General Cinema left the Town Center 8 less than five years in to its run on January 19, 1992.
Trans-Texas Amusements took on the venue downgrading it to a sub-run discount dollar house with an opening date of February 14, 1992.
On August 8, 1995, Hollywood Theatres Inc. purchased all of the Trans-Texas locations except the Lewisville multiplex. The Hollywood Town Center 8 was officially under the Hollywood Circuit nameplate beginning on November 17, 1995, the venue was part of Hollywood Theatres.
CEO Scott Wallace founded Wallace Theater Corp. in 1991 and acquired Hollywood Theaters in 1999. Likely seeing little return on investment, Wallace dropped listings for individual titles in newspaper advertisements from 2000 until dropping the venue altogether on May 5, 2002.
Rebranded by Cinema Latino circuit with a May 1, 2003 grand opening as Cinema Latino de Fort Worth, the venue finally found an audience. It failed to get a new lease closing December 22, 2014.
Reopened as Ciné America on August 14, 2015.
Renamed presently as América Cinemas de Fort Worth (not Ft. Worth La Gran Plaza).
The IMAX film, “Everest,” opened at what was known as the OmniDome (two capital letters) Theater seating 264 on January 16, 2000. The architect was Terry Kerr of Kerr 3 Architects. In 2006, it was renamed as Dome Theater at Science Museum Oklahoma. It was closed permanently in 2016. In 2022, a new plan was unveiled to replace the unused facility.
The Palace Theater opened at Starr and Chaparral independently in the Summer of 1924. The theatre was closed in July of 1925 for a refresh. When the theater failed to reopen, Robb & Rowley / R&R took on the vacant venue and basically rebuilt the theater now with its entrance on Chaparral Street and better fire egresses, a pipe organ.
The “all new” Palace Theatre launched / relaunched on November 18, 1926 with an organ solo by Dave Levy who also supported the big film of the evening, Mary Astor in “Forever After” supported by “Open Spaces.” On October 24, 1928, the Palace was equipped with sound to remain viable beginning with the film, “The Lion and the Mouse.”
At the end of its 20-year lease, the theater operators signed on for a new 20-year lease and it received a shocking streamline moderne makeover to the plans of architect Robert L. Volger in 1946. (The theater’s organ was either removed during this update or in a previous update according to reports.) Volger’s work totally removed the theater’s original Mission Revival architectural style and would last until its closing after a fire in 1953.
Its final showing of “A Blueprint for Murder” was interrupted by a fire that destroyed the building on December 3, 1953. Its remains were razed in favor of a parking lot. The theatre was supposed to have been rebuilt to new architectural plans but that project did not materialize.
The Ritz received a major interior refresh when it closed on May 11, 1946 to the plans of architect Robert L. Volger in 1946. The “new” Ritz interior was streamlined at its grand relaunch on August 30, 1946 with “Personality Kid.” In 1954, the theater’s interior received another refresh with widescreen projection to present CinemaScope film titles.
United Artists Theatres shuttered the Ritz on August 29, 1972 in “Return of Sabata.” It would become a live performance venue called the Ritz Music Hall beginning on July 27, 1974 and would host concerts by major artists including Bruce Springsteen, AC/DC, Rush, and Metallica in its 15-year run.
The Beach Theater was considered a suburban theater that opened May 19, 1940 with John Wayne in “Allegheny Uprising”. Fort Worth’s KGKO radio star Cowboy Luke made a special appearance at the grand opening. The Beach was designed by architect Morris L. Levy of Corpus Christi who was attempting for a Spanish Colonial Revival style with streamline moderne flourishes and lots of tile featuring a festive color palette. Leon Felder was the opening chief projectionist managed by F.J. Mavity with Hazelann Turner at the box office.
UA subsidiary Corpus Christi Theatres operated the venue calling it a suburban house (and explaining its diminutive size). It was the circuit’s eighth theater of that period joining the Ritz, Tower, Grande, Palace, Amusu, Melba and Agnes. By the television age, the Beach struggled mightily. Corpus Christi Theatres closed the Beach permanently on September 1, 1955 with Faith Donahue in “Cult of the Cobra.“ On October 3, 1955, its fixtures were removed. The vacant building was later demolished for parking to accommodate the city’s convention center.
Photo of Chief Organist Albert F. Brown in front of the Forest Hills Theatre’s Smith 4 manual 17 ranks organ console that featured 164 stop keys and an echo organ in the ceiling for its distinctive sound. So popular was Brown that when he left for another theater, hundreds of patrons signed a petition demanding that Brown be hired back to play at the Forest Hills Theatre. Brown had played previously at Poli’s Million Dollar Majestic Theatre in Bridgeport, Connecticut and was a believer in absolute musical synchronization for films with original, in-house scores.
J.W. Harper of the Ideal, Melba and former Leopard Street Theatre opened the Agnes Theatre at the confluence of Agnes and 14th streets in the Northwest Corpus Christi neighborhood. The neighborhood venue launched on June 15, 1928 with silent films, “The Scarlet Dove” with Lowell Sherman supported by “White Fury Episode I: The Stampede of Death” starring the World’s Strongest Man, Joe Bonomo.
Harper didn’t time the opening well and was concerned about the cost to convert the theater to sound offering the venue for sale in classified ad listing running from January of 1929 to June of 1929. The venue had a high profile celebration of the venue’s first anniversary on June 15, 1929. Harper appears to have closed the theater with the silent, “King of Kings” on November 18, 1929 to finally install sound. The sound-era of the Agnes took place on March 4, 1930 with Janet Gaynor in “Christina” featuring Western Electric sound on film.
R&R took on the independent theater running it until just after World War II. In 1947, R&R opened the Port Theatre and the Ayers Theatre in 1947, refreshed the Palace Theatre, and showed plans for the Varsity Theatre on Leopard Street, the Cactus Theatre on Agnes Street and a $40,000 refresh of the Agnes Theatre. The Agnes closed on April 19, 1947 for the refresh that didn’t happen nor did the Varsity Theatre nor did the Cactus Theatre as post-War theatrical habits in Corpus Christi were changing rapidly. A refresh of the Palace Theatre did transpire. The Agnes Theatre building has since been demolished.
Architects Dale & Smith designed the new-build Amusu Theatre opening August 17, 1914 with Mary Pickford in “A Normandy Romance” supported by “Circle 17” starring Herbert Brenon (ad in photos). The neighboring Amusu Confectionery served as the venue’s de facto concession stand. Robb & Rowley (R&R) took on the venue from the Collins' family and gave it a $15,000 Hope Jones Wurlitzer Pipe Organ at its relaunch on April 14, 1923 with Otto Moellering at the console and “The Prisoner” on the big screen. But the theater was closed on October 8, 1927 not making the transition to sound. The theater was disassembled and converted to the Amusu Bowling Center Lanes.
n June of 1935, the Amusu Bowling Center closed permanently. The Collins family decided to re-convert the venue back to a movie house and, for the first time, with a sound system. The New Amusu Theatre was remodeled to the plans of architect W. Scott Dunne in 1936 becoming a streamline moderne facility. After a nine-year hiatus from film, its reboot was complete with its Grand Reopening as the Amusu on October 4th, 1936 with Gloria Stuart in “The Girl on the Front Page.”
The Amusu scuffled through the 1950s as western films lost favor due to television and adult films were a bit of a tough sell in town. It closed on February 4, 1962 with Scilla Gabel in “The Fruit is Ripe” and Lewis Cotlow’s “Primitive Paradise.”
During the porno chic era of movie exhibition, the theater got one more chance as a movie house. After its second nine-year hiatus, it would return with adults films. Relaunching for a third time - now under the Amusu Adult Theatre banner - the venue reopened on February 12th, 1971 with adult films. It was a lightning rod of controversy. And the City of Corpus tried to rid the city of objectionable film content following the Supreme Court’s landmark Miller v. California case. On November 12, 1973, the Amusu voluntarily ceased showing adult films. Its final attempt to remain viable occurred with a programming policy consisting of repertory fare on 16mm films. That lasted for less than a month with the Amusu closing permanently on December 4, 1973 with “Frontier Fury,” “Tarantula!” and “Sons of the Desert.”
In 1975, plans were unveiled to demolish the vacant Amusu. Preservation efforts were carried out over the next four years. While film aficionados wanted to reboot the theatre with an announced plan in 1979 (hopefully rebooting in 1982 - which would have been the theater’s hat trick with three reopenings following nine-year hiatuses), it was not meant to be. The Collins' long-running Amusu Theatre was razed in 1979 and its bricks repurposed for another project.
The venue opened under the Varsity nameplate on October 21, 1946 with “Winged Victory” supported by a cartoon and an installment of “The March of Time.”
The Melba Theatre opened on September 30, 1927 with Ramon Navarro in “The Road to Romance.” The $75,000 venue opened for Grossman Brothers with the adjoining Melba Shoppe Confectionery as its de facto concession stand. The Melba replaced the Ideal Theatre / Leopard Street Theatre (see ad in photos). On the books as the New Leopard Theatre, the project was renamed as the Melba. It was part of a five-building project that included a Nueces Drug Store and a Morris Variety dime to dollar Store. The architect of the theater and adjoining buildings was Hardy and Curran.
Corpus Christi Theatres Circuit took on the venue along with the Ritz, Amusu, Harlem, Centre, Ayers, Grande and Port. On February 4, 1954, the Melba began a policy of Spanish language films. The Melba closed at the end of a leasing period on February 27, 1966 with “The Caddy” and “You’re Never Too Young.” On December 16, 1970, the venue had its grand reopening as the Queen Cinne Arts, an adult theater. It reopened as the Sun Adult Theatre in 1975k and closed. It then became a mission and was razed in 2014.
The Gulf Drive-In was derailed by anti-Free Speech interests in Corpus Christi. The theater was enjoined for showing soft core R- and X-rated films when folks living at the La Armada II Housing project who had a clear view of the screen complained late in 1977. The courts agreed and the Gulf’s season was over.
The Gulf Drive-In reopened with traditional Hollywood double features as their 1978 season programming. As the season progressed, complaints continued once again. La Armada residents obviously wanted either no content or content that the whole family could view. And following the double-feature of “The Omen” and “The Other” on November 5, 1978, the theater was once again enjoined by the City from showing anything that might be considered objectionable by anyone with a clear view of the screen (or possibly not) in that housing complex.
Obviously an incredible overreach, the Gulf operators - likely reaching the terminus of a second 20-year lease apparently - decided to walk away from the venture. That made the November 5, 1978 screenings their final showings. The La Armada II residents were likely not happy to see the empty drive-in screen because it, too, was likely objectionable to their sensibilities. The vacant Gulf was destroyed by an arsonist in 1981 and razed. The area is now home to a Home Depot.
Theater’s neighborhood is incorrect. When it was built, it was in the Southside and is now considered Bay Area. Southside / Bay Area would be the proper neighborhood.
Woodlawn Theatres Inc. announced this project late in 1964 as Corpus Christi would have its first two hardtop theaters in the post-War exhibition era known as the suburban luxury theater period. The 600-seat venue was similar to other such suburbans located in a shopping center strip - the Woodlawn Plaza Shopping Center - designed by Hans & Bennett and featuring plentiful free parking adjacent to the theater. Interest was high as an August 1965 free open house drew over 5,000 (!) people. The Woodlawn Theatre was the first post-War hardtop theater to launch in Corpus Christi and did so here on August 31, 1965 with Rick Nelson in “Love and Kisses.”
The Woodlawn Plaza Shopping Center’s official Grand Opening with all 14 merchants ready to go wasn’t until October 14, 1965. It was anchored then by a Handy Andy Supermarket, a Ben Franklin five and dime store, a Firestone auto service center and the theater which gave away free popcorn with coupon for the grand launch. The second hardtop suburban theatre project that was announced in 1964 became delayed not opening until April of 1968 as a duplex called the Deux Cine Twin turned UA Ciné 4 then UA Ciné 6. Woodlawn Theatres Inc. went from a subsidiary of United Artists Theatre Circuit to subsumed by UATC in December of 1969 along with the Duex Ciné.
On April 5, 1973, the Woodlawn Theatre was repositioned as a discount sub-run house with all seats a dollar for the double feature of “Super Fly” and “Omega Man.” The venue closed on September 23, 1973 to be twinned by UATC reopening as the UA Cine West 2 on October 31, 1973 with “Walking Tall” on the only screen ready for presentations. It’s assumed a new 30-year lease was worked out for the relaunch as a twin.
As part of an “inflation fighter,” UATC experimented with Tuesday dollar showings in the late 1970s at the Ciné West. It decided to reposition the venue thereafter as a discount, sub-run location. Cinemark opened a seven-screen, new build dollar house in Padre Staples Mall on December 11, 1987 that would drastically change the Corpus Christi movie theater marketplace as aging discount houses were placed under sever pressure. The UA Ciné West 2 short circuited on August 25, 1988 closing at what is assumed the 15-year opt our of its leasing period with “Crocodile Dundee II” and “Short Circuit 2.” United Artists ridded itself of dying dollar houses the Ciné West and then both its Ayers and the Centre in the central business district seven days later.
The venue was retrofitted for a Family Dollar on the back end of the 15-year lease that operated from 1990 to 2013. The space’s former lobby was then home to a Domino’s Pizza location in the 2020s. An opening day photo of the theater and a sketching of the Woodlawn Plaza can be found in photos.
Odd but true - The 16-screen theater’s appropriate name was the Premiere Cinema Temple 15 + IMAX. The final night of operation, Christmas Day 2022, found “Violent Night” as the final screening as the theater ran just seven screens and only two late shows in “Elf” and “Violent Night.”
In 1982, operator Julio Gonzales received a 5-year sublease from United Artists to relight the venue with a $50,000 makeover. It reopened on November 4, 1982 with “Un Hombre Llamada El Diablo.” It closed permanently May 23, 1986. The building was razed for a medical center in 2014.
The Buccaneer Drive-In closed July 30, 1983 with “Trading Places” and “Venom.” It was the last drive-in of the dozen said to have been in Corpus Christi.
United Artists closed both the Centre and the Ayers on the same date - Labor Day, September 5, 1988. Both had been repositioned as sub-run dollar discount theaters. The Centre shuttered with “Planes, Trains and Automobiles” and “Crocodile Dundee 2” either for a dollar a seat.
United Artists downgraded the Ayers to a one dollar, discount sub-run house. It closed with “Willow” on September 5, 1988. It closed the same day that the venerable Centre Theatre closed.
United Artists closed the Viking Drive-In on August 30, 1981 with “The Creeper” and “The Devil.” UA’s Bob Chapman said that he had unfortunately earned a “hat trick” for the destruction of the Viking in November of 1981 - the third drive-in facility he had overseen the razing of. The Viking screens were repurposed for an adult twin drive-in outside of the Corpus Christi area.
Key dates:
General Cinema left the Town Center 8 less than five years in to its run on January 19, 1992.
Trans-Texas Amusements took on the venue downgrading it to a sub-run discount dollar house with an opening date of February 14, 1992.
On August 8, 1995, Hollywood Theatres Inc. purchased all of the Trans-Texas locations except the Lewisville multiplex. The Hollywood Town Center 8 was officially under the Hollywood Circuit nameplate beginning on November 17, 1995, the venue was part of Hollywood Theatres.
CEO Scott Wallace founded Wallace Theater Corp. in 1991 and acquired Hollywood Theaters in 1999. Likely seeing little return on investment, Wallace dropped listings for individual titles in newspaper advertisements from 2000 until dropping the venue altogether on May 5, 2002.
Rebranded by Cinema Latino circuit with a May 1, 2003 grand opening as Cinema Latino de Fort Worth, the venue finally found an audience. It failed to get a new lease closing December 22, 2014.
Reopened as Ciné America on August 14, 2015.
Renamed presently as América Cinemas de Fort Worth (not Ft. Worth La Gran Plaza).
March 7, 1940 Grand Opening.
The IMAX film, “Everest,” opened at what was known as the OmniDome (two capital letters) Theater seating 264 on January 16, 2000. The architect was Terry Kerr of Kerr 3 Architects. In 2006, it was renamed as Dome Theater at Science Museum Oklahoma. It was closed permanently in 2016. In 2022, a new plan was unveiled to replace the unused facility.
The Palace Theater opened at Starr and Chaparral independently in the Summer of 1924. The theatre was closed in July of 1925 for a refresh. When the theater failed to reopen, Robb & Rowley / R&R took on the vacant venue and basically rebuilt the theater now with its entrance on Chaparral Street and better fire egresses, a pipe organ.
The “all new” Palace Theatre launched / relaunched on November 18, 1926 with an organ solo by Dave Levy who also supported the big film of the evening, Mary Astor in “Forever After” supported by “Open Spaces.” On October 24, 1928, the Palace was equipped with sound to remain viable beginning with the film, “The Lion and the Mouse.”
At the end of its 20-year lease, the theater operators signed on for a new 20-year lease and it received a shocking streamline moderne makeover to the plans of architect Robert L. Volger in 1946. (The theater’s organ was either removed during this update or in a previous update according to reports.) Volger’s work totally removed the theater’s original Mission Revival architectural style and would last until its closing after a fire in 1953.
Its final showing of “A Blueprint for Murder” was interrupted by a fire that destroyed the building on December 3, 1953. Its remains were razed in favor of a parking lot. The theatre was supposed to have been rebuilt to new architectural plans but that project did not materialize.
The Ritz received a major interior refresh when it closed on May 11, 1946 to the plans of architect Robert L. Volger in 1946. The “new” Ritz interior was streamlined at its grand relaunch on August 30, 1946 with “Personality Kid.” In 1954, the theater’s interior received another refresh with widescreen projection to present CinemaScope film titles.
United Artists Theatres shuttered the Ritz on August 29, 1972 in “Return of Sabata.” It would become a live performance venue called the Ritz Music Hall beginning on July 27, 1974 and would host concerts by major artists including Bruce Springsteen, AC/DC, Rush, and Metallica in its 15-year run.
The Beach Theater was considered a suburban theater that opened May 19, 1940 with John Wayne in “Allegheny Uprising”. Fort Worth’s KGKO radio star Cowboy Luke made a special appearance at the grand opening. The Beach was designed by architect Morris L. Levy of Corpus Christi who was attempting for a Spanish Colonial Revival style with streamline moderne flourishes and lots of tile featuring a festive color palette. Leon Felder was the opening chief projectionist managed by F.J. Mavity with Hazelann Turner at the box office.
UA subsidiary Corpus Christi Theatres operated the venue calling it a suburban house (and explaining its diminutive size). It was the circuit’s eighth theater of that period joining the Ritz, Tower, Grande, Palace, Amusu, Melba and Agnes. By the television age, the Beach struggled mightily. Corpus Christi Theatres closed the Beach permanently on September 1, 1955 with Faith Donahue in “Cult of the Cobra.“ On October 3, 1955, its fixtures were removed. The vacant building was later demolished for parking to accommodate the city’s convention center.
Photo of Chief Organist Albert F. Brown in front of the Forest Hills Theatre’s Smith 4 manual 17 ranks organ console that featured 164 stop keys and an echo organ in the ceiling for its distinctive sound. So popular was Brown that when he left for another theater, hundreds of patrons signed a petition demanding that Brown be hired back to play at the Forest Hills Theatre. Brown had played previously at Poli’s Million Dollar Majestic Theatre in Bridgeport, Connecticut and was a believer in absolute musical synchronization for films with original, in-house scores.
J.W. Harper of the Ideal, Melba and former Leopard Street Theatre opened the Agnes Theatre at the confluence of Agnes and 14th streets in the Northwest Corpus Christi neighborhood. The neighborhood venue launched on June 15, 1928 with silent films, “The Scarlet Dove” with Lowell Sherman supported by “White Fury Episode I: The Stampede of Death” starring the World’s Strongest Man, Joe Bonomo.
Harper didn’t time the opening well and was concerned about the cost to convert the theater to sound offering the venue for sale in classified ad listing running from January of 1929 to June of 1929. The venue had a high profile celebration of the venue’s first anniversary on June 15, 1929. Harper appears to have closed the theater with the silent, “King of Kings” on November 18, 1929 to finally install sound. The sound-era of the Agnes took place on March 4, 1930 with Janet Gaynor in “Christina” featuring Western Electric sound on film.
R&R took on the independent theater running it until just after World War II. In 1947, R&R opened the Port Theatre and the Ayers Theatre in 1947, refreshed the Palace Theatre, and showed plans for the Varsity Theatre on Leopard Street, the Cactus Theatre on Agnes Street and a $40,000 refresh of the Agnes Theatre. The Agnes closed on April 19, 1947 for the refresh that didn’t happen nor did the Varsity Theatre nor did the Cactus Theatre as post-War theatrical habits in Corpus Christi were changing rapidly. A refresh of the Palace Theatre did transpire. The Agnes Theatre building has since been demolished.
Architects Dale & Smith designed the new-build Amusu Theatre opening August 17, 1914 with Mary Pickford in “A Normandy Romance” supported by “Circle 17” starring Herbert Brenon (ad in photos). The neighboring Amusu Confectionery served as the venue’s de facto concession stand. Robb & Rowley (R&R) took on the venue from the Collins' family and gave it a $15,000 Hope Jones Wurlitzer Pipe Organ at its relaunch on April 14, 1923 with Otto Moellering at the console and “The Prisoner” on the big screen. But the theater was closed on October 8, 1927 not making the transition to sound. The theater was disassembled and converted to the Amusu Bowling Center Lanes.
n June of 1935, the Amusu Bowling Center closed permanently. The Collins family decided to re-convert the venue back to a movie house and, for the first time, with a sound system. The New Amusu Theatre was remodeled to the plans of architect W. Scott Dunne in 1936 becoming a streamline moderne facility. After a nine-year hiatus from film, its reboot was complete with its Grand Reopening as the Amusu on October 4th, 1936 with Gloria Stuart in “The Girl on the Front Page.”
The Amusu scuffled through the 1950s as western films lost favor due to television and adult films were a bit of a tough sell in town. It closed on February 4, 1962 with Scilla Gabel in “The Fruit is Ripe” and Lewis Cotlow’s “Primitive Paradise.”
During the porno chic era of movie exhibition, the theater got one more chance as a movie house. After its second nine-year hiatus, it would return with adults films. Relaunching for a third time - now under the Amusu Adult Theatre banner - the venue reopened on February 12th, 1971 with adult films. It was a lightning rod of controversy. And the City of Corpus tried to rid the city of objectionable film content following the Supreme Court’s landmark Miller v. California case. On November 12, 1973, the Amusu voluntarily ceased showing adult films. Its final attempt to remain viable occurred with a programming policy consisting of repertory fare on 16mm films. That lasted for less than a month with the Amusu closing permanently on December 4, 1973 with “Frontier Fury,” “Tarantula!” and “Sons of the Desert.”
In 1975, plans were unveiled to demolish the vacant Amusu. Preservation efforts were carried out over the next four years. While film aficionados wanted to reboot the theatre with an announced plan in 1979 (hopefully rebooting in 1982 - which would have been the theater’s hat trick with three reopenings following nine-year hiatuses), it was not meant to be. The Collins' long-running Amusu Theatre was razed in 1979 and its bricks repurposed for another project.
Hardy & Corran were the architects for the Grande which opened with “The Singapore Mutiny” on November 25, 1928.
The exterior architectural sketch by Morris L. Levy in 1941 is in photos.
The venue opened under the Varsity nameplate on October 21, 1946 with “Winged Victory” supported by a cartoon and an installment of “The March of Time.”
Closed on Labor Day, September 2, 1968 with “Planet of the Apes” and “Our Man Flint.”
The Melba Theatre opened on September 30, 1927 with Ramon Navarro in “The Road to Romance.” The $75,000 venue opened for Grossman Brothers with the adjoining Melba Shoppe Confectionery as its de facto concession stand. The Melba replaced the Ideal Theatre / Leopard Street Theatre (see ad in photos). On the books as the New Leopard Theatre, the project was renamed as the Melba. It was part of a five-building project that included a Nueces Drug Store and a Morris Variety dime to dollar Store. The architect of the theater and adjoining buildings was Hardy and Curran.
Corpus Christi Theatres Circuit took on the venue along with the Ritz, Amusu, Harlem, Centre, Ayers, Grande and Port. On February 4, 1954, the Melba began a policy of Spanish language films. The Melba closed at the end of a leasing period on February 27, 1966 with “The Caddy” and “You’re Never Too Young.” On December 16, 1970, the venue had its grand reopening as the Queen Cinne Arts, an adult theater. It reopened as the Sun Adult Theatre in 1975k and closed. It then became a mission and was razed in 2014.
The Gulf Drive-In was derailed by anti-Free Speech interests in Corpus Christi. The theater was enjoined for showing soft core R- and X-rated films when folks living at the La Armada II Housing project who had a clear view of the screen complained late in 1977. The courts agreed and the Gulf’s season was over.
The Gulf Drive-In reopened with traditional Hollywood double features as their 1978 season programming. As the season progressed, complaints continued once again. La Armada residents obviously wanted either no content or content that the whole family could view. And following the double-feature of “The Omen” and “The Other” on November 5, 1978, the theater was once again enjoined by the City from showing anything that might be considered objectionable by anyone with a clear view of the screen (or possibly not) in that housing complex.
Obviously an incredible overreach, the Gulf operators - likely reaching the terminus of a second 20-year lease apparently - decided to walk away from the venture. That made the November 5, 1978 screenings their final showings. The La Armada II residents were likely not happy to see the empty drive-in screen because it, too, was likely objectionable to their sensibilities. The vacant Gulf was destroyed by an arsonist in 1981 and razed. The area is now home to a Home Depot.
This is located in the Southside of town so Southside / Bay Area would be the proper neighborhood.
Theater’s neighborhood is incorrect. When it was built, it was in the Southside and is now considered Bay Area. Southside / Bay Area would be the proper neighborhood.
Woodlawn Theatres Inc. announced this project late in 1964 as Corpus Christi would have its first two hardtop theaters in the post-War exhibition era known as the suburban luxury theater period. The 600-seat venue was similar to other such suburbans located in a shopping center strip - the Woodlawn Plaza Shopping Center - designed by Hans & Bennett and featuring plentiful free parking adjacent to the theater. Interest was high as an August 1965 free open house drew over 5,000 (!) people. The Woodlawn Theatre was the first post-War hardtop theater to launch in Corpus Christi and did so here on August 31, 1965 with Rick Nelson in “Love and Kisses.”
The Woodlawn Plaza Shopping Center’s official Grand Opening with all 14 merchants ready to go wasn’t until October 14, 1965. It was anchored then by a Handy Andy Supermarket, a Ben Franklin five and dime store, a Firestone auto service center and the theater which gave away free popcorn with coupon for the grand launch. The second hardtop suburban theatre project that was announced in 1964 became delayed not opening until April of 1968 as a duplex called the Deux Cine Twin turned UA Ciné 4 then UA Ciné 6. Woodlawn Theatres Inc. went from a subsidiary of United Artists Theatre Circuit to subsumed by UATC in December of 1969 along with the Duex Ciné.
On April 5, 1973, the Woodlawn Theatre was repositioned as a discount sub-run house with all seats a dollar for the double feature of “Super Fly” and “Omega Man.” The venue closed on September 23, 1973 to be twinned by UATC reopening as the UA Cine West 2 on October 31, 1973 with “Walking Tall” on the only screen ready for presentations. It’s assumed a new 30-year lease was worked out for the relaunch as a twin.
As part of an “inflation fighter,” UATC experimented with Tuesday dollar showings in the late 1970s at the Ciné West. It decided to reposition the venue thereafter as a discount, sub-run location. Cinemark opened a seven-screen, new build dollar house in Padre Staples Mall on December 11, 1987 that would drastically change the Corpus Christi movie theater marketplace as aging discount houses were placed under sever pressure. The UA Ciné West 2 short circuited on August 25, 1988 closing at what is assumed the 15-year opt our of its leasing period with “Crocodile Dundee II” and “Short Circuit 2.” United Artists ridded itself of dying dollar houses the Ciné West and then both its Ayers and the Centre in the central business district seven days later.
The venue was retrofitted for a Family Dollar on the back end of the 15-year lease that operated from 1990 to 2013. The space’s former lobby was then home to a Domino’s Pizza location in the 2020s. An opening day photo of the theater and a sketching of the Woodlawn Plaza can be found in photos.
Odd but true - The 16-screen theater’s appropriate name was the Premiere Cinema Temple 15 + IMAX. The final night of operation, Christmas Day 2022, found “Violent Night” as the final screening as the theater ran just seven screens and only two late shows in “Elf” and “Violent Night.”
In 1982, operator Julio Gonzales received a 5-year sublease from United Artists to relight the venue with a $50,000 makeover. It reopened on November 4, 1982 with “Un Hombre Llamada El Diablo.” It closed permanently May 23, 1986. The building was razed for a medical center in 2014.
The Buccaneer Drive-In closed July 30, 1983 with “Trading Places” and “Venom.” It was the last drive-in of the dozen said to have been in Corpus Christi.
United Artists closed both the Centre and the Ayers on the same date - Labor Day, September 5, 1988. Both had been repositioned as sub-run dollar discount theaters. The Centre shuttered with “Planes, Trains and Automobiles” and “Crocodile Dundee 2” either for a dollar a seat.
United Artists downgraded the Ayers to a one dollar, discount sub-run house. It closed with “Willow” on September 5, 1988. It closed the same day that the venerable Centre Theatre closed.
Closed November 19, 1981.
United Artists closed the Viking Drive-In on August 30, 1981 with “The Creeper” and “The Devil.” UA’s Bob Chapman said that he had unfortunately earned a “hat trick” for the destruction of the Viking in November of 1981 - the third drive-in facility he had overseen the razing of. The Viking screens were repurposed for an adult twin drive-in outside of the Corpus Christi area.