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I can’t find it now but I did run across a site with DBox movie reviews – I’ve been frustrated by some titles to the point of really not seeking it out after a few bad experiences. When it works, it works, but often its pretty lame. Maybe for the new Fast & The Furious movie. I agree an $8 upgrade is a little too much especially since those seats can be for some flicks mostly dormant.
I’m glad they’re able to show new-ish films but as 35MM prints become less and less available for smaller titles, I should note, 2 of the last 4 films we saw here were projected on a pre-show projector in what I assume was BluRay. The image quality wasn’t great – the blacks weren’t black enough and the whites looked a little too pixilated. I know this is a work around but Clearview it appears is behind the curve on digital installs, so I imagine its either BluRay or nothing for some of these titles, but I don’t want to see this trend continue. (I believe most of these titles alternative would be available as DCPs as other art house theaters have gone digital).
I believe it was 6-screens that was later expanded to 8. It’s a pretty nice community plex run by a good operator (clean, well maintained from what I saw on my one visit). Dipson programs this and a former General Cinema in the mall about mile away like a 10-plex (with the mall getting lesser releases, a second screen for stuff at the 8 plex or move-over product).
Yes mike – Regal has been increasing the number of trailers – 20 minutes is the new normal and I think it’s a tipping point. Before The Last Stand we saw 3 trailers for upcoming Bruce Willis films PLUS a Regal commercial (Go Big or Go Home!) featuring A Good Day to Die Hard. As a shareholder I’m glad they’re a profitable company, but as a customer I wish they’d do a 3-minute montage of upcoming movies for the month like Alamo Drafthouse does followed by 3-4 trailers and the feature.
Remodeled with Century Theaters style murals and I’m guessing new seating (black leather seats – very comfortable). They also have a traditional concession stand and a lobby cafe. The classic series appears to be well attended (I saw Saturday Night Fever with a packed crowd a few nights ago).
It’s a shame a theater named “Retro Cinema” is going to have to convert. If only there was a business model that would allow them to stay open and show 35MM prints (although archival prints are out – they have platters).
I’m surprised Nitehawk isn’t on here – I’m a big fan of that place!
That design has origins in Canada – I’ve been to a few Cineplex Odeon sites in the GTA that have similar design to AMC Rockaway (Cineplex Queensway and Cineplex Niagara Square) and sites were on the drawing board before the AMC merger.
Great programing – a nice mix of commercial art house films and micro-budget films. I’m slightly jealous we don’t have anything like that in Northern NJ and have to travel to the city or do VOD. Hopefully the promise of digital will mean more smaller films released in a low risk kind of way…..
That’s very cool and opens up the opportunities to screen non-traditional works in conjunction with academic departments. Hopefully the owners will make that accessible, although its 100% digital so my guess is its not going to be conducive to experimental filmmaking the way a traditional college screening room may be (I used to teach in media study’s screening room at UB and had my choice of digital formats, 35MM and 16MM – – although not always having the luxury of a projectionist, running back and forth between the projection booth and the classroom was exhausting for showing film prints).
@Ron – it’ll be a new concept “Showcase Super Lux” – which I think might be all dinning, reserved seating, etc like iPic (Gold Class) – so the 6-screens makes sense for a high end luxury theater. I wish National had further developed The Bridge brand, although it probably didn’t make sense outside of urban areas – the Philly location was pretty awesome and ahead of its time.
Didn’t Regal originally run it as an arthouse? I remember they got a lot of bookings from smaller distributors like Strand Releasing when they first opened (where they splitting product with someone else?).
** aren’t first run – that should read….
It’s run by the Army Air Force Exchange – which has several theaters on army bases (some bases have privately corporate theaters) – but I’m not sure if these venues will convert to digital. Hollywood should do the right thing and as most of these theaters are first run, offer them the option of screening non-DCP (i.e.: BluRay0 with cheaper video projectors. Smaller theaters can get away with it – I was at Cinema Village the other night and on those screens BluRay on a decent projector (total cost 2,000 vs. 60,000+) it works.
Frequently only showing 7 movies (screen #4 still has 35MM equipment but is more frequently used for the Road Less Traveled Theatre – – and has a big stage that has cut that auditorium’s capacity drastically). One screen has a high quality non-DCI digital projector that they use for film festivals, local independent film screenings, and the theatre’s signature program Buffalo Film Seminars (although they occasionally do show a 35MM print at BFS).
Sadly I don’t know what the future for this complex is – and if it will make it and convert to digital (Dipson manages the complex for this NFP – – and Dipson has fully converted Amherst, Eastern Hills and Flix).
A nearly intact General Cinema site – and it did well when they had the right picture (prior to becoming a discount house last year it was splitting product with Quaker Crossing, which unfortunately led to this one often getting lesser Hollywood films they’d have to hold on to – and fortunately a good amount of art house stuff that would sometimes move over from the North Park). Two screens have digital 3D, four are digital, and two are presently 35MM with a digital conversion coming soon.
Dipson is trying to sell the theatre (I’m guessing they’ve made the decision they won’t be the ones to convert it to digital projection) http://thedailynewsonline.com/news/article_229dfbfa-563c-11e2-a485-0019bb2963f4.html
And it’s back!
It was a nice alternative for our art house movies to Montclair – now Palisades thanks to cheaper digital distribution is getting more and more art house films (including a few that didn’t come to Montclair). It had originally split bookings with the UA in Spring Valley, and both tanked when Loews opened. Both theaters were successful and became ghost towns when Palisades opened: now Regal is trying its hand at a 12-plex with an RPX screen at the revitalized mall (which will be a hybrid mall and outdoor life style center) – and it will probably work (the AMC at Palisades has seen better days but still serves its purpose).
I just read a post-script to an incident that occurred in 2001 in which an 11-year old was stabbed to death (by another 11 year old) in the lobby of the cinema. I’m guessing that didn’t help the theatre (although the brand loyalty to Showcase Cinemas has been cited as a reason why this Regal didn’t work).
Interesting the Teaneck Film Fest is interested: they used this theatre and a few other venues around town (we saw a screening at the fest a few years ago that played in a conference room at a law office – yet the audience was very engaged and the Q & A following the movie was great).
If they had deeper pockets (and/or found money for this kind of project) a real art house eliminating that “4th theatre' (and converting it into a gallery or reception space) might be something the community could support with filmmaker events and family programing. Despite parking being a little bit of a pain, the location is viable, it just requires an extensive remodeling job. Or, perhaps its on Alamo Drafthouse' radar – they have 3 projects under construction in the area now (Yonkers, NYC and Brooklyn) and they like to redo historic theatres.
Cinemark is generally okay – apart from their new builds which don’t contain proper masking for scope features, at least I was told this by a manager at their Stroud Mall location (I hope he was wrong, his logic is “because most movies aren’t made for scope these days – this new location doesn’t contain masking for scope movies”). Um-kay: there’s someone who has no idea what he’s talking about, it’s not like the academy ratio.
They aren’t buying the whole company, there will still be at about 10 Rave Cinemas sites that Cinemark isn’t picking up (not sure which).
Mayo is an pioneer in the arena of digital exhibition and I like Digiplex’s commitment to alternative content and independent film. More screens more ways to leverage this material could make it work in a low risk way. Clearview (mostly do to a lack of digital screens) really didn’t leverage the IFC connection enough. I don’t think you can show an indie film 6 times a day for a week – but a new indie, foreign film or doc at 8PM every wednesday – that could work if you cultivate an audience for it.
Digiplex has the chance to do that (they run the DigiNext project) and perhaps expand that mission out by market and even multiplex. From what I’ve read is they seem to get it and expanding screen count (although I hope they make some major changes at Clearview – apart from the popcorn, Clearivew has good popcorn) – a real commitment to interesting alternative programing could be great and Mayo and team get this concept for sure. Worth noting is Clearview serves some diverse markets – and it would be great to see more diversity reflected in the form of weekly screenings of non-Hollywood content tailored to a specific audience at a specific plex, the possibilities are endless especially for smaller high quality indies with very limited distribution.
I don’t know if DigPlex improves theaters apart from digital projection – Clearview is such a mixed bag of good and awful locations. Maybe they could partner up with Bow Tie, who I also think has a likely candidate to take over Clearview and split up the chain accordingly. Alternative content probably would be a benefit for the Ziegfeld which is a premiere house managed by one the worst theatre chains. I do like Bud Mayo’s ideas including his proactive approach to indie films (I’m not sure what the audiences are like for them, but they’re doing it in a low risk way).