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Its sad to see the review program go, but to be honest, I stopped watching after Roger Ebert left the show a few years back. I never liked Richard Roeper’s reviews or style as he seemed too kvetchy. I also remember when Siskel & Ebert started together on the Sneak Previews program on PBS back in the 70s. It would be great of the reviews from back then could be on YouTube or somewhere else on the net.
It so happens that one of my cars is being fixed nearby the Potomac Mills 18 plex. I’m curious to see how that screen compares to the others. When it is ready next week, I hope to make a trek and see Dragon there maybe.
With regard to Hoffman’s IMAX-lite, maybe Tysons is a tad bit larger. The last IMAX-lite movie I saw there was the boring Night At the Museum 2. That movie was more of a retread of the first one. I wanted to call the new one Flight From This Awful Movie Ad Nauseum :) Sitting in the section that would be called the orchestra section in the olden days, it seemed to me the screen was the same size as the others, or at least as wide, if not as tall. Perhaps someone following this thread and will be able to get their hands on the theater specs.
As I’ve blogged in the news section about the recent (as in TODAY) price increase, its making it less palatable to see movies in this format and pay $16. Just looking at Cinemark’s XD 3D prices, they seem to be holding the line at $14.50. I have yet to experience their XD 3D presentations, but I’m guessing its the same as the IMAX-lite sans the branding. Unless they decide to follow AMC, they may get my business not only for the more reasonable pricing but that its closer to me :)
I noticed this last night on the AMC site. I paid $15 for Alice in Wonderland in IMAX-lite 3D. Today, How to Train Your Dragon in the same format is now, $16. First show matinees were $10, are now $13!! I could see paying $10, maybe $11, but now $13 or $16?????
JJ, I was thinking the same thing with regard to future court action. Lets hope it doesn’t come to that. I’m disappointed that they aren’t showing first run films anymore. In fact, I haven’t been to the Baltimore area for movies probably since ‘08. With the IMAX-lite installs and the Senator’s woes, there was no reason to go up there anymore.
I made a trip to see Alice in Wonderland in IMAX-lite 3D, in Auditorium #3, before it gets replaced by “How to Train Your Dragon.” When films are shown full screen it is quite an experience BUT, again, the $15 full price is hard to swallow for what should be the ‘norm.’ The sight lines are perfect from the aisle level, with peripheral sight just right to avoid head turning. I think the screen size is pretty much the same as Columbia’s and Hoffman’s IMAX-lite installs. Its possible it may be a little larger, or it may be that there are more rows of seats closer to the screen making its largesse illusory. Bass is deep but to me there’s the slight lack of reverberation to give you the spine tingle of the best THX-cert houses.
Also, during the Dragon 3D trailer, it seemed as if the deep bass may have stressed some of the speakers to the point of some crackling. Subjective opinion, yes, which begs a subsequent visit. :)
As far as the film, itself, it was quite good. From the opening strains of Danny Elfman’s music, it had the familiar choral accompaniment to the orchestral score, to the zaniness of Johnny Depp’s and Helena Bonham Carter’s performances, I had a good time. Now to nitpick a little, I had expected better color contrast in the digital format. The wonderland sequences looked fantastic but lacked vibrancy and vividness. Even the opening set up in the current day was Merchant Ivory, yet the costumes and the garden looked….well, dull. I may have to see this in regular digital 3D to compare.
While the action is commendable, how much profit is there in vegetables anyway? Is anyone going to pay the same amount $4 or $5 for a a few carrot sticks vs a tub of popcorn? The same with nachos? The $1 sized packaged nachos they sell for $4 or $5 or more (like at Regal) can’t compete profit wise with vegetables. That $1 sized (at your local 7-Eleven) probably costs half of that or less. I can imagine the conversation at the concession line… “Oh honey, I just have to get my box of brussel sprouts and carrot juice before the movie starts..”
“even larger than KoP’s IMAX?”
KoP’s IMAX is a REAL IMAX screen. Sounds like I need to investigate this for myself….hehehe. :)
I saw Cop Out here in #3. For one of the few THX cert places in this market, they don’t do much to advertise the fact to patrons other than a single poster sheet. The movie was a yawner. The previews and movie had surrounds but were lacking. At least Patti LaBelle singing the closing song during the end credits could’ve played in surround. No THX trailer. The AMC trailer, which I’d like to call the immersion trailer that has an audience member transformed into the film being watched showed off the sound system’s potential but is not a substitute for the THX deep note.
There was a news item in the Washington Business Journal about this opening. Leesburg is about 30 mi or so outside of Tysons, which itself, is suburb of Wash DC. I’d hardly consider Leesburg a suburb given the distance but in any case, the theater plans sound much like National Amusement’s Cinema DeLux. While the DeLux has nice big screens with digital projection, the director’s auditoriums and higher priced seating don’t really appeal and do not exceed the THX cert auditoriums as far as sound and projection go. The description for the new place sounds quite nice if only the ‘restaurant’ area is not your typical mall fare, such as NA’s Cinema DeLux pizza and Nathan hot dog offerings. I’m anxious to check it out once it opens.
When BowTie acquired Crown Theaters, what I heard about some of their newer theaters closer to CT was the BIG SCREEN auditoriums among the usual multiplex mix. Those would’ve great for 70mm if they ever wanted to show them for retrospective bookings. I suspect the trend now with the AMCs and Cinemarks are those IMAX-lite conversions, who can play the 3D releases. In a way, its too bad because those new to the market will associate IMAX with the smaller venues as opposed to the true multistory screen IMAX venues.
I’m near two of BowTie plexes. The Mall one is the better of the two as it has the state-of-the-art sound and projection systems and THX certs in 3 of the 11 auditoriums. The Harbour 9 usually gets the move overs and art house fare. I’m not crazy about the conversion as its still film and is subject to the usual gripes about film in the current state of projection and the scratching and fading from repeated MIS-handling of the format. When they took over from Crown, I was informed they were going all digital at one point. Of course, the economic climate has changed for the worse in the last four years, so a less costly alternative to an upgrade is understandable.
Now all you need is 70mm projection and a 70mm classic film festival to put the Ziegfeld to shame! That would be worth a visit for me. ^5
I never knew that the Layfayette would ever go digital. What kind of system? 2K, 4K? 8K? :D
As a member of their film club, I received an invite for two, to a free screening of ‘Mother’ a Korean film import this past Monday 3/1/10. Due to the fact they sent out more invites than seats, I didn’t get in. The fact is my friend, who works nearby was to get in line early and get the ‘red tickets’ to allow us in. There was this Asian lady, who presumably is a Landmark employee, when I wanted to meet my friend, at the head of the line, bluntly said “its not my problem” and walked off. How rude. She wouldn’t even listen to my story, much less allow me to jump the line.
Since my friend and I did not get into the screening, we paid to see the five short films nominated for Oscar. They were shown in DP in #3, which I believe is my first time in that auditorium, which supposedly has the Sony 4K system. To my eyes, I did not notice any difference with 2K, unless they were shown side by side. Each was shown flat and the DP was sharp and clear, but the transfer of the first Indian film short yielded, maybe intentionally, diagonal lines like an interference line you’d see on your home tv due to an electronic disturbance.
Of the five films, I think Kavi, the Indian film should take Oscar given its world wide subject of slavery, which is a commendable theme. You want to know what happens next to this charming kid, who dreams of becoming a cricket player and going to school, while working with his enslaved parents on a brick farm.
Awesome Giles. Thanks for the info. I may have to make the trek to Tysons even though it is a haul for me in MD. I used to travel to VA, and to the National Amusement Multiplexes; Alexandria, Merrifield and for ONE time Centreville (for the awful movie “Shadow”) when they had 70mm event movies booked. My continual issue with the IMAX-lite screens (Columbia and Hoffman) are the lack of deep bass subwoofer ooomph. Its improved somewhat but its not the same as the best THX cert houses. You can tell what a theater’s sound system is capable of (deep bass) when you can ‘feel’ the power of it when the THX flower trailer is played.
Giles, is the auditorium, at Tysons, larger than the Columbia and Hoffman installs? I remember going into Tysons..I think to the left of the concession stand and to the right was a humongous theater, whose screen seemed as big as the Uptown’s.
Oops. #4 was where we were. The line to get in started at the top of the stairs, which I thought was too many. Fortunately, we all got in and there were about three rows in the front that were unoccupied. The print, itself, had scratches and projected slightly off center to the left. Where I sat and after the first ten minutes, you forgot about the imperfections in the projection.
I had the privilege to see a free screening of “Terribly Happy” a Danish film import that has received much international critical claim. Its plays like an R-rated, extended Twilight Zone or Alfred Hitchcock Presents episode on the large screen. A recently transferred cop to a small town encounters residents who are more than they appear to be… There are some interesting twists and turns and some decent acting all around. If you happen to see it playing at a theater near you, which I doubt will have a wide release, go see it.
If they were there, I think they are long gone by now. I don’t recall seeing statues by the screen. Maybe they were there once upon a time. But as I said in my last post, the place could use some sprucing up. Maybe they could do a fundraiser just for that purpose.
On my browser, you can get the pics to enlarge to a degree but its not like they are supersized and can see the individual fabric tufts in the seats. :)
Not too sure about my memory but I thought there were columns of a sort either at the entrance to the theater after you passed the concession stand, OR as you entered to the seating area, itself. Then again, maybe it was the MacArthur that had the columns at the entrance to the seating area.
There was some mention of this also on the local news. What a tragedy. I was thinking to myself, when you are in a theater and are in that ‘other place’ provided the projection, sound and atmosphere are right, and then the next instant you could be dead, do you ‘feel’ it from being ‘in’ the movie to that sleep called death?
Thanks for the link, Joe. The pics bring back memories. The interiors look remarkably similar to the original Flower and MacArthur and even Senator with the two crying rooms upstairs.
Chuck, no I do not live in the Balto area, but did grow up in and around here.
Disclaimer: The previous post was not meant in anyway a personal attack on any ONE individual living or not. The reference to ‘you’ is meant in the collective sense of MANAGEMENT. It is this posters intent that no virtual harm was done to any blogger in the creation of the previous post.
You miss the point. Let me reiterate it for you and that is the CHAINS charge too much for their concessions. I’ve said I would gladly pay reasonable prices and most INDEPENDENTS here in the DC area do. Again, I get it. Exhibitors don’t make it on ticket prices and need the markup on concessions to make it. I get it.
As if I’m the only one in this thread to voice an opinion on and sneaking food into theaters, WHY do you think this is? Has your hearing gone due to the loudness of the DTS or Dolby Digital soundtrack in your theater?? Do you hear people complaining? I’m sure you are well aware of public polls and people who blog on this very site as to why they prefer watching movies at home and not in places like YOUR theater. You charge too much and assuming you run a theater of a national chain (AMC, Regal, etc), let me say it bluntly, you suck. I am (and the others on this thread against high concession prices) are the messengers, don’t get mad at us for refusing to pay your high prices and proceed with a solution of our own. At least you’ve got someone who actually GOES to your theater.
As for me sneaking in food into and “stinking up” your theater, its no different then what you serve as popcorn and topping, with that hydrogenated, bloat-inducing, weapons-grade of gas destruction glop you and other exhibitors pass on as ‘butter’ or ‘butter substitute.’ Just WHERE is your theater anyway?
You think you could stop people from sneaking in food? Go ahead, make my day. Good Luck and Good Night. Catch Me if You Can. The End. :D
As a fairly regular weekly movie going patron, your policy sounds fair. But then again, a family of four who just spent money on tickets and probably an equal amount on concessions would deserve a break wouldn’t they? Maybe you could offer a free refill on either popcorn or drink, with a purchase of the other (popcorn or drink). That way you still earn some money on the high profit items and the customer feels he’s getting a deal. On the other hand, I don’t know many who can consume an entire large tub of popcorn and large soda. If it works for you and your customers, then its a good policy.
Jogging my memories of Star Trek II at the MacArthur, were/are there times you could turn OFF the Dolby or noise suppression system that was in place (if there was one)? I’ve seen the movie many times here during its run and remember some presentations were louder than others. When I say ‘louder,’ I mean you could hear soundtrack noise such as whistles, crackling and pop. Others when the presentation was quieter, it seemed something was missing. Personally, I enjoyed the 6-track presentation with ALL the noise because it seemed to be more engaging to me.
When it was triplexed and Dark Crystal opened, did they keep the Dolby CP200 for the main, or was it replaced and/or other systems added for the two smaller auditoriums?