Radio City Music Hall
1260 6th Avenue,
New York,
NY
10020
1260 6th Avenue,
New York,
NY
10020
116 people
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Experience an evening at the Music Hall on the night of June 6, 1939. Find the following videos on Youtube: Radio City Music Hall March Loews Wonder Morton Organ. Goofy and Wilbur 1939. Tchaikovsky Symp. 6 movements 2 & 3. Corp de Ballet (1936) 1930s Rockettes at Radio City, Jan Pierce 1939 Vesti la giubba. Frank Sinatra Wishing 1939. The Sun Never Sets 1939 (1 min clip), Not all clips are from 39 and many are condensed but you’ll get a little feel of what you may have seen and heard at the Music Hall on 6/6/39.
I love that term “picture sheet.” Thanks for using it…!
We actually did just install a brand new house picture sheet this past Monday.
I wish they would return to the movie/show policy. for perhaps one special day or week
Nope. In fact, they are sealed up so you can’t even tell they’re there.
Are they using the Wurlitzer before and/or during the Spring Spectacular?
I noticed the booth looked dark. No film on this show I guess. Im just thankful my wife got called to work the show since her Broadway show closed in January. This ol projectionist doesn’t have much to do these days. Would still love to see your magnificent booth someday. You guys keep up the good work.
It’s not just you Mark. We see the seams and tile color differences from the booth. The wall is crap. Always was, always will be.
Went to the dress rehersal of the spring spectacular last night. It is in a word, “spectacular.” The costumes were awesome, the rain scene was incredible, and the statue of liberty, while I feel is a bit too large, was amazing as well. One downer was the video wall used for the 3D effect as well as other portions in the show, I could see some seams and some squares were brighter than others. (This coming from a former projectionist with over 37 years expeirience) And to be fair I was in the 2nd row from the stage. But otherwise, a job well done and a truely great show. Perhaps the start of a new annual tradition.
rcdt55b, thanks so much
Hey David. Is it possible that they renumbered the seats since then? The 2 seats house left of the console in BB are actually 412-413. They are definitely used as handicapped seats if needed. There was a wheelchair there yesterday for one of the shows. I looked at the ticket list and every show seems to be sold out for those seats till the end of the run. Sorry.
2014 marks the 50th anniversary of my first visit to the Hall, a very special event I’d like to commemorate it by sitting in the same seats my grandfather and I sat in, row BB, seats 413-414. They are the two seats house left of the lighting console. Alas, I can’t seem to get them. They are marked as handicapped seats though I’ve never seen a disabled person sitting in them. I know some folks here work at the Hall. Can anyone provide some assistance? Thanks.
I’m not denying the fact that it looks bad. It also cut into the size of the 3-D image. We had to make the picture smaller.
The fact still holds that the false proscenium cuts down the original proscenium opening and in many people’s opinion looks ugly. The stage shows of many decades ago were more spectacular. Originally, the speakers were hidden in the grills of the ceiling.
The false proscenium was added for 2 reasons. First it hides the speakers used for the show. Remember how the speakers used to be hung from the ceiling in plain sight? Secondly, it added surface area for the digital projection elements used for the Christmas show and spring show so it actually didn’t save money at all.
As far as the organs go, they do sound great. The reason they do is because components that haven’t worked in years, were all fixed. They are now able to use the entire range of effect available to them.
Crowds have been decent. Remember, the official opening night is not until this Thursday. After that, attendance usually picks up.
How is the christmas show doing with crowds? Seems that this show is the most famous show at the hall….
The fake proscenium cuts down the size of the scenery, saving money. Glad to learn they stage show has improved. I still remember those wonderful 45 minute Leonidoff stage productions that were presented with the movies.Something so magical about them.
The new Christmas show is a great improvement. The terrible video number is gone and has been replaced by the familiar, and much better, “Rag Doll” number. Also, the organists are playing a new medley as an overture. The old one sounded like endless transitions without songs/carols in between. Now, you can identify the pieces that they are playing.
Furthermore, the show begins with the orchestra coming up on the lift, the consoles rolling out, and singers on the waterfall stage extensions singing Christmas carols. They are dressed in traditional RCMH usher uniforms. It’s a nice tribute to the history of the Music Hall.
I also like the way that the organs pick up the last piece as the consoles roll out to play the “Hallelujah Chorus” as exit music. The organists end with a big D major chord and holding bottom D, middle D, and top D in the pedals. That bottom D on the Wurlitzer hits the resonant frequency of the room. A nice old fashioned trick that Leibert used effectively for years. Overall, it seems that someone in charge is being more sensitive to what sounds and looks good in the space. Now, if we could only get rid of that fake proscenium insert that reduces the size of the opening.
Like I said, I guess being a projectionist for over 38 years, I notice these things the average joe would not. If they ever give booth tours Im in, LOL
The girls scouts were gone before our test so I was able to go down. Unfortunately, because of the angle the projectors shoot down at, the hotspot that you’re seeing is more prevalent in the front parts of the orchestra seats. The further back you go, the less the hot spotting seems. Curving the screen would lessen this, but there is just no room to fly a curved screen up. As Vito was saying, the 3D effect usually is lessened the further off center you go. The one good thing about the screen here not being curved is that it actually does not lessen the effect. I checked out the side seats last year during a test and there was very little drop off of light. I took a few pictures that I will post in a few minutes.
Thanks redt55b I would love to see some updated photos, as to the equipment being clean I found the entire booth immaculate including the polished floors. Clearly a lot of pride in that work space. Yes Mark us booth junkies are a special breed.
Thanks Mark. It’s good to know your exact seat. I will have to check it tomorrow. Girl Scouts are here today.
Vito mentioned how clean the equipment was. For a week and a half during load in this year, we completely torn down both 70MM projectors. Everything was cleaned and parts were replaced as needed. Very few parts. I will try and post some pictures later.
If it will help rcdt55b, I was sitting in row EE seat 503. Vito, I have seen photos of the booth, but like you, and you know me for many years, Im just a booth junkie I guess. And now more than ever since I dont work in the business anymore because of digital, I just love seeing old projection rooms.
You all may recall the main reason for not the Hall not showing “Kiss Me Kate” in 3-D aside from dealing with distributing all those glasses was problems with light fall off form the silver screen for people sitting too far left or right of center. It was a problem for us back in the 50s in some movies palaces with wide auditoriums for those siting in seats too far from center. Mark, I visited the both back when 70mm was installed and what impressed me the most was how immaculately it was maintained, do they no longer have backstage tours which includes a visit to the booth?
Glad I was able to help.