Odeon London Covent Garden

Opened as the Saville Theatre on 8th October 1931. The opening stage production was “For the Love of Mike” - ‘a play with tunes’, which ran until June 1932. The theatre was designed in an Art Deco style by the architectural firm T.P. Bennett & Son, with Bertie Crewe as consulting architect. Seating was provided for 1,185; 597 in the orchestra stalls (which were below street level) and a single balcony (the front of which was at street level). The front of the balcony known as the dress circle seated 261 and the rear section known as the upper circle seated 319. There was a box on each side of the proscenium, each one seating four persons. The proscenium was 31 feet wide, the stage 30 feet deep and there were 16 single dressing rooms and one chorus room which accommodated 50 artistes, plus an orchestra room which could hold 30 people. The Saville Theatre was the last of the ‘live’ theatres to be built on Shaftesbury Avenue (London’s ‘West End’ theatre street).

The exterior of the building is in textured brick and has as its main point of interest, a bas-relief frieze by sculptor Gilbert Bayes. Measuring 129 feet in length, it depicts ‘Drama Through the Ages’ with representations of ‘St. Joan’, ‘Imperial Roman Triumphal Procession’, ‘Harlequinade’ and ‘War Plays’ etc. Sections of this frieze were displayed at the Royal Academy in 1930-1931, prior to their installation on the building. Along the top of the façade are a series of plaques, again sculptured by Gilbert Bayes, which represent ‘Art Through the Ages’.

Inside the theatre there were lavishly appointed bar areas; the stalls bar had an 18 feet by 54 feet painted mural by artist R.A. Thompson, and in the circle bar a similar painted mural by the same artist measuring 42 feet by 40 feet.

The Saville Theatre was well suited to staging small musicals, revues and dramatic plays. It had some successes with artistes such as Cecily Courtneidge, Fred Emney, Richard Hearne, Bobby Howes, Evelyn Laye and Laurence Olivier starring in various productions. The Saville Theatre received some damage by German bombs in 1941, but repairs were quickly carried out. In July 1955 a completely new scheme of decoration was carried out to the plans of Laurence Irving. A new mural by John Collins was added to the stalls bar.

In 1965 the theatre was leased by Brian Epstein, the manager of The Beatles, and productions of plays continued weekdays. Sunday concerts were introduced which featured concerts by The Jimi Hendrix Experience, Jr. Walker All Stars, Pink Floyd, The Who, The Move, Procol Harem, Nirvana, Fairport Convention, Cream, The Incredible String Band, The Bee Gees, The Rolling Stones & Yoko Ono. One of the last major shows in the theatre was drag artiste Danny La Rue in “Queen Pasionella” and the last produced play to be staged at the Saville Theatre was Dennis Waterman, Tony Selby & Neil Stacy in the war/gay relationship drama “Enemy”, which played a short run at the Saville Theatre from December 1969 into 1970.

Associated British Cinemas(ABC) were seeking a West End showcase house for their films being produced by parent company EMI. They purchased the Saville Theatre and the architectural firm responsible for the new twin-screen cinemas built within the shell of the building were William Ryder & Associates. They created two auditoriums which were curtained wall-to-wall and had luxurious seating for 616 and 581. Opened as the ABC 1 & 2 Shaftesbury Avenue on 22nd December 1970 with Peter Sellers in “There’s A Girl in My Soup” and Dinah Sheridan in “The Railway Children”. On 21st November 1974, the ABC 1 & 2 held the Royal World Charity Premiere of “Murder on the Orient Express” starring Albert Finney, attended by Her Majesty The Queen, HRH The Duke of Edinburgh and HRH The Princess Anne.

Despite its luxury and 70mm equipped auditoriums, the ABC 1 & 2 was never a great success, being ‘just off the beaten track’ of the major cinema area in Leicester Square. It was later taken over by the Cannon Group and re-named Cannon, later becoming an MGM cinema, before the ABC management buy-out which brought back the ABC name again around May 1996. Although by then looking a little down at heels, the ABC got appreciative audiences in its two auditoriums to experience mainly art house and independent films on its huge screens.

Taken over by Odeon Cinemas Group in 2000, it was re-named Odeon Shaftesbury Avenue and after a short time it became the Odeon Covent Garden (although it is only ‘near’ to Covent Garden and not located ‘in’ it). In 2001 it was sub-divided into a four-screen cinema and screened off-beat independent films rather than the big blockbusters. Seating capacities in the screens are; 148, 269, 167 and 156.

Plans were announced in early-2019 that the building would be gutted and converted into a hotel. These plans were not approved and dismissed on appeal. A second attempt by the owners to convert it into a 94 bedroom hotel, again not approved and were turned down in a second appeal in March 2021. There is hope that it may return to live theatre use. An inspection of the building has found the original stage house and fly tower still intact, also there are many decorative features in the auditorium which may survive behind panelling. The former stalls bar (the longest in any London theatre) survives unused.

The Odeon London Covent Garden was closed on 11th August 2024. The last performance was in the 240-seat Screen 2 when “It Ends with Us” starring Blake Lively & Justin Baldoni was screened to an audience of 48 people. Following the closure, someone was hidden inside the building and the locks on the metal shutters over the entrance doors were sealed with glue, so no one could enter. The person inside then opened a door at the rear to allow 20 squatters into the building. They were removed from the building by bailiffs two days later. Odeon hold the keys to the building until they give them up to the owners on 19th September, 2024.

Plans are to create a 350-400-seat Saville Theatre in the basement (former stalls area?), to be used by Cirque du Soleil, which will see some original decorative features brought back into view. Plans also include a 200-room CitizenM Hotel on the roof.

The original historic façade of the building remains intact and is designated a Grade II listed building by English Heritage.

Recent comments (view all 41 comments)

Lionel on January 27, 2020 at 7:51 am

On his comprehensive site https://www.in70mm.com, Thomas Hauerslev published an article about the ABC Shaftesbury Avenue with informations and pictures dating from the nineties: https://www.in70mm.com/newsletter/1998/55/shaftsbury/index.htm

I asked Thomas about the speaker system in use back then, but he had no recollection.

This is the introductory page to his articles about his visit to West End cinemas in the early nineties: https://www.in70mm.com/news/2015/london/index.htm

And here is the link to his picture gallery with two more pictures of the ABC at the bottom: https://www.in70mm.com/news/2015/london/gallery/index.htm

I used graphic software to strongly enhance the light of the picture and see the surround speakers but wasn’t able to identify the model. Well, never mind, I must get rid of these obsessive-compulsive habits ;–) .

CF100 on February 3, 2020 at 1:05 am

Lionel: Great photos, thanks for the links. Looks like some have only been added a year or so ago.

Wonder if Thomas Hauerslev has higher resolution versions available?

I’m afraid that I, too, cannot make out the rear speakers, despite adjusting the image in photo editing software. I can make out two “blobs” on each of the sidewalls. Is it just possible that they were JBL 8330’s, or maybe that’s being too optimistic? ;–)

Well, never mind, I must get rid of these obsessive-compulsive habits ;–) .

Never! :–) You might like to look at the photos that I’ve uploaded of the Superscreen at the Cineworld Leicester Square for some more “obsessive-compulsiveness.” ;–)

Lionel on February 3, 2020 at 6:46 pm

I believe these surround speakers aren’t 8330 because their enclosure is rather rectangular. I lost interest in the Empire since they turned it into an Imax theatre but looked at your Superscreen pictures out of solidarity for your own obsessive-compulsiveness. :–) My case however is improving a little bit over time, as I no longer count the seats of the theatre I’m into. I remember having counted those of the Empire in 1993, because different sources mentioned different figures.

CF100 on February 4, 2020 at 3:57 am

Lionel: Yes, I could not make out whether the surrounds had the characteristic angled baffles (fronts) of the 8330’s. I’m really not sure what speakers were standard in the “early” days of Dolby Stereo? “Local” cinemas had surround speakers that looked like they had been taken from a 1970’s “stereo centre” domestic “hi-fi” system!

I lost interest in the Empire since they turned it into an Imax theatre but looked at your Superscreen pictures out of solidarity for your own obsessive-compulsiveness. :–)

That’s very nice of you. :–)

There is nothing that can replace the magical, majestical, and unique masterpiece that was the old Empire 1, and it is probably fair to say that there never will be. At least some of its design, form and spirit lives on in the IMAX.

Cineworld’s refurbishment of the rest of venue is impressive but absolutely disrespectful of the heritage; it really is their cinema now. With the changeover to their own management, the continuity with the past (i.e. MGM->CIC->UCI->Empire Cinemas) has been further eroded, too. I wonder what happened to those old uniforms that you photographed in the manager’s office?

However… I hoped that the Superscreen info/photos might encourage you to keep some interest in cinemas as they are today. :–)

It may well be relatively “generic” in decor and lacking in the old theatrical embellishments. But… the screen is almost 70ft. wide, and the sound system is top-of-the-line and very powerful. The auditorium also has a lot of height at the screen end, which helps it to feel spacious, too. Once the main feature started, it honestly reminded me of past times in the greatest West End cinemas. :–)

My case however is improving a little bit over time, as I no longer count the seats of the theatre I’m into. I remember having counted those of the Empire in 1993, because different sources mentioned different figures.

I, too, used to do that, although I don’t think I would have attempted it in the old Empire 1. Hmm, although I may have done. :–(

I would usually try to multiply the rows by seats per row, then (where the sidewalls “splay” inwards, i.e. not a “box” shaped auditorium) compensate for the reduction in seats per row towards the screen by working out how many seats to deduct from the basic calculation.

Fortunately, with plans usually readily available (in the UK) these days thanks to the Internet, there is no need to count seats. :–) Or at least, it can be done at home, if you do not trust the seat counts given on the plans… ;–)

P.S. Counted the seats on the old Empire 1 plans, cross-checked against photos, it was definitely 1330. (688 stalls, 642 circle.)

rivest266 on May 20, 2021 at 2:54 am

ABC 1 & 2 OPENING

ABC 1 & 2 opening 23 Dec 1970, Wed Evening Standard (London, Greater London, England) Newspapers.com

Ian on December 12, 2023 at 9:09 am

Current views of the Odeon Covent Garden (December 2023) here:-

SCREEN 1

SCREEN 2

SCREEN 4

Lionel on August 5, 2024 at 4:28 pm

Definitely closed !? sigh

d8rren on August 6, 2024 at 1:04 am

closing date 11/8/24

Mike_Blakemore on August 6, 2024 at 12:10 pm

I was working for ABC - EMI at the time of purchase… The Theatre was purchased off Bernard Delfont Who was also The Chairman of EMI Cinemas Ltd., which was part of EMI Film and Theatre Corp., Ltd., Eye Brows were raised at the time..

Lionel on October 15, 2024 at 8:14 pm

I’m updating a link I previously posted to Thomas Hauerslev’s in70mm.com website and its article about the ABC Shaftesbury Avenue.

https://www.in70mm.com/news/1998/shaftsbury/index.htm