Beverly Theater

111 Church Avenue,
Brooklyn, NY 11218

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Beverly Theater Late 70's

The Beverly Theater was opened on January 17, 1920. It another small house that was once run by United Artists and then the Golden Theater chain. It was a dollar theater before being twinned in January 1976, and going first-run.

It closed in September 1981, with the lobby turned into retail use and the theater becoming a yeshiva. A few years back, the auditorium was completely demolished to become a Public School of the City of New York. The former front of the theatre and lobby are retained in retail use.

Contributed by philipgoldberg

Recent comments (view all 40 comments)

Bway
Bway on June 11, 2011 at 4:47 pm

I don’t believe this theater should be listed as “demolished”, it doesn’t appear to have been demolished, but just gutted and turned into the school, within the shell of the former theater, similarly to who the RKO Bushwick was made into a school, the DeKalb Theater, and currently the Loews Pitkin. See here for a historic aerial showing the theater in 1980, and the building still exists, although with windows poked into it’s sides when you look at the current aerials.

Click Here for 1980 View

Click Here for Current View

amg2000
amg2000 on June 13, 2011 at 7:10 pm

I walked past there today, and it pretty much looks the same as the way it looked when I took the photo in 2009. That 99 cent store in the Google Street View is gone, has been for a few years.

Ed Miller
Ed Miller on July 6, 2011 at 2:22 am

I saw a number of movies at the Beverly in the 70s, when I was living in Prospect Park South. I definitely saw “The Eyes of Laura Mars,” “The China Syndrome,” and “The Awakening” there, amongst others. I don’t think there was a balcony, but wasn’t the auditorium large-ish? At least, I remember it as kind of big.

Orlando
Orlando on May 8, 2014 at 8:53 am

I worked here when Golden took over from United Artists in 1975. They re-opened with the watered down versions of “Devil And Miss Jones” and “Deep Throat” that were not the “XXX” versions. The Dahill Area Association picketed from day one and was Daily News fodder for the next week. People who came by-passed the pickets and were mad on the way out because of the edited versions of both pictures. One afternoon at the change of shifts during the tail end of the first week, the manager Mr. Henry S. was on the way out at six o'clock and I was covering the evening, the theatre was raided and the films seized to the cries of victory from the protesters. At that time, I called Mr. Henry, who was leaving in the lobby and told him to come back. He said his famous line “Blessed Savior Dear!” and came in to be arrested along with the projectionist who made a bee-line to the front doors. Once in the projection booth the “Raiders” seized the films and smelled the distinct pungent aroma of marijuana. The next day we were back in business. Within a week, the Goldens' stopped showing the “X” movies and opened with “Blazing Saddles” and “The Producers” with a $1.00 Price Policy At All Times. This was never an “XXX” policy theatre at any time. The owners wanted to make money with “XXX” rated films so they could twin the theatre. As far as the theatre goes it had a large raised stadium style seating and orchestra. UA left the theatre a mess and the mice had a field day as the theatre was dirty and had sticky floors. After Mr. Henry retired, I became the manager at 19 years old. The theatre at $1. turned in some remarkable figures for the time. I remember that “The Prisoner of Second Avenue” and “The Terminal Man” grossed $8,500.00 in one week and was held over. The theatre had many partners under the Golden regime. Lastly, the theatres' best attraction was it’s marquee with it’s flashing yellow 10 watt bulbs blinking the name “BEVERLY” on all three sides. The flashing yellow lights had a number of speeds as slow, medium and a fast one. The staff who made up the staff were very nice to me. All in all, it was a some what fair experience though not one of my favorite theatre jobs.

Rugbygirl
Rugbygirl on November 26, 2014 at 9:41 am

Boo, very cool that your dad owned N.E. Tell’s Bakery. You could join the Facebook group Old School Cortelyou. There are people who went to PS 179 and PS 139 etc. we have talked about missing your bakery in different threads.

AndrewBarrett
AndrewBarrett on December 28, 2014 at 12:18 am

According to “The Encyclopedia of the American Theatre Organ” by David L. Junchen, pg. 630, the “Beverly Th.” in Brooklyn, New York, had a Seeburg-Smith pipe organ installed in 1919.

The number of manuals and ranks of this organ is not listed in the book, being unknown at the time of publication.

This organ had a Kinetic blower, serial #G382, which had a 1 and ½ horsepower motor. The book also lists two additional blowers going to the organ in 1919, both also Kinetic: serial #H329, another 1 and ½ horsepower blower; and serial #H627, a 3 horsepower blower, producing wind at 15" pressure (the highest pressure I’ve ever seen listed for any Smith organ). [The static pressure of the two 1 and ½ HP blowers is not listed]

Except in the extremely rare occasion when a brand-new blower would fail and need to be replaced (again, not common), most entries for multiple organ blowers going to the same theatre (listed in the book) represent enlargements of the organ, or occasionally a new replacement organ from the same manufacturer. The fact that all three blowers went to the same theatre in the same year means that PROBABLY either:

  1. the organ was installed with the first blower, but was enlarged by the factory either during installation (on commission from the theatre owner/builder) or soon after (probably if it was found to be insufficient to fill the house with sound). However, if true, this would be the only Smith organ I’m aware of with THREE blowers, producing a total of SIX horsepower, quite a lot for a Smith organ and larger than one of the two largest known Smith organs (the total HP of the other one is unknown).

  2. the organ was enlarged from whatever its original size (possibly only about 5 ranks with the 1 and ½ HP blower) to a significantly larger size, warranting the addition of a second blower (another 1 and ½ HP for a total of 3 HP). Then, it may have been found that it was more useful (and easier on the building’s electrical system, and less of a pain in the rear for the organist) to fit one larger blower INSTEAD of the two smaller blowers, the 3 HP total representing the sum of the output of the two smaller blowers. So the third blower, if this situation was true, would have been a REPLACEMENT for BOTH of the earlier blowers, which then probably were repossessed by the Smith factory to use on other new organs. A 3 HP blower can power up to about an 8-rank theatre pipe organ, so it is entirely probable that the original smaller organ was enlarged within the year. This is a likely scenario, since the serial numbers of the second and third blowers are about 300 numbers apart, and that probably would have represented a time span of many months of blower sales (nearly a year). Also, the serial numbers of the first and second blowers are many numbers apart, also indicating that the second one probably represents some sort of later addition to the very first one.

(The Kinetic blower serial number letter prefixes roughly correspond to the year made, with the subsequent two-, three- or four-digit number representing the sequential number of the blower within that year, with the numbering starting all over for every new year/lettered batch).

  1. Less likely, but possible: The organ could have been installed as a small organ, with additions made during construction, the additions eventually consisting of two(!) echo chambers, each winded by its own smaller blower. However, this doesn’t make as much sense, since the two smaller blowers have lower serial numbers and were presumably sold first, whereas the largest blower (presumably to power the main organ) was apparently made and sold last.

Regardless of all of this ridiculous speculation on my part, the organ was indeed built, and if all three blowers were indeed used at the same time, this may have been one of the largest Smith organs ever built, with a total of 6 horsepower making it over 10 ranks, and maybe over 15.

Does anybody have any photos or info on this organ, or know where it (or its parts) is/are today? Thanks!

junkliss
junkliss on February 15, 2015 at 6:39 pm

Boo, now that is neat. I so clearly remember Dubins bakery on Church and can picture Tell’s. My uncle, Israel Liss, was a freelance Jewish cake baker – working many of the places. I wonder if he worked for your dad ? Jonathan

theatrefan
theatrefan on February 16, 2015 at 5:45 am

Wow, with Ebinger’s next door, I wonder if anyone was able to successfully smuggle in their famous Blackout Cake into the Beverly Theatre, to nosh on during the feature.

GETC
GETC on March 6, 2018 at 1:12 pm

Boo: Great to see your Comment. I am looking for my father’s family. His name was Edward Thomas Tell (b. 1912). Long story but I’d love to chat if you are related to him. I. believe he was related to the bakery and worked there in the 1940’s. ed

Sat
Sat on June 9, 2018 at 7:55 pm

Fantastic to read all this. I spent every Saturday of my childhood at this theater, beginning probably mid 1950’s through my elementary school (PS230) years. I lived a block away, it cost 26 cents for a double feature (actually I think it was 15 cents when I first started to go). My mother would give me another 10 cents for candy. I saw every movie I could, from Frankenstein when I was probably 7 or 8, to Lady and the Tramp, to later, more grown-up films. I remember discovering that there was an art house theater on Flatbush Ave. that had totally different movies: Peter Sellers in I’m All Right, Jack. I ended up going to Erasmus, so the Beverly experience remains in the early-childhood memory bank, while the coming-of-age period probably includes the Loews King and that theater on Coney Island Ave where I saw Breakfast at Tiffany’s. Anyway, I remember walking home from the Beverly one Saturday afternoon when it was unexpectly already dark! And there were empty lots along McDonald Ave. I had seen coming attractions for The Mole People, and kept wondering if there were tunnels under that earth in the empty space on McDonald Ave, and if the Mole People would come up and get us. My friend and I laughed and ran all the way home, pretend-scared but scared enough. That same Matron with the white hair and the flashlight was there in the 50’s, though the writers mention her from the 70’s. About 15 years ago I wrote a play, a 10 minute thing, called “Red Hot Romance” about magical Red Hots (candy) that the movie theater audience snacks on…and all hell breaks loose. Anyway, theBeverly Theater has inspired me in my life, no question about it.

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