Here is some bad reporting from the Frederick Post, dated 12/21/51. I guess we’ll never know which marquee injured Mabel and Ethyl. Mabel’s husband, Mr. Haddock, later stated that something was fishy about the whole thing:
Hagerstown Theater Marquee Collapses
The marquee of a downtown theater broke from its holdings and crashed to the sidewalk today. Two persons were reported injured slightly. The movie was closed at the time. Pending further investigation, no one would say what caused the shelter over the sidewalk to drop. The city has had about 20 inches of snow since last Friday.
The fastening on the inboard side of the marquee held, so that the fallen shelter formed a sort of tent over the sidewalk. The two persons reported injured were identified as Mabel Haddock of Hagerstown and Ethyl Burgan of Funkstown.
Here is a blurb about the remodel from a Long Beach paper on 3/09/49:
Asks Building Code Deviation
Appeal of Stanley Brown, district manager of the Fox West Coast Theaters, to the city council for deviations from the building code to permit a terrazzo sidewalk and marquee at the new Belmont Theater Tuesday was referred to City Mgr. Carl B. Wirsching. The same type of terrazzo sidewalk was approved by the city for the West Coast Theater in 1940 and the Crest Theater in 1946, Brown said. After the new marquee was built, it was found in violation of a new ordinance limiting width to four feet, he said. The theater is due to open
May 1.
BEST TREE (NOT ON PUBLIC PROPERTY OR IN A CEMETERY)
The elm on South State Street
When Dutch elm disease swept the country soon after World War II, city crews removed more than 5,000 of Springfield’s elm trees in a week. Only a handful survived. The grandest one by far dominates the back yard of a home in the 1400 block of South State Street. City arborist Mike Dirksen estimates the 90-year-old landmark at 100 feet high with a spread of 125 feet across three city lots. The best place to admire it from is the parking lot of the former Esquire Theater. This brings to mind another close call for the tree: In the late 1980s, the Esquire’s owners tried to buy the 1400 block of South State to expand the theater’s parking lot. We miss the theater, but not that idea.
This 1966 article from the Austin Daily Herald gives an interesting recap of theaters in the city:
In 1910, Sunday movies became legal, and the first real “chain” theater management was born with the establishment of the Unique Theater in the old Woolworth building on Main St. South. American Amusement Co., the Minneapolis owners of the Unique, also purchased the Idle Hour, changed the name to the Princess, and opened the Lyric Theater (later known as the State) on Water St.
The Princess burned down between 1911 and 1915, and the chain owners sold out to F. F. Latta, who operated the Lyric and the Unique, and renamed the latter the Cozy. From 1915 to 1921, Vic Phelps opened the Majestic on the old Piggly Wiggly site; the Park on Water St. was destroyed by the tornado in l928 and was replaced by the Paramount; the Rayman brothers opened the Star on Main St.; the Eagle opened on the East Side; and the Austin became the final Main St. movie theater.
Alan Ladd hadn’t ridden across the screen at the 50-year old State Theater for about four years when it lost its other-era face this summer to the glassed front Goodwill Industries. Austin’s two newest theaters are the Outdoor (1948) and the Sterling (1951).
Here are excerpts from an article in the Great Bend Daily Tribune dated 6/26/56:
Changing Scene In Theater Business
Americans have had occasion to witness many radical changes in the field of entertainment, They saw vaudeville turn like a butterfly into radio, motion pictures, then talkies and most recently television. But now it’s possible to study something that may be on its way out. And if it did fade completely but of the picture, it would soon be classed as a very important part of American folkloreâ€"the home-town movie.
In the many communities visited for this survey, all showed strong signs of civic pride. In all, the citizens would say that they didn’t want to lose the theater, but weren’t sure exactly what to do to prevent it. Attend the theater at least to see what it has to offer and possibly avert the situation which seems to be threatening most one-theater towns. At St. John and Stafford the situation has become even more critical. Recently, a Tribune reporter visited John Caylor, manager of the Pix theater and Mr. and Mrs. Frank Gere, who managed the Ritz at Stafford. Business was not good in either theater and there was talk of closing one.
Businessmen around town, queried about the possibility of the shows' closing, said they preferred to keep the established entertainment centers but frankly didn’t know how to go about saving them. A former manager of the Ritz theater said he sent back any films he considered unfit for children and told the bosses (Glen Dickinson of Mission) that 60 cents was too much for a show. Others around town said they favored keeping the show but readily admitted that “we don’t know what to do to keep it going.” There was some criticism about the choice of films although most people interviewed said that in the past year he quality of the films had increased considerably.
Both theaters are air-conditioned, both have installed the new wide screens and new lenses, new, soft seating, wide leg room between rows and both have attractive snack bars in the lobbies. The Ritz seats 472 and the Pix 260. The Geres came to Stafford 1 ½ years ago. They’ve done everything they know to keep patronage up to make the business a paying proposition. Since the interviews the St. John theater had closed and Caylor is now operating the Ritz. He said there was not as much business at the Stafford theater now that St. John residents have no movie as there was when both theaters operated. He thinks the St. John theater will be reopened and the Ritz may be closed. Meanwhile, Mr. and Mrs. Gere have left the theater business and are in Wichita where Mr. Gere is working for an oil firm.
Is it OK to scream “fire” in a crowded theater if the theater is actually on fire? Ordinarily it’s a misdemeanor and not considered freedom of speech under the Constitution.
The Loma was reported as destroyed in a fire on 12/17/56. Apparently it was later rebuilt.
200 Escape Theater Fire At Socorro
Fire broke up a showing of “The Day the World Ended” and 200 theater patrons escaped safely as the flames destroyed three businesses here last night. The blaze raged for three hours before being brought under control about 10 p.m. Firemen from Magdalena and the New Mexico Institute of Mining and Technology joined the Socorro volunteer department in fighting the fire that may have caused loss as high as $200,000.
Destroyed were the Loma Theater, the B&B Pool Hall and the Midway Garage, where the fire is thought to have originated. Firemen were able to save one of New Mexico’s historic buildings, the Park Hotelâ€"which is on the same block with the theater, garage and pool hall.
People in the theater said they had smelled smoke about 20 minutes before they were told to evacuate the building. A sudden puff of smoke filled the theater as patrons were leaving. There was no panic in the crowd and all persons moved out of the building in an orderly manner. Bill Strong, a Loma Theater employee, estimated damage to the theater alone at $50,000.
Status should probably be closed/demolished. This article is dated 2/1/50:
Fire that caused an estimated $400,000 loss destroyed the American theater and two business houses in the same building and sent scores of persons from an adjoining rooming house fleeing to safety in subzero temperatures early this morning. No one was injured. All 42 members of the Butte fire department were summoned on the three-alarm blaze and the city aldermen were ordered to form an emergency crew at the main fire station. Several aldermen also participated in the fight against the raging conflagration which, for a time, threatened to wipe out a large segment of Butte’s principal business section.
The alarm came in at 8:22 o'clock this morning, when several pieces of equipment and a crew of firemen were battling another blaze at the Owl garage on South Main street. The garage was damaged considerably.
Part of the equipment at the garage fire was immediately transferred to the theater blaze and all firemen were called out. Besides the theater, Jimmy’s Donut shop, owned by James Kintrea, and a flower shop owned by Marcus Golubin were destroyed. Smoke and water damaged Schwartz' Men’s store, the American Candy shop, Faxon and Rockefeller Drugstore, the Floresheim Shoe store, the Curtis block, Gamers’ confectionary and Bishop’s dancing school.
Fire Chief John O'Donnell said the fire probably started in the front of the theater building above the office quarters where the ventilation machinery was housed. He said he believed the fire had been burning for some time before it was discovered. As the flames ate their way into the projection room, motion picture film ignited and there were several minor explosions which apparently scattered burning embers into other sections of the theater. When the flames broke through the roof they shot about 100 feet into the air.
Robert Anderson, local manager of the Fox Intermountain theaters, estimated loss at the theater at more than $200,000. Recently new seats and other equipment were nstalled in the building. The American theater building is owned by the Nicholls Estate Trust, the Boucher block to the west by the Masonic Temple association and the Curtis block to the east by the Curtis Realty company. Losses in all instances were reported partially covered by insurance. The theater building was erected in 1903.
It was the third major fire Butte has had in recent months and the second theater fire. The Park theater was destroyed last Sept. 24 and the Holboxx Holbrook building, housing the Winter Garden bowling alley, burned last month.
There was an earthquake in Helena on the same day as LM’s double feature:
Panic and hysteria reigned in the Marlow theater as hundreds of people in attendance made frantic efforts to reach the front doors. Several women fainted and little children cried for their parents as the lights went out and a mad rush for the doors followed. Plaster fell from the high roof of the building and the violence of the shock rocked the building from side to side. People shouted and screamed and several were carried from the building. Similar scenes took place at the Rio theater.
This is from the 3/17/65 edition of the Suburbanite Economist:
Theater Demolition Case Continued to April 20
The city’s suit seeking repair or demolition of the Symphony theater was continued yesterday in Housing court by Judge Richard Napolitano until April 20. Immediate action was ordered, however, to board up all openings in the building to eliminate pigeons and rodents that have been frequenting the premises. Both Timothy O'Hara, head of the city’s demolition section and Sol M. Glick, assistant corporation counsel, appeared in court to press the city’s case.
The continuance was granted when the owner’s attorney appealed that he was not ready for trial. Judge Napolitano indicated he would decide the case April 20. Several persons from the Austin Community organization were present at the hearing. Neighbors to the eyesore Symphony theater building, 4937 Chicago, are attempting to arrange a private meeting with the owner, Dave Pielet, to discuss his plans for the structure, vacant since 1951.
Chester Slarzynski, 4905 Superior, one of the group who attended yesterday’s court hearing on the building, said he hoped to contact Pielet, a former scrap metal dealer, in the near future to arrange the meeting. The building, found to be 56 per cent depreciated by the city building department, is completely gutted on the inside. Windows are broken throughout and the front defaced by old posters and scrawling. Its marquee was removed about 18 months ago after nearby businessmen pushed for its removal.
This is the Schine, originally the Grand. It’s in the same neighborhood as the Cinema Plaza, but I’m not sure if it’s the same theater:
5/6/71
Another chunk of Malone’s Main Street is disappearing. This time, however, the removal is not because of fire, but represents a progressive step in the downtown picture. Being razed by a professional demolition crew are the former Schine’s Theater, idle for many years, and the block west of the theater, a three story brick front structure which formerly housed businesses on the ground floor and apartments overhead. In their place will be an ultra-modern bank building, the new home of Farmers National Bank, which is now on the opposite side of the street at the corner of Pearl and East Main.
Ironically, the buildings being demolished to make way for the new bank adjoin the business areas which were ravaged and scarred by fires last December and January. The block immediately adjacent to the demolition area was spared major fire damage, but smoke and water damage forced the occupants temporarily to vacate. All are now back in business. Next to them, continuing to the intersection of Main and Howard Place and up Howard to Elm street, stand the ruins of buildings destroyed by the two conflagrations.
Through the day the south side of Main Street is heavily populated with sidewalk superintendents, watching the power shovel of a huge crane open its cavernous jaws and take mammoth bites out of the buildings, working from the top down. They watch demolition workers slit the three-story wall between the theater and the adjoining block on the east side. For many of the older sidewalk superintendents, the demolition of the theater stirs fond memories of days when a dime took them into the show and a bag of popcorn could be bought for a nickel at the mobile, hand-operated machine outside the theater.
The theater, then called the Grand Theater, was the place for entertainment. It was filled every Saturday afternoon by popcorn-eating kids, watching the Saturday serial and the Western that was nearly always the feature.
The Eckel seems to have had many closings and re-openings. I saw one in 1927, and another in 1936, according to this article from the Syracuse Herald:
Eckel Theater To Open Doors Friday Night
The R-K-O Schine Theaters in Syracuse Friday start a triple celebration to usher in the 1936-37 greater show season. The celebration will embrace the reopening of the Eckel Theater, the first anniversary of the combined R-K-0 Schine theater operation, and the showing, at Keith’s, of the cinematic version of Hervey Allen’s modern classic, “Anthony Adverse,” considered one of the outstanding pictures of the year.
The Eckel Theater will be formally opened at ‘6 o'clock Friday as Governor Lehman presses a button in the executive mansion in Albany to part the curtains over the screen and as
Mayor Marvin, in Syracuse, puts the sound equipment in operation in this theater, which has been completely remodeled, redecorated and refurbished at a cost of over $70,000.
Described as the most luxurious theater in this part of the State, the Eckel decorative scheme is modernistic with a collegiate touch, which is given by orange and blue colors predominating â€" those of Syracuse University. The sound reproducing equipment is said to rank with the finest in any theater In America. Supplied and installed by the Radio Corporation of America, it has been adapted to the requirements of the Eckel so as to provide uniform reception in every part of the house.
In Syracuse for the reopening of the Eckel are Fred Myers, booking manager R-K-O Theaters; Nate Blumberg, general manager of R-K-O Theaters; J. M. Schine, president of the Schine Theaters and L. W. Schine, general manager of the Schine Theaters. In speaking of the reopening of the Eckel, J. M. Schine stresses the fact that the Eckel is a theater dedicated to the people of Syracuse and Central New York and to the students of Syracuse University.
The opening will include a radio broadcast from the front of the theater between 6:15 and 6:30, the use of floodlights, short speeches, and music by a full orchestra. Sharing tbe Syracuse Rialto’s spotlight with the Eckel in this gala celebration are the other R-K-O-Schine houses here, the Paramount, the Strand and Keith’s. Each has been made ready to provide outstanding entertainment for their patrons during the new show season.
More than $l5,000 has been spent in Keith’s theater alone to assure greater enjoyment and conveniences for moviegoers. Improvements include a new life-size screen, new, improved sound equipment, new tapestries and drapes, completely remodeled and redecorated lounging rooms and new carpeting throughout the theater.
Here is a 1960 article about integration and the Colonial:
Negro Pickets March Quietly In Bluefield
West Virginia’s first demonstration in the current wave of Negro protests against segregated seating practices came yesterday in Bluefield when long, silent lines of Negro college students picketed two local theatres. There were no Incidents and the demonstration barely attracted a crowd. City police were on hand, they said primarily to protect the demonstrators in case of any reactions.
The Negroes, who identified themselves as students at Bluefield State College, formed a line outside the Colonial Theater about 4 p.m. For an hour they paraded back and forth from the marquee front entrance used by whites to a rear entrance off a parking lot where Negroes are admitted to segregated rear balcony. “We Are Through Walking Alleys and Entering Back Doors” and “Civil Rights Mean Human Rights” were inscriptions on some of the signs worn by the 22 demonstrators in the first group. They dispersed voluntarily at 5 p.m.
About two hours later the Negroes reappeared, wearing the same signs, but their numbers more than doubled. The second group were bundled against the icy night winds and falling snow. After parading around the Colonial, they made two trips to the Granada Theater, about a block away, where segregated seating also is enforced. At the Granada, Negroes enter a front door, also leading to an all-Negro upper balcony section.
Colonial theater co-owner Rodney Keesling said his seating policy was in keeping with local custom. He said ninety percent of his customers were white and they-not the theater-dictate the separation of races. Neither theatre was closed nor did there appear to be any interruption of patrons entering.
The only reaction from whites apparent nearby were signs hastily posted in two grills near the Colonial. They said “Prices Subject to Change at Any Time.” One owner explained he took the step “just in case” – the Negroes should attempt to enter and ask for service. Bluefield State was an all-Negro college until the 1954 Supreme Court desegregation decision when integration was allowed in all West Virginia state-supported colleges.
G. David Schine, scion of the Schine family and seen on the far right side of the bottom picture, is often linked with Roy Cohn during the McCarthy hearings in the early 1950s. There were rumors of an improper relationship between the two men, which apparently were groundless as the photo also shows Mrs. G. David Schine.
For the second consecutive weekend the State theater in downtown Fulton was the target of vandals, according to city police.
A complaint was lodged around 10:30 p.m. Saturday that a group of boys had thrown cans at the marquee and had opened the theater doors and used coarse language. Around 1:30 a.m. Sunday the theater management reported that apples had been thrown at the marquee and a dozen light bulbs were broken as a result.
Also damaged was one of the letters in the marquee. Police said the waitresses at the pizza shop next door to the ctheater cleaned the broken glass and smashed apples from the sidewalk. According to police, the theater marquee had been damaged a week ago.
Here is another 1939 article, written by Barney Oldfield (probably not the race car driver):
The only thing reminding the patron of the Orpheum is the location. Everything else is new and modern. It took the equivalent of the president’s annual salary for handling the government of the United States to redress the theater.
If the show is good at the Nebraska, and it probably always will be since the choice of major product is scheduled for the theater, always remember to go early. There are only 1,236 seats in the theater, and NO standing room.
“Dodge City”, the picture which glamourizes the old frontier jumping-off place in our neighboring state of Kansas, is scheduled to follow the opening “Ice Follies of 1939” on the screen.
Old Orpheum legend: There is the tale, still told around town, that when the house originally opened in 1916, a woman collapsed in the lobby. Snaked out of the crush and into an ambulance, she gave birth to a baby en route to the hospital.
When the “name” contest for the theater was concluded, it was found that 187 names had been suggested for the theater, but Nebraska was predominant in the voting.
Ushers for the Nebraska were selected from the cream of service at the Stuart and Lincoln theaters. The boys are all schooled in courtesy and prompt service and instructed to give the patron the best possible seat available when he arrives.
Women will have a great time in the Nebraska, because there are mirrors every place one may point the eyes, even on the ceiling of the foyer.
It is the intention that the Nebraska shall be the ace movie house of Lincoln, specializing in the best single feature policy available.
The County Theater’s marquee, which has displayed movie titles since the days of “Gone with the Wind,” is ready for another century of celluloid. A new facade, consisting of a three-sided aluminum light box with plexiglass front panels, was attached Tuesday to a frame
extending above the entrance of the East State Street movie house
The marquee replacement completes the $89,500 restoration of the Art Deco exterior of the 1938 theater, said John Toner, executive
director of Closely Watched Films, a local nonprofit group that owns
the building and operates the independent theater.
“The exterior is an extraordinary example of a small-town Art Deco theater,” Toner said. “Doylestown is real lucky to still have its theater”. Closely Watched Films bought the building in 1997 for $325,000 and spent another $500,000 to overhaul the theater from top to bottom. Restoration of the facade was a separate project, funded in part by a $42,900 Keystone Historic Preservation Grant, a $15,000 grant from the Grundy Foundation and two $1,500 grants from the Doylestown Revitalization Board, according to Toner. The theater raised the rest of the $89,500 from its supporters.
The 18-foot-high tower, which spells out “County” in yellow neon letters on a blue background, was replaced in 1998 at a cost of $36,000. Toner said both the original tower and marquee facade were too deteriorated to restore, but the replicas are identical. Some original stainless steel strips were reused. “The marquee itself will look exactly the same as it did when it came down,” he said.
The marquee restoration, which cost $53,500, also included replacing rotten wood in the frame, reinforcing the roof and the underside of the marquee, and putting in new wiring. Bartush Signs of Orwigsburg, Schuylkill County, the same company that remade the letter tower, also rebuilt the marquee panels. Each of the three sides consists of an aluminum box with fluorescent lights that illuminate a plexiglass sheet on which movable letters spell out movie titles.
The restored marquee has blue neon lights along the outer edge and red neon lights on the underside. Neon lighting was part of the original marquee but had not worked for years. Jim Sanders, director of development for the theater, said workers will finish wiring and
installing the marquee by Friday. To accommodate the work, the theater will not show matinees today and Friday.
Local sign ordinance doesn’t play at Des Plaines Theater
Rows of Hollywood-style bulb lights and orange neon lettering remind some old-timers of the days when the Des Plaines Theater marquee advertised 10-cent movies, the kind that didn’t need to be rated for sex and violence. But a city ordinance regulating business signs has no similar sense of nostalgia, and under its provisions the theater marquee has to come down by 1985. However, most city officials and members of the business community say the marquee should be granted an exemption from the sign law.
“The marquee is something that should be preserved,” 2nd Ward Alderman Herb Volberdeng said at a recent bearing on the ordinance. City merchants, particularly those in the downtown area where the
theater is located, fear that a strict interpretation of the 1978 ordinance could mean the old marquee would be replaced with a flat, plain modern sign out of character with the 64-year-old theater building. “If we have to tear the canopy down, people are going to think there’s no theater here anymore. It’s part of Des Plaines,” theater manager John Fraught said at a bearing this week on the sign law. Also, theater owner Richard Balaban estimated the cost of removal at $25,000.
The marquee has been sheltering theatergoers from rain and snow since the building went up in the early 1900s. It survived a theater war that occurred when the now-demolished Echo Theater, a block away on Ellinwood Street, played serials â€" old-time soap operas â€" which were drawing big crowds. The Des Plaines Theater countered with live vaudeville acts and first-run movies, said James Williams, president of the Des Plaines Historical Society, which also opposes replacing the marquee. During the years, the 990-seat theater, unable to keep up with the new shopping mall theaters, began showing second-run films at cheaper ticket prices, Williams said.
Williams said the marquee is part of “what makes the character of an old town like Des Plaines,” and the historical society plans to make the theater building and marquee a candidate for national landmark status.
The sign ordinance goes into effect Jan.1,1985. Sometime before that, the city council can enact a list of proposed changes, which includes a special waiver for the marquee. “I don’t think there will be any problem getting that through,” said Alderman Robert Martin, 3rd, a member of the building code committee. Committee members say the proposed changes will be considered by the council some
time after Christmas. Chamber of Commerce members have long battled the sign ordinance, which outlaws most overhanging street signs and restricts the sizes of other types of signs. They too are expected to support the marquee waiver.
Patrons of the theater also seem to like the old marquee. “It’s a part of a heritage, I think,” Ralph Tobar, a resident of Des Plaines for 18 years, said as he was leaving the theater after a showing of “Mr. Mom.” “The theater and the marquee have been here for a long time and they never bothered anybody before.”
Here is some bad reporting from the Frederick Post, dated 12/21/51. I guess we’ll never know which marquee injured Mabel and Ethyl. Mabel’s husband, Mr. Haddock, later stated that something was fishy about the whole thing:
Hagerstown Theater Marquee Collapses
The marquee of a downtown theater broke from its holdings and crashed to the sidewalk today. Two persons were reported injured slightly. The movie was closed at the time. Pending further investigation, no one would say what caused the shelter over the sidewalk to drop. The city has had about 20 inches of snow since last Friday.
The fastening on the inboard side of the marquee held, so that the fallen shelter formed a sort of tent over the sidewalk. The two persons reported injured were identified as Mabel Haddock of Hagerstown and Ethyl Burgan of Funkstown.
Here is a blurb about the remodel from a Long Beach paper on 3/09/49:
Asks Building Code Deviation
Appeal of Stanley Brown, district manager of the Fox West Coast Theaters, to the city council for deviations from the building code to permit a terrazzo sidewalk and marquee at the new Belmont Theater Tuesday was referred to City Mgr. Carl B. Wirsching. The same type of terrazzo sidewalk was approved by the city for the West Coast Theater in 1940 and the Crest Theater in 1946, Brown said. After the new marquee was built, it was found in violation of a new ordinance limiting width to four feet, he said. The theater is due to open
May 1.
From illinois.times.com:
BEST TREE (NOT ON PUBLIC PROPERTY OR IN A CEMETERY)
The elm on South State Street
When Dutch elm disease swept the country soon after World War II, city crews removed more than 5,000 of Springfield’s elm trees in a week. Only a handful survived. The grandest one by far dominates the back yard of a home in the 1400 block of South State Street. City arborist Mike Dirksen estimates the 90-year-old landmark at 100 feet high with a spread of 125 feet across three city lots. The best place to admire it from is the parking lot of the former Esquire Theater. This brings to mind another close call for the tree: In the late 1980s, the Esquire’s owners tried to buy the 1400 block of South State to expand the theater’s parking lot. We miss the theater, but not that idea.
Here is an article about the Premier fire. It can be added if anyone has the time:
http://www.ourgrayville.com/Premier.htm
Here is a February 2006 article. Too little, too late.
http://tinyurl.com/y95oaj
Here is a 1927 photo:
http://tinyurl.com/vo2ay
It’s a good bet. How many theaters could there be in Wetumka?
This 1966 article from the Austin Daily Herald gives an interesting recap of theaters in the city:
In 1910, Sunday movies became legal, and the first real “chain” theater management was born with the establishment of the Unique Theater in the old Woolworth building on Main St. South. American Amusement Co., the Minneapolis owners of the Unique, also purchased the Idle Hour, changed the name to the Princess, and opened the Lyric Theater (later known as the State) on Water St.
The Princess burned down between 1911 and 1915, and the chain owners sold out to F. F. Latta, who operated the Lyric and the Unique, and renamed the latter the Cozy. From 1915 to 1921, Vic Phelps opened the Majestic on the old Piggly Wiggly site; the Park on Water St. was destroyed by the tornado in l928 and was replaced by the Paramount; the Rayman brothers opened the Star on Main St.; the Eagle opened on the East Side; and the Austin became the final Main St. movie theater.
Alan Ladd hadn’t ridden across the screen at the 50-year old State Theater for about four years when it lost its other-era face this summer to the glassed front Goodwill Industries. Austin’s two newest theaters are the Outdoor (1948) and the Sterling (1951).
Here are excerpts from an article in the Great Bend Daily Tribune dated 6/26/56:
Changing Scene In Theater Business
Americans have had occasion to witness many radical changes in the field of entertainment, They saw vaudeville turn like a butterfly into radio, motion pictures, then talkies and most recently television. But now it’s possible to study something that may be on its way out. And if it did fade completely but of the picture, it would soon be classed as a very important part of American folkloreâ€"the home-town movie.
In the many communities visited for this survey, all showed strong signs of civic pride. In all, the citizens would say that they didn’t want to lose the theater, but weren’t sure exactly what to do to prevent it. Attend the theater at least to see what it has to offer and possibly avert the situation which seems to be threatening most one-theater towns. At St. John and Stafford the situation has become even more critical. Recently, a Tribune reporter visited John Caylor, manager of the Pix theater and Mr. and Mrs. Frank Gere, who managed the Ritz at Stafford. Business was not good in either theater and there was talk of closing one.
Businessmen around town, queried about the possibility of the shows' closing, said they preferred to keep the established entertainment centers but frankly didn’t know how to go about saving them. A former manager of the Ritz theater said he sent back any films he considered unfit for children and told the bosses (Glen Dickinson of Mission) that 60 cents was too much for a show. Others around town said they favored keeping the show but readily admitted that “we don’t know what to do to keep it going.” There was some criticism about the choice of films although most people interviewed said that in the past year he quality of the films had increased considerably.
Both theaters are air-conditioned, both have installed the new wide screens and new lenses, new, soft seating, wide leg room between rows and both have attractive snack bars in the lobbies. The Ritz seats 472 and the Pix 260. The Geres came to Stafford 1 ½ years ago. They’ve done everything they know to keep patronage up to make the business a paying proposition. Since the interviews the St. John theater had closed and Caylor is now operating the Ritz. He said there was not as much business at the Stafford theater now that St. John residents have no movie as there was when both theaters operated. He thinks the St. John theater will be reopened and the Ritz may be closed. Meanwhile, Mr. and Mrs. Gere have left the theater business and are in Wichita where Mr. Gere is working for an oil firm.
Is it OK to scream “fire” in a crowded theater if the theater is actually on fire? Ordinarily it’s a misdemeanor and not considered freedom of speech under the Constitution.
The Loma was reported as destroyed in a fire on 12/17/56. Apparently it was later rebuilt.
200 Escape Theater Fire At Socorro
Fire broke up a showing of “The Day the World Ended” and 200 theater patrons escaped safely as the flames destroyed three businesses here last night. The blaze raged for three hours before being brought under control about 10 p.m. Firemen from Magdalena and the New Mexico Institute of Mining and Technology joined the Socorro volunteer department in fighting the fire that may have caused loss as high as $200,000.
Destroyed were the Loma Theater, the B&B Pool Hall and the Midway Garage, where the fire is thought to have originated. Firemen were able to save one of New Mexico’s historic buildings, the Park Hotelâ€"which is on the same block with the theater, garage and pool hall.
People in the theater said they had smelled smoke about 20 minutes before they were told to evacuate the building. A sudden puff of smoke filled the theater as patrons were leaving. There was no panic in the crowd and all persons moved out of the building in an orderly manner. Bill Strong, a Loma Theater employee, estimated damage to the theater alone at $50,000.
The Park was destroyed by fire on September 24, 1949.
Status should probably be closed/demolished. This article is dated 2/1/50:
Fire that caused an estimated $400,000 loss destroyed the American theater and two business houses in the same building and sent scores of persons from an adjoining rooming house fleeing to safety in subzero temperatures early this morning. No one was injured. All 42 members of the Butte fire department were summoned on the three-alarm blaze and the city aldermen were ordered to form an emergency crew at the main fire station. Several aldermen also participated in the fight against the raging conflagration which, for a time, threatened to wipe out a large segment of Butte’s principal business section.
The alarm came in at 8:22 o'clock this morning, when several pieces of equipment and a crew of firemen were battling another blaze at the Owl garage on South Main street. The garage was damaged considerably.
Part of the equipment at the garage fire was immediately transferred to the theater blaze and all firemen were called out. Besides the theater, Jimmy’s Donut shop, owned by James Kintrea, and a flower shop owned by Marcus Golubin were destroyed. Smoke and water damaged Schwartz' Men’s store, the American Candy shop, Faxon and Rockefeller Drugstore, the Floresheim Shoe store, the Curtis block, Gamers’ confectionary and Bishop’s dancing school.
Fire Chief John O'Donnell said the fire probably started in the front of the theater building above the office quarters where the ventilation machinery was housed. He said he believed the fire had been burning for some time before it was discovered. As the flames ate their way into the projection room, motion picture film ignited and there were several minor explosions which apparently scattered burning embers into other sections of the theater. When the flames broke through the roof they shot about 100 feet into the air.
Robert Anderson, local manager of the Fox Intermountain theaters, estimated loss at the theater at more than $200,000. Recently new seats and other equipment were nstalled in the building. The American theater building is owned by the Nicholls Estate Trust, the Boucher block to the west by the Masonic Temple association and the Curtis block to the east by the Curtis Realty company. Losses in all instances were reported partially covered by insurance. The theater building was erected in 1903.
It was the third major fire Butte has had in recent months and the second theater fire. The Park theater was destroyed last Sept. 24 and the Holboxx Holbrook building, housing the Winter Garden bowling alley, burned last month.
There was an earthquake in Helena on the same day as LM’s double feature:
Panic and hysteria reigned in the Marlow theater as hundreds of people in attendance made frantic efforts to reach the front doors. Several women fainted and little children cried for their parents as the lights went out and a mad rush for the doors followed. Plaster fell from the high roof of the building and the violence of the shock rocked the building from side to side. People shouted and screamed and several were carried from the building. Similar scenes took place at the Rio theater.
The building was demolished in November 1984, according to the LA Times.
This is from the 3/17/65 edition of the Suburbanite Economist:
Theater Demolition Case Continued to April 20
The city’s suit seeking repair or demolition of the Symphony theater was continued yesterday in Housing court by Judge Richard Napolitano until April 20. Immediate action was ordered, however, to board up all openings in the building to eliminate pigeons and rodents that have been frequenting the premises. Both Timothy O'Hara, head of the city’s demolition section and Sol M. Glick, assistant corporation counsel, appeared in court to press the city’s case.
The continuance was granted when the owner’s attorney appealed that he was not ready for trial. Judge Napolitano indicated he would decide the case April 20. Several persons from the Austin Community organization were present at the hearing. Neighbors to the eyesore Symphony theater building, 4937 Chicago, are attempting to arrange a private meeting with the owner, Dave Pielet, to discuss his plans for the structure, vacant since 1951.
Chester Slarzynski, 4905 Superior, one of the group who attended yesterday’s court hearing on the building, said he hoped to contact Pielet, a former scrap metal dealer, in the near future to arrange the meeting. The building, found to be 56 per cent depreciated by the city building department, is completely gutted on the inside. Windows are broken throughout and the front defaced by old posters and scrawling. Its marquee was removed about 18 months ago after nearby businessmen pushed for its removal.
This is the Schine, originally the Grand. It’s in the same neighborhood as the Cinema Plaza, but I’m not sure if it’s the same theater:
5/6/71
Another chunk of Malone’s Main Street is disappearing. This time, however, the removal is not because of fire, but represents a progressive step in the downtown picture. Being razed by a professional demolition crew are the former Schine’s Theater, idle for many years, and the block west of the theater, a three story brick front structure which formerly housed businesses on the ground floor and apartments overhead. In their place will be an ultra-modern bank building, the new home of Farmers National Bank, which is now on the opposite side of the street at the corner of Pearl and East Main.
Ironically, the buildings being demolished to make way for the new bank adjoin the business areas which were ravaged and scarred by fires last December and January. The block immediately adjacent to the demolition area was spared major fire damage, but smoke and water damage forced the occupants temporarily to vacate. All are now back in business. Next to them, continuing to the intersection of Main and Howard Place and up Howard to Elm street, stand the ruins of buildings destroyed by the two conflagrations.
Through the day the south side of Main Street is heavily populated with sidewalk superintendents, watching the power shovel of a huge crane open its cavernous jaws and take mammoth bites out of the buildings, working from the top down. They watch demolition workers slit the three-story wall between the theater and the adjoining block on the east side. For many of the older sidewalk superintendents, the demolition of the theater stirs fond memories of days when a dime took them into the show and a bag of popcorn could be bought for a nickel at the mobile, hand-operated machine outside the theater.
The theater, then called the Grand Theater, was the place for entertainment. It was filled every Saturday afternoon by popcorn-eating kids, watching the Saturday serial and the Western that was nearly always the feature.
The Eckel seems to have had many closings and re-openings. I saw one in 1927, and another in 1936, according to this article from the Syracuse Herald:
Eckel Theater To Open Doors Friday Night
The R-K-O Schine Theaters in Syracuse Friday start a triple celebration to usher in the 1936-37 greater show season. The celebration will embrace the reopening of the Eckel Theater, the first anniversary of the combined R-K-0 Schine theater operation, and the showing, at Keith’s, of the cinematic version of Hervey Allen’s modern classic, “Anthony Adverse,” considered one of the outstanding pictures of the year.
The Eckel Theater will be formally opened at ‘6 o'clock Friday as Governor Lehman presses a button in the executive mansion in Albany to part the curtains over the screen and as
Mayor Marvin, in Syracuse, puts the sound equipment in operation in this theater, which has been completely remodeled, redecorated and refurbished at a cost of over $70,000.
Described as the most luxurious theater in this part of the State, the Eckel decorative scheme is modernistic with a collegiate touch, which is given by orange and blue colors predominating â€" those of Syracuse University. The sound reproducing equipment is said to rank with the finest in any theater In America. Supplied and installed by the Radio Corporation of America, it has been adapted to the requirements of the Eckel so as to provide uniform reception in every part of the house.
In Syracuse for the reopening of the Eckel are Fred Myers, booking manager R-K-O Theaters; Nate Blumberg, general manager of R-K-O Theaters; J. M. Schine, president of the Schine Theaters and L. W. Schine, general manager of the Schine Theaters. In speaking of the reopening of the Eckel, J. M. Schine stresses the fact that the Eckel is a theater dedicated to the people of Syracuse and Central New York and to the students of Syracuse University.
The opening will include a radio broadcast from the front of the theater between 6:15 and 6:30, the use of floodlights, short speeches, and music by a full orchestra. Sharing tbe Syracuse Rialto’s spotlight with the Eckel in this gala celebration are the other R-K-O-Schine houses here, the Paramount, the Strand and Keith’s. Each has been made ready to provide outstanding entertainment for their patrons during the new show season.
More than $l5,000 has been spent in Keith’s theater alone to assure greater enjoyment and conveniences for moviegoers. Improvements include a new life-size screen, new, improved sound equipment, new tapestries and drapes, completely remodeled and redecorated lounging rooms and new carpeting throughout the theater.
Here is a 1960 article about integration and the Colonial:
Negro Pickets March Quietly In Bluefield
West Virginia’s first demonstration in the current wave of Negro protests against segregated seating practices came yesterday in Bluefield when long, silent lines of Negro college students picketed two local theatres. There were no Incidents and the demonstration barely attracted a crowd. City police were on hand, they said primarily to protect the demonstrators in case of any reactions.
The Negroes, who identified themselves as students at Bluefield State College, formed a line outside the Colonial Theater about 4 p.m. For an hour they paraded back and forth from the marquee front entrance used by whites to a rear entrance off a parking lot where Negroes are admitted to segregated rear balcony. “We Are Through Walking Alleys and Entering Back Doors” and “Civil Rights Mean Human Rights” were inscriptions on some of the signs worn by the 22 demonstrators in the first group. They dispersed voluntarily at 5 p.m.
About two hours later the Negroes reappeared, wearing the same signs, but their numbers more than doubled. The second group were bundled against the icy night winds and falling snow. After parading around the Colonial, they made two trips to the Granada Theater, about a block away, where segregated seating also is enforced. At the Granada, Negroes enter a front door, also leading to an all-Negro upper balcony section.
Colonial theater co-owner Rodney Keesling said his seating policy was in keeping with local custom. He said ninety percent of his customers were white and they-not the theater-dictate the separation of races. Neither theatre was closed nor did there appear to be any interruption of patrons entering.
The only reaction from whites apparent nearby were signs hastily posted in two grills near the Colonial. They said “Prices Subject to Change at Any Time.” One owner explained he took the step “just in case” – the Negroes should attempt to enter and ask for service. Bluefield State was an all-Negro college until the 1954 Supreme Court desegregation decision when integration was allowed in all West Virginia state-supported colleges.
G. David Schine, scion of the Schine family and seen on the far right side of the bottom picture, is often linked with Roy Cohn during the McCarthy hearings in the early 1950s. There were rumors of an improper relationship between the two men, which apparently were groundless as the photo also shows Mrs. G. David Schine.
Here is a 1947 photo:
http://tinyurl.com/yz9bo5
Darn those kids:
11/10/69
For the second consecutive weekend the State theater in downtown Fulton was the target of vandals, according to city police.
A complaint was lodged around 10:30 p.m. Saturday that a group of boys had thrown cans at the marquee and had opened the theater doors and used coarse language. Around 1:30 a.m. Sunday the theater management reported that apples had been thrown at the marquee and a dozen light bulbs were broken as a result.
Also damaged was one of the letters in the marquee. Police said the waitresses at the pizza shop next door to the ctheater cleaned the broken glass and smashed apples from the sidewalk. According to police, the theater marquee had been damaged a week ago.
Here is another 1939 article, written by Barney Oldfield (probably not the race car driver):
The only thing reminding the patron of the Orpheum is the location. Everything else is new and modern. It took the equivalent of the president’s annual salary for handling the government of the United States to redress the theater.
If the show is good at the Nebraska, and it probably always will be since the choice of major product is scheduled for the theater, always remember to go early. There are only 1,236 seats in the theater, and NO standing room.
“Dodge City”, the picture which glamourizes the old frontier jumping-off place in our neighboring state of Kansas, is scheduled to follow the opening “Ice Follies of 1939” on the screen.
Old Orpheum legend: There is the tale, still told around town, that when the house originally opened in 1916, a woman collapsed in the lobby. Snaked out of the crush and into an ambulance, she gave birth to a baby en route to the hospital.
When the “name” contest for the theater was concluded, it was found that 187 names had been suggested for the theater, but Nebraska was predominant in the voting.
Ushers for the Nebraska were selected from the cream of service at the Stuart and Lincoln theaters. The boys are all schooled in courtesy and prompt service and instructed to give the patron the best possible seat available when he arrives.
Women will have a great time in the Nebraska, because there are mirrors every place one may point the eyes, even on the ceiling of the foyer.
It is the intention that the Nebraska shall be the ace movie house of Lincoln, specializing in the best single feature policy available.
The marquee was replaced in 2000:
County Theater replaces marquee
The County Theater’s marquee, which has displayed movie titles since the days of “Gone with the Wind,” is ready for another century of celluloid. A new facade, consisting of a three-sided aluminum light box with plexiglass front panels, was attached Tuesday to a frame
extending above the entrance of the East State Street movie house
The marquee replacement completes the $89,500 restoration of the Art Deco exterior of the 1938 theater, said John Toner, executive
director of Closely Watched Films, a local nonprofit group that owns
the building and operates the independent theater.
“The exterior is an extraordinary example of a small-town Art Deco theater,” Toner said. “Doylestown is real lucky to still have its theater”. Closely Watched Films bought the building in 1997 for $325,000 and spent another $500,000 to overhaul the theater from top to bottom. Restoration of the facade was a separate project, funded in part by a $42,900 Keystone Historic Preservation Grant, a $15,000 grant from the Grundy Foundation and two $1,500 grants from the Doylestown Revitalization Board, according to Toner. The theater raised the rest of the $89,500 from its supporters.
The 18-foot-high tower, which spells out “County” in yellow neon letters on a blue background, was replaced in 1998 at a cost of $36,000. Toner said both the original tower and marquee facade were too deteriorated to restore, but the replicas are identical. Some original stainless steel strips were reused. “The marquee itself will look exactly the same as it did when it came down,” he said.
The marquee restoration, which cost $53,500, also included replacing rotten wood in the frame, reinforcing the roof and the underside of the marquee, and putting in new wiring. Bartush Signs of Orwigsburg, Schuylkill County, the same company that remade the letter tower, also rebuilt the marquee panels. Each of the three sides consists of an aluminum box with fluorescent lights that illuminate a plexiglass sheet on which movable letters spell out movie titles.
The restored marquee has blue neon lights along the outer edge and red neon lights on the underside. Neon lighting was part of the original marquee but had not worked for years. Jim Sanders, director of development for the theater, said workers will finish wiring and
installing the marquee by Friday. To accommodate the work, the theater will not show matinees today and Friday.
Controversy over the marquee in 1983:
Local sign ordinance doesn’t play at Des Plaines Theater
Rows of Hollywood-style bulb lights and orange neon lettering remind some old-timers of the days when the Des Plaines Theater marquee advertised 10-cent movies, the kind that didn’t need to be rated for sex and violence. But a city ordinance regulating business signs has no similar sense of nostalgia, and under its provisions the theater marquee has to come down by 1985. However, most city officials and members of the business community say the marquee should be granted an exemption from the sign law.
“The marquee is something that should be preserved,” 2nd Ward Alderman Herb Volberdeng said at a recent bearing on the ordinance. City merchants, particularly those in the downtown area where the
theater is located, fear that a strict interpretation of the 1978 ordinance could mean the old marquee would be replaced with a flat, plain modern sign out of character with the 64-year-old theater building. “If we have to tear the canopy down, people are going to think there’s no theater here anymore. It’s part of Des Plaines,” theater manager John Fraught said at a bearing this week on the sign law. Also, theater owner Richard Balaban estimated the cost of removal at $25,000.
The marquee has been sheltering theatergoers from rain and snow since the building went up in the early 1900s. It survived a theater war that occurred when the now-demolished Echo Theater, a block away on Ellinwood Street, played serials â€" old-time soap operas â€" which were drawing big crowds. The Des Plaines Theater countered with live vaudeville acts and first-run movies, said James Williams, president of the Des Plaines Historical Society, which also opposes replacing the marquee. During the years, the 990-seat theater, unable to keep up with the new shopping mall theaters, began showing second-run films at cheaper ticket prices, Williams said.
Williams said the marquee is part of “what makes the character of an old town like Des Plaines,” and the historical society plans to make the theater building and marquee a candidate for national landmark status.
The sign ordinance goes into effect Jan.1,1985. Sometime before that, the city council can enact a list of proposed changes, which includes a special waiver for the marquee. “I don’t think there will be any problem getting that through,” said Alderman Robert Martin, 3rd, a member of the building code committee. Committee members say the proposed changes will be considered by the council some
time after Christmas. Chamber of Commerce members have long battled the sign ordinance, which outlaws most overhanging street signs and restricts the sizes of other types of signs. They too are expected to support the marquee waiver.
Patrons of the theater also seem to like the old marquee. “It’s a part of a heritage, I think,” Ralph Tobar, a resident of Des Plaines for 18 years, said as he was leaving the theater after a showing of “Mr. Mom.” “The theater and the marquee have been here for a long time and they never bothered anybody before.”