Showing 101 - 125 of 12,320 comments
According to Alan F. Dutka’s Historic Movie Theaters of Downtown Cleveland (and other sources), the Cinema/Lake/Esquire Theatre was at 1630 Euclid, across the street and a couple of doors east from the Palace Theatre. The Esquire closed on May 28, 1951.
But the Esquire’s conversion to a television studio in the 1950s did not mark the end of its career as a theater. In the late 1970s it was the home of the Center Repertory Theatre, a group which was a member of the LOTR (League of Resident Theatres.) Dutka says the television studio moved out in 1975 and the theater group occupied the house from 1978 into 1980, but a Facebook page for the theater group says it was there from 1974 into 1980.
This Facebook page has a lengthy reminiscence about the Center Repertory Theatre’s time in the house by one of its members, Tom Fulton. After the theater group folded the building sat empty and decaying for a number of years before being demolished in the mid-1980s for a parking lot.
Dutka notes that more recently the parking lot itself was obliterated for a southward extension of East 17th Street. Comparing current street view with vintage photos, it can be seen that the building once next door to the theater on the east is now occupied by the Bonfoey Gallery, and is now on the corner of the East 17th Street extension where the Esquire once stood.
Alan F. Dutka’s Historic Movie Theaters of Downtown Cleveland says that the Gaiety Theatre operated for thirteen years, from 1917 to 1930. It was never wired for sound. During the theater’s relatively brief life the management of the Gaiety carved out a niche for the house by becoming Cleveland’s principal venue for the many sensationalist movies, usually featuring sexual themes, which found a ready audience in the venturesome, pre-code 1920s.
Alan F. Dutka’s Historic Movie Theaters of Downtown Cleveland says that the Reel Theatre opened as a second run house charging five and ten cents for admission. Manager George W. Ryder billed the house as “the most beautiful small picture theatre in the world.”
The Reel Theatre featured a Fotoplayer to provide musical accompaniment to the silent movies. A demonstration of a Fotoplayer can be found on this page of the Silent Cinema Society’s web site.
The conversion of a number of old vaudeville houses to movies and the construction of several new and larger movie theaters in Cleveland soon outclassed the Reel Theatre, and it was dismantled in 1919.
The Cleveland Architects Database identifies James W. Chrisford as the designer of the Lincoln Theatre. It opened in 1924.
The Cleveland Architects Database lists a 1907 project by architect James M. Bostick for a “[t]heatre, store and apartments for the Opera House Company” at Lorain, Ohio.
Alan F. Dutka’s 2016 book Historic Movie Theaters of Downtown Clevelandprovides some updated information about the Prospect Theatre (Google Books preview.) Dutka says that the stock company remained in the Prospect only seventeen weeks after opening in April, 1904, before the Keith circuit took over the house.
After moving its two-a-day vaudeville to the Hippodrome in 1908, Keith ran the Prospect as a movie house, combination house, or (briefly) a live playhouse until closing in 1923. The building was still standing, though unrecognizable due to multiple remodeling jobs, into the early 21st century.
The Cleveland Landmarks Commission lists the Union Theatre at 10506 Union Avenue as a 1917 project designed by architect Ralph M(artin) Hulett (PDF here.) The document attributes two other Cleveland theaters to Hulett: the Reel Theatre, 2049 East 9th Street (1914) and the Gaiety Theatre, 1746 East 9th Street (1917.) Both have been demolished. He also designed two theaters in Akron, Ohio.
The Pearl Theatre, 4256 Pearl Road (then an aka for this stretch of West 25th Street), is listed in the 1914-1915 American Motion Picture Directory. In 1916 the Pearl was owned and operated by Otto and Joseph Tschumper, and a 1909 city directory lists a tin, copper and sheet iron working firm called Tschumper Bros. at 4256 Pearl Road. I don’t know if they converted their workshop into a theater or built a new theater on or adjacent to its site, but they clearly went into the theater business sometime between 1909 and 1914.
The Euclid Avenue Garden Theatre was a different house from the Garden Theatre on West 25th Street. Also called the Euclid Garden Theatre, it was on Euclid Avenue “…nearly opposite East 46th Street” and was used as a summer theater, the home of comic opera, according to the 1910 book A History of Cleveland, Ohio by Samuel Peter Orth.
The Penn Square Building designed by George Grieble must have been a different building than the Penn Square Theatre. A Cleveland Landmarks Commission page about architect Morris Gleichman (PDF here) lists the Penn Square as his design, dated 1911. It is listed as “Penn Square Motion Picture Theatre for Joseph J. Klein” with the address 5409-15 Euclid Avenue. An item in the August, 1911 issue of Motography also mentions Klein in connection with the Penn Square:
“The Penn Square is the name of a new moving picture theater opened at East Fifty-Fifth street and Euclid avenue, Cleveland, by the Penn Square Amusement Company, of which the following are the directors: S. M. Hexter, Louis Klein, Joseph J. Klein, Syl Flesheim and Frank I. Klein.”
This timeline at the Brockville Arts Centre’s official web site says that the building was erected in 1858 as a town hall, market house and fire station. In 1880 it was converted into a theater called the Opera House.
The 1911 expansion of the building, after which it reopened as the New Theatre, was designed by architect Andrew Stuart Allaster, who had opened an office in Brockville in 1909, according to his page of the Biographical Dictionary of Architects in Canada.
The timeline notes that the house was closed at the time of the 1937 fire, having gone dark in 1929 due to declining revenues.
Cecil Burgess was the architect of the Rideau Theatre (Biographical Dictionary of Architects in Canada.) An entirely new auditorium was built behind the 1915 Princess Theatre, which was then converted into an entrance.
Burgess also designed major alterations to the Balderson Theatre at Perth, Ontario, in 1930, as well as designing a legitimate theater in Ottawa, the Little Theatre Playhouse, completed in 1928.
The original architect of the Balderson Theatre was Andrew Stuart Allaster(Biographical Dictionary of Architects in Canada.) The house underwent major alterations in 1930, with plans by Ottawa architect Cecil Burgess.
The NRHP registration form for this theater (PDF here) says that it was designed by Palm Beach architect Chester A. Cone, who also designed the Prince Theatre in Pahokee. The registration form also has information about several other movie theaters in the region. It also notes that this was the second location for the Dixie Crystal Theatre, the first house of its name having been opened in 1934.
The Harlem Theatre was most likely located on Harlem Academy Avenue, in the town of Harlem’s very small business district. Harlem is not an incorporated city, the Census Bureau classing it as a census designated place, and the Postal Service considers it a part of Clewiston.
It is possible (though not confirmed) that the building in this Google street view housed the Harlem Theatre. It has a bit of streamline modern detailing, a small theater-like entrance lobby, and no ground floor fenestration on the visible side wall. It’s about the right size for 300 seats. The cafe next door has the address 1009 Harlem Academy Avenue, and the theater-like building would probably be 1007.
This article about Harlem from the January 11, 2017 Fort Myers Florida Weekly indicates that the town had a movie theater in the 1960s and 1970s, but it doesn’t give the name or location. Most likely it was the Harlem. Eric Ledell Smith’s African American Theater Buildings lists three theaters for Clewiston as a whole in the 1940s and 1950s, the other two African American houses having been the Lincoln Theatre and the Queen Theatre, but I doubt the Harlem district could have supported three houses, so those two were probably elsewhere in Clewiston.
Clarence Castleman Bulger, architect of the Victoria Theatre, began his career in 1903 as the junior partner in the firm of C. W. Bulger & Son, after completing his BA degree at the University of Chicago. His father, Charles William Bulger, died in 1922.
Clarence Bulger was best known for designing churches, he and his father between them having completed more than 75 of them in at least 20 states. They also designed many impressive houses for well-to-do clients, and what is considered the first skyscraper in Texas, the 15-story Praetorian Building in Dallas, completed in 1909. Clarence Bulger died in 1956.
An article from the December 4, 2007 edition of The Tribune-Democrat of Johnstown, Pennsylvania, said that the building which had once housed the Rivoli Theatre in Colver was to be demolished the next week. The building, which was located on Reese Avenue, had been built in 1911 and had been vacant for fourteen years.
At one time the Rivoli had been operated by an Altoona-based chain called Rivoli & Hollywood Theatres, which ran houses called the Rivoli in Altoona, Beaverdale, Colver, Cresson, Ebensburg, and Portage, and houses called the Hollywood Theatre in Hastings and Johnstown.
The July 12, 1931 issue of Film Daily said that the Colver Theatre in Colver would be open only two days a week. The Colver first appears in the FDY in 1929. No theaters are listed for Colver in 1930. The Colver Theatre returns in 1931 and 1932 with 400 seats. It was listed as closed in 1933, and listed in 1934 with 348 seats. In 1935 it is gone and the Rivoli appears, with 350 seats. It seems most likely that the Colver and Rivoli were the same house, bought by Rivoli & Hollywood Theatres sometime in 1934 and re-branded with the chain’s favorite name.
From 1926 through 1928 the FDY lists a Strand Theatre at Colver, but gives no seating capacity. Still, it seems likely that this, too, was just an earlier name for the Rivoli.
The Mount Royal Theatre was built in 1913, and was active into 1945. The original Art Nouveau design was obliterated at some point, probably when it was remodeled and reopened as the Avon Theatre. This web page has a drawing of the original facade, which was designed by architect Joseph-Arthur Godin.
Golden Ticket reseated this house with recliners, and each of the two auditoriums now has 140 seats.
Theatre Plaza is now a live music venue. Here is their web site (it’s in French, and I can’t find an English version.) The web site has a number of photos of events at the house, and a lot of the original auditorium decor appears to be intact.
The house opened on February 17, 1922, under the direction of United Amusement, the company that also had the Strand (1912), the Regent (1916), the Rialto (1924), the Seville (1929), the Monkland (1930), and the Snowdon (1937.) Construction had begun in 1921 for Northern Amusement, but the project was transfered to United later that year.
United hired their favorite architect, Daniel Crighton, to enlarge the uncompleted theater building, and later hired theater decorator Emmanuel Briffa, a frequent Crighton collaborator, to handle the interiors.
Mike Rivest’s list of Montreal theaters says that La Scala opened on May 7, 1949, and operated into 1981. The house became an adult theater called Cinema X for part of 1982, then closed and reopened again on August 27, 1982, as an art house called L'autre Cinema, and operated under that name into 1987.
The Weaver Theatre in Mountain Home was mentioned in the July 5, 1919 issue of The Moving Picture World. It was one of many theaters that was part of the just-formed Northwest Exhibitors' Circuit, a booking and buying organization of independent theater owners.
The People’s theater was being mentioned in the Adams County Leader at least as early as 1918. The paper’s issue of Oct 9, 1936 reported that the People’s Theater’s floor had been rebuilt on slant instead of flat as before, and that work on a new front was to start the next week. The December 4 edition reported that new seats had been installed in the theater. Another complete renovation was undertaken in 1940, reported in the February 16 issue.
On March 18, 1960, owner-operators of the house Mr. and Mrs. Joe Hancock reported that they might have to shut the theater down due to lack of patronage. But the June 23, 1961 issue of the Leader said that California theater operators Mr. and Mrs. George R. Cheverton and their son Richard had bought the People’s Theatre and the Rio Theatre in Cambridge and would move to Idaho to operated them.
A Mr. and Mrs. Richard Holliday bought both theaters from the Chevertons in 1967, as reported in the September 28 Leader. The People’s was still in operation at least as late as May, 1973, when yet another change of ownership was reported in the May 18 Leader:
“Mr. and Mrs. Ellis Wallace are taking over management of the People’s theater, beginning May 21. Mr. and Mrs. Robert DesMarias have made some improvements at the theater during his vacation, and Mrs. DesMarias will leave for their home in Anchorage, Alaska May 23.”
It looks like there are rust streaks below the three vertical black panels, but the rest of it just looks like dirt.
Ah, but this is a hipster drive-in, so attending it is ironic. Going to Puente or Paramount would evoke the wrong kind of irony. Plus out there they might see someone getting pregnant in a back seat, which would remind them of their grandparents conceiving their parents. ((shudder))