Vernon Scott was the head of the Ideal Amusement Company, according to Boxoffice of October 2, 1937. The item said that the Vernon Theatre had opened “…at the turn of the year….” I guess that would mean either December 31, 1936, or January 1, 1937.
At the time of Scott’s death in March, 1942, the Ideal Amusement company operated a circuit of 14 theaters. Scott was succeeded as President of the chain by former general manager F.X. McClellan.
The earliest mention of the Majestic by name that I’ve found is in Boxoffice of February 5, 1938, which said the house had suffered $7,000 in damage due to fire. It was owned by J.V. Carter. A December 15, 1951, Boxoffice item said that J.V. Carter Jr. had sold two theaters he had operated at Comanche for twenty years. A December 29 item about the sale (to Jack Arthur and Harold Flemins) gave the names of the theaters as the Ritz and the Majestic. That’s the only time I can find mention of a Ritz at Comanche, Texas. An often-mentioned Ritz at Comanche, Oklahoma, muddies Internet searches.
Jack Arthur was mentioned as the operator of the Majestic at Comanche in Boxoffice of September 20, 1965, so the house was still open at that date.
The “Twenty Years Ago” feature in Boxoffice of November 8, 1947, mentions another theater at Comanche, the Lyric, operated by C.V. Caver. It had opened on October 14, 1927. I’m wondering if the Lyric might have been renamed the Ritz. An obituary for Claude V. Caver in Boxoffice of March 2, 1959, indicated that he had moved to Dallas in the late 1920s, a bit before J.V. Carter would have begun operating theaters in Comanche. Caver’s obituary indicates that he was operating a theater at Comanche at least as early as 1921.
Motion Picture Times of March 30, 1930, said that N.W. Story was planning a new theater at Comanche, Texas. This might have been the Majestic, though I haven’t found anything to confirm this. There is another item from 1930 saying that a Roy Walker was interested in a theater project in Comanche. I can’t find either of them mentioned in connection with the town again.
There must be a typo in paragraph two of the intro. The line “The Modesto Theatre reopened on July 2, 1913….” should probably say 1914, as the theater burned in December, 1913. Unless, of course, time occasionally runs backward in Modesto.
According to a card in the California Index, the Los Angeles Examiner of January 25, 1914, reported that Ralph T. Morrell (his middle initial was actually P) was the architect of a theater to be built at Modesto. There aren’t any details on the card, but the project referred to was most likely the rebuilding of the Modesto.
Morrell was a fairly significant architect in the San Joaquin Valley. His office was in Stockton, where a large number of his works were built. A 1920 issue of Architect and Engineer said that the offices of Ralph P. Morrell had let contracts for the construction of an Odd Fellows Lodge in Stockton which was to have a movie theater on the ground floor. So far I’ve been unable to discover which theater this was.
Boxoffice of October 23, 1954, has this item datelined Nanty Glo: “Closed for three years, the Liberty Theatre here is being dismantled and will be remodeled into a store room.”
This one has been a bit of a puzzler for me, too. Boxoffice mentions North Belle Vernon three times that I can find, in 1938, 1940, and 1971, and never gives a theater name in connection with the town. However, various other sources reveal the magazine’s error. Boxoffice invariably places the Verdi Theatre in Belle Vernon when it was actually in North Belle Vernon.
After much searching I’ve concluded that the Vernon Theatre must have been the Verdi, which was probably the town’s only theater. I’ve found no references to a name change from Verdi to Vernon Theatre, but it was operating as the Verdi at least as late as 1961, and multiple sources indicate that it was located on Broad Avenue.
The Verdi was built in or about 1916 by Zefferio Marini, who operated the house himself until 1932 and then leased it out according to a Boxoffice item of February 12, 1938. This item said he intended to resume operation of the theater when the lease was up on May 1. The lessees, Joe and Mike Mazzei, at first intended to build a new theater at North Belle Vernon, but eventually abandoned the project.
Boxoffice of September 4, 1954, said that CinemaScope was being installed in the Verdi Theatre. By 1961, the Verdi was being operated by Geno and Mary Tonarelli, mentioned in Boxoffice of July 24 that year (an item earlier that year gives the name as Gene Tonarello.) That was the last mention of the Verdi I’ve found in Boxoffice, and I’ve been unable to find any mention of a Vernon Theatre in either Belle Vernon or North Belle Vernon. After 1961, Boxoffice only ever mentions the Super 71 Drive-In.
Boxoffice of August 13, 1938, says that construction had begun on the B&J circuit’s new Four Star Theatre in Grand Rapids. The architect of this neighborhood house was Frank L. Proctor. An ad for the American Seating Company in Boxoffice of December 10, 1938, also names Proctor, and has a small photo of the facade (lower left.)
All I’ve been able to dig up about Proctor on the Internet is that in 1907 he was a draftsman for the Grand Rapids architectural firm Williamson & Crow, and that the 1920 City Directory lists him as a partner of architect Henry E. Crow in Crow & Proctor, though Williamson was also listed as being in the same office. Proctor was apparently in a solo practice by the time he designed the Four Star.
Frank L. Proctor was probably also the architect of that name who, in 1905, modified plans by the firm of Winslow & Bigelow for a stable at an estate called Holmdene which is now the campus of Aquinus College. The former stable, by th en converted to other use, was rebuilt following a fire in 1978 (it is now a chapel), so I don’t know how much, if any, of the original building survives. I can’t find anything about any other buildings Proctor designed, but if the Four Star was typical of his work they’d certainly be worth a look.
The Sanilac Theatre was built inside the walls of Sandusky’s former auditorium, though it was otherwise a new building. The project was designed by architects Bennett & Straight, according to Boxoffice of November 13, 1937.
W.F. Caudell and F.G. Murphy were the first owners of the South Miami Theatre according to an item in Boxoffice of June 24, 1946. Boxoffice of March 10, 1951, said that W.F. Caudell had reopened the Hi-Way Theatre in South Miami after remodeling the front, adding a new marquee, and painting and reseating the auditorium.
The July 1, 1953, issue of Boxoffice said that the Sunset Theatre at South Miami was being operated by Milton Frackman. The earliest mention of Wometco in connection with the house that I’ve found is in the April 9, 1955, issue of Boxoffice which referred to the Sunset as “…the Wometco circuit’s newest addition….”
In the late 1950s and early 1960s, Boxoffice always calls the house the Sunset Art Theatre. By the late 1960s it’s back to calling it simply the Sunset Theatre.
After being closed by United Theatres, the Abalon was dark for nearly a decade until Joseph Costello, owner of radio station WRNO, renovated and reopened the house as a venue for classic movies. A July 3, 1978, Boxoffice item about local protests against Costello’s plan to reopen the Abalon said that the theater was “…a thirty-year-old Algiers landmark….” A later Boxoffice item gave the opening year of the Abalon as 1951.
Boxoffice of April 2, 1979, quoted New Orleans movie and theater critic Al Shae’s comments on the renovated Abalon from his review of “Harold and Maude,” then playing at the house: “The new-old Abalon Theatre is the ideal setting for this fine film. The large 665-seat theatre is as clean as a whistle with expensive Dolby sound. Spacious, deeply cushioned chairs are comfortable with nary a bad seat in the house.”
The Abalon was still operating in 1983, when Boxoffice ran an article about Joseph Costello (He Went Into Films On His Ear, left column, right-hand page.) This article said that Costello, who had begun his career as a disk jockey, had presented live concerts by major rock bands at the Abalon, and frequently offered combined shows featuring movies and live performances by local bands. He also expanded his interests in exhibition, opening several additional theatres so that, by 1983, he operated more screens within the city of New Orleans than any other exhibitor.
Boxoffice of July 18, 1966, said that the Orangeburg Theatre had hosted 350 industry guests at the opening on July 7, at which a sneak preview of the Frank Sinatra movie “Assault on a Queen” was presented. The new house had 600 seats. The Orangeburg was operated by Lesser Theatres, a small circuit headed by Howard Lesser. The circuit then operated theaters at Mt. Kisco, Spring Valley, Lynnbrook, and Yorktown, and had a theater under construction in Peekskill. All were first-run operations.
The DeSoto Theatre was opened in February, 1951, by Florida State Theatres. The 709-seat house was a replacement for the circuit’s Star Theatre.
This article in Boxoffice of November 15, 1952, has a photo of the DeSoto’s auditorium. The new theater was designed by the Jacksonville architectural firm Kemp, Bunch & Jackson.
This page about Orangeburg’s theaters gives the original address of the Edisto as 42 W. Russell Street. Orangeburg has apparently renumbered its lots since the sources the SCMT web site used were published.
The Edisto was operated by J.I. Sims. The various items about the house in Boxoffice are a bit sketchy, and the Edisto might or might not have originally been called the Reliance Theatre. It was to be a replacement for the older Reliance Theatre next door, at (old address) 44 W. Russell Street, which was then being operated by Sims.
Boxoffice of November 30, 1940, said: “J. I. Simms soon to start work on his new Reliance in Orangeburg. The new show will seat 650 and be the last word.”
The February 15, 1941, Boxoffice named a number of theaters at which Wil-Kin Theatre Supply had recently made equipment installations, and the Reliance was among them.
The March 1, 1941, issue of Boxoffice said: “J. I. Sims, who has the Reliance and Carolina in Orangeburg, S.C. has the walls and roof on his new theatre, unnamed as yet. No opening date has been set.” This is the only item in Boxoffice indicating that Sims was already operating a house called the Reliance.
Boxoffice of June 14, 1941, said: “J. I. Sims is planning to open his new theatre in Orangeburg S.C. about the first of July….” If that date was met, then the new theater might have opened as the Reliance, as Boxoffice of November 29, 1941, mentions J.I. Sims as operator of the Carolina and Reliance at Orangeburg. Or perhaps Boxoffice was simply not informed that the new house had been given a different name from that which had been announced earlier.
The earliest mention of the name Edisto in Boxoffice is in the issue of August 7, 1943, which mentions Sims as operator of the Edisto and Carolina theaters. Sims sold the Carolina in 1950, but continued to operate the Edisto until his death in 1957.
The Edisto was still operating as late as 1976, when Boxoffice of November 29 listed it among the numerous North and South Carolina houses then being operated by Martin Theatres. Martin was also operating the Cinema III in Orangeburg at that time.
There was an earlier Bluebird Theatre in Orangeburg, and that house was located at (old address) 49 E. Russell Street, according to South Carolina Movie Theatres. SCMT seems a bit puzzled about the fate of the original Bluebird, but an item in Boxoffice of November 17, 1975, said that Bob Hope had recently visited Orangeburg, where in 1924 he had performed at the Bluebird Theatre. The old Bluebird had been demolished in 1930, this item said. I don’t know how reliable it is, though, as the item doesn’t name a source for the information.
This theater opened as the Cinema III in 1969, and was originally built for a small circuit called Winyah Bay Theatres. The target date for opening was July 1, according to an item in Boxoffice of March 17, 1969.
The 550-seat house was a deluxe single-screener, despite the name Cinema III. The company also operated a Cinema I and the Sumter Theatre in Sumter and the Astro Theatre in Greenville. With the exception of the older Sumter Theatre, all these houses were designed by architects Hiller & Associates. The Cinema III was equipped with an Ultra-Vision screen and 70mm projection.
Boxoffice of July 12, 1976, said that a second auditorium would be added to the Cinema III in Orangeburg. At that time the house was being operated by Martin Theatres. I’ve been unable to discover when the third screen was added, or whether it was in another new auditorium or if one of the first two auditoriums was split.
Boxoffice of November 24, 1945, said that work was progressing on the Eastside Theatre in Savannah, and the new theater “for colored patronage” would open by February 22 the next year. The house was designed by Savannah architect Oscar M. Hansen.
The location of the Tivoli, currently given above as Marysville, is actually Maryville. It was the same city in which Tivoli operator C.E. “Doc” Cook’s brother, Ray, operated the Missouri Theatre, which had been built by their father in 1926. Though the Missouri survives, the 1939 Tivoli has been demolished. The first Tivoli, which was in operation by 1929, was at another location and might still be standing.
I’ve been unable to find the opening date for the second Tivoli, but Boxoffice of September 9, 1939, reported that the Oklahoma Theatre Supply Company had recently installed 800 Heywood-Wakefield seats in the new house, so it must have been nearing completion by then. I’d surmise a late 1939 opening. I haven’t been unable to find a closing date, either, but Boxoffice of March 30, 1970, said that C.E. Cook’s son Jim was at that time operating both the Tivoli and the Dude Ranch Drive-In (built by “Doc” Cook in 1950) at Maryville. An item in the February 1, 1971, issue of Boxoffice indicated that the Tivoli was still in operation.
Boxoffice ran this article about the Tivoli in its issue of May 25, 1940. There are a few photos of the theater. In the exterior photo, a sliver of the adjacent building to the left shows an arched window and distinctive details on the parapet wall. These details can be seen in a current Google Street View, so that building survives, but the site next door, where the Tivoli was located, is now a parking lot, so the Tivoli has been demolished, except for what was probably the common side wall of the two buildings.
An additional photo of the Tivoli’s downstairs lounge area, called the “Rumpus Room,” can bee seen at upper left on this page in boxoffice of April 7, 1951.
Boxoffice of October 2, 1954, noted that C.E. “Doc” Cook had just celebrated the silver anniversary of his Tivoli Theatre in Maryville, so the first Tivoli must have either opened, or been acquired by, Mr. Cook in 1929. A 1938 Boxoffice item said that Cook intended to convert the old Tivoli’s building to another use when the new theater opened, so the old Tivoli building might have outlived its successor and could still be standing. A 1970 Boxoffice item said that the old Tivoli had been on the south side of the town square. Google Street View shows that block to be largely intact and to consist mostly of older buildings, so the odds of the old Tivoli’s survival are high.
Boxoffice of December 3, 1938, said that the Co-Ed Theatre in Topeka had been designed by architect Trevor C. Jones. After working on four theaters that were mentioned in Boxoffice, he vanishes from the magazine. I suspect that, after the last of these projects, when he was Robert Boller’s associate on the Tivoli Theatre at Maryville, Missouri (not yet listed at Cinema Treasures, but here’s a Boxoffice article about it), he might have joined Boller’s firm and no longer worked under his own name.
The Ritz was a rebuilding of an older house called the Nueva Theatre, which had been severely damaged by a fire on March 15, 1937, according to Boxoffice of April 24 that year. Boxoffice of June 19 said that the opening of the Ritz was scheduled for June 23.
The architect for the rebuilding was Trevor C. Jones. Jones worked on at least three other theater projects. He designed the Co-Ed Theatre at Topeka, Kansas, the State Theatre at Mound City, Missouri, (with Clarence Kivett), and he was associated with Robert Boller in the design of C.E. Cook’s Tivoli Theatre at Maryville, Missouri, in 1939.
This will please Patsy. The Comerford/Carlisle Theatre was designed by architect Michael J. DeAngelis, and was the subject of this article by Helen Kent in Boxoffice of August 19, 1939. There are five photos.
The original 1935 owners of the El Rey were Lawrence Borg and John Peters. Later the house was taken over by Fox West Coast. In 1949, FWC departed and Borg and Peters resumed control of the house, according to Boxoffice of September 3 that year. Borg was noted as still being the operator of the El Rey at the time of his death, notice of which which was published in Boxoffice of November 13, 1954.
John Peters must have been related to William Peters, noted in multiple Boxoffice items of the 1940s, 1950s, and early 1960s as operator of the El Rey at Manteca. robertgippy’s comment of January 31 this year above says that the two El Rey theaters were built by the same family, and were of very similar design.
William Peters was the original owner of the Manteca house, built the year after the Salinas El Rey. Manteca’s El Rey was designed by architects Otto A. Deichmann and Mark T. Jorgensen, so it seems likely that the same architects designed the Salinas El Rey as well, though I’ve been unable to find a source confirming it.
The entry for architect Otto A. Deichmann in the 1956 edition of the AIA’s American Architect’s Directory includes the Del Oro Theatre at Grass Valley in the list of his works. The project is dated 1942. I’m not sure if Deichman’s partnership with Mark T. Jorgensen had been dissolved yet in 1942.
The Haight Theatre is listed among works attributed to architect Otto A. Deichmann in the 1956 edition of the AIA’s American Architects Directory.
As the Haight was built in 1937 I would assume that Deichmann’s partner of that period, Mark T. Jorgensen, was also involved in the project. I’ve been unable to find a listing for Jorgensen in the AIA’s online historical directory. It’s possible he was not a member of the organization.
The March 3, 1951, issue of Boxoffice said that the Star Theatre had closed on February 17, due to the opening of Florida State Theatres' new DeSoto Theatre in Arcadia. The item said that the Star had been in operation for 42 years.
Boxoffice of September 19, 1953, said that the former Star Theatre was to be demolished and the site would become a parking lot. A Google search now turns up a Downtown Athletic Club at 20 S. Polk Ave. in Arcadia, and on the lot just north of it, where the Star’s address would be, you can see a parking lot in Google Maps street view, so the Star has been demolished.
The Bijou was mentioned at least twice in Boxoffice in 1939. The operator was named O. Nakamichi. The November 13 issue that year said that Nakamichi had bought 600 new seats for the house from National Theatre Supply, and was also planning minor alterations to the lobby.
The Bijou was mentioned in issues of Boxoffice as late as 1947, when it was being operated by Andy Gorblisch, but Nakamichi vanished from the pages of the magazine until 1946.
The October 7, 1946, issue of Boxoffice has a brief obituary of Okanosake Nakamichi. It said that he had operated a theater in Visalia from 1911 until he was relocated to a prison camp in 1942. It doesn’t mention any theater names.
Vernon Scott was the head of the Ideal Amusement Company, according to Boxoffice of October 2, 1937. The item said that the Vernon Theatre had opened “…at the turn of the year….” I guess that would mean either December 31, 1936, or January 1, 1937.
At the time of Scott’s death in March, 1942, the Ideal Amusement company operated a circuit of 14 theaters. Scott was succeeded as President of the chain by former general manager F.X. McClellan.
The earliest mention of the Majestic by name that I’ve found is in Boxoffice of February 5, 1938, which said the house had suffered $7,000 in damage due to fire. It was owned by J.V. Carter. A December 15, 1951, Boxoffice item said that J.V. Carter Jr. had sold two theaters he had operated at Comanche for twenty years. A December 29 item about the sale (to Jack Arthur and Harold Flemins) gave the names of the theaters as the Ritz and the Majestic. That’s the only time I can find mention of a Ritz at Comanche, Texas. An often-mentioned Ritz at Comanche, Oklahoma, muddies Internet searches.
Jack Arthur was mentioned as the operator of the Majestic at Comanche in Boxoffice of September 20, 1965, so the house was still open at that date.
The “Twenty Years Ago” feature in Boxoffice of November 8, 1947, mentions another theater at Comanche, the Lyric, operated by C.V. Caver. It had opened on October 14, 1927. I’m wondering if the Lyric might have been renamed the Ritz. An obituary for Claude V. Caver in Boxoffice of March 2, 1959, indicated that he had moved to Dallas in the late 1920s, a bit before J.V. Carter would have begun operating theaters in Comanche. Caver’s obituary indicates that he was operating a theater at Comanche at least as early as 1921.
Motion Picture Times of March 30, 1930, said that N.W. Story was planning a new theater at Comanche, Texas. This might have been the Majestic, though I haven’t found anything to confirm this. There is another item from 1930 saying that a Roy Walker was interested in a theater project in Comanche. I can’t find either of them mentioned in connection with the town again.
There must be a typo in paragraph two of the intro. The line “The Modesto Theatre reopened on July 2, 1913….” should probably say 1914, as the theater burned in December, 1913. Unless, of course, time occasionally runs backward in Modesto.
According to a card in the California Index, the Los Angeles Examiner of January 25, 1914, reported that Ralph T. Morrell (his middle initial was actually P) was the architect of a theater to be built at Modesto. There aren’t any details on the card, but the project referred to was most likely the rebuilding of the Modesto.
Morrell was a fairly significant architect in the San Joaquin Valley. His office was in Stockton, where a large number of his works were built. A 1920 issue of Architect and Engineer said that the offices of Ralph P. Morrell had let contracts for the construction of an Odd Fellows Lodge in Stockton which was to have a movie theater on the ground floor. So far I’ve been unable to discover which theater this was.
Boxoffice of October 23, 1954, has this item datelined Nanty Glo: “Closed for three years, the Liberty Theatre here is being dismantled and will be remodeled into a store room.”
This one has been a bit of a puzzler for me, too. Boxoffice mentions North Belle Vernon three times that I can find, in 1938, 1940, and 1971, and never gives a theater name in connection with the town. However, various other sources reveal the magazine’s error. Boxoffice invariably places the Verdi Theatre in Belle Vernon when it was actually in North Belle Vernon.
After much searching I’ve concluded that the Vernon Theatre must have been the Verdi, which was probably the town’s only theater. I’ve found no references to a name change from Verdi to Vernon Theatre, but it was operating as the Verdi at least as late as 1961, and multiple sources indicate that it was located on Broad Avenue.
The Verdi was built in or about 1916 by Zefferio Marini, who operated the house himself until 1932 and then leased it out according to a Boxoffice item of February 12, 1938. This item said he intended to resume operation of the theater when the lease was up on May 1. The lessees, Joe and Mike Mazzei, at first intended to build a new theater at North Belle Vernon, but eventually abandoned the project.
Boxoffice of September 4, 1954, said that CinemaScope was being installed in the Verdi Theatre. By 1961, the Verdi was being operated by Geno and Mary Tonarelli, mentioned in Boxoffice of July 24 that year (an item earlier that year gives the name as Gene Tonarello.) That was the last mention of the Verdi I’ve found in Boxoffice, and I’ve been unable to find any mention of a Vernon Theatre in either Belle Vernon or North Belle Vernon. After 1961, Boxoffice only ever mentions the Super 71 Drive-In.
Boxoffice of August 13, 1938, says that construction had begun on the B&J circuit’s new Four Star Theatre in Grand Rapids. The architect of this neighborhood house was Frank L. Proctor. An ad for the American Seating Company in Boxoffice of December 10, 1938, also names Proctor, and has a small photo of the facade (lower left.)
All I’ve been able to dig up about Proctor on the Internet is that in 1907 he was a draftsman for the Grand Rapids architectural firm Williamson & Crow, and that the 1920 City Directory lists him as a partner of architect Henry E. Crow in Crow & Proctor, though Williamson was also listed as being in the same office. Proctor was apparently in a solo practice by the time he designed the Four Star.
Frank L. Proctor was probably also the architect of that name who, in 1905, modified plans by the firm of Winslow & Bigelow for a stable at an estate called Holmdene which is now the campus of Aquinus College. The former stable, by th en converted to other use, was rebuilt following a fire in 1978 (it is now a chapel), so I don’t know how much, if any, of the original building survives. I can’t find anything about any other buildings Proctor designed, but if the Four Star was typical of his work they’d certainly be worth a look.
The pool links work for me, too. Flickr was probably having temporary indigestion.
Patsy: Check the Carlisle Theatre page. I posted a new link you’ll like.
The Sanilac Theatre was built inside the walls of Sandusky’s former auditorium, though it was otherwise a new building. The project was designed by architects Bennett & Straight, according to Boxoffice of November 13, 1937.
W.F. Caudell and F.G. Murphy were the first owners of the South Miami Theatre according to an item in Boxoffice of June 24, 1946. Boxoffice of March 10, 1951, said that W.F. Caudell had reopened the Hi-Way Theatre in South Miami after remodeling the front, adding a new marquee, and painting and reseating the auditorium.
The July 1, 1953, issue of Boxoffice said that the Sunset Theatre at South Miami was being operated by Milton Frackman. The earliest mention of Wometco in connection with the house that I’ve found is in the April 9, 1955, issue of Boxoffice which referred to the Sunset as “…the Wometco circuit’s newest addition….”
In the late 1950s and early 1960s, Boxoffice always calls the house the Sunset Art Theatre. By the late 1960s it’s back to calling it simply the Sunset Theatre.
After being closed by United Theatres, the Abalon was dark for nearly a decade until Joseph Costello, owner of radio station WRNO, renovated and reopened the house as a venue for classic movies. A July 3, 1978, Boxoffice item about local protests against Costello’s plan to reopen the Abalon said that the theater was “…a thirty-year-old Algiers landmark….” A later Boxoffice item gave the opening year of the Abalon as 1951.
Boxoffice of April 2, 1979, quoted New Orleans movie and theater critic Al Shae’s comments on the renovated Abalon from his review of “Harold and Maude,” then playing at the house: “The new-old Abalon Theatre is the ideal setting for this fine film. The large 665-seat theatre is as clean as a whistle with expensive Dolby sound. Spacious, deeply cushioned chairs are comfortable with nary a bad seat in the house.”
The Abalon was still operating in 1983, when Boxoffice ran an article about Joseph Costello (He Went Into Films On His Ear, left column, right-hand page.) This article said that Costello, who had begun his career as a disk jockey, had presented live concerts by major rock bands at the Abalon, and frequently offered combined shows featuring movies and live performances by local bands. He also expanded his interests in exhibition, opening several additional theatres so that, by 1983, he operated more screens within the city of New Orleans than any other exhibitor.
Boxoffice of July 18, 1966, said that the Orangeburg Theatre had hosted 350 industry guests at the opening on July 7, at which a sneak preview of the Frank Sinatra movie “Assault on a Queen” was presented. The new house had 600 seats. The Orangeburg was operated by Lesser Theatres, a small circuit headed by Howard Lesser. The circuit then operated theaters at Mt. Kisco, Spring Valley, Lynnbrook, and Yorktown, and had a theater under construction in Peekskill. All were first-run operations.
The DeSoto Theatre was opened in February, 1951, by Florida State Theatres. The 709-seat house was a replacement for the circuit’s Star Theatre.
This article in Boxoffice of November 15, 1952, has a photo of the DeSoto’s auditorium. The new theater was designed by the Jacksonville architectural firm Kemp, Bunch & Jackson.
This page about Orangeburg’s theaters gives the original address of the Edisto as 42 W. Russell Street. Orangeburg has apparently renumbered its lots since the sources the SCMT web site used were published.
The Edisto was operated by J.I. Sims. The various items about the house in Boxoffice are a bit sketchy, and the Edisto might or might not have originally been called the Reliance Theatre. It was to be a replacement for the older Reliance Theatre next door, at (old address) 44 W. Russell Street, which was then being operated by Sims.
Boxoffice of November 30, 1940, said: “J. I. Simms soon to start work on his new Reliance in Orangeburg. The new show will seat 650 and be the last word.”
The February 15, 1941, Boxoffice named a number of theaters at which Wil-Kin Theatre Supply had recently made equipment installations, and the Reliance was among them.
The March 1, 1941, issue of Boxoffice said: “J. I. Sims, who has the Reliance and Carolina in Orangeburg, S.C. has the walls and roof on his new theatre, unnamed as yet. No opening date has been set.” This is the only item in Boxoffice indicating that Sims was already operating a house called the Reliance.
Boxoffice of June 14, 1941, said: “J. I. Sims is planning to open his new theatre in Orangeburg S.C. about the first of July….” If that date was met, then the new theater might have opened as the Reliance, as Boxoffice of November 29, 1941, mentions J.I. Sims as operator of the Carolina and Reliance at Orangeburg. Or perhaps Boxoffice was simply not informed that the new house had been given a different name from that which had been announced earlier.
The earliest mention of the name Edisto in Boxoffice is in the issue of August 7, 1943, which mentions Sims as operator of the Edisto and Carolina theaters. Sims sold the Carolina in 1950, but continued to operate the Edisto until his death in 1957.
The Edisto was still operating as late as 1976, when Boxoffice of November 29 listed it among the numerous North and South Carolina houses then being operated by Martin Theatres. Martin was also operating the Cinema III in Orangeburg at that time.
There was an earlier Bluebird Theatre in Orangeburg, and that house was located at (old address) 49 E. Russell Street, according to South Carolina Movie Theatres. SCMT seems a bit puzzled about the fate of the original Bluebird, but an item in Boxoffice of November 17, 1975, said that Bob Hope had recently visited Orangeburg, where in 1924 he had performed at the Bluebird Theatre. The old Bluebird had been demolished in 1930, this item said. I don’t know how reliable it is, though, as the item doesn’t name a source for the information.
This theater opened as the Cinema III in 1969, and was originally built for a small circuit called Winyah Bay Theatres. The target date for opening was July 1, according to an item in Boxoffice of March 17, 1969.
The 550-seat house was a deluxe single-screener, despite the name Cinema III. The company also operated a Cinema I and the Sumter Theatre in Sumter and the Astro Theatre in Greenville. With the exception of the older Sumter Theatre, all these houses were designed by architects Hiller & Associates. The Cinema III was equipped with an Ultra-Vision screen and 70mm projection.
Boxoffice of July 12, 1976, said that a second auditorium would be added to the Cinema III in Orangeburg. At that time the house was being operated by Martin Theatres. I’ve been unable to discover when the third screen was added, or whether it was in another new auditorium or if one of the first two auditoriums was split.
Boxoffice of November 24, 1945, said that work was progressing on the Eastside Theatre in Savannah, and the new theater “for colored patronage” would open by February 22 the next year. The house was designed by Savannah architect Oscar M. Hansen.
The location of the Tivoli, currently given above as Marysville, is actually Maryville. It was the same city in which Tivoli operator C.E. “Doc” Cook’s brother, Ray, operated the Missouri Theatre, which had been built by their father in 1926. Though the Missouri survives, the 1939 Tivoli has been demolished. The first Tivoli, which was in operation by 1929, was at another location and might still be standing.
I’ve been unable to find the opening date for the second Tivoli, but Boxoffice of September 9, 1939, reported that the Oklahoma Theatre Supply Company had recently installed 800 Heywood-Wakefield seats in the new house, so it must have been nearing completion by then. I’d surmise a late 1939 opening. I haven’t been unable to find a closing date, either, but Boxoffice of March 30, 1970, said that C.E. Cook’s son Jim was at that time operating both the Tivoli and the Dude Ranch Drive-In (built by “Doc” Cook in 1950) at Maryville. An item in the February 1, 1971, issue of Boxoffice indicated that the Tivoli was still in operation.
Boxoffice ran this article about the Tivoli in its issue of May 25, 1940. There are a few photos of the theater. In the exterior photo, a sliver of the adjacent building to the left shows an arched window and distinctive details on the parapet wall. These details can be seen in a current Google Street View, so that building survives, but the site next door, where the Tivoli was located, is now a parking lot, so the Tivoli has been demolished, except for what was probably the common side wall of the two buildings.
An additional photo of the Tivoli’s downstairs lounge area, called the “Rumpus Room,” can bee seen at upper left on this page in boxoffice of April 7, 1951.
Boxoffice of October 2, 1954, noted that C.E. “Doc” Cook had just celebrated the silver anniversary of his Tivoli Theatre in Maryville, so the first Tivoli must have either opened, or been acquired by, Mr. Cook in 1929. A 1938 Boxoffice item said that Cook intended to convert the old Tivoli’s building to another use when the new theater opened, so the old Tivoli building might have outlived its successor and could still be standing. A 1970 Boxoffice item said that the old Tivoli had been on the south side of the town square. Google Street View shows that block to be largely intact and to consist mostly of older buildings, so the odds of the old Tivoli’s survival are high.
Boxoffice of December 3, 1938, said that the Co-Ed Theatre in Topeka had been designed by architect Trevor C. Jones. After working on four theaters that were mentioned in Boxoffice, he vanishes from the magazine. I suspect that, after the last of these projects, when he was Robert Boller’s associate on the Tivoli Theatre at Maryville, Missouri (not yet listed at Cinema Treasures, but here’s a Boxoffice article about it), he might have joined Boller’s firm and no longer worked under his own name.
The Ritz was a rebuilding of an older house called the Nueva Theatre, which had been severely damaged by a fire on March 15, 1937, according to Boxoffice of April 24 that year. Boxoffice of June 19 said that the opening of the Ritz was scheduled for June 23.
The architect for the rebuilding was Trevor C. Jones. Jones worked on at least three other theater projects. He designed the Co-Ed Theatre at Topeka, Kansas, the State Theatre at Mound City, Missouri, (with Clarence Kivett), and he was associated with Robert Boller in the design of C.E. Cook’s Tivoli Theatre at Maryville, Missouri, in 1939.
This will please Patsy. The Comerford/Carlisle Theatre was designed by architect Michael J. DeAngelis, and was the subject of this article by Helen Kent in Boxoffice of August 19, 1939. There are five photos.
The original 1935 owners of the El Rey were Lawrence Borg and John Peters. Later the house was taken over by Fox West Coast. In 1949, FWC departed and Borg and Peters resumed control of the house, according to Boxoffice of September 3 that year. Borg was noted as still being the operator of the El Rey at the time of his death, notice of which which was published in Boxoffice of November 13, 1954.
John Peters must have been related to William Peters, noted in multiple Boxoffice items of the 1940s, 1950s, and early 1960s as operator of the El Rey at Manteca. robertgippy’s comment of January 31 this year above says that the two El Rey theaters were built by the same family, and were of very similar design.
William Peters was the original owner of the Manteca house, built the year after the Salinas El Rey. Manteca’s El Rey was designed by architects Otto A. Deichmann and Mark T. Jorgensen, so it seems likely that the same architects designed the Salinas El Rey as well, though I’ve been unable to find a source confirming it.
Architects Otto A. Deichmann and Mark T. Jorgensen were preparing plans for the Noe Theatre, according to Motion Picture Herald of February 2, 1937.
The entry for architect Otto A. Deichmann in the 1956 edition of the AIA’s American Architect’s Directory includes the Del Oro Theatre at Grass Valley in the list of his works. The project is dated 1942. I’m not sure if Deichman’s partnership with Mark T. Jorgensen had been dissolved yet in 1942.
The Haight Theatre is listed among works attributed to architect Otto A. Deichmann in the 1956 edition of the AIA’s American Architects Directory.
As the Haight was built in 1937 I would assume that Deichmann’s partner of that period, Mark T. Jorgensen, was also involved in the project. I’ve been unable to find a listing for Jorgensen in the AIA’s online historical directory. It’s possible he was not a member of the organization.
The March 3, 1951, issue of Boxoffice said that the Star Theatre had closed on February 17, due to the opening of Florida State Theatres' new DeSoto Theatre in Arcadia. The item said that the Star had been in operation for 42 years.
Boxoffice of September 19, 1953, said that the former Star Theatre was to be demolished and the site would become a parking lot. A Google search now turns up a Downtown Athletic Club at 20 S. Polk Ave. in Arcadia, and on the lot just north of it, where the Star’s address would be, you can see a parking lot in Google Maps street view, so the Star has been demolished.
The Bijou was mentioned at least twice in Boxoffice in 1939. The operator was named O. Nakamichi. The November 13 issue that year said that Nakamichi had bought 600 new seats for the house from National Theatre Supply, and was also planning minor alterations to the lobby.
The Bijou was mentioned in issues of Boxoffice as late as 1947, when it was being operated by Andy Gorblisch, but Nakamichi vanished from the pages of the magazine until 1946.
The October 7, 1946, issue of Boxoffice has a brief obituary of Okanosake Nakamichi. It said that he had operated a theater in Visalia from 1911 until he was relocated to a prison camp in 1942. It doesn’t mention any theater names.