This coming weekend 10/26/2012 and 1/27/2012:

The Landmark Loews Jersey

markp on October 2, 2012 at 10:24 am

I hear you Bob. Ive always cared too much also, and now look where it got me. A projectionist with 37 years expierience and digital puts me out of work. I miss running film.

BobFurmanek on September 30, 2012 at 5:56 pm

One point I forgot to mention. An important and respected film archivist was in the audience last night with his family. We ran into each other in the lobby after the show. He asked if they had considered utilizing a communication system between the auditorium and the booth.

I left the project in 2003 so can not speak for present policy, but I can tell you during the two years that we ran 35mm, there was constant dialogue. I was usually the one on the radio calling up to the booth when there was a problem. In those early days, focus drift was a MAJOR problem with the Kinoton projectors. We had to have communication constantly throughout the show.

Rob: perhaps this is something that should be considered for future presentations?

BobFurmanek on September 30, 2012 at 5:47 pm

Thanks, Mark. My problem is that I care too much. I became involved in the fight to save the theater when it was scheduled for demolition. The 16mm shows that I presented in the lobby were not only the most successful, they attracted the most New York press during that crucial time when Hartz Mountain wanted to level the theater for an office building. I spent literally thousands of hours on the project for over a decade and introduced the late Bob Eberenz to the project. It was through Bob and Steve Levy’s tireless efforts and donation of equipment that the 35mm projection capability was restored. When we began working on the booth, it was a stripped pigeon coup. To say that it was a challenge would be an understatement.

At that time, the building had no heat or running water. We worked in the winter with heavy coats and gloves, and had to go to C.H. Martin next door just to clean up. Bob and I were there nearly every Saturday for close to ten years. Bob was a wonderful man and a dear friend and he believed in putting on the best show possible. He had worked in the film industry since 1946.

We were all volunteers. Nobody made a penny. I once asked Bob what he would charge for his time involved. He laughed and said, “They couldn’t afford me.”

For two years between 2001 and 2003, our programs gave the audience their monies worth. We ran shorts, cartoons and trailers with every show. It was not just a movie, it was the Movie Palace Experience. That’s what we believed in and what we tried to present to the audience.

When I see a sloppy show, it really hurts. It doesn’t have to be that way.

Mr. Eberenz should have a plaque in his honor in the building. He did so much not just in the booth, but with the stage lighting, organ lift, the marquee, electrical system, etc. The theater would not be where it is today if it were not for his valuable input and countless hours of volunteer work.

In closing, I have to say that Mr. Eberenz would have really liked you, Rob. You speak the same language. I’m only sorry that you never got to know him.

CSWalczak on September 30, 2012 at 4:25 pm

A recent profile of the Loew’s Jesey can be read here.

markp on September 30, 2012 at 4:09 pm

It hurts me to hear a great person like Bob have a dissappointing time at any film presentation. I know he gave me many thumbs up when I showed Jaws back in June at the Count Basie. I wanted to attend but was working a concert in Lakewood at the stadium. If my families situation was better I would love to be one of the projectionists here, having 37 years expierience, but my financial situation prohibits me at this time. Best of luck to Rob & Mitchell.

RobMinichino on September 30, 2012 at 1:52 pm

Thanks, Bob. I don’t want to throw any of our dedicated, hard-working volunteer projectionists under the bus. In the end, I’m responsible for the presentation, and if it falls short, it’s my fault.

BobFurmanek on September 30, 2012 at 1:45 pm

Rob: The Loew’s Jersey is indeed fortunate to have you and Mitchell on their projection team. I know that you are fighting an uphill battle!

RobMinichino on September 30, 2012 at 1:08 pm

I apologize for the unacceptable quality of this weekend’s film presentation, and I hope we can win back our patrons' confidence in future showings.

Bob, I received Goldfinger heads out, and did not have a chance to inspect it as thoroughly as I otherwise would. I only received the print for Dr. No approximately 30 minutes before showtime, tails out and emulsion out, a configuration that required manual winding, with at least one countdown leader spliced out of frame. After having to inspect Friday’s print just before the show (as no one was available to do it sooner), this left little time for me to look at Goldfinger, and as I was growing tired, I did not wind the last reel to see what was on the tail (although I did know there were credits).

Regardless, none of these things should have caused the various faults with this past weekend’s presentation, and I’m embarrassed that it was not nearly as professional as it should have been.

Our projectionist who was working that show made a mistake and cut off the film after seeing cues at the end of the reel. I did not react in time to get the film back on screen before the backstage crew brought up the lights and closed the curtain—we view the credits as an integral part of the film and out of respect for the cast and crew—as well as their fans, our patrons—never intentionally skip them.

BobFurmanek on September 30, 2012 at 12:14 pm

I should point out that Mitchell Dvoskin, who usually projects on Friday nights, is an attentive operator who frequently checks focus and framing.

If Mitchell is projecting, you are assured of a quality presentation. He knows film and recognizes the art of showmanship. When Bob Eberenz and I first brought 35mm capability back to the Loew’s in the late 1990’s, Mitchell and Bernie Anderson were our two chief projectionists.

It might be good to alert customers as to which projectionist will be working the show.