Showing 1 - 25 of 278 comments
To me, Clearview ruined the Zeigfeld with their “Cablevision Free Tuesdays”. This ruined a lot of their locations. But Dolan of Cablevision forged with this to help his cable business. He didn’t care about the theatres. When you’re giving out free tix on Tuesday, who is going to PAY for it. Even though the people didn'y pay, Cablevision had to give (Pay)the film companies the minimum seat admission price. So they lost the customers that might have patronized the theatre all through the week, and giving the theatre free to all on Tuesdays. Would you pay on Sun, Mon, Wed, Thu, Fri, or Sat., when you can go in free on Tuesday? Think about it.
I was there on opening day (Reserved Seats) and the last day and many times in between in my theatre career.
Cablevision didn't waste any time taking out the chandeliers, the Reade's Zeigfeld Museum and everything else that they could carry the next day. I'm quite sure none of the momentos of the theatre where donated to a museum. They took them out to sell, auction off and whatever. Maybe one of the chandeliers is now hanging in one of the Dolan's residences. We all know Cablevision is not a poor company, it could have kept the theatre open for prestige, but they are not about that. They are money-suckers.
Thank you to the former Walter Reade Organization for the Zeigfeld Theatre.
The former theatre is NOT being demolished nor has the building been sold. I was lucky today to meet the owner and he said a lot of the historical elements will be saved and incorporated into the structure once it is converted to stores on the main floor and apartments. The grand staircase was sold as were the plaster fountain at stage right. I was also allowed to take photos of the main entance (with exposed poster cases for the first time!) and of other details in the auditorium. (92 pictures in all) for prosperity and for
the owner. When he left, he told me that I would be the last person allowed into the building. It still felt grand with all original floor tilework intact and without all the furniture. Some orchestra seats were covered over. The building turned 88 years old October 9th of this year and I turn 59 at 10:42 PM tonight. What a wonderful gift to see this building once more and the exterior on New Utrecht Avenue will remain intact.
P.S. Someone bought all the marquee letters two weeks ago and someone has bought all the remaining plaster work to save. As the owner said, “It’s only plaster.”
The furniture store is moving to another location and let'’s see what happens to the building. I did a familiar photo shoot twice 1n the 1990’s and in 2001. I also was in the building and just asked for a view and got it. The furniture store owner gave his card. The 2nd time was with some out of town friends and NY THSA director. Everybody was amazed. The roof in the projection booth was wet from rain so the entire roof is not really protecting the existing plaster. The building is 88 years old in October and I doubt after 1970, the same time movies ceased the roof hasn’t been touched. Brandt’s operated the theatre from Loew’s in 1966 and it closed late 1969. My JHS school bus passed the theatre every school day from 1967-70 and it closed by then. The Boro Park went from movies to XXX in 1968. I remember the movie “Boom” playing here and then Adult films.
I don’t want to predict that a condo building of some sort may occupy the site, but it might be likely. For restoration to a theatre highly unlikely due to the neighborhood and its' proximity to the Kings.
Century’s Marine was closed in 1972 and torn down weeks after its' closing. “Groundstar Conspiracy” was one of the last pictures on the double bill. The bank on the block needed more parking. 2 side stores still exist as a redone lobby entrance.
To Jim Cassedy, I enjoyed the photos tremendously, thank you for posting. My e-mail is
I painted that red which replaced a large poster case. Jim your date was right. I loved that lobby. A lot like Greenport. Heavy glass doors seperated the candy stand from the rear orchestra. UA being cheap, cose the color
red. The light on the right was over the only poster case outside. I believe there was no poster in this case as it had no lock or hasp or anything. the light on the
left was emanating from the manager’s office behinh the box office.
Great Projectionist! Cared about presentation, dimming of lights, opening and closing of curtains. A class act!
I believe I was on the left, the second was Scott an usher who was better suited for this job. The third person on the right was an usher, give me time and I will recall. This is when Almi took over from UA and the pole Scott is holding went to the 5 Almi theatres which had numerous ceiling lights out. How are you Jim. I’m at the Kings in Brooklyn.
A very funny story here. The staircae exit which led to the parking lot had a drainage pipe which was outside this door. My first night there, a double feature “Smokey and the Bandit” & “"Airport ‘77” for 78
cents. During the showing of “Airport'77” while the plane hits the water and starts sinking, a terrential downfall of rain hit (and someone turned the drain pipe
outside toward the exit door) and the rain spewed in through that door and filled the orchestra and the rows you are seeing were underwater. (Just as the plane went underwater, so did the theatre. They audience clapped and the show went on without disruption). People were saying it was the best visual effects they’d seen in a theatre. For those who had cars in the back parking lot,
they waded in their shorts and short dresses through the water to the parking lot exit and just took off their shoes. At the time it was not so funny, but now it is absolutely hilarious!! Ha! Ha! Ha!
This theatre is actually located in Woodbury, just slightly east of Seaford Oyster Bay Expressway. By the way the building of the Westbury multiplex had nothing to do in the closing of the Cinema 150. (In 1976-7 when I worked the Syosset, we referred to the theatre as the D-150) The landlord didn’t renew the lease of the Cinema D-150 leading to its' closing. Two one time superior buildings destroyed in the greed of the almighty dollar.
Olympus cameras and other businesses were also lost in the lease turmoil. But, I got the enjoyment of working at both of theatres and being a loyal patron of the D-150 until it closed.
Just a brief note, the building has been refaced with a tan-beige color and the top and awning was replaced by the same in a darker brown color and a new storefront sign. Happy 90th Birthday, Granada Theatre. We will both survive to see you 100!. My best memories are of you.
Mike, I assume you meant petty and not pretty. As for deleting comments, that won’t happen because the truth is the truth. Some newspapers get all the stories wrong and tell you what you want to hear. If you really believe Marty Markowitz saved the Kings, think again!
My credentials speak for themselves and I certainly don’t have to prove anything to you. What I said is exactly T R U E!
To the last contributor, He also worked the York and said that was the best. One day does not determine an evaluation. I will no longer answer your comments since you think you are a know it all. Remember what happened to Harris when he got persnickety. Cinema Treasures rubbed him out. You probably never went to the Morton Village at all.
JamesD: It is not the stupidest statement ever made on this site but an accurate one. I lived and experienced it during the last 50 years of my life. If you can say the same, good for you and maybe you can write an introduction fitting the Loew’s Kings and Kings Theatre as it is now known. Did you ever see a film at the theatre, better yet have you seen it after its' re-opening. Were you born in 1977 or a little before???
You don'’t have to answer the questions because I really don’t care about what you have to say. I watched over this building over the 37 years it was closed visiting every year, several times the years. I know the true
story of the Kings while in operation and during its' closed years and the meetings to save it. As a matter of fact, if it weren’t for me, there would be no Kings Theatre today. And I am not stupid, Erasmus Hall High School gave us all in 1974 a great HS, if not a college education.
I'm not sorry about the comments I made, but they were true. Maybe I should have used the word MOST. The theatre during my two tenures there had many problems like vandalism, unruly teens who banged on the outside of exit doors and flung lit cigarettes on the audience members in the orchestra. It was so bad that we needed 2 guards and a police dog on Fridays and Saturdays. And not all members of churches and people who have college degrees are known to be angels and scholars. If you were a manager there you would know this but you were a patron and I was the manager who witnessed it.
By the way, there is a lot of wrong information in the introduction that needs to be corrected. You need someone who lived and attended the theatre and not some incorrect statements and rumors made by people born after 1977 to get a true introduction. If you haven’t lived and experienced it first hand, then regrettably you don’t know what your talking about.
On January 23, 2015, the event listed in the intro never happened due to a snow storm. It should be removed from the introduction of Kings Theatre. That event will happen on Monday, April 27th 2015 (the rescheduled date).
To George Strum, Lenny Lopes and Orlando Lopes are one in the same. Lenny was nickname. Think of the parties that I didn’t know about at the time, but the staff were great, Patty A., James C. projectionist, and many others.
It was so long ago, I worked here for UA in 1977 with a 77 cents policy. I returned in 1981 when ALMI was formed to take over 5 UA theatres. The price was 80 cents for the decade. I had them raise the price to $1. shortly after. The patrons of this theatre were strictly low class due to the price. When Almi took over Century, I asked to go to the Century’s Morton Village. The theatre
closed in 1984. The other 4 theatres Almi took from UA were the Amityville, Bayshore (Main St.), Plaza and the
Brookhaven (the best grosser of the group). By the way when I went to Plainview reguarding my switch to Morton Village, the manager, Ed, came up with the jingle “We’re in the Almi now, etc. etc.. I worked for Century before the Almi takeover at the Whitman, York and Shore Theatres. All gone but not forgotten.
P.S. Closed under Almi-Century banner. After closing it became the projection booth equipment “cemetery” and every theatre that closed after it housed all the theatre equipment from them as well until the building was sold.
P.S.S. Plainview marquee minus “A Century Theatre” center now sits accross the street where the RKO Twin Roadside pylon was. Even though that RKO TWIN lasted only 5 years, the former sideboards are still in place.
“Operation Mad Ball” Jack Lemmon was in it. It’s “Last Picture Show” was “The Road Warrior” Mel Gibson. Most of the staff transferred to the RKO Twin accross the street and the Morton Village nearby. I inherited about three employees and the projectionist as I was the Morton Village manager. The staff of this theatre at the time was superb.
This theatre building should be changed to DEMOLISHED!
I was at this theatre when Rocky played. It was their last big hit. Prior to this it was $1.50 double feature house. When “Obsession” played with “Robin And Marian” it sold out every seat to the rafters. The UA bookers were shocked as was eveyone else, the theatre and the Squire were not busy theatres when I was there 1976-1977 before I went to the Midway when it opened as a Quad.
And “That’s the facts folks!” ORLANDO LOPES
Again there is a lot of balogna in this section. Working at this theatre for over three years, Carmi Djiji (G.G. Theatres operated this theatre from 1962 to mid to late 1990’s and changed the name from Beacon to Port Washington Triplex and so on. The two theatres occupying the two storefronts were built primarily, while I was there, for putting in the Hollywood “stinkers” after they flopped on the first three days of opening or for holding a picture that no longer needed a 200 seat theatre. Believe it or not (and I don’t care either way) these two 60 seat theatres sometimes outgrossed the larger theatres in the building. As for Steve Smith’s introduction, the seats where new when installed, the public “beat them up”! Mr. Djiji spent money on his theatres unlike Skouras from which he took over the theatre. He still owns the building and leases it as he won’t sell it. (Real Estate $$$ in Port Washington.) So the ownerships should be changed to Century (the first), Skouras, GG Theatres, Clearview, and Bow Tie. The property that the Sands Point Theatre was is exactly where the Soundview was built. GG also ran the Sands Point. I loved the name Clearview’s Soundview. And “That’s the facts folks!” clear and true.
To Mr. Greenberg.
The furnishings, couch, king high back chairs, the wooden carved chair, the two Louis the XIV patterned chairs, round table, and two marrle top tables are now on view in the upprr mezzanine restroom all restored. No one is allowed to sit on them and they are ropped off. Your aunt, Dorothy Penzica (please forgive me if I spelt the last name wrong, was manager of the Loew's Kings when I was attending the theatre from 1966 to 1975. I remember her well. At the time (1970-1974), I worked at the Granada Theatre at Church and Nostrand Avenues. There was a policy between the seven theatres to pass employees from the Beverly, Kenmore, Astor, Albemarle, Granada, Kings and Rialto to each other for coplimentary movies. I always paid to see movies at these theatres and didn't ask for passes to the other theatres and was unaware of the policy. In 1972, I told my manager at the Granada (Mr. Sam L.) that I was going to the "Loew-eze" to see a movie and he said he would call me in a pass. Being unawre ot the pass policy, I told him I didn,t know about and he said to me "You've been paying to go to all those theatres? Ha! Ha!" and I said yes. He then told me about the policy and got me into the Loew's Kings. When I got there, your aunt, Mrs. Penzica was called out to the box office and personally escorted me into the theatre on my pass. She said to me, "I've seen you here before many times and took me to the office. She offered me a job and I said, "I've worked at the Granada for four years and the staff there is like my second family and like me a lot." She understood as she smiled at me. I said "Thank you very much for the offer and told her "I loved the Loew's Kings very much" She replied, "Thank you and you are welcome here anytime." What a fantastic manager she was and a fine person she is to deed the furniture back to Kings Theatre. I will watch over it in her memory as long as I am an employee of her Kings Theatre. Working there today was a life long dream of mine and it became true when I was offered a position at the theatre by the current ACE Theatrical Group for which I have the highest gratitude. Thank you Matt (for taking care of your own), Charley (for spotting me take a picture of the facade) and Jason and Dan for training me for a live venue. Most of all the Front of House Staff (you all know who you are), for being the great people that you are, I LOVE YOU ALL!!!
and look forward to seeing you every time I work, you are my family at every event in our Kings Theatre.
In three days, Church of God, formerly the Century’s Rialto Theatre will be 99 years old. A lot of fond memories here for me. Glad that is originally intact as it looked in 1916. I attend services here once in a while. L'Eglise De Dieux keeps the place immaculate and to their credit lovingly take care of one of Flatbush Avenues first theatre. When I made my communion in 1966 or so, my sister took me here to see “You Only Live Twice” and “The Fortune Cookie” with a Pink Panther cartoon. Loved that Century logo with the flying “C”’s
converging into one and spelling outwards to the right (Century Theatres) before the coming attractions. Remember the music also that went with the snipe.
Contrary to what is written in the introduction, the theatre closed August 30, 1977 with “Kentucky Fried Movie”, also the same day was the closing of the Loew’s Kings under the new management of ATM (American Theatre Management).