State Theatre

DavidDynamic on February 18, 2012 at 1:23 am

Oops, I meant to mention those cool lions holding the marquee brace chains

LouRugani on January 31, 2018 at 6:09 pm

The STATE Theatre in downtown Eau Claire is just off Farwell Street — one of the busiest thoroughfares in the city — and Barstow Street, which is considered the main road of Eau Claire’s downtown. Built for $315,000 by Finkelstein and Ruben, The STATE Theatre opened in January, 1926 with a vaudeville show and multiple musical acts. Several years afterward, the STATE started hosting movies and kept doing so until 1982. The STATE Theatre building was donated in 1984 to the Eau Claire Regional Arts Council so it could be restored and resume its original purpose of hosting performances.

It went on the real estate market a little more than a month ago, and a for-sale sign recently appeared on the theatre’s exterior, pasted between posters for acts coming to the theater for its final season. Dean Larsen of Acquisition Realty & Development says that he’s had three showings since he became agent for the property but has received no written offer yet. Larsen said one was thinking demolition and the other two were contemplating “remodeling” the STATE Theatre but didn’t specify for what use. He expects the building likely will attract local investors, who have familiarity with the downtown area and possibilities for the property. The State has offices on its second floor, Larsen said, and the feasibility of turning those into apartments or other uses hasn’t yet been explored.

The 1926 50,000-square-foot STATE Theatre building with its 1,098-seat theater, second-floor offices, a dance studio and art gallery, is listed for $450,000 and is being marketed as commercial property.

There doesn’t seem to be much local interest in preserving the historic theatre.

Ben Richgruber, executive director of the Eau Claire Regional Arts Council which currently owns the STATE Theatre building, says the building is in good shape but the group has had issues through the years with the roof and heating system. When the Confluence Arts Center (under construction on Graham Avenue about a block from the STATE Theatre and scheduled to open this fall) was announced in May 2012, it was clear that the STATE Theatre would close because ECRAC wanted to be part of the new facility and abandon the STATE Theatre with its limitations for hosting large performances. The Confluence will include offices for local arts groups that currently are based out of the STATE Theatre.

Eau Claire’s economic development administrator Mike Schatz said the city briefly considered buying the STATE Theatre but opted against it because the private sector was showing interest in it. “From a location standpoint, it’s right in the middle of a lot of activity,” Schatz added, saying that downtown buildings with apartments on upper floors often sell fast because buyers see rental income in addition to what could be made through street-level business tenants. The State has offices on its second floor, Larsen said, and the feasibility of turning those into apartments or other uses hasn’t yet been explored.

Still, the STATE Theatre continues to host and book performances. Local productions of “Joseph and the Technicolor Dreamcoat” and “State Fair” are booked for this summer at the STATE Theatre. Richgruber said “We’ve still been going gangbusters over here. We’re going to use it until it’s done.”

LouRugani on February 5, 2019 at 5:21 pm

When it opened in 1926, the State Theatre embodied Hollywood glamor in a small Wisconsin city. Built by the Minnesota-based Finkelstein and Ruben theater chain at a cost of $315,000 – that’s nearly $4.5 million today – the State Theatre was hailed as a “veritable fairyland” in a special edition of the Eau Claire Leader published on Jan. 19, 1926:
“NEW THEATER IS BRIGHTEST GEM IN GLITTERING CHAIN OF F&R AMUSEMENT HOUSES,” blared a headline, which shared the page with photos of the theater’s interior and exterior and articles touting its $20,000 Wurlitzer organ, its fine seats and carpet, and its vaudeville lineup. “For sheer beauty and artistic appeal this playhouse will intrigue the most delicate cultural sensitiveness,” one article stated. “In the lobby alone its designers achieved art such as seldom is created in a theater of its size.” In addition to the organ, the theater had its own orchestra (“under the director of M.J. Deglman, an Eau Claire orchestra leader of well know ability”) to accompany both silent motion pictures and live vaudeville acts. An ad noted that evening performances would cost 40 cents, matinees would cost a quarter, and children would be entertained for just 10 cents. On opening night, thousands of would-be patrons braved a winter storm to get tickets. In fact, more people bought tickets than could fit in the State’s 1,300-seats, forcing the theater’s management to publish an apologetic advertisement a few days later promising to honor the tickets at future performances. Those who were able to get seats were treated to a full evening of entertainment, which began with an orchestral overture followed by a newsreel, comedy (with organ accompaniment), a jazz revue with 18 singers and dancers titled “A Syncopated Menu,” a novelty film, and then the main feature: the silent 1925 drama “Classified” starring Corinne Griffith, one of the top stars of the day. Ticket fiasco aside, the new theater was a success, although that success came at the expense of the competition. By June, the locally owned Eau Claire Theater Co. had shut down and leased three of its theaters – the Grand, the Unique, and the Wisconsin – to Finkelstein and Ruben. The State, it seems, had quickly become Eau Claire’s dominant theatrical venue. The days were numbered for silent films and vaudeville performances for which the State had been constructed. By 1928, the State began using the Vitaphone system, which played phonograph records in sync to the film. “Lights of New York” – the first all-talking feature film – was screened that December, and Al Jolson’s “The Jazz Singer” soon followed. After the curtain fell on vaudeville, the State settled into its role as one of city’s dominant movie houses, welcoming several generations of Eau Claire residents for children’s matinees, big-budget features and midnight movies. From the beginning, the State offered multiple entertainment opportunities. The basement was home to eight bowling lanes plus pool, billiard, and snooker tables. Upstairs was a large dance hall. On the ground floor, next to the theatre entrance, was a restaurant (originally the State Cafe) and by the 1940s, the Greyhound bus station. Over the years, some of Hollywood’s most legendary films created indelible experiences for audiences. Gradually, the movie business changed, and the State began to lose its luster. With the proliferation of entertainment options, the rise of multiplexes or the advent of home video and cable TV, audiences began to shrink. By the 1970s, the State was owned by ABC Theatres, part of the American Broadcasting Co., which later sold it to the national Plitt Theatres chain. By 1982, the Leader-Telegram reported that “single-screen theaters no longer are profitable,” and that Plitt was building multiplexes elsewhere, including in La Crosse. “We felt there was no room for us to expand anymore in (Eau Claire),” a Plitt executive told the newspaper. “There are enough screens in Eau Claire, and if we were to expand we’d just be throwing our money down the sewer.” At the time, most of Eau Claire’s screens – including the Hollywood, the Downtown Cinema, and the Stardusk and Gemini drive-ins – were owned by Gene Grengs. The State screened its last film in 1982, and Grengs and developer Warren Barberg bought the place with big dreams about restoring the theatre and turning it into a live entertainment venue. And now the State is ready for its next act.

DavidZornig on December 4, 2019 at 8:52 am

Undated article about the State.

http://m.volumeone.org/statetheatre