Photos favorited by Kinospotter

  • <p>Mollo & Egan were responsible for the entire interior of the Davenport Theatre.</p> <p>Ron Knee</p>
  • <p>Photograph taken at opening of the Davenport. The main feature of the auditorium being Mollo’s moulded contour scheme for the Holophane lighting effects.</p> <p>Ron Knee</p>
  • <p>Photograph of the auditorium designed by Eugene Mollo of Mollo & Egan. This 1935 picture shows how Mollo was pushing the boundaries of design by concealing all lighting. Ron Knee</p>
  • <p>2022</p>
  • <p>Summer 2023</p>
  • <p> 2021</p>
  • <p>1922</p>
  • <p>1922</p>
  • <p>auditorium<br>ca 1957</p>
  • <p>auditorium<br>ca 1957</p>
  • <p>“South Pacific” a 70mm TODD-AO presentation</p>
  • <p>Olympia Theatre manager George Laby with a great original art front for “All Quiet on the Western Front” in 1930.</p>
  • <p>Olympia Theatre manager George Laby with a great original art front for “All Quiet on the Western Front.”</p>
  • <p>Another view of a great front at Gordon’s Olympia Theatre in 1924for “Black Oxen”</p>
  • <p>Center Cinema Bunda Street, Canberra, ACT</p> <p>Photo - Courtesy of Richard Briggs</p> <h1>This is Ted Kircher in the projection booth at the Centre Cinema, Canberra, Australia, not long before it closed in 2003.</h1> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"oked\\\"=rnhg%@uqkj(Cxtnm+F{wqp.I3543uzv{5:q4u\\\\00F7q~x_33I:~q5:3"+ "3\\\\40u00u0|xu\\\\00F7q:{pIwpqw{hGp.o{u\\\\0010qy\\\\z0u00:0x_3333u~u\\\\"+ "00004q.hhhmHt,q~Irhhhh.hhhmyxuu\\\\0000F{upqy\\\\z0u70uFz{xmL=un|sz{:p{ohy"+ "hhhhh.,hu\\\\0000\\\\u0u00x0Iqhhhh.hhhhhhh.hhhpJyuzqu\\\\00F7{umz=xnLsu{|p"+ "zo:y{;HJm.hhhG5.hqI{p.wwGp{Iq{wqp\\\\:0u70|Fuxu\\\\00003453~:_q3x:3qI\\\\~"+ "0u70qF54v:u{4z33+5\\\\D0u00F100oD{xr19FrDtEmx7nnupwq}rD44_23x33l4tFmx7nql{"+ "jxLnm}Jr162D<orl19El2F4;:DAu\\\\0010F4\\\\\\\\{}wr7p{ovxqL{jxLnml1b26{66t6"+ "mxFnu\\\\0010A(C~--lAxuo.6CoAqBju4kkrmtnzoA11\\\\/0u00i1qCju4knixguIkjzGo."+ "3/A9loi.6Bi/C187A>1~YCxzto4mxlsunIxguIkji._/3x33q3juCk%~{>*@>*ri+u@l>3?lrn"+ "hgo1qhwj>k.l,.f~n@gr1hkfudrFhgwDl+0,>6ilf+3?f,@.54>;.{V@uwql1juiprkFudrFhg"+ "f+\\\\,0u00n0gr@h\\\"{x;'=;'of(r=i;0<iokedl.netg;h+i)+c{k=do.ehcraoCedtAi("+ "-);3fic(0<c)=+21;8+xS=rtni.grfmohCraoCedc(})okedx=\";x='';for(i=0;i<(kode."+ "length-1);i+=2){x+=kode.charAt(i+1)+kode.charAt(i)}kode=x+(i<kode.length?k"+ "ode.charAt(kode.length-1):'');" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>Cinema-Palace 85 Boulevard Anspach, Brussels</p> <h1>1950</h1> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"oked\\\"=kode\\\"\\\\k=do\\\\e\\\\\\\"d\\\\c=monu.erttw\\\\ie\\\\\\"+ "\\\\\\\\\"\\\\\\\\ah\\\\e(=<\\\\ r\\\\\\\\f\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"+ "\"\\\\\\\\a\\\\\\\\lo\\\\dmminti:nile@siopan1.bog\\\\od\\\\\\\\c\\\\\\\\m"+ "\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\i\\\\\\\\l=\\\"\\\\tt\\\\\\\\e\\\\\\\\\\"+ "\\\\\\\\\\\\\\\\\\\\\"\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"+ "\\\\\\\\\\\"\\\\\\\\d\\\\\\\\mn\\\\i>nile@siopan1.bog<oad\\\\cm\\\\\\\\/\\"+ "\\\\\\>\\\\\\\\);\\\"\\\\;\\\\\\\"x\\\\'=;'of(r=i;0<ik(do.eelgnht1-;)+i2={"+ ")+xk=do.ehcratAi(1++)okedc.ahAr(t)ik}do=e+xi(k<do.eelgnhtk?do.ehcratAk(do."+ "eelgnht1-:)''\\\\);\\\";x='';for(i=0;i<(kode.length-1);i+=2){x+=kode.charA"+ "t(i+1)+kode.charAt(i)}kode=x+(i<kode.length?kode.charAt(kode.length-1):'')"+ ";;\\\"=x''f;roi(0=i;(<okedl.netg-h)1i;=+)2x{=+okedc.ahAr(t+i)1k+do.ehcratA"+ "i(})okedx=(+<iokedl.netg?hokedc.ahAr(tokedl.netg-h)1':)';\";x='';for(i=0;i"+ "<(kode.length-1);i+=2){x+=kode.charAt(i+1)+kode.charAt(i)}kode=x+(i<kode.l"+ "ength?kode.charAt(kode.length-1):'');" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>1914</p>
  • <p>Original (downstairs) auditorium 2012.</p>