Colonial Theatre

106 Boylston Street,
Boston, MA 02116

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Boston’s beloved Colonial was built inside a new office building on the site of the old Boston Public Library. The sumptuously decorated house quickly eclipsed the nearby Tremont Theatre (later the Astor cinema) as the Klaw and Erlanger syndicate’s Boston flagship. It is a richly rococo Victorian-era playhouse, home to both touring shows and pre-Bway tryouts. The opening production was the stage spectacular “Ben Hur”.

The advent of full-length feature “photo plays” after 1910 created “road-show” movie presentations in legit houses. A number of these movies played at the Tremont Theatre and in February 1913, “The Miracle” in “Lyricscope” opened at the Colonial. Sound films came to the theater in October 1927 with the local premier of “Don Juan” using the Vitaphone process. The feature was accompanied by a number short subjects which were also designed to show off Vitaphone sound. When the engagement ended, these films went into other Boston houses at regular prices.

The Shuberts controlled the theatre from the 1930 to the mid-1950s. At that time, it boasted a square cinema-style marquee which used white letters on a black background. Around 1956 it was thought that the house would be sold to a movie exhibitor, but that did not happen. Today, it’s run by Live Nation and has been owned for the past few years by Emerson College, which also owns the Cutler Majestic Theatre around the corner.

Contributed by Ron Salters

Recent comments (view all 48 comments)

rsalters (Ron Salters)
rsalters (Ron Salters) on May 7, 2009 at 10:46 am

Key Brand Entertainment, which I think is a British company, has purchased the operating contract for the Colonial from Live Nation. Key Brand also took over the Charles Playhouse from LN.

Bway
Bway on May 26, 2009 at 8:13 am

Here’s a street view of the Colonial Theater….

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Joe Vogel
Joe Vogel on October 3, 2010 at 2:04 am

For what it’s worth, I’ve found a single source indicating that the architect of the Colonial Theatre was George N. Page, then working in Clarence Blackall’s office. In 1902, Page moved to Cleveland, Ohio, where he opened the firm of Blackall & Page. Partner Blackall remained in Boston. The firm was listed in Cleveland directories as late as 1913, according to this web page from Cleveland’s Landmark Commission.

The source that attributes the design of the Colonial to Page is the trade journal The Ohio Architect, Engineer and Builder, in an article in the issue of September, 1911. Here is a quote:[quote]“The firm of George M. Page and J. W. C. Corbusier was formed in November, 1908, as the outgrowth of the firm of Blackall & Page.

“Both these gentlemen had their early training in the Mechanics' Institute at Rochester. N. Y., Mr. Page beginning his architectural work in Buffalo and going from there to New York City and thence to Boston where he became identified with that greatest of theater
experts, C. H. Blackall. While there he designed the famous Colonial Theater of Boston. He then came to Cleveland where his work has since become so well known.”[/quote]Given the fact that there is only this source for the attribution of the Colonial to Page, I’d be reluctant to remove the design from Blackall’s credits, but considering how busy Blackall’s firm probably was at the time, and the fact that he was willing to open a Cleveland office with Page in charge as his partner, only two years after the Colonial was built, it does seem plausible that Blackall could have let Page handle this important commission.

rsalters (Ron Salters)
rsalters (Ron Salters) on October 3, 2010 at 10:18 am

Yes, this could easily have been the case. Sometimes in these busy arch. firms, one person designed the basic structure while another was responsible for the interior design. George Page might well have done substanial work on the Colonial project, under Blackall’s supervision.

Ron Newman
Ron Newman on March 14, 2011 at 11:57 am

Emerson College did not renew Broadway in Boston’s lease for the Colonial Theatre, according to this Boston Globe article. It’s not clear what Emerson intends to produce or bring into the Colonial next season. Seems to me they already have their hands full with the Cutler Majestic and Paramount, so I find this decision puzzling.

rsalters (Ron Salters)
rsalters (Ron Salters) on May 10, 2011 at 12:10 pm

The Colonial is included in the 1906 edition of the Julius Cahn Official Theatrical Guide. The proscenium opening was 38 feet square, and the stage was 45 feet deep. Seating: Orchestra 618, sofas 39, 1st balcony 552, 2nd balcony 368, 12 boxes 60, 4 loges 16; total: 1,653 seats.

Ron Newman
Ron Newman on July 6, 2011 at 9:03 pm

The Colonial is closing this weekend with no future shows scheduled, due to a disagreement between Emerson College and Broadway in Boston. Emerson would like to bring in another promoter, but that has yet to happen. Read more in this Boston Globe article

rsalters (Ron Salters)
rsalters (Ron Salters) on October 6, 2011 at 11:34 am

I have heard that the booking of attractions at the Colonial will be handled by the Wang Center; I don’t know how accurate that is. And further to the comments above of May 10: notwithstanding what was listed in the Julius Cahn guide, I believe that the Colonial’s stage is 55 feet deep, not 45.

rsalters (Ron Salters)
rsalters (Ron Salters) on November 8, 2011 at 11:01 am

I walked by the Colonial yesterday and it’s totally dead and dark with posters for shows at the Boston Opera House in its poster frames.

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