Palace Theatre

1564 Broadway,
New York, NY 10036

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RKO Palace Theatre exterior and Times Square area

Viewing: Photo | Street View

The Palace Theatre of New York City, the one that virtually inspired them all, started out as a vaudeville theatre on March 24, 1913. It continued in that use until November of 1932 when it began showing movies under the direction of RKO. This continued until 1966, when it became a legitimate theatre. For most of the memory of those alive today, it was a non-movie theatre, and is, indeed, perhaps best remembered as the “Valhalla of Vaudeville” as it was dubbed in the day and age when to ‘play the Palace’ referred to the acme of aspirations of vaudevillians and to this day a way of saying that one has ‘made it big!’

When the Palace Theatre debuted its 1,733 seats at 1564 Broadway, it was within a ten story office building that was squeezed between previous buildings on some of the most expensive real estate frontage in the world. Architects Charles Kirchoff and Thomas Rose of Milwaukee were therefore limited to showing their artistry in the three-level auditorium with its sixteen boxes cascading down the walls toward the stage, while being under a graceful arch forming a stylized sunburst above them on either side. In 1920, a grille in this arch was used to front the new organ chambers for the recently installed two manual, four rank Wurlitzer theatre pipe organ to accompany occasional film novelties that would become not so novel in the next decades. The organ was remarkably small in size for so prestigious a house, but perhaps the management of the time did not foresee the future dominance of film and the need that silent movies had for a good sized organ. Projectors had been installed in March, 1915 under a slight remolding by architect James S. Gavigan. The theatre was wired for sound movies in 1929, a pivotal year in many respects.

Just why an architectural firm in far away Milwaukee was selected for the prime Palace Theatre, is not known, since it would be years to come before this team was well known for the movie palaces with which they would grace that and other cities, ten in Milwaukee alone. Perhaps it was Martin Beck himself, impresario of the Palace Theatre, who was touring his Orpheum Vaudeville theatres across the land and happened to admire the gracefulness of the 2,500-seat Alhambra Theatre there, and resolved to have its architect design his new showplace in a somewhat similar style.

Here in the Palace Theatre, it was also to be a combination of Neo-Classical and Adam periods. A relatively simple styling that did nothing to suggest the movie palaces to come, it was characterized by moldings of such as fruit festoons and bead-and-reel to outline the panels into which the walls and ceiling were divided. Perhaps there were very elaborate draperies on the proscenium, but the only found photos are from 1951 and reflect replacements to accommodate the large movie screen of the era, so that as of then, only simple panels of velour in 50% fullness constitute the grand drapery and the house curtain, any draperies in the boxes having by then been removed. Both sides of the main floor seating also boasted a cascading line of elevated (parquet style) boxes from the balcony line forward to the annunciator frames of the drop-card style. In 1939 the lobby and marquee had been altered, and were later completely redone again. The entire facade was largely demolished in the 1980’s, but the interior is virtually intact.

Why did this one theatre rise to such prominence? It is a long and complicated story, as one might expect of a theatre created at the joining of eras in exhibition, but perhaps it is as claimed in the noteworthy book: “Show Biz: From Vaude to Video” by Abel Green and Joe Laurie, Jr., that it was the coup in obtaining the appearance of the great French tragedian Mme. Sarah Bernhardt, that capped the very long list of notables of both the Vaudevillian and legitimate stages, as so ably brought out in this book, and in the book: “The Palace” by Marian Spitzer in 1969. This was for years the ‘Flagship’ theatre of the RKO circuit and even once housed the offices of this dominant national theatres/vaudeville circuit.

Today, it is often the host to long-running Disney stage epics and other hit musicals, and in that vein may it long continue!

Contributed by James H. (Jim) Rankin

Recent comments (view all 250 comments)

techman707
techman707 on March 10, 2013 at 1:20 pm

Do you believe that the “theatre itself” is the 3 window width?

techman707
techman707 on March 10, 2013 at 1:35 pm

Here is this photo http://cinematreasures.org/theaters/6635/photos/6862

They ripped off part of the builing. If you look at the picture you can see the raw bricks that were left exposed. When I worked at the DeMille, I would come out of the office builing on 47th St and walk across to the Bowery Savings Bank to deposit my check. I looked at the ugly unfinished wall above the bank.

In any event, the 3 window width was only the lobby lead in to the theatre, which further back is STILL WIDER.

Joe Vogel
Joe Vogel on March 10, 2013 at 2:23 pm

At some point, the old building on the corner had some of its upper floors removed. That’s where the destruction wall came from. And of course the theater would have to have been been wider than the office building, in order to accommodate so many seats. A comparatively narrow building for a theater’s entrance and a wider lot behind for the auditorium was common in neighborhoods such as Midtown, where frontage on the Avenues was very expensive and land on the side streets was considerably cheaper.

techman707
techman707 on March 10, 2013 at 2:43 pm

You’re just confirming what I’m saying. However, it wasn’t just the “upper floors”. It started above the top of the Bowery Bank. The window in the picture was added AFTERWARDS. Nederlander had offices up there. When I did the installation in the temporary booth for the 70mm runs of Ben Hur and Mr Chips I looked through the building (including all the dressing rooms).

Mikeoaklandpark
Mikeoaklandpark on March 11, 2013 at 7:35 am

The building had apartments in the upper floors. It is showcased in the original movie Fame. When they built the hotel the only thing that was left of the Palace was the auditorium. The lobby and enterance with the old beautiful marquee was all torn down.The theater was closed for at least 4-5 years. It was reopened in 1991 with The Will Rogers Follies.

techman707
techman707 on March 11, 2013 at 7:51 am

The really beautiful marquee on the Palace was replaced MANY years ago. Although it was still an “RKO” type marquee that used translucent letters on black squares, it didn’t have that beautiful raised rounded center (sigh). The smaller imitation of the original Paramount marquee has that nice look. I guess plain old SQUARE is cheaper for a replacement.

LouRugani
LouRugani on March 24, 2013 at 4:21 am

Today, Sunday, March 24, 2013, marks the Centennial anniversary of New York’s PALACE Theatre.

techman707
techman707 on March 24, 2013 at 8:33 am

Happy Birthday, Palace Theatre….at least what’s left of it….and the air space that WAS above it.

Cimarron
Cimarron on May 1, 2014 at 7:21 pm

Uploaded pic of Palace night time view with large waiting crowd for All Star Show

Mikeoaklandpark
Mikeoaklandpark on May 2, 2014 at 5:22 am

So loved the old marquee. I wish during the renovation they would have kept it.

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