Cinerama Dome and ArcLight Cinemas

6360 Sunset Boulevard,
Hollywood,
Los Angeles, CA 90028

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Cinerama Dome and ArcLight Cinemas

Viewing: Photo | Street View

A geodesic dome built for the Cinerama format, this mini-Epcot like structure is a wonder of 1960’s showmanship. Featuring an enormous curved screen and ample seating underneath the large dome, the Cinerama Dome is famous for blending first run films with the occassional revival classic. The Cinerama Dome opened November 7, 1963 with 937 seats and the World Premiere in 70mm of “Its a Mad, Mad, Mad, Mad World”. Additional 70mm films included the West Coast premiere of “The Greatest Story Ever Told” on February 17, 1965, the World Premiere of “The Battle of the Bulge” on December 16, 1965 and the World Premiere of “Ice Station Zebra” on October 23, 1968. In 1999, The Dome exhibited an exclusive week long showing of the original “Blade Runner” answer print.

The Cinerama Dome was recently renovated by Pacific Theatres and the theater is now able to exhibit 3-strip Cinerama features — something it never did even when it first opened. The Cinerama Dome and the Seattle Cinerama are currently the only theaters in the US equipped to show 3-strip Cinerama prints. In 2002, the restored “This Is Cinerama” was shown in 3-strip Cinerama, the first time it had been screened at the Cinerama Dome. The original 3-strip Cinerama version of “How The West Was Won” was shown in February 2003 and October 2005.

A new 14-screen luxury theater, ArcLight Cinemas, now adjoins the original Cinerama Dome and offers first-run commercial, art, revival, and other specialty films. A unique movie lover’s paradise.

Recent comments (view all 1,155 comments)

Jason Whyte
Jason Whyte on June 2, 2014 at 11:41 am

““no longer show 3 projector movies anymore as they used to when they opened”

They didn’t show “3 projector movies” when they opened in 1963. Good lord I want to smack whoever at the theater said that to you.

moviebuff82
moviebuff82 on June 2, 2014 at 12:47 pm

actually the movie was x men dofp not xmen first class.

RobertAlex
RobertAlex on June 2, 2014 at 1:47 pm

Jason, I know. I stood there with my mouth open knowing this dude had no clue to what he was speaking of and just walked away. I emailed Arclight, lets see if I get a response. Yes, it was Days of Future Past…or as I will call it now, the movie that smiled at me for 2 hours.:)

RogerA
RogerA on June 13, 2014 at 5:06 pm

Yes, the Cinerama Dome opened with Mad World in Ultra-Panavision the print being a single 70mm strand with 6 channels of mag sound on the print. The screen has a medium curve. I don’t know the exact angle. Not as curved as the original Cinerama or Todd-AO screens but the screen at the Dome is curved.

Some people hate it and to those who do I would suggest they just go see the film in another theater. There are loads of flat screens in the city. The screen at the Dome does not bother me even the mild distortion that some presentations have. I have seen films at the Dome for over twenty years. When A Million Ways to Die in the West was moved from the Dome to a Smaller theater I decided to wait and watch it in my home theater when it comes to DVD in a week or so. I don’t have a curved screen in my home theater but if someone would find me an anamorphic adapter I would install a curved screen. Some people hate curved screens and some people love the curved screen. I have seen 2001: A Space Odyssey at the Dome and at the Egyptian (flat screen) and it looked much better on the curved screen at the Dome.

The best curved screen was at Grauman’s Chinese in early 90’s. It was a very shallow curve and no one ever complained about that curved screen. I don’t think most people even knew it was curved.

RogerA
RogerA on June 13, 2014 at 5:23 pm

The screen at the Chinese was 120 feet but the curve made up for 20 feet of that so if you look at it dead on it was a little less than 100 feet wide the same size as the Imax screen is now. Only a small area of the screen at the Chinese was used. Width was limited to 65 feet for the 2:35 format 35mm film as the amount of light required to get 18 foot lamberts on a big screen will damage the film.

RobertAlex
RobertAlex on June 14, 2014 at 12:07 am

Roger, I agree with you 100% which is why I was so disappointed. The problem is not the screen but rather what arclight has done to diminish the affects of the curve. The issue is the masking on the bottom corners of the screen.

KramSacul
KramSacul on August 8, 2014 at 4:46 pm

It’s been discussed here before. The real issue isn’t the curved screen or whatever masking they’re trying now. It’s the angle of the projection which makes movies with lots of horizon shots and horizontal lines look ridiculous. I remember seeing LoA in the Dome a few years ago and every epic shot of the desert looked like it was filmed through a fish bowl. Same thing with each of the Lord of the Rings movies.

Maybe for some the grandness of the screen compensates for the distortion but for me it’s annoying. I like a big curved screen (Grauman’s pre-2002 screen was great) but not when it makes everything look like it’s going to fall over.

Coate
Coate on August 15, 2014 at 2:47 pm

Thirty-five years ago today, the Cinerama Dome was among three North American theaters to open Francis Ford Coppola’s “Apocalypse Now” in a reserved-performance, guaranteed-seat exclusive engagement. A 35th anniversary retrospective article was posted today at The Digital Bits.

RogerA
RogerA on August 16, 2014 at 6:03 pm

I went to the Ziegfield in New York to see the Apocalypse original release and the presentation was excellent.

bigjoe59
bigjoe59 on August 18, 2014 at 12:17 pm

Hello From NYC-

I refer to the Oct. 1955 opening of Oklahoma to the Dec. 1972 opening of Man of La Mancha as the prime roadshow period. so from its opening Nov. 1963 to when the roadshow policy was discontinued the Dome hosted many a reserved seat engagement. to which my question- can anyone remember a roadshow engagement at the Dome that did not have a souvenir program?

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