Richelieu Cinema

I believe I visited this cinema only once, on July 22, 1978, to see Barbara Stanwyk in "Sorry, Wrong Number." The place reminded me of the film programs at Theatre 80 St. Marks in Manhattan, which I believe also employed rear-projection.

There is a 60's photo of the Richelieu Cinema here:
http://webbie1.sfpl.org/multimedia/sfphotos/AAA-9088.jpg

I once saved the show at the Richlieu.

The operator made several false starts on The Red Shoes. There was no sound. I jumped up and entered the booth through the door beside the screen. "I work at KQED," I said by way of a credential.

I asked for a can of dust-off. He produced it and I squirted a puff into the Bell and Howell sound head. I grabbed a scrap of paper, passed it through the head and heard a rewarding "bloop" from the speaker.

"Carry on," I said, returning annonymously to my seat.

(I guess I should have billed you for that, Jack.)

This theater was an experience to say the least!
Can't remember what we saw - but we enjoyed ourselves.
Rear Projection was not as clear as regular shot booths but
nevertheless - the movie house was a treat to visit.

Jack Tillmany is modest in not telling us that he was the genius behind both the Gateway and Richelieu cinemas, where I spent a minimum of two nights a week through much of the 1970s. He had a revival policy, then unusual, and I got a quick education in film noir and foreign films. A showing of the historic "Birth of A Nation" resulted in vandals storming the theater and cutting up the screen. Luckily I had seen the film the night before.

I used to stay at the Richelieu Hotel with my parents when I was a teenager in the late 1960's. I recall going to the movies on several occasions at the Richelieu. The two movies I recall having seen were "Greetings," and a Czech film about auto thefts - the name I don't recall. I also remember a version of Tolstoy's "Ressurection" playing but was not allowed to attend (by my parents) because of the racy subject matter. -P Jenkins