AMC Neshaminy 24 Theatres

660 Neshaminy Mall,
Bensalem, PA 19020

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Theatre #24

Viewing: Photo | Street View

The AMC Neshaminy 24 Theatres opened in September 1998 at the Neshaminy Mall in the Philadelphia suburbs as one of two theatres with this design, the other being in Spain. Costing $11 million to construct, when it opened it was the largest multiplex movie theatre in Pennsylvania.

This state of the art megaplex has 24 stadium seating theaters with digital surround sound. At the main entry to the mall, are the four largest auditoriums. Originally auditoriums 1 and 24 had about 600 seats and 61 feet wide screens. Auditorium 1 was redone and reopened in August 2008 as a digital IMAX theatre with 529 seats. Auditoriums 2 and 23 have about 400 seats and huge screens. Auditoriums 7 thru 18have fairly large screens. The smallest auditoriums, with about 100 or fewer seats are 3 to 6 and 19 to 22. In 2007, the theatre’s first digital projection arrived for the movie “Zodiac”. As of April 2011, about half the auditoriums had been converted to digital projection.

3 concession stands serve patrons, as the two Metros are located by auditoriums # 1, 2, 23 and 24, and the Uptown is located by auditoriums 7 to 18. When all three concession stands are open, they can serve 2,500 people an hour. This theater replaced a previous AMC Theatre in the mall, the AMC Premier Twin Theatre, which was closed in around 1992/1993. The nearest movie theatres are at Oxford Valley and Franklin Mills.

This theater has been voted by the people of Bucks county (via the Bucks County Courier Times) to be the best theater in the county from 1999 thru 2005. It has been one of the most busiest and profitable movie theatres in the nation since it opened.

Contributed by Michael r. Rambo Jr., Howard B. Haas

Recent comments (view all 101 comments)

Michael R. Rambo Jr.
Michael R. Rambo Jr. on October 1, 2014 at 7:04 pm

Interstellar will be shown here starting Friday November 7 in 4k digital and 2k IMAX

Michael R. Rambo Jr.
Michael R. Rambo Jr. on August 16, 2015 at 5:50 pm

New concession video menu boards added to the Uptown stand and the Metropolis stand by Theatres #23 & 24 this past Thursday, August 13, 2015.

Cinedelphia
Cinedelphia on December 25, 2015 at 7:12 pm

Changed my avatar name to “Cinedelphia” from HowardB so as not to be confused with HowardBHaas. Anyway, went to see the 70mm Ultra Panavision “Roadshow” Engagement of Tarantino’s “The Hateful Eight” today at Neshaminy. I liked the film itself but what I really want to comment on is the presentation (which was a mixed bag). First the positives: despite the age and cobbled together nature of the old 70mm projectors and 70mm anamorphic lenses that needed to be scrounged for these presentations the projection was bright, jitter free, with the ultra sharp detailed image and depth of field one would expect from real 70mm. No focus problems, etc. There was some damage evident at times on either the right or left edge of the frame (two or three lines) but it was not a distraction and again considering the age , etc of the equipment, understandable. The film was also framed at the proper 2.76 to 1 aspect ratio. Now the negatives: IMO this was a wasted opportunity to see real 70mm. AMC opted to show the film in a 200 seat auditorium with about a 25' wide screen instead of one of the 40' or 50' wide screened large rooms. What compounded the problem was that the auditorium has a 1.85 to 1 screen that has top masking for scope and for whatever reason (could have been some technical reason related to the throw of the 70mm projector) they opted not use use the masking at all and just project the 2.76 to 1 image from the top of the screen down leaving the bottom of the screen empty and the bottom edge of the frame looking a bit blurred and frayed. This definately took away from the impact of the projected image and was a bit distracting to say the least. I did ask one of the Ass’t Managers why they didn’t retro fit one of the large rooms for 70mm (which would have made sense,specifically Auditorium #24 which has a 60'wide 2.39 to 1 screen and side masking) his response was odd, he claimed that the 70mm projector would not fit in the booth…..and then went on the extoll the virtues of the auditorium it was shown in….sounded like spin to me. After giving it some thought, the real reason could be that the theater may have a contractual obligation to show the new “Star Wars” in the largest four auditoriums for the first two weeks of its engagement (not uncommon practice for big event films). Anyway, I don’t regret shelling out the extra bucks despite the shortcomings. What really hit home was the loss of the Boyd and what a perfect venue a restored Boyd would have been for a special, unique engagement like this. If anyone else has seen the 70mm “Roadshow” of Hateful Eight at other venues I’d love to hear of your experience.

markp
markp on December 26, 2015 at 6:43 am

I have two comments to make Cinedelphia. One, I am one of 2 projectionists at the Regal E Walk in NYC for the 70mm run. No theatre is equipped for top and bottom masking as no one has used 70 in years. Lenses were all built brand new for this movie. And as far as the equipment couldnt fit, thats BS. If they ran 35 in this theatre they can run 70. Same size equipment. AMC has been having issues all over. They lost a show at Lincoln Square. My theatre has had the best reviews in NYC. And we are showing it in the second largest house in the complex.

Cinedelphia
Cinedelphia on December 26, 2015 at 8:10 am

Thanks markp. It’s great to hear from someone who really has knowledge. All the auditoriums at AMC Neshaminy 24 were 35mm at one time and all the rooms have more than one port in the booths so it definately sounds like spin that they couldn’t use any of the big rooms. IMO, they just didn’t want to compromise the “Star Wars” receipts. With regards to the screen masking, I was befuddled as to why they chose not to use the existing movable top masking to at least mask down to 2.4 to 1 which would have significantly cut down on the empty unmasked screen left below the 2.76 to 1 frame. IMO it just really took alot away from the presentation having over a third of the screen unmasked. A small area below the frame would have been much more acceptable. I had considered going to see it at the UA/Regal 17 Riverview Plaza (they actually had 70mm capacity before digital took over; saw “Far and Away” in 70mm there and it looked fabulous) but the Neshaminy is a bit more convenient.

markp
markp on December 26, 2015 at 12:58 pm

The only problem with using the top down masking would be that you would have lost a lot of the side of the frame. 70MM is supposed to look like a piece of ribbon on the screen. Wide and stretched out. And its funny you mention “Far and Away.” That was the last 70mm I ran until this week.

Cinedelphia
Cinedelphia on December 26, 2015 at 5:48 pm

I sort of get what you mean about the problem with the top masking. It would be quite the understatement (and stating the obvious) that 70mm Ultra Panavision isn’t exactly a good match for a 200 seat multiplex auditorium with a 25' wide 1.85 to 1 screen with top masking for scope. I would think that a 2.39 to 1 screen, even a moderately sized one would have been a better match. Hopefully as digital technology moves forward (I’ve read that Arri now has a 6k camera that has a sensor larger than a 5-perf 65mm film frame and Panavision is working on a digital camera that allegedley will get in the ballpark of 65mm film) we may see a format that will work in the modern multiplex. With home screens getting bigger, better and more affordable everyday it will be needed.

Michael R. Rambo Jr.
Michael R. Rambo Jr. on March 26, 2016 at 5:24 pm

AMC Neshaminy 24 now has the Coca-Cola Freestyle machines

Michael R. Rambo Jr.
Michael R. Rambo Jr. on May 16, 2016 at 7:32 pm

AMC Neshaminy 24 is getting an MacGuffins Bar

Michael R. Rambo Jr.
Michael R. Rambo Jr. on May 31, 2016 at 6:57 pm

The MacGuffins Bar & Lounge is set to open by the end of June, 2016

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