Ziegfeld Theatre

Movieguy, I really can’t make it any clearer than I have already, of course their were exceptions, but having seen the deteriation going on in film presentation during the 60s and 70s I can tell you, Lucas helped make some impressive improvments. As to death of 70mm, we all know that, with the exception of IMAX it is no more and I have said many times in other threads I have never thought Digital Cinema was better than 35mm film because it most certainly is not. By the way I attended a few THX cerifications, they were tough, I saw a theatre lose out simply because the theatres HVAC (heat/air conditioning) systems hummed too loud. Eventually exibitors stopped buying into it.
You are right with respect to the cost when talking about Digital Cinema, only the studios gain here, there is nothing in it for the theatre owners. People don’t care if a movie is shown in DLP, it does not come into play when making a descion about seeing a movie.
I will say, I suggest you check out the Dolby 3-D Cinema, it is quite amasing. I also loved IMAX but it seems to be slipping away as well, not many films being made available anymore. The same could be said for Digital Cinema, very few films being shown now, in fact none since Christmas.

Sorry Bob, I did not mean to confuse you, Lucas did not develop 70mm but he was a big supporter of the process, which had all but dyed out in the late 60s. It was Lucas with “Star Wars” that started the trend of using 70mm again, coupled with the use of Dolby sound. I give credit to Lucas for the explosion of Dolby stereo with the release of “Star Wars” in 70mm mag as well as Dolby Stereo optical.

I didn’t know Lucas had anything to do with the development of 70mm!

Movieguy, Lucas did noy have the power to dictate which theatres played the films, those decisions were usually made by biding and other methods through the studio and film buyers. However he did play a role in how well the picture and sound were presented. If you think about it, eventually, “Star Wars” played in just about every dumb in town, there wasn’t much George could have done about that.
I saw it with my own eyes and heard it with my own ears, Lucas was a pioneer in developing methods of improving picture and sound quality in theatres. Beginning with 70mm, THX and continuinmg today with Digital, I know no one who has contributed more to the enhancment the movie going experience.

Astyanax: “Helen of Troy” is out on DVD from Warner Home Video, and it includes the overture.

Thanks for that update Peter, it does not surprise me that Lucas has decided to to go Digital rather than IMAX, he is one of Hollwood’s biggest Digital supporters. I saw the new Disney Dolby 3-D cinema format demonstrated this past fall, I was quite impressed,it is quite amasing, which is saying a lot for old die hard film guy like myself. The problem is you can’t use the same Digital projectors curently in use, exhibitors will have to purchase additional servers as some did for “Chicken Little”. However, with Lucas on board we will perhaps see more of the Digital format, both flat and 3-D than we currently do. Although I am in favor of film in motion picture theatres, I will support anything that helps get folks back to our theatres in force again.

My last discussion with the guys at Fox regarding “Star Wars” was, that lucas still has plans to release all of the movies in IMAX.
I don’t know how far along that idea has progressed.
As for “Star Wars” at the Ziegfeld, I can only tell you based on my experiences with his movies in theatres, Lucas is a control freak, print quality and presentation is, as it should be, extremly important to him. He involves himself in many aspects of the films showings in our theatres, including dictating which size auditoriums could be used in Multiplex Cinemas, which trailers (previews) could be shown before the movie and even the types of ads or slides that could be shown.
In 1983 Lucas helped develop the THX Theatre Alignment Program (TAP) as a service to filmmakers and studios. TAP was/is the industry’s most comprehensive quality assurance program whose services include reviewing release prints for image and soundtrack quality, distribution to theatres of technical facts about a film and proper equipment alignment, on-site equipment alignment
I am sure if “Star Wars” were to be presented at the Ziegfeld he would most certainly get involved.

I wonder if anyone who visits this page attended any of the LOTR showings. I saw all of these in theaters on their initial runs and have enjoyed the expanded DVD’s since then, so I elected to skip this series. Curious as to how well they are being attended, however, and whether the prints are good. In different times, these movies would have rightly been released (perhaps even filmed) in 70mm during their initial runs.

I don’t think any of the Star Wars films are scheduled for this series. Besides, if they were, how much would you wager that Lucas even allows prints to be struck any longer, the huge proponent of digital technology that he is. Not sure I’ll be able to make it to any of the Indiana Jones flicks (though I am trying to arrange for it) but I will definitely be around for “2001” and – with some luck – “Lawrence of Arabia.” I hope folks post on the quality of those prints before I make the trip in.

For the premiere at Grauman’s Chinese Theatre in Hollywood, the program includes short subjects, a theatre orchestra overture by Al Erickson directing, and a prologue by Sid Grauman.

Do we know if the original 1933 Roxy/Music hall run included overture?
Opps, now I’ve started something : )

Bob… if your Kong expert is correct, that raises an interesting debate in corrolation to this topic. By adding the “overture” to the DVD, are the producers doing the film a disservice by adding something to the presentation that was never intended by the film makers? Similar criticism was aimed at the “restored” VHS version of “It’s a Mad Mad Mad Mad World” that included some footage that Kramer never intended to see the light of day in an effort to return the film to as close an original “roadshow” length as possible.

TCM has now included the overture when they play the film.

The “King Kong” overture must have been discovered quite recently since the current DVD release is the only version that has it.