Odeon Muswell Hill

Fortis Green Road,
London, N10 3HP

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Odeon Muswell Hill

Viewing: Photo | Street View

The Odeon Theatre was one of the original cinemas in the Oscar Deutsch owned Odeon Theatres Ltd. chain. It opened on 9th September 1936 with the British comedy film “Educated Evans” starring Max Miller. Seating was originally provided for 1,827, with 1,217 in the stalls and 610 in the circle.

Located on a corner site, the Odeon’s rather small facade is covered with white faience tiles in the central section, with two bays either side that are covered in black faience tiles. On either side are a parade of shops on the ground floor with flats above, which hide the bulk of the auditorium section of the building. There is a small car park at the rear.

Inside the building, the decorative Art Deco styling is considered a prime example of 1930’s cinema styling and even created a style to itself, thanks due in this case to architect George Coles, it became known as the ‘Odeon style’.

Troughs of concealed lighting illuminate the auditorium and ribs of plaster stretched from the projection box at the rear of the circle, down the centre of the ceiling to the proscenium arch, forming a stylised strip of film, which also contains lighting.

The Odeon was tripled from 26th May 1974, creating a 436 seat screen in the former circle which uses the original projection box and proscenium opening, and two screens under the circle in the rear stalls area with seating for 171 and 169. The front stalls area is un-used.

The Odeon Muswell Hill was given Listed Grade II status from 6th March 1984 and has since been raised to a Grade II* Listed building. It remains open and is a popular cinema serving the local community of this North London suburb, despite opposition from nearby multiplexes in Wood Green.

Contributed by KenRoe

Recent comments (view all 8 comments)

Ken Roe
Ken Roe on September 12, 2005 at 10:33 am

Photographs of the Odeon Muswell Hill here:

  1. An exterior night view in 1947.
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  2. An exterior day view in November 1949.
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  3. An exterior day view in 1956 with Lawrence Olivier in “Richard III” recieving an Odeon General Release.
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  4. A good artists impression of the auditorium.
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Ken Roe
Ken Roe on September 12, 2005 at 10:36 am

OOpps here is Link #3 again:
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Ken Roe
Ken Roe on September 12, 2005 at 11:22 am

2004 photgraphs here:

Exterior View link

Circle foyer and entrance to Screen 1
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Auditorium Screen 1
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garypainter
garypainter on June 13, 2007 at 6:41 am

Large gallery of interior pics from our visit in March 2007 here:

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Ian
Ian on July 22, 2008 at 5:20 am

A few mid 1980’s shots here:–

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FanaticalAboutOdeon
FanaticalAboutOdeon on May 7, 2013 at 2:46 pm

A wonderful surviver. A close friend and colleague of mine, Steve Gaunt, was the Odeon’s manager from 1970. On my first visit, all three lighting coves on the splay walls were in use and each had coloured bulbs – one had red bulbs, one blue and one green. Now coloured bulbs in blue and green provide a poor, greyish light, unlike colour filters. I got Steve to order sufficient bulbs in pink and amber and later, the projectionists were only too happy to replace the green and blue versions. The result was a brighter and warmer glow nearest the proscenium, a golden amber glow in the middle section and the original red nearest the balcony. The vertical glow was slightly shorter in each cove with the highest being that closest to the proscenium. The curtains at that time were plain, brown velvet so, using newly ordered Cinemoid colour gel, we replaced the blue and green circuits with deep golden amber and magenta. Leaving the red circuit alone, the new colours were far more effective on the non-reflective tabs. I was especially gratified when the tabs were briefly closed between the trailers and the main feature at every performance and the projectionists invariably just brought up the magenta footlights; in an otherwise darkened auditorium the moving tabs looked very opulent.

davepring
davepring on March 17, 2014 at 6:11 am

this is my favourite Odeon…I just wish that the stalls void was reused in a similar vein to the Rex Berkhamstead

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