Tower Theater

Kewpie on June 12, 2011 at 6:34 am

http://dougdawg.blogspot.com/2009/09/tower-theatre.html Doug’s link has a complete history and photos of the Tower Theater.

homeboy on February 9, 2011 at 11:24 am

The following story appeared in the February 2011 issue of “Signs of the Times,” a trade magazine for the sign industry.

The Gleaming Tower
Superior Neon reinvigorates an Oklahoma City landmark.
By Jim Gleason

In the summer of 1937, Oklahoma City was buzzing with talk of the opening of the Tower Theater on 23rd and Walker St. downtown. W. Scott Dunne, a Dallas architect, devised the building, and Super Sleuth, which starred Jack Oakie and Anne Sothern, was its first feature. Although it wasn’t the city’s first movie house, it was celebrated for its unique architecture, lighting and then-novel air conditioning, which was trumped in the Daily Oklahoman as “scientific refrigeration”.

For more than two decades, the Tower flourished. However, as population shifted to the suburbs, it lost many customers. During the early 1960s, the Cooper Foundation, which owned the Tower, shut it down. Two ownership groups subsequently operated the theater â€" including a successful renovation after a January 1967 fire — but the Tower’s popularity gradually declined, and its stint as a first-run movie house ended during the mid-1980s.

Eventually, local citizens began working to preserve the theatre. Its iconic sign — a diagonal blade sign with neon-bordered, 3-D, closed-face, neon-lit, porcelain cans that spell out “Tower” and descend into the marquee â€" had fallen into disrepair. One side of the marquee was severely crumpled, and served as a compelling reminder of the once-proud property’s decline.

In 2009, owner Marty Dillon and advisor Greg Banta spearheaded renovations on the property. They planned to repurpose the property as a mixed-use facility with office, retail and restaurant space, but they wanted the Tower sign and its legacy to serve as a testament to the property’s history.

Setting the stage

Dillon initially contacted me about restoring its signage. Because 23rd St. had been widened, the marquee’s front had become exposed to tall trucks and had been damaged. Also, parking spots had recently been created in front of the marquee.

At the time, he’d just purchased the building. I’d twice before bid on making repairs to the sign. With each visit, the site looked worse. The front was completely destroyed, and the side pieces were barely recognizable. The sign had also become home to many winged residents. Ultimately, Marty accepted my bid, which included restoration of the exterior, and repair and restoration of neon and other lighting.

Because the theater is located on Route 66, Marty submitted an application to the Route 66 Corridor Preservations Program for a restoration grant, a cost-share proposal that has previously helped restore other signs.

The National Parks Service, which administers the Route 66 program, accepted the application, contingent on the restoration of sign boxes, neon tubing, incandescent lighting, marquee and brick supports to their historic color and appearance.

Before we could begin work, Marty received approval from the city for our shop to occupy a parking space in front of the Tower throughout the project’s duration. City workers subsequently extended the sidewalk and curb in front of the theater to prevent trucks from wrecking our work.

To preserve the sign’s grandfathered status, we could only remove part of the sign. Its core had to remain intact. Halfway through the project, city officials contacted me about permits. After a meeting, we decided the Tower sign wouldn’t require one. We had to demonstrate the rebuilt segment represented a small portion compared to the sign’s overall size.

Extreme makeover

First, we developed a photographic scope of the work, which highlighted the damaged area and distinguished the work Superior would do from what Jacobs Contracting, which rebuilt the Tower’s exterior wall, would do. We used CorelDraw 10 to devise the rendering, as well as numerous sign-restoration components. Superior and Jacobs working on the project for several months over a carefully managed schedule to ensure both crews weren’t onsite at the same time.

The blade sign’s porcelain components required rust-stain removal, as well as priming and touch-ups. The upper section remained in relatively good shape, but the lower section had been destroyed by the truck’s impact.

To restore the rusted areas, Superior employees Robert Kazee and Basile Koliopus used wire-brush wheels to remove rusted areas. After having removed the spots, they primed and coated the areas with Matthews acrylic-polyurethane paint. After we’d prepped all the sections, Eric Morrison matched the cleaned porcelain and applied the polyurethane finish to the new piece.

When the truck hit the marquee, it knocked the upper internal frame out of plumb. The entire bottom had to be removed. We replaced numerous sections of sheetmetal filler with new aluminum, which we finished with acrylic-polyurethane paint. Other work crews, which had been subcontracted, helped with demolition. Once we’d dismantled the lower section, we cleaned up the site so we could focus on straightening the main frame in the upper section. We pulled the top back into plumb and fastened it back to the main marquee frame with temporary steel angle.

Over seven decades, the internal wiring had decomposed badly. It had been patched and repaired over the years, but needed a major overhaul. We stripped all wiring and transformers from the sign and installed 28 new transformers. As we removed the neon from the sign, we patterned and tested the tubing. It if was operational, we set it aside for re-installation. We searched unsuccessfully for the sign’s original, neon animator, and, because we couldn’t prove that the sign had been animated, it was forbidden per city code.

Because yellow glass is no longer available, we made a close match with veep-green tubing. As we installed the glass within the sign, we discovered much of the old glass we’d tried to save was badly stained and looked too dark alongside new tubing. We decided to replace 90% of the tubing, and ultimately installed 1,100 linear ft. of new neon.

Early in the project, we discussed using LEDs. However, our main objection was to restore a longstanding, neon icon to its former glory. Therefore, we decided that LED-lit tubing designed to replicate exposed neon wouldn’t suffice.

Something old, something new

To retrofit the new marquee, we had to remove several bricks below. Vintage theater marquees were built into the building, with integral steel structures fastened within the building’s construction. Some time during the theater’s history, the original, cast-stone façade had been overlaid with brick veneer. This addition covered part of the marquee, and it had to be removed to expose exterior-sign sections. We fabricated two new sections and removed both sides of the marquee.

The sign’s primary frame was structurally sound enough to preserve. We dislodged the primary sign components from the original support structure and realigned them with the marquee’s center. Using original sign photos, Superior rebuilt the sign’s base where it connects to the marquee.

Once we’d completed the lower-section demo, we brought all pieces back to the shop. Tony Summers and James Young transferred all measurements into CorelDraw. Using the measurements, Young and Tommy Tinoco recreated the entire bottom section. They exported the files to EnRoute 4 3-D sign software and cut all pieces on the shop’s MultiCam 3000 CNC router. We cut all new sections from 0.080-in.-thick aluminum, MIG-welded them to form the 3-D sections, and fabricated the “Tower” letters from 3/16-in.-thick, flat, white acrylic.

The marquee’s lighting required a redo as well. The fluorescent fixtures above and below the marquee were badly corroded and required removal. We power-washed the marquee’s underside, which had become discolored. Superior installed new, fluorescent lighting. The original faces were plate glass, and the letters porcelain as well. We retrofitted the new sign with 8-in.-tall, Wagner Zip-Change letters. For a final, finishing touch, we added stainless strips and polished-stainless screws.

Opening night

We haven’t yet replaced the marquee’s original underside. The original marquee ceiling actually stretched into the building; the building’s current exterior doors were 15 ft. inside the building. The bottom of the marquee extended into that area and connected to what was the original ticket booth. Our next phase of the project includes rebuilding the neon around the ticket booth and connecting it to the marquee.

We assembled all sign sections using an 85-ft. Skyhook HD bucket truck and a 55-ft.-reach Terex service bucket truck. Once we’d installed the pieces, Jacobs returned and built a new roof for the marquee, finished the building exterior and removed the brick that overlaid the original cast stone.

To bid on restoring such vintage signs is tricky. Many require a complete rebuild, and the cost can be prohibitive. We’ve restored other signs, such as one of the original neon signs for Sonic drive-ins, but this was a much larger scale. Fortunately, the Route 66 grant made it feasible.

We didn’t have tight deadlines, so we were able to complete the project carefully over four months. Dillon arranged a public sign lighting, which approximately 100 people attended. It was very gratifying to see the public applaud our hard work.

Chuck1231 on January 14, 2011 at 5:58 pm

Seymour, non of the roadsideoklahome images are functioning. Is there another link for that website?

seymourcox on July 16, 2010 at 11:41 am

Vintage and modern photos of the Tower Theater come courtesy of Roadside Oklahoma;
http://www.roadsideoklahoma.com/node/492

lrostochil on December 2, 2009 at 1:02 pm

The sign was recently restored and looks great — was lit for the first time in decades not too long ago. Here’s a photo of the sign during the day as it looks now:

View link

I will go back and take some photos at night very soon.

The theater itself has been gutted, along with several other buildings on the block, and they are for lease. The area is undergoing a nice revitalization, so I imagine that all of the buildings will be occupied soon and people will once again be shopping along NW 23rd.

Stagehandguy on August 3, 2009 at 5:21 am

Sad to see now part of marque<sp> is gone as of 1 week? ago. I was there for a Slipknot Kittie concert/riot. few years ago. Promoter over sold the show and headliner Slipknot wouldn’t go on after Fire marshal removed all people not seated in chairs. The youth did not like this and did some damage while leaving…

lostmemory on May 2, 2009 at 6:03 pm

Another 1985 photo is here.

SiliconSam on April 25, 2009 at 6:41 pm

Think you have the wrong link there Kevin….

Chuck1231 on April 8, 2009 at 11:42 pm

1985 photo of the Tower Theatre.
View link

kencmcintyre on December 19, 2008 at 6:05 pm

Opened on July 15, 1937 by Standard Theaters, with 926 seats. Here is the current real estate listing:
http://tinyurl.com/4p87xj

DonLewis on May 13, 2008 at 12:32 pm

A 1984 view of the Tower Theater in Oklahoma City.

lostmemory on March 3, 2007 at 5:05 pm

This is a 6/2/2006 article about the Tower Theater.

“The Tower Theater in uptown OKC – a miracle on 23rd Street?

Source: Journal Record (Oklahoma City, OK)
Byline: Kevan Goff-Parker

You’ll have to forgive Scott Fife and Marty Dillon if they seem like excited kids in a candy store as they show off the badly dilapidated Tower Theater and adjoining storefronts in uptown Oklahoma City. Although it looks more like a bedraggled damsel in distress rather than the grand dame that once sparkled when it opened during the late 1930s, the Tower Theater at 425 NW 23rd St. has simply stolen the 40-somethings' hearts. Fife, Dillon and their partners, Terri Sadler-Goad and Matt Goad, see the theater with rose-colored glasses and envision a day soon when it will be restored and renewed into a thing of true beauty once again.“I’ve always liked this place,” Dillon recently said as he and Fife used a flashlight to light up the darkened theater. “I played music here in the early 1980s when I was with Wild Youth. I played here at Halloween and they were playing the movie Dawn of the Dead."While Fife and Dillon have a long history in the music business, Dillon also owns Party Galaxy and Sadler-Goad works at The Oklahoma Gazette. Matt Goad owns his own graphic design company. Together, the foursome formed Uptown Development Group and they promote the theater and its 19 suites of offices and an array of storefronts."The time was right for this area,” Fife said. “Tower Theater is poised for a comeback and is the anchor of the uptown district."He said Uptown Development Group paid $512,000 in November 2005 for the complex, which has more than 29,000 square feet of space and more than one acre for parking across the street.The Tower Theater has been empty for more than five years."We want to renovate it, but right now we’re getting our funding in order,” Fife said. “We have been approved for state and national historic preservation tax credits. We want to bring the complex back to its original art-deco look through the guidance of the Oklahoma Historical Society."Dillon described a wide array of changes Uptown Development Group and a local architect, Brian Fitzsimmons, hope to make to the facility in order to change into a thriving arts and entertainment destination."It’s going to be a lot of work, but I was really excited to buy it,” he said. “There isn’t anything like this in Oklahoma City and it will be great to make it happen."The property was built in 1926 and the 10,000-square-foot theater was constructed in 1937. The group plans to turn the complex into a multiuse facility that will include catered live events, live concerts and the showing of independent films in the 285-seat balcony theater."We plan to make it more diverse and more intimate,” Dillon said. “The Will Rogers Centre is booked pretty solid, but they don’t do live music and they go for a corporate type of crowd."Fife agreed."We need a signature concert venue in Oklahoma City,” he said. Dillon said the Tower Theater, when restored, will be the right capacity for promoters wanting quality sound because of the great acoustics in the venue.Plans include transforming some of the space into a two-level Irish pub, installing possible skyboxes in the theater and converting the complex into a mix of retail and entertainment spots.Fife said the group plans to fix the decaying marquee and believes it will become the calling card for uptown.But there’s plenty to do before leasing offices or installing restaurants and bars. Fife said the group plans to bring the complex up to fire code, work needs to be done on the roof, air conditioning, the plumbing and electrical system.Meanwhile, the group has the plenty of Spanish-speaking films and horror movie posters from days gone by, as well as the movie projector from the Tower Theater. “We’re pretty close on funding,” Fife said. “We believe it will take eight months to renovate the theater. We’re also working in an economic empowerment zone and with the area’s community action agency. There’s a lot of interest from city leaders in what we’re doing."The group has received positive reactions to their plans to restore the beleaguered complex."With gas prices what they are and with all the empty-nesters, many people are moving back into the inner city,” Fife said. “The downtown housing boom is a big plus for what we’re trying to do."Fife said the property next to the complex is now on the market for $580,000. He finds this offering encouraging."We are already seeing positive changes in the neighborhood,” he said".