Lyric Theatre

711 Hennepin Avenue,
Minneapolis, MN 55403

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The unusually-named Blue Mouse Theatre opened in 1920 after more than a year of construction at a cost of around a quarter million dollars. This downtown Minneapolis house could seat around 1,500 in its elegantly decorated auditorium and contained a marble staircase in its lobby.

Its facade was decorated in white terra-cotta done in a Neo-Gothic style, and rose a full three stories over Hennepin Avenue.

It was renamed the Lyric Theatre in 1923, after an older theater of the same name directly across the street from the Blue Mouse Theatre had closed.

For most of its existence, the Lyric Theatre was a second-run house, playing films after they had had long runs as the larger houses like the Minnesota Theatre or the State Theatre, just up the street.

In the late-1950’s, the Lyric Theatre started to play roadshow films, with reserved seating, starting with the epic “The Ten Commandments” in 1957. This film, and a handful of others afterwards, would have decent runs, but only mediocre grosses compared to many other roadshow houses in the Twin Cities.

By the 1960’s, it went back to second-run films. In 1971, the Lyric Theatre closed, and not long afterwards, was demolished to make way for a new cinema, the Lyric Twin, which, just before opening, was renamed the Skyway 1 & 2.

Contributed by Bryan Krefft

Recent comments (view all 20 comments)

jws69
jws69 on February 3, 2011 at 6:38 pm

I worked at the Lyric Theatre from 1968 to 1970 as both an usher and later as a floor manager. Friday and Saturday night crowds waiting for an evening performance would often line up against the buildings heading towards Eighth Street and, at times, the line would reach all the way down to Eighth. As an usher I would often be called upon to wear the doorman coat and cap and shout out information to the crowds as well as ensuring that the line being formed would keep in order.
Some of the movies I remember are: Wait Until Dark, The Love Bug, The Green Beret Which was controversial because of the Vietnam War, and the Devils Brigade.
Both the Lyric Theatre and the State Theatre were owned and operated by the same mother company. Whenever we ran short of ice we would grab a cooler and hustle over to the State Theatre to pick up an ample supply to meet the evening needs.
An interesting thing about the Lyric was that there was a tunnel which ran the full distance of the theatre under the auditorium. The tunnel began off of the deep sink room which was at the bottom of the steps leading to the Men’s Room on the left side of the lobby as you might approach the candy counter. The Women’s restroom was down the stairs to the right.
There was a stage which was covered by the projection screen. It was quite interesting to stand on the stage during a movie and seeing the projected movie from the back side.
The female employee dressing room was located in the lower level near the Ladies' restroom/powder room area. The usher’s dressing room was located at the rear of the balcony across from the entrance to the projection room. Near the usher’s dressing room was the ladder leading to the roof access hatch.
The Manager’s Office was located on the lower level on the Men’s Room side and was located at the end of the hallway. Next to the Manager’s Office door was a door which lead to a workshop used by the maintenance man.
Stairs on both the right and left side of the lobby led up to the balcony. A storage room on the right stairway where the stairway took a 90 degree turn before leading up to the balcony was used to store extra popcorn, candy, etc.
There was an outer lobby with a full line of glass doors along Hennepin Avenue, an inner lobby which was just past the point where the ushers took tickets, and the lobby surrounding the candy counter and gave access to the two double doors leading into the lower level of the seating area.
To the left of the ticket cashier’s office [Hennepin Avenue] was a set of double doors used for exiting the theatre. Another set of double doors led off from the right side of the building and came down a slight ramp to the Hennepin Avenue sidewalk.
I hope that the above helps to paint somewhat of a picture to bring back into the memory of some concerning the Lyric Theatre during the end of the 60’s.
The architecture, the decor, the marquees, the red carpets, the uniformed ushers, and all the rest that made up the experience of attending a theatre made the experience a splendid memory. Today, with the multi-screen theatres, cable TV, and DVDs, the theatre of old is something to be held as a true treasure.

jws69
jws69 on February 4, 2011 at 3:22 pm

In my previous comments I said that lines would form along the building extending toward Eighth Street. I was incorrect in my streets. The lines would form toward Seventh Street. I do remember instances when the lines even wrapped arount at the corner and extended up Seventh Street.

MTManning
MTManning on February 7, 2011 at 1:43 pm

My grandfather was the projectionist at the Lyric Theatre until his death in 1963. I know he was a projectionist before his marriage in 1919, so it’s possible he was there since the beginning. He always referred to the theatre as the “Handsome Lyric”.
When he died, he had been napping, prior to going to work that night. When my grandmother found him, she called my father, also an operator, and he called the business agent, then raced to the theatre to get the show on the screen. The BA quickly found someone to cover that night’s shift, allowing my dad to get back to his family. Although that might seem odd today, the projectionists of their day took an enormous amount of pride in their work, and took their responsibilities very seriously. They truly believed that “the show must go on”.
A previous poster wondered if there was a roof garden in the early 20’s. A photo of my grandfather and another operator shows that to be very unlikely. http://www.flickr.com/photos/mtmanning/5425674943/

Mike Rogers
Mike Rogers on February 7, 2011 at 3:40 pm

thanks Mary T.It was a different theatre business in Those days.When I started out as an Usher in 1974, I wasn’t allowed to step foot in the booth unless the Projectionist okayed it,by the time I got out in ‘83 we were stocking the booth with Drink Cups and using the Projectionists personal restroom;The managers that is.And it was Still Union,but it was coming to an End,GCC did keep the IA longer than the other chains in Augusta,Ga.

TLSLOEWS
TLSLOEWS on February 7, 2011 at 3:54 pm

Great vintage photo Mary T.Thanks for posting it,love those 20 minute reels.

googoomuck
googoomuck on April 25, 2011 at 7:24 pm

I worked at the Skyway Theater from 1974-76 as an usher. I remember hearing about the Lyric Theater from a couple of older concession ladies who had worked there also. It’d be cool to see more pictures of the Lyric.

Joe Vogel
Joe Vogel on December 26, 2011 at 7:35 pm

An item in the September 13, 1919, issue of The American Contractor said that a new moving picture theater was to be built on Hennepin Avenue between 7th and 8th Streets in Minneapolis for the Blue Mouse Theater Corporation. The surprising thing is that the theater was being designed not by one of the well-known theater architects in the Great Lakes area, but by Harry Lawrie, whose office was in Omaha. Though Lawrie’s firm, Fisher & Lawrie (dissolved in 1913,) apparently designed the original Creighton Theatre in Omaha, and he drew plans for an Omaha house called the Princess Theatre in 1916, he was not known as a theater architect.

itswagon
itswagon on May 10, 2012 at 12:05 pm

Part of the Shubert properties.

“Opened in 1885 as the Hennepin Theatre for live performances, the theater became known as the Lyceum in 1905 and was remodeled and renamed the Lyric in 1908. Three years later, in September 1911, Roxy reopened the Lyric for the season, hoping to replicate the Alhambra’s success with film rather than dramatic plays.

Minneapolis would not succumb as easily (to motion pictures) as had Milwaukee. Motion pictures had already offended local reformers, while the city’s legislators looked upon movie theaters as dangerous fire hazards—or worse. “Everyone was antagonistic to pictures,” Roxy would later recall of his early days in Minneapolis, including the clergy, police, merchants, and the city’s educators…

For its reopening on September 18, 1911, Roxy installed a $2,500 pipe organ, a concert grand piano, and the all-women Fadette Orchestra of Boston. He also presented a variety of soloists along with the newly formed Lyric Quartet.251 The opening bill featured the films Sight Seeing in Boston, The Voyageur, The Ruling Passion, Captain Kate, and The Runaway Leopard (ca. 1911).252 All of this was provided for a ticket price of between 10 and 20 cents at the 1,700-seat theater—roughly the same cost as the city’s cheaper nickel and dime houses and dramatically lower than the Lyric’s prices when operated as a legitimate theater.253 Roxy’s new staff included footmen, pages, matrons, and female ushers who courteously assisted all patrons during the four daily hour-and-a-half shows.254 Roxy refurbished the Lyric Theatre as well, elaborately decorating the stage and screen. And with uneven projection in theaters across the city (and throughout the country), the Lyric’s daylight pictures were now intended to encourage repeat attendance, attract women, and boost perceptions. Elsewhere, palms, flowers, and an electric fountain prominently graced the entryway."

Melnick, Ross (2012-05-01). American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908-1935 (pp. 68-69). Perseus Books Group. Kindle Edition. Melnick, Ross (2012-05-01). American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908-1935 (p. 68). Perseus Books Group. Kindle Edition.

devans326
devans326 on May 10, 2012 at 3:09 pm

Itswagon — I believe your quote applies to the original Lyric theatre (http://cinematreasures.org/theaters/7210), which was across the street from this namesake.

Joe Vogel
Joe Vogel on May 15, 2012 at 4:13 pm

Around 1952, the Lyric Theatre got a new front in the modern style. Before and after photos can be seen on this page of Boxoffice for June 7, 1952.

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