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yes, 12 is the XD screen. Actually none of the new ‘Everest’ movie was filmed in IMAX (Arri Alexa XT digital cameras to be exact).
Those old National Amusement seats scared the dickens out of me – the way they creaked, went back so far, I’ve never feared so much for my safety – I didn’t want to be ‘that guy’ who broke a chair at a movie theater.
I have to give credit to the sound system in auditorium #2 – I saw ‘Jurassic World’ three times in the theater; once in 3D / IMAX-laser – the best in terms of color, black levels and 3D depth, standard 2D / 5.1 sound at Regal Bethesda [the worst presentation] 2D / 7.1 here at the Angelika – and in terms of sound it was actually the best – the 7.1 mix was better than the IMAX-laser presentation by placing a lot of audio cues to the left/right rear center channels to dramatic, scary effect – in one instance a character’s demise is heard directly behind us the viewer to unnerving finesse . Because of the odd aspect ratio of the movie, (2.00:1) the vertical masking (to eliminate the minor black borders above and below the image) was nearly spot on and took up most of the tall screen. My fingers are crossed that maybe auditorium 2 might get upgraded to Atmos, or DTS' new ‘X’ object based sound system, since it seems like a waste of potential with the ceiling speakers already in place… time will tell.
so I had my first Auro ‘experience’ here this afternoon and I was quite impressed with the wind sound effects from “Everest”; audio cues between the standard side channels with the height side channels produced some great effects. Height ceiling sound sourcing still didn’t impress me, since it’s a mono source spread out to six ceiling inset speakers. Bass reproduction here, though has been consistently impressive, my brief talk with one of the managers revealed that some of the more bombastic bass heavy movies, have blown out/damaged the bass speakers (and subsequently replaced or fixed). Interestingly on another technical note, since I never knew the full explanation of this, but auditorium 12’s sound system while it can present Auro 11.1 soundtracks, retains the rear speakers, so that non-encoded Auro DCP’s that include 7.1 mixes will be replicated as such.
I am not really a fan of the seats, the way they lean so far back, it’s almost as if you might break them with one’s own weight and send you sailing backwards – like the former old ultra-squeaky seats that were at the old Merrifield and Reston theaters.
so I don’t know where I had read that screen 9 was upgraded to playback Auro 11.1 sound, well, that’s not the case. Went today to see ‘Everest’ / screen #9 and were there side surround height channels? – no… ceiling speakers? … no. In fact only auditorium 6 has the Auro system. There were/are plans to upgrade the system as such, but apparently its still forthcoming. (went over to the Egyptian instead – since ‘Black Mass’ was on screen 6 instead – why not just flip flop the two [shrugs]).
personally I think it was foolish to release a 70mm movie against a Star Wars movie… but, meh. that’s just an opinion on my part.
added picture of the restored outdoor theater sign.
when are you going to do the 1980’s list Coates – I’m very curious to resee what played there since those were the years I most went to the Uptown (a lot).
Well now I’m curious to find my bluray copy of ‘Circus World’ it’s somewhere here in the mess er, video collection (organizational skills aren’t my strong suits)
Does this theater have a screen that is outfitted to playback in Dolby Atmos – which one?
from DTS' facebook page:
‘We’re excited for the U.S. cinema debut of DTS:X, our next-generation immersive audio technology, with today’s opening of “American Ultra” at the Muvico Thousand Oaks 14 in California.’
there used to be a THX placard near the ticket desk, but I can’t recall if it’s there or not – I’ll check. As to THX trailers haven’t seen one in ages.
also because the entire complex is comprised of reclining seats, the seating capacity tops off at 873 patrons not 2000.
went this afternoon to see ‘Paper Towns’(Auditorium #2) – great reclining seats. Screen four is the largest of the auditoriums seating capacity of 183. Four of the auditoriums can present 3D features (Sony 4K projector). All the auditorium’s are outfitted to playback 7.1 surround sound features.
updated – added pics of the illuminated lobby ‘poster/photo’ wall in photo’s section
I have around a half dozen of the lobby’s ultra-cool poster wall
while it’s unfair to compare Ant-Man’s ‘digital’ presentation to IMAX’s ‘laser’ presentation (at Air & Space Museum Airbus IMAX screen) [darker, less color, less sharpness] – I do have to say the Dolby Atmos mix blew the 12-channel IMAX mix out of the water, simply superior – the imaging is very wide as to extend the music and sound cues just outside the screen area (as mentioned before in my observation to ‘The Hobbit: Battle of the Five Armies’ Atmos mix) – what achieved this is the fact that not only Atmos allocates the speakers closest to the screens as sourcing, but sound ‘behind’ the screen is benefitted from not only the pre-requisite left,center,right speakers but also left-center and right-center speakers as in typical pre-1977 70mm sound systems (before the transition to ‘baby boom’ features and the removal of two channels of the five front stage speaker set up) The bass also seems tighter and punchier for some reason, most notably also heard in the Pixar short film that preceeded ‘Inside Out’: ‘Lava’
movie #6 here: ‘Ant-Man’ continued to show off the system to astounding effect – the laser brought out so much color, brightness and detail – I was actually looking at the suits (and ties) that Michael Douglas and Corey Stoll were wearing, they were extremely tactile. ‘San Andreas’ was a juggernaut in terms of the sound system – ‘Ant-Man’s 3D was truly top drawer!
has anyone been here and want to comment on this theater? I’ve been reading some Facebook comments and they are largely negative – uncomfortable seats, unhelpful staff, mediocre sound systems – ?? I just read that AMC has purchased the chain outright – so I guess by the end of the year there might be some changes for better or worse.
Landmark has bought it and is reopening this next Friday (July 17th)
“West End Cinema features three auditoriums, with two opening initially while additional upgrades to the theatre continue. When completed, the new Landmark Theatres West End Cinema will feature larger screens, new seating, an expanded concession menu and alcoholic beverages.”
new seating? oh thank god… auditorium two’s seats were horrible: no leg room and way too cramped.
I’d love to see 70mm prints of ‘Dark Crystal’ and ‘Aliens’! Interestingly I’m very keen on seeing the DCP of ‘Dark Crystal’ since the screening last year at the Angelika Mosaic (which was projected bluray) didn’t look or sound all that good.
I saw ‘Wreck it Ralph’ last week as part of it’s 3D festival – it looked great and it was the first time I heard the 7.1 surround sound mix [thumbs up!]
lame – Dupont used to be a great place to catch a movie – now I hardly go there at all – even out to dinner.
Interestingly the Dupont Underground project “turn[ing] a pair of abandoned trolley platforms beneath Dupont Circle into a lively exhibition space capable of hosting concerts, art galleries, wine tastings or film screenings” has been curtailed and dropped the film screenings aspect [oh well…]
I didn’t realize ‘Masculine-Feminine’ took nearly a full year after it’s New York City engagement to get shown in DC.
that is correct MovieTix86: because Auro is 5.1 based and no surrounds directly behind you; there is a tremendous gap from left side surround to right side surround. This is why I don’t particularly care for Auro sound – the technology to me sounds like a step backwards – I’ve heard three movies as such, and then rewatched those movies in standard 7.1 which put back the rear channels of sound and as a result conveyed 360 sound to greater effectiveness and soundscaping.
interesting little tidbit of 8-channel SDDS sound: DCI compliant audio processors can use and implement the left/center and right/center speaker that SDDS-8 featured. Word is that the new restored DCP of ‘My Fair Lady’ is encoded as such – retaining the original 1964 70mm/6-track mix configurement.
well that’s conterintuitive when every IMAX (15/70) screens are 4:3 – guess the future means we’ll get stuck with 2.0:1 / 1.9:1 image letterboxed on said screens, but still not using the full screen – ugh…
you should point out moviebuff82 that each next Avenger’s movies will be shot in Digital IMAX for the entire movie – I gather that means that 4:3 screens full screen and 1.78:1 on all IMAX-Digital screens. In other words, no alternating aspect ratios.
Press release news:
‘IMAX Corporation today announced that Marvel’s Avengers: Infinity War – Parts 1 & 2, the two-part installment to the global blockbuster franchise, will be shot in their entirety using IMAX® and ARRI’s next generation revolutionary 2D digital camera – a joint customized digital version of ARRI’s new large format camera, the Alexa 65. The two-part Avengers saga marks the first time a Hollywood feature film will have been shot completely using IMAX® cameras and will feature IMAX’s exclusive aspect ratio, providing moviegoers a uniquely immersive experience.’