favorited this theater
Showing 13 comments
It is with great sadness that I inform you the passing the Andres Roura, a great contributor to these pages about movie theaters in Puerto Rico. I had the privilege of meeting Andres thanks to this site and our long lunch conversations about movies and movie theaters are things I will always treasure. And I will miss his weekly e-mails telling me about movies on TCM. Que en paz descanses.
LuisV, the reason I “know so much about this theater” is because I managed it for a few months while I was being trained as the assistant to Rafael Cobian Jr. at the home office in the mornings. I don’t remember what the interior looked like as the Capitol. As the Metropolitan it was a simple modern design, wood paneling in the walls to about 5 or 6 feet above the floor and the walls were covered with grey aucustic tiles with the stereo speakers on both sides and the back. The curtain rose up as in the Puerto Rico, it was not the tipe of curtain that parted to the sides as in the Paramount, Metro and most theaters. The downstairs and upstairs lobbies were also simple, neat and clean decor. As the church it is today, I have no idea what it looks like. I have never been inside.
AG….since you know so much about this theater, can you comment on its orignanal style and current condition?
Intro is wrong about seating capacity. It had over 900 seats, about 920. Also, after Around the World it only played spectaculars and after 70mm was installed it played Ben Hur, Mutiny on the Bounty, Zulu and all the big blockbusters.
Seeing again the latest DVD of Around The World in 80 Days, made me wonder if the premiere in PR was in Cinestage. The Metropolitan used to be the Capitol, I don’t remember if it was a first or second run house. The theatre was closed to prepare for the opening of Around the World but nothing was said about Todd-AO. The new screen was like the one installed at the Music Hall for The Robe but with a deeper curve and the stereo sound was terrific. I had seen Cinerama and Todd-AO in the US. Todd-AO was very impressive with the deep curved screen, it looked like Cinerama to me. I thought that in PR World was in scope because Oklahoma was shown in its CinemaScope version at the Music Hall. At the time I had no idea about Cinestage, I learned about it when I bought a computer and started visiting film sites. That is why when I joined the exhibition business in PR I never inquired if World was in scope or what. Todd-AO was installed at the Metropolitan for South Pacific and they installed the screen that lasted until it closed, taller but only slightly curved. Eventually the Music Hall curved screen was replaced with a flat screen as was the one at the Lorraine which was curved from wall to wall, very impressive. I guess that happened when Fox did not require the silver screen anymore and the CinemaScope ratio was adjusted to fix the sides distortion, which I never noticed.
The Metropolitan also played Mel Brooks' “The Twelve Chairs” and “The Front” starring Woody Allen.
AGR: “It’s a small world!” Good grief, give me a break, it’s only been 44 years (the winter of 1966 is my guess)! I guess I messed up a little on the Charmain Carr story. At least I remember something about Liesl being in Puerto Rico, you should be proud, it just goes to show your advertising skills are immortal!!!!!!
JSA: I felt emotional and nostalgic by reading your comments on the article. Brought back many memories. Yes, all dressed up, no T shirts or ragged jeans. Those were the days!
Correction on my comment above: Should have said return engagement instead of reissue. We brought the film back at the Metropolitan after the film or films that followed it ended its run. Charmian Carr made an appearance on the first night of the return engagement.
Bob: I did the ads for SOM in PR and did not do any ad asking who Charmian Carr was. By the time she made her appearance at the theater the film had already played for many many weeks and everyone knew who she was. That night the theater was packed and everyone wanted to touch Charmian and get her autograph.
I posted a reminiscence of “The Sound of Music” at the Metropolitan in today’s 45th Anniversary article.
In today’s CT there is a story about the 45th Anniversary of Sound of Music. At the end they list the length of the roadshow engagements. For the Metropolitan: 05.26.1965 … San Juan, Puerto Rico â€" Metropolitan (44 weeks). I did not remember it played that long, I always though it had played 22 weeks or so. Maybe they included the reissue. I really don’t remember.
Does any of the old theater ornamentation remain? Usually, when an old theater is turned into a night club, the old ornatmentation is a big part the the club’s decor and allure. This was especially true of New York’s big theaters turned trendy night clubs: Loew’s Commodore (The Saint), The Academy of Music (Palladium), The Forum (Club USA), Henry Miller (Xenon) and of course, Studio 54 which used to be the Gallo Opera House!
In most cases, the clubs kept the theater around a few years longer, but they ultimately weren’t able to save them. Today, only Studio 54 remains as a theater and is now, once again, a legimate Broadway house.
Hopefully, some if not all of the old theater still survives.
I remember that above the marquee the theater had a huge poster for the movie being shown, like the ones in movie theaters in the Gran Via in Spain. I remember ones for “Sound of Music”, “Waterloo” and “Che!”. This huge kind of movie poster would only be seen at the Metropolitan and in a wall at a parking place in Ponce De Leon avenue where the Cobian Plaza building now stands.
Before the UA Cinema 150, there was… the Metropolitan! Fond film memories include “Planet of the Apes”, “Tora!Tora!Tora!” (That film played for months), “The Sound of Music”, “Gone in 60 Seconds”, and “Blue Water, White Death”. I recall that during “Beneath the Planet of the Apes” an elaborate setup was erected in front of the lobby and box office. I can’t exactly remember which film, but I was standing in line one time and there was someone with a loud transistor radio playing Eric Burdon and War’s “Spill the Wine”. Every time I hear that song, I go “back” to the Metropolitan!