Century Theatre
12 Mary Street,
Hamilton,
ON
L81 1A5
9 people favorited this theater
Additional Info
Previously operated by: 20th Century Theaters, Famous Players, Keith-Albee
Architects: Harold Solomon Kaplan, Abraham Sprachman
Firms: Kaplan & Sprachman, Lambert & Son
Styles: Art Deco, Renaissance Revival
Previous Names: Lyric Opera House, Lyric Theatre
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News About This Theater
- Mar 2, 2010 — Happy 45th, "The Sound Of Music"
The Lyric Opera House was opened in the 1880’s. It became the Lyric Theatre on August 13, 1913 with 1,800-seats, as a vaudeville theatre. In 1914, the Keith Vaudeville Circuit had taken over and eventually movies were introduced.
It was extensively remodeled in 1922 and again on August 22, 1940 when it was purchased by 20th Century Theatres. They employed Toronto architects Kaplan & Sprachman to design a modern Art Deco style interior and it was renamed Century Theatre. Further remodeling was undertaken on May 19, 1967. It switched operators from 20th Century Theatres to Famous Players in 1979.
The theatre closed on September 28, 1989 with Mel Gibson in “Lethal Weapon 2”, and stood empty and unused until January 2010, when it was demolished.
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Recent comments (view all 106 comments)
I found a Century Theatre ticket stub for a reserved-seating screening of THE TEN COMMANDMENTS. Check it out at SilentToronto.com!
For a great 1940’s photo of the Century exterior, see John Sebert’s “Glamorous Ghosts” at: www.hamiltonmagazine.com/sitepages/?aid. I’d hadn’t seen this photo before. During the demolition, I got one of the wall anchors that the chain, that supported the horizontal canopy, was attached to. I saw “Mary Poppins” at the Century. First-run in l964. I remember there being a balcony, then and the line-up to get in went around the block. “It’s A Mad, Mad, Mad, Mad World” was a long, long time ago…
It was a great theater to see a movie: big auditorium, big screen. “The Sound of Music” played for over a year (didn’t see it then). Later I saw “Yentl”, “The Exorcist”, “Rocky”, “The Rocky Horror Picture Show”(pre-cult) and “Gone With the Wind” (for the first time, one of ’M-G-M’s Fabulous Four'). It was pathetic to see them tear this place down. I took a lot of pictures and video every day. And I got a lot of bricks and concrete pieces.
I have organized a “get-together” of former employees of the Century Theatre to be held Friday,June8th..if you are interested in attending please contact me at …..come share your memories.
The Century was one of my favorite old theatres. Originally opened in the 1880’s as the Lyric Opera House, it entertained many of the most famous stars of the day. I worked there as an usher in 1974 and again as manager a few years later. I think I explored every nook and cranie of the old girl back in those days. Most of her history was hidden backstage and above the false ceiling in the front of the building. Over that false front ceiling was hidden the balcony and original projection room with the silent film projectors still in place.
opened as Lyric on August 13th, 1913. Grand opening ad posted.
Reopened as Century on August 22nd, 1940 Century Theatre opening ½ 22 Aug 1940, Thu The Hamilton Spectator (Hamilton, Ontario, Canada) Newspapers.com
and
Century Theatre 2/2 22 Aug 1940, Thu The Hamilton Spectator (Hamilton, Ontario, Canada) Newspapers.com
Reseated and reopened on May 19th, 1967. Ad posted.
Closed September 28th, 1989, and replaced with four more screens at the Jackson Square.
Century Theatre closing 27 Sep 1989, Wed The Hamilton Spectator (Hamilton, Ontario, Canada) Newspapers.com
A photo that I had never seen before. From November 1921.
https://www.newspapers.com/image/991332839/?match=1&clipping_id=147245690
I’ve noticed some of the posts here from the old days are getting quoted on social media. So I thought I would take the opportunity to correct something based upon research that I’ve done over the last 5 years. Tomorrow, Monday November 25, 2024, is the 103rd anniversary, of a real life incident, that happened backstage, at the Lyric Theatre, at 12 Mary Street, in Hamilton, Ontario.
In 1940, the Lyric Theatre, was renamed the Century Theatre, when it was bought out by 20th Century Theatres Inc. It operated as a cinema, until it was closed, by Famous Players, in September 1989. After thirty years, of sitting empty, it was demolished in January 2010.
The Lyric Theatre, in 1921, was leased by the Keith / Albee circuit, and had a mixed bill of eight live acts of vaudeville, followed by a Hollywood feature film. The three hour long program was repeated twice daily at 2:00 pm and 7:00 pm.
The week of November 21, the film was “The Servant In The House” starring Jean Hershel, John Gilbert, and Jack Curtis, and the top vaudeville act was “Under The Apple Tree”, a musical comedy, written by Darl MacBoyle, and featuring music composed by Walter L. Rosemont. The production featured a cast of fourteen, and starred Loring Smith, who later went on to have a notable career on Broadway. He was part of the original Broadway production of “Hello Dolly”.
The play, which was a rewritten version of an earlier sketch from 1916, called “Oh Please, Mr Detective”, concerned a stolen wallet, and the comedian who had stolen it, being unable to get rid of it, with it always making its way back to him, like the proverbial “cat with nine lives”.
The short play was produced by a man called George Choos, who also had a number of similar productions, touring the Keith, Orpheum, and Pantages Vaudeville circuits. By the time, “Under The Apple Tree”, got to Hamilton, the production had been on the road for more than twenty months.
Cecile Bartley, was a twenty-one year old chorus girl, she joined the “Under The Apple Tree” company in Indiana, in March of 1921. She was the daughter of an Irish Catholic railroad engineer, who worked on Chicago’s elevated railway. Before joining the play, she had spent a year touring in a production called “Tickle Me”, that starred Frank Tinney.
John “Jack” Grubb, was a 45 year old, overweight, stage carpenter originally from Baltimore, Maryland. He had been with “Under The Apple Tree”, since the production had opened in January 1920, in Chester, Pennsylvania. He had a small speaking part in the play, but his main role was as an IATSE stage hand, being responsible for getting forty steamer trunks, full of wardrobe and scenery, on and off the trains, which was how the production got from town to town.
During the latter part of 1921, Grubb became obsessed with Bartley, and even though he was not a Catholic, had asked her to marry him. Things came to head, when “Under The Apple Tree”, arrived in Hamilton, Ontario, as Bartley, had at last complained to the manager of the act, about Grubb’s harassment of her. Grubb, was ordered to refrain from bothering her further, otherwise he would be fired.
On the afternoon of Friday November 25, 1921, the matinee performance went on without incident. Cecile Bartley, and another chorus girl, Helen Campbell, remained in their dressing room, below the stage, to do some sewing. The rest of the company, and the local stage hands, all went for their dinner break. At around 5:30pm, with the theatre empty, except for an usher turning back seats, Bartley, and Campbell, climbed the stairs, and were confronted by Grubb, on the empty stage. Being rebuffed once again, he pulled out a revolver, and fired three shots into Bartley. In terror, she ran down the stairs, before collapsing. Grubb, then fired two shots into his own heart.
Local police officers, who were directly across the street, at Central Station, were on the scene in minutes. The only direct witness, who could tell them what happened was Helen Campbell, as Bartley remained unconscious for several days. The Chief of Police, and the local coroner, saw no need for an inquest.
Astonishingly, there was one final performance of “Under The Apple Tree”, on the evening of November 25, even though the act was now missing two members of the company. The news broke across North America, on Saturday November 26, by which time most of the actors, had caught the early train, back to New York.
Early newspaper reports about the shooting, reported that the event had happened on stage in the middle of a performance, in front of two thousand people. Also that, as Bartley, was not expected to survive, it was described incorrectly, as a murder and suicide. Those early wire stories, were not corrected, leaving a “legend”, about what happened, in popular memory. “Variety”, and the “New York Dramatic Mirror”, and the local papers, reported the story accurately. Dozens, of other newspapers, reported it incorrectly, and then never wrote about it again.
Grubb’s body, was sent to Baltimore by train, after it was embalmed at the Dwyer Brothers Funeral Home at James and Cannon. He was buried at Louden Park Cemetery, with his only mourners being members of the Baltimore local of IATSE. His grave has no headstone.
Cecile Bartley, was very fortunate, to have surgeons, who had served in the Canadian Army Medical Corps, during the First World War. After spending seven weeks at the City Hospital, at Victoria and Barton, she was discharged, and returned to Chicago, with her mother. A report in the “Hamilton Herald”, in late 1922, noted that her bill, for her hospital stay, had not been paid by the “Actor’s Fund”.
As near as can be determined, Cecile Bartley, left the theatre, and never acted again. On October 2nd 1922, she married James S Holmes of Hamilton, who owned and operated a grocery store on Kenilworth Avenue. They met while she was recuperating in the Hamilton General hospital.
They had a daughter together, and she moved to Hamilton for at least a year and a half living on King Street near Tisdale Avenue. Holmes was killed in an explosion while distilling alcohol leaving her a widow.
She moved back to Chicago and by 1925 married an Italian man named Costello. In 1930, she is in US Census data, as living as a widow, with a six year old daughter named Mary. Chicago, during Prohibition, was a dangerous place to live it seems.
My play reconstruction of the vaudeville act UNDER THE APPLE TREE was performed as part of the 2018 Hamilton Fringe Festival.