Search

Theaters News Links

Advanced search
 

Theater Guide

Now listing 26,505 theaters & 1,598 photos… more
Browse by...
 

Add Your Cinema Treasure!

Add Theater
Add Photo (offline)
Add Theater News
 
 

Recent Comments

Nov 07 Olympic Theater (3)
Nov 07 Scott Theatre (28)
Nov 07 Capitol Theatre (633)
Nov 07 Imperial Theatre (62)
Nov 07 Kam Drive-In (5)
Nov 07 Strand Theatre (3)
Nov 07 GCC Citadel Mall… (3)
Nov 07 Columbia Square… (59)
Nov 07 Lake Theatre (45)
Nov 07 Warner Theatre (51)
 
 
 
  Discover. Preserve. Protect.
Also known as Essoldo Cinema, Classic, ABC

Cannon Newcastle upon Tyne

Newcastle upon Tyne, Tyne & We, England
Westgate Road
, Newcastle upon Tyne, Tyne & We, England, United Kingdom NE1 4AE
(map)
Status: Closed/Demolished
Screens: Twin
Style: Art Deco
Function: Unknown
Seats: 1975
Chain: Unknown
Architect: William Stockdale
Firm: Unknown
Cannon Newcastle upon Tyne
Vintage exterior view of the Essoldo, as it appeared during a 1968 revival showing of 'Gone with the Wind' in 70mm format
Photo courtesy of Terry Charnock
The Essoldo Cinema opened on 29th August 1938 with Dorothy Lamour in "The Hurricane". This 2,200 seater (965 circle, 1235 stalls) was the flagship of Sol Scheckman's Essoldo circuit. Situated on Westgate Road, known as 'little Wardour Street', it was opposite the Gaumont (now the Academy Newcastle) and adjacent to the Stoll Picture Theatre (now Tyne Theatre and Opera House) and the Pavilion Cinema. Film renters offices, including all the majors like M-G-M, 20th Century-Fox and United Artists, were located on Westgate Road also.

The Essoldo Cinema was designed by architect William Stockdale of North Shields and interior decoration was by M. Alexander & Son. It had full stage facilities and a tall fly tower and was equipped with a 2Manual Lafleur organ. There was a circle lounge cafe for the convenience of its patrons.

Throughout its lifetime it kept pace with all modern developments including Cinemascope, 6 track magnetic stereophonic sound, 70mm, Sensurround, Dolby Stereo etc. It was one of the few cinemas in the UK to boast 4 projectors in the 1960's, ie two Cinemaccanica Victoria 8's for 70mm Roadshow presentations and 2 Westars for 35mm General Releases.

The Essoldo Cinema was a roadshow venue for much of its lifetime. Starting in the 1950's which included a season run of "The King And I", M-G-M's "Ben-Hur" opened in 1960. This was concurrent with London's Empire Theatre, Leicester Square (the latter's last presentation before it was subdivided into the Empire Ballroom and the smaller Empire cinema of today). "Ben-Hur" was to have run at the Essoldo Cinema for a whole year, but following a disagreement with M-G-M over terms it came off after 6 months - still impressive for a 1,975 seater (as it now was) in a relatively small provincial city.

Other 'biggies' were "My Fair Lady", "Doctor Zhivago", "The Battle of the Bulge", "Far From The Madding Crowd" and "Paint Your Waggon" , which, apart from an extended run of "Woodstock" was the swansong of the Essoldo Cinema in its single screen form before it closed for twinning in February 1971.

The luxurious twin Essoldo Cinema re-opened after a six month closure with "Love Story" showing on a 'showcase' basis with separate performances and all seats fully bookable - in both theatres! The new capacities were: Essoldo 1 - 600 (the former stalls) Essoldo 2: 373 (the former rear circle). So there were now 973 seats with 2 screens as opposed to 1,975 with one…….a drastic loss of seating indeed!

It was, however, Essoldo's new policy (though not in evidence at their less important cinemas) to emphasise comfort rather than capacity - not that the old Essoldo had ever been uncomfortable, of course -- just it was now the 1970's and cinema admissions were still falling dramatically. The main loss of seating was in the circle where the screen for Essoldo 2 was now situated within the Dress (Front) Circle area, which in itself had originally seated 400 patrons; consequently the centre and rear circle area had to be narrowed in order to make the new cinema symmetrical.

Patrons entering Essoldo 1, however, could not be prepared for a greater surprise - the stalls still had its full width and, at the stage end, almost its original height. Upon initial entry, the impression was given that one was entering the stalls area of a 2,000+ seater. This was an illusion, of course, for it seated only 600. Much of the rear stalls had been replaced by a new projection suite (Fedi projectors, 70mm, stereophonic sound), toilets and kiosks. The remainder of the stalls could still have seated about 900+ with conventional seating and legroom but instead, 600 luxury seats with headrests had been installed and there was sufficient legroom for one to stretch out fully -- much more than the author has found in any of today's much hyped multiplexes.

For that matter, the first time the author visited Essoldo 1 was for the first presentation after "Love Story" (which continued upstairs in Essoldo 2), this being the epic about Pearl Harbour, "Tora! Tora! Tora!". Presented in 70mm and full 6 track stereo this 20th Century-Fox film was absolutely superb and neither before nor since has the author heard such effective stereo. The audience was literally ducking during the scene of the main attacks (I have not seen "Pearl Harbor" a recent film on the subject, but I doubt that it could have been as good as this!).

In 1974, ABC, now part of EMI, were looking for a location in the city because of problems with their Haymarket Theatre and their landlords, Newcastle University. They acquired the Essoldo Cinema and programmed it in conjunction with the Haymarket Theatre.

The occasional special presentation still played at the ABC, Westgate Road. By the 1980's, however, the glory days were over. Video had dealt a final blow (almost) to British Cinema. Ironically, when admissions started to rise again in 1985, Thorn-EMI, the umbrella company of ABC put its cinema division, along with Elstree Studios, EMI Films (formerly ABPC) and Pathe Equipment, on the market.

Against everyone's wishes the Cannon Group obtained the organisation and, always strapped for cash, that 'infra dig' company went on an asset stripping mission. The former Essoldo Cinema was one of the casualties when they closed in on 11th January 1990.
Contributed by Terry Charnock


YOUR COMMENTS

 
hi terry charnock what do you think of it all now then ?? dave speirs odeon darlington [or is it ABCcannon virgin abc odeon ???
posted by davespeirs on Nov 27, 2003 at 12:49pm
From Raymond Notley
Can anyone help with the dates when the Wizard of Oz was first(?) shown at the Essoldo Newcastle? I was taken as a child and I am very curious as what date this was. Also, was there some kind of musical box contraption in the foyer?
posted by Notley on Dec 28, 2003 at 12:10am
Pleased to hear that you are with Odeon, Dave Speirs.

They have to be much more professional than ABC's earlier acquisitors,namely Cannon, could ever have hoped to be.

In 1991, I was 'tipped the wink' by Tony Ramsden, Rank's then Theatre Operations Manager, that they were ready to acquire and operate the ABC Darlington and his secretary said "well, when we take over you'll be ok Terry because you'll be on our area".

You can imagine my disappointment when this did not, after all, come to fruition and I had to face the prospect of continuing to work for that organisation which I did (and still do) regard with the utmost disdain and contempt.

Whatever the business is like these days (the evaporation of the 'magic' and all), I am sure that you are with the best of a bad bunch!

TERRY CHARNOCK
posted by Terry Charnock on Jan 18, 2004 at 4:49pm
the essoldos architect was either william stockdale or edwin lawson.
posted by project on Feb 3, 2005 at 5:49pm
I have many happy memories of this theatre both before and after the conversion. Screen 2 was basically the former circle area with original proj. box (replete with Vic.8s).

Screen 1, in the former stalls area was (as already indicated) fabulously comfortable. Presentation was also first class. I recall many 70mm screenings inc. Logan's Run and A Star Is Born. There was also an impressive run of Polaroid 3D around 1972.
posted by Ampex175 on Feb 4, 2009 at 6:57pm
This may seem rather 'nit picky' but my original article re The ABC Westgate Road (ex Essoldo) has been edited since and I notice that the American spelling of 'theatre' has been inserted.......

Something that not many people know is that during the period when EMI/ABC were debating what their long term strategy should be in Newcastle upon Tyne, ie whether to try and obtain the freehold of the better sited Haymarket Theatre and subdivide it or to utilise space in the void areas of the Westgate Road theatre and add extra screens, the luxury Essoldo seats were removed from the stalls (ABC1).

The stalls seats had become problematic and required frequent attention by Essoldo Furnishers of Glasgow which at this time still existed. As a patent still applied to the seats,EMI/ABC's 'in house' seating and maintenance team were not allowed to touch them.

Essoldo's services did not come cheaply and EMI/ABC were rather concerned about this item of expenditure at a time when they were uncertain which of their two Newcastle sites would be retained (thanks to Cannon at a later date the answer was to be neither........but that is another story).

The decision was made to send the luxury stalls seats back to Essoldo in Glasgow and to replace them with 600 of the stalls seats which had just been removed from the ABC Blackpool following the latter's unfortunate tripling. These seats ('Columbia 1's') were still comfortable but obviously, dated back to Blackpool's opening in 1963 and were not as good as the ones which had been removed..........

What the occupants of these seats never realised, however, when viewing a film on the silver screen at ABC 1 Newcastle, was that some of the most spectacular stage shows starring some of the world's biggest names in entertainment had been viewed from them in their former home.

Some of the ABC 1 (ex Blackpool) seats, having been re upholstered, were installed in the front circle at ABC Darlington, the theatre I transferred to after Newcastle's closure. I understand that some leopard skin seats from the Odeon Leicester Square have also been installed at Darlington so that location now has seats from two theatres associated with very famous people indeed! (I wonder if Darlingtonians either know or care)...........

Please see my comments re ABC Blackpool in the relevant article.
posted by Terry Charnock on Aug 17, 2009 at 9:18am
Comment
*

Notify me when someone replies to my comment?
Note: Please read our comment policy before posting. Comments which are off-topic, obscene, spam, or personal attacks will be removed. Help us keep the discussion productive!