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The first and only movie I saw during this venue’s run was In the Bedroom back in ‘02. I thought Spacek would get another Oscar, but as it turned out, it was not meant to be. It was in the smaller auditorium to the right, if memory serves me correctly. There were stereo speakers all along the wall of the place but the film didn’t really make much use of them.
It seems that Wisconsin Ave is not the movie venue destination that it once was with the now closed Wisconsin Ave 6, Tenley 3, Studio 3 (a forgettable place), Cinema, Jenifer and Paris 3.
FYI. There is a terrific and inexpensive Thai restaurant across the street that is still open for business. I still go there every now and then.
So why then can’t/shouldn’t AFI book other 70mm than 2001 and Lawrence? Is it just management choice? They must be desparate to have a “Totally Awesome: Films of the 1980s” retrospective. Avalon should have taken the 70mm projector out of the now closed Cinema, since they were just a street over, instead of giving it to …what was it..the Jersey?
How on earth did I miss that? AFI had a 70mm of that recently, unfortunately, they did not run it long enough for me to catch it. I truly wish this venue and AFI would show more 70mm other than Lawrence and 2001. I cannot believe they are currently doing a 80s retrospective with such great titles such as Friday the 13th.
Wow, you West Coast people really have some audience issues don’t ya! ;) (“Love movies-hate going” being the east coast exception, so far.)
I’ve seen many child oriented films such as the recent Disney/Pixar/CGI fare and have encountered full auditoriums with mostly kids. Sometimes the kids are louder or more boisterous than others but its usually as a result of something happening on screen. On occasion, maybe a crying baby but the mother or father usually takes the child out and all is well. Just about all the CGI animated movies of late are shown in a THX-cert DLP theater near me that plays the movie loud. As such, its usually enough to keep kids quiet as they are pretty much drowned out by the movie sound. And my usual seat is the one in the auditorium that’s midway, along the entryway that has no patrons sitting behind me, so no one can kick my seat from behind. Now flying food debris is another issue, but that’s a rare occurence.
As far as the age of kids allowed in theaters, I was under the impression that the chains had policies to address this issue. A few independents, like Baltimore’s Senator, has a no child under 6 policy that seems to work well, but I believe they have made exceptions for some kid movies.
So, yes, moviegoing may not always be the perfect experience that one may expect it to be, but I’d always choose going out to see that (weekly) new movie and enjoy it with a few hundred others than watching one at home.
As with some of the other posts, my friend and I were too young to get in to see this movie the proper way. With a little creative thinking, we purchased tickets for another movie that was showing either at or the same time and snuck in to see it at a AMC shoebox theater that did have Dolby Stereo.
My interest in the movie was primarily the visual effects. Being a Starlog subscriber at the time and a sporadic Cinefex reader, I became an admirer of the work of Douglas Trumbull and followed his career with great interest. Of particular interest with Trumubull’s work is his belief, at the time, that he was a firm believer in shooting visual effects work in 65mm to capture greater detail as opposed to 35mm. I believe he stated in an interview that Ridley Scott had used the delivered 65mm visual effects footage directly into the 70mm prints, as opposed to having them reduced to 35mm and then blown up to 70mm release prints as was the usual practice in the day. I firmly believe that the quality of the effects made by his EEG company (CE3K, the first Star Trek movie, Blade Runner, Ghostbusters, Poltergeist II) are far better in film quality than anything ILM delivered for Lucas or for others. Sure, the Star Wars saga won the awards but I think it was more a popularity contest than for presentation quality and true merit.
My first impression on viewing the movie was depressing. It was dark. Everything was dark. It rained. Deckard delievered his lines in monotone. More darkness, rain. But the visual effects were sooo cool. The spinner cars, with their lens flare lighting fx and the look of LA were breathtaking. Even the Tyrell building in its enormity and Tyrell’s apartment in its expanse. Vangelis' score was eerie, moody, atmospheric and sexy (the Rachel theme).
1982 was the year of E.T. and Gandhi. Now someone explain why ET won for Best Visual FX when it was just the animatronic Carlo Rombaldi puppet, blue screen and some stop motion work???? And John Williams, again, over Vangelis' terrific score? On the latter, I suspect the Academy felt Vangelis' was awarded enough for the previous year’s Chariots of Fire.
In 1991 or ‘92, the Uptown had the Director’s Cut. It was a privilege to see the different version on a very large screen even though it was just 35mm. Without the narration, the film seemed a little open ended as to what was supposed to be going on and the revised ending, for sure, was less 'happy’ than the original one. The audience I saw it with seemed to be unmoved by anything they had just seen as no one applauded at the end of the screening.
Supposedly, there’s a new edition in the works for a Ultimate DVD version. It would be great to revisit this movie in theaters in Digital Projection or, if Ridley Scott is working with a 65mm original negative…70mm theatrical print (I’m not holding my breath) prior to the Ultimate version DVD. If they go the DP route, they should do a 3D version given that there are more than 1000 3D Digital cinemas now and would make this re-release an event to be experienced.
We’ve had similar issues here. We have two DP auditoriums and only one gets booked every so often. I can’t believe they didn’t book Shrek in DP as they have in the past. Also, they stopped the personal intros. I wrote to Customer Service to address issue and their only response is that they will book a digital movie “if they can get them.” Given the fact that other plexes in the area ‘get them’ on a more frequent basis, something isn’t right. As such, I have not frequented the Annapolis plex as often as I used to, which was weekly.
On a different note, management announced a change to the email program and were evaluating a loyalty club card-type program, but as of this date, nothing has happened. I missed Crown’s monthly free popcorn or soda coupon and birthday/anniversary free coupons, too.
One auditorium had 70mm capability. If memory serves me correctly, they showed Indiana Jones: The Temple of Doom in 70mm here and may have been the only film they had in 70mm.
Okay, there is one issue that I have that has carried over and that is getting Email for comments to theaters or news items that I never commented on. :)
Love movies – hate going! Are you saying, you’d pay for one admission and stay all day in the theater??? You robber!! I suppose that is the most creative way of ‘saving’ on ticket admission prices.
As a teen, the now closed AMC Academy 6 had $1 movie Wednesdays, which were usually movies about six months or older from their original release. If you went to that and time it right, you could see several movies that day as long as you kept low and either followed the crowd moving into the theaters, or wait in the restroom until there is movement. The most movies I was able to see for $1 was 4 because I was starving and didn’t want to pay for overpriced popcorn and soda.
I thought I was going through CT withdrawal today during work. :) The site seems to be running okay as of 9:16pm EST.
I think this subject was mentioned in a poll about movie ticket prices a year or so ago. Of the national chains, AMC and Regal, Regal probably has the better of the two member club card systems. You get points for dollars, plus extra points (5) on Thursdays, plus either an additional 5 or 10 points for certain films during opening week. Even with the 12 point cap on transactional accruals per day, you can still get an extra points (2) for concession purchases. Free movies are awarded after every 120 points.
AMC caps points according to tickets purchased up to a maximum of 4 points, or two purchased tickets. It takes about 8 ticket purchases (or 30 points) for a free ticket. As far as I know, they don’t give you more points for concessions, but the newsletter has a coupon for free popcorn Mondays-Wednesdays. Cents off purchases such as combos don’t really save you much. The nice thing about the Moviewatcher card is that if you buy tickets online at theaters that use Moviefone/Moviewatcher, they will waive the $1.00 fee, which is great for those trips to those venues that show that blockbuster movie opening weekend. Just make sure you click on the AMC-Moviewatcher link and not go there directly.
The discounted ticket prices from AAA and Entertainment aren’t bad choices, but some do have pass restrictions. If you factor in the $2 or so off each ticket from the discounted places vs the club card programs, it all runs about the same. You save enough for a ‘free’ ticket after 5 tickets used.
If you have friends and family that you go to the movies with regularly and let’s say the other party pays, then this pooling of sorts will help you get your ‘free’ ticket(s) or other free offers that much quicker.
Okay, the way I read it, it led me to believe that email accounts are coming. :) I didn’t know that the email notifications of responses was temporarily down. I thought it was just that no one was commenting.
Why would members want yet another email address? I like the current system where if there’s a comment made, we’re notified by email. Would it not be a better use of resources if we had space for pictures?
As of 12 noon EST, 6-1-07, the site seems to be working right after an early AM outtage.
Would it be fair to say that the tech specs on the auditoriums will be like the current Hollywood plex meaning projection standards that exceed THX standards and plain black boxes?
It seems to be working now. I just posted a comment. Response time is a little faster but not up to FIOS speeds :) Photos would be great, video even better. The donation corner would be great, as I’m sure people would be inclined to donate something and every little bit would help.
A Landmark Theater would be great but there is already one in DC. With the Bethesda one just up the street, I doubt the market would support another one. Mixed programming of current and classics (70mm) would be better assuming they still have their 70mm projectors.
I saw this movie at BowTie Annapolis and enjoyed the presentation and the movie for the most part. We seemed to have lost AC, which made it uncomfortable after the second hour. As far as the listing is concerned, I don’t know if it is accurate for at least MD. Muvico doesn’t list a DP version of the movie.
Vito, I take it you didn’t see it at the Ziegfeld. Since it was playing there in DLP, they usually play the format trailer prior to the start of the movie. I was contemplating a Ziegfeld trip but couldn’t make it seeing instead at Baltimore’s Senator. Since it was on film, I can only point out to two “cheesy” CGI scenes and that is where they superimposed Peter Parker’s face on two freefalling action sequences. The face looked too cartoonish and lacked fleshtone. For reference, filmfans should refer to the Rock’s “Scorpion King” fight with Rick O'Connell in the Mummy 2.
The movie, for me, is a mixed bag. It is an enjoyable action film as far as that goes and I purposely avoided critical reviews so as to not become prejudiced by them, but I have to say that I’ve never been able to accept Tobey Maguire as Spiderman. He neither has the acting chomps nor film presence of say, a Christopher Reeve, the platinum standard for film comic heroes. Some of what Maguire does in this movie just doesn’t work and the audience that I saw it with agreed by the collective laughter in the most inappropriate parts. James Franco and Thomas Haden Church both shine in their parts while both Topher Grace and Kirsten Dunst deserve better material than what they were given.
Getting back to the Ziegfeld, I was quite impressed with their DP presentation the last time I was there and hope things are still running well. There is only one DP presentation in my market for this film. I can’t believe that with such a wide release there aren’t more DP versions here in this market. For whatever reason, theatres here are holding on to that awful Robinsons 3D movie thats already dead at the box office. If someone who reads this board, who is in the know, and can explain why exhibitors don’t/can’t get the choice formats, please enlighten us.
It appears Columbia wants to make sure that Spiderman 3 breaks box office records this weekend. Will it do it? Hard to say. As of today, there are plenty of tickets left for the midnight showings in my market, but the IMAX one sold out last week.
Its a given that Hollywood’s sequelitis is here to stay. If it is accepted that a sequel that makes 2/3 or so of the original’s successful box office receipts, you can be reasonably assured that there will be more. Throw in the usual cable/pay tv/DVD sales, its hard not to question why studio heads green light the sequels we see at the multiplex.
Michael, I’m not sure what you are referring to in the second to the last paragraph? The picture above depicts the AMC Empire in NYC. Did that theater close?
This is probably the same projector that supposedly was introduced 2 years ago or so…the 4K projector? This is old news, or at the very least warmed over fresh news :)
Read above, Knucklehead. There’s a story about the showing of that movie in a previous post here.
Its beeen two years since there was a post about making this place a theater again. Anyone know what is going on, if anything? With the recent Senator woes, who happens to be a not too distant neighbor, what is the viability of revitalizing this theater?
I’d like to see a Robert Wise retrospective: “Day the Earth Stood Still” “West Side Story” (70mm)
“Sand Pebbles” or “Star” (70mm), Star Trek: The Motion Picture (70mm, Director’s Edition, if one can be struck)
Or, a Sci-Fi week featuring: “2001: A Space Odyssey” (70mm), “THX:1138” (restored in DP), “Close Encounters of the 3rd Kind” and Disney’s “The Black Hole” (70mm), “Brainstorm” (70mm..yes, at least ONE print is in circulation..see if Douglas Trumbull is available for Q&A for both films), any Star Trek motion picture (70mm, if Doug Trumbull is available he could do Q&A for ST:TMP, too :).. “Dune"
No more "Star Wars” anything. Might as well wait for the Digital 3D versions coming out soon.
Maybe a themed restrospective like “disaster week” with “Earthquake” in Sensaround, Titanic (70mm DTS). Animation week: “Sleeping Beauty,” “The Black Cauldron” both were in 70mm, or anything your contacts with Disney might have and release in 70mm.
An actor retrospective of say.. Lawrence Olivier week: “Wuthering Heights,” “Marathon Man,” “Inchon”…no..just kidding about the last one.
Oh..how about Guilty Pleasures week? “Mommie Dearest” “Attack of the Killer Tomatoes”
“Whatever Happened to Baby Jane?”