Cinerama Dome and ArcLight Cinemas

6360 Sunset Boulevard,
Hollywood,
Los Angeles, CA 90028

Unfavorite 119 people favorited this theater

Showing 1 - 25 of 1,109 comments

RogerA
RogerA on October 1, 2014 at 2:39 pm

low pay, 12 bucks an hour and no benefits

Flix70
Flix70 on October 1, 2014 at 12:35 pm

What’s the issue with the projectionist?

RogerA
RogerA on October 1, 2014 at 12:11 pm

and in IMAX 70mm at the Chinese. I’ll have to see it at the Chinese. I won’t go to the Dome until they settle their dispute with the projectionist. I have been waiting to see an IMAX movie at the Chinese since the redo.

Flix70
Flix70 on October 1, 2014 at 12:02 pm

Christopher Nolan’s “Interstellar” will screen in 70mm at the Dome starting Tue., Nov. 4. Tickets on sale now.

RogerA
RogerA on September 4, 2014 at 9:44 am

Maybe there were exceptions but souvenir programs were a part of being a road show. Even road shows with general seating had the program.

Flix70
Flix70 on September 3, 2014 at 12:15 pm

Anybody catch Ghostbusters in the Dome over the weekend?

bigjoe59
bigjoe59 on August 18, 2014 at 3:17 pm

Hello From NYC-

I refer to the Oct. 1955 opening of Oklahoma to the Dec. 1972 opening of Man of La Mancha as the prime roadshow period. so from its opening Nov. 1963 to when the roadshow policy was discontinued the Dome hosted many a reserved seat engagement. to which my question- can anyone remember a roadshow engagement at the Dome that did not have a souvenir program?

RogerA
RogerA on August 16, 2014 at 9:03 pm

I went to the Ziegfield in New York to see the Apocalypse original release and the presentation was excellent.

Coate
Coate on August 15, 2014 at 5:47 pm

Thirty-five years ago today, the Cinerama Dome was among three North American theaters to open Francis Ford Coppola’s “Apocalypse Now” in a reserved-performance, guaranteed-seat exclusive engagement. A 35th anniversary retrospective article was posted today at The Digital Bits.

KramSacul
KramSacul on August 8, 2014 at 7:46 pm

It’s been discussed here before. The real issue isn’t the curved screen or whatever masking they’re trying now. It’s the angle of the projection which makes movies with lots of horizon shots and horizontal lines look ridiculous. I remember seeing LoA in the Dome a few years ago and every epic shot of the desert looked like it was filmed through a fish bowl. Same thing with each of the Lord of the Rings movies.

Maybe for some the grandness of the screen compensates for the distortion but for me it’s annoying. I like a big curved screen (Grauman’s pre-2002 screen was great) but not when it makes everything look like it’s going to fall over.

RobertAlex
RobertAlex on June 14, 2014 at 3:07 am

Roger, I agree with you 100% which is why I was so disappointed. The problem is not the screen but rather what arclight has done to diminish the affects of the curve. The issue is the masking on the bottom corners of the screen.

RogerA
RogerA on June 13, 2014 at 8:23 pm

The screen at the Chinese was 120 feet but the curve made up for 20 feet of that so if you look at it dead on it was a little less than 100 feet wide the same size as the Imax screen is now. Only a small area of the screen at the Chinese was used. Width was limited to 65 feet for the 2:35 format 35mm film as the amount of light required to get 18 foot lamberts on a big screen will damage the film.

RogerA
RogerA on June 13, 2014 at 8:06 pm

Yes, the Cinerama Dome opened with Mad World in Ultra-Panavision the print being a single 70mm strand with 6 channels of mag sound on the print. The screen has a medium curve. I don’t know the exact angle. Not as curved as the original Cinerama or Todd-AO screens but the screen at the Dome is curved.

Some people hate it and to those who do I would suggest they just go see the film in another theater. There are loads of flat screens in the city. The screen at the Dome does not bother me even the mild distortion that some presentations have. I have seen films at the Dome for over twenty years. When A Million Ways to Die in the West was moved from the Dome to a Smaller theater I decided to wait and watch it in my home theater when it comes to DVD in a week or so. I don’t have a curved screen in my home theater but if someone would find me an anamorphic adapter I would install a curved screen. Some people hate curved screens and some people love the curved screen. I have seen 2001: A Space Odyssey at the Dome and at the Egyptian (flat screen) and it looked much better on the curved screen at the Dome.

The best curved screen was at Grauman’s Chinese in early 90’s. It was a very shallow curve and no one ever complained about that curved screen. I don’t think most people even knew it was curved.

RobertAlex
RobertAlex on June 2, 2014 at 4:47 pm

Jason, I know. I stood there with my mouth open knowing this dude had no clue to what he was speaking of and just walked away. I emailed Arclight, lets see if I get a response. Yes, it was Days of Future Past…or as I will call it now, the movie that smiled at me for 2 hours.:)

moviebuff82
moviebuff82 on June 2, 2014 at 3:47 pm

actually the movie was x men dofp not xmen first class.

Jason Whyte
Jason Whyte on June 2, 2014 at 2:41 pm

““no longer show 3 projector movies anymore as they used to when they opened”

They didn’t show “3 projector movies” when they opened in 1963. Good lord I want to smack whoever at the theater said that to you.

RobertAlex
RobertAlex on June 2, 2014 at 12:13 pm

I finally made it back to the Dome last night after spending most movie weekends since last fall/summer at the Chinese or the Village (or the new Prime AMC Burbank). They finally were showing something I wanted to see that was not in 3D, X-Men FC. Wow, how depressing it was. The masking that they “fixed” the screen with last summer is even worse now. It is as if the screen looks like it is smiling, with the bottom right and left sides of the masking pulled up about 5 feet on either end. The screen looks small and distorted. It is as if you walked into a carved up theater from the 80’s where the screens didn’t really fit the space but they jammed them in.

It wasn’t that crowded so I walked around trying to find the sweet spot and couldn’t find it. From every part of the theater you can see how distorted the screen is. I guess they are trying to diminish the curve, but isnt that why we come to the Dome, to see a giant curved screen? It was hard to tell, but I cannot imagine it to be bigger then 70 feet now. I know it is supposed to be 86 feet wide, but that has got to be used only for 70mm showings such as when I saw IAMMMMW in fall ‘12. It is so bad (IMO) that the screen they used for Evita (when they put a flat screen in front of the curved screen) looked way better then what I saw last night.

I went out and complained and the manager told me that they had to do that since they “no longer show 3 projector movies anymore as they used to when they opened”. I sighed and walked away.

RogerA
RogerA on December 28, 2013 at 7:15 pm

I went to The Wolf of Wall Street. Great seats, (I booked early) sound was perfect, excellent presentation. I don’t mind the curved screen and the picture quality was excellent.

The movie that’s for you to decide.

Flix70
Flix70 on November 14, 2013 at 1:03 pm

Anybody catch “JFK” in the Dome this past Tuesday night? If so, do tell.

Mark_L
Mark_L on November 7, 2013 at 8:19 pm

I remember Jerry Lewis promoting the Dome on his short-lived ABC variety show from 1963.

Coate
Coate on November 7, 2013 at 5:16 pm

Happy 50th anniversary to the Cinerama Dome, which opened for business fifty years ago today.

RogerA
RogerA on November 2, 2013 at 11:04 am

My mistake the Rivoli payed an advance of $1,250,000 to get Cleopatra

RogerA
RogerA on November 2, 2013 at 12:39 am

to bigjoe

It would be interesting to see an as close to possible roadshow version of Mad World. Stills in place of footage that is missing may annoy some people so I suppose both versions would be best. I assume the sound as well as the picture is missing. They did make some three projector prints of Mad World those should be close to road show length if any survived. As long the whole Ultra-Panavision frame is shown that is a given but the longest version available would be fine by me.

The 65mm negative for Cleopatra should be in pretty good shape. The Rivoli in New York paid a million dollars in advance to book Cleopatra. A large up front advance was required to play the film. The Rivoli did make its money back and the film had a long roadshow run at that theater. Many people traveled to New York City just to see Cleopatra. Theaters in smaller cities payed a smaller advance and many of those theaters did not make their advance back. The general audience did not appreciate the film. Cleopatra was a run away production there were huge cost over runs and producing a movie in Todd-AO was expensive prints were expensive; Fox was strapped for cash because of Cleopatra. It took years to get most of their money back. Of course Cleopatra was followed by Sound of Music and that was an instant hit and a cash cow in roadshow and in general release. What almost put Fox into bankruptcy was Star, Doctor Doolittle and Hello Dolly these three Todd-AO films did not do well at the box office. Easy Rider was shot in 16mm by anyone who could hold a camera and out grossed Hello Dolly. Viet Nam had made the country cynical. Chitty Chitty Bang Bang was designed to roadshow but the public taste had changed it did not do well. While some theaters did well with a popular movie that movie may have been in four channel magnetic, or even mono optical others would get into financial trouble with a 70mm show like Chitty. The inflation of the 70’s and the increase in the cost of energy put many of these big roadshow theaters out of business. There was a roadshow theater in Boston called the Astor it was a Todd-AO theater and it lost money for years in the late 60’s and early 70’s. There now stands a multiplex run by AMC on the same site taking up the same area as the one theater once did.

bigjoe59
bigjoe59 on November 1, 2013 at 9:34 pm

to RogerA-

again thanks for your reply. a quick two part follow up question.

*since IAMMMMW has a direct link to this theater having been its premiere attraction I have a question for you. with the Criterion Blu-ray coming out in January would you prefer the longest version possible with actual footage approximating the original roadshow cut or do you not mind stills taking the place of lost footage.

*at the end of your last post you said-“while Cleopatra bankrupted many a theater it was a grand and glorious time”. how did Cleopatra bankrupt many a theater? in played its roadshow run in L.A. and Manhattan for just over year. I can’t imagine a premiere 1st run theater keeping a roadshow engagement for a year let alone over a year if it wasn’t doing reasonable business. also I wish people would stop referring to the film as a flop, bomb etc…… as corny
and hokey as it is its still one of the best historical epics in film history. the only reason people have referred to it as flop, bomb etc… is because it cost to frigging much for the dollar value of the day, in this case June 1963.

RogerA
RogerA on November 1, 2013 at 10:26 am

After the initial release two scenes in A Clockwork Orange were replaced in order for the X rating to be reduced to an R rating. Kubrick would not let anyone view the original version once the change was made.