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well that took forever, but the Dolby Cinema screen has opened as of this week with ‘The Accountant’ – shame that it’s not an official Dolby color graded movie.
so was this the location / theater that had 70mm capabilities? according to in70mm.com ‘Close Encounters of the Third Kind’ played here:
and according to the story, in it’s one screen configuration was as such:
60 foot wide 150 degree curved screen
2 Bauer U2 projectors
has anyone been here recently – are they renovating more than one auditorium currently? what are they improving?
only auditorium / screen #2 offers 7.1
Auditorium #1 can and should be easily upgraded to 7.1, since it’s still 6.1 as to why AMC won’t do the simple conversion is beyond me.
I agree tmundell, acoustically Arclight and the Angelika Mosaic are the best in the area and all their auditoriums are outfitted for 7.1 playback.
screen #11 even in it’s prior non Dolby Cinema: ‘ETX’ configurement had no masking for scope films.
yup that’s me… Dubstar. So where’d did you eventually see “ID: Resurgence” ? sorry for the late answer but Fairfax’s two Xtreme screens are fixed 1.78 screens – but on the positive side they are massive tall screens (too bad they are Auro 11.1 [so few movies are mixed and released as such])
back on topic though, just saw ‘Secret Life of Pets’ here at Arclight’s widescreen screen and I have to say the 3D (and brightness) was much better than ‘Finding Dory’s presentation.
nextinline – in regards to your comment about the new metro line – the plans are for the entire complex/building to be raised and:
“Austen Holderness, managing director of development for Carr, said the Regal Cinemas currently in the Apex Building would be given the opportunity to return to the new building once it’s finished. Carr is planning to provide space for new movie theaters on the same underground level as the Purple Line station but further south on the property.”
I have to say and conclude with my impression of seeing ‘Finding Dory’ here on the Dolby Cinema screen – I’m kind of through of seeing movies here. That red light for starters, yeah ‘that’ … [insert annoyed face] I won’t go there.
Having seen the movie prior (the week before) at Arclight’s Bethesda’s ‘widescreen’ screen – the Atmos sound here at Tysons was quite frankly appalling, and well, terrible. All those flaws I heard during ‘Captain America: Civil War’ were apparent here as well, and quite frankly it was simply no where as immersive as what I heard at Bethesda – very little overhead & rear surround audio cues. I don’t know why these flaws are apparent, but Dolby mucked it up, and needs to recalibrate it or something – very very disappointing.
on the plus side, the laser projection and Dolby’s color grading of ‘Finding Dory’ was eye-candy and shows off why and when Dolby does it right, the results are spectacular —– but with the sound flaws it’s a valiant attempt but sort of falls on it’s face.
side note, it’s amazing when a family of five, the parents can drop $100 for a night out to the movies, guess in this day and age, and Northern Virginia family income, no one bats an eye to how much tix prices have gone up – good for AMC in the long run.
hey there FAShaffi – are you a member over at bluray.com ? I know I answered a similar question just recently – and I’ll answer it like it did there. For scope films on the widescreen screen – it’s vertically masking where the screen actually lowers to 2.39 from the top downwards, thus eliminating the black bars that fixed ‘flat’ 1.79 screens present when presenting ‘scope’ movies.
Hope that answers your question. It’s a great screen and features a properly calibrated Atmos sound system, which in my opinion trounces the sound over on Tyson’s Dolby Cinema setup. (Unfortunately this morning’s presentation of ‘Finding Dory’ really showed off to lackluster effect how 3D glasses and non-laser projection can diminish color) Dolby Cinema and IMAX-laser (at Udvar Hazy and at the Lockheed Martin screens) show off how laser boosts brightness and colors to beautiful eye-popping superior effect. Wish Arclight would invest the time and money to switch over to a Christie 4K laser system for this screen.
Auditorium 8 is currently in the process of being converted to a Dolby Cinema screen with plans on opening at the end of August.
at one point Cinemark made the announcement back in 2014 that Barco Laser3D systems were to be installed on it’s XD (and I’d assume Xtreme [Fairfax 14]) screens – is this the case?
thanks Coate posting the 1991 70mm fest – I remember seeing ‘Ben-Hur’ and ‘Alien’ – the latter in particular since my first time I saw the movie was on a small 13 inch TV (in no way to see or experience it) – the 70mm version was far and out the best way to see and hear it – the airduct scene I was digging my fingers into the arm rests.
^ Elizabeth Olsen as Scarlet Witch?
I think the theater you are thinking of JodarMovieFan is Portland’s Hollywood Theater
regarding tix pricing here’s what the Smithsonian recently stated:
“… if you bring in a ticket stub from a past #SciFiSundays film you can get your next film for just $10.”
as to ‘Star Trek II’ I’m assuming they are showing the theatrical DCP of this – unless Paramount created new DCP’s from the recent HDR’d 4K remastering
SciFi Sundays screenings:
May 1: Spaceballs
May 8: The Fifth Element
May 15: Men in Black
May 22: Spaceballs (repeat, due to popular / sell out screening at the beginning of the month)
May 29: Batman vs. Superman: Dawn of Justice
June 5: Star Trek (2009)
June 12: Star Trek: Into Darkness
June 18: Star Trek II: The Wrath of Khan
June 25: Inception
auditorium three finally reopened – oh the leather seats put Bethesda’s to shame – very very comfortable (haven’t been over to Atlantic Plumbing to compare) – it’s very intimate I don’t think it can sit more than twenty five people.
both auditoriums have the new seats and a quick look into auditorium two, the spacing also looks resolved.
recent news stated one of the auditoriums will be upgraded to DTS' new “immersive audio” DTS-X systems.
I personally don’t think that light red haze on the screen is ever going to go away (due to safety regulations). but on the positive side the presentation of ‘Captain America: Civil War’ on the Dolby Cinema screen was stellar. On the flip side the Atmos mix wasn’t really that much to write home about, not the fault of the system, but more on the overall sound design/mixing – ceiling sourced sound cues are kept to a minimum.
in it’s new incarnation – it’s called The Miracle Theater is serves as a multi-use facility equipped to host “gala events, live theatrical productions, private film screenings, concerts, meetings and weddings”
the theater has reopened as of last week (April 22nd). Seating which includes a balcony sits 370 people and features 2K digital projector and 5.1 sound.
from the theater’s Facebook page:
“We are officially OPEN! Celebrate with us for our GRAND OPENING WEEKEND! We’ll be adding more to the movie lineup- stay tuned!
Thursday, May 5
Many Beautiful Things Film Screening & After Party
Friday, May 6
Princess Bride || 10pm
Saturday, May 7
Open House || 1 pm || FREE (During Taste of 8th 2016)
Kids music by Rainbow Rock Band from 1-2pm || FREE
Sunday, May 8
Princess Bride || 4pm
finally checked out the new laser upgrade today and I have some mixed feelings about it, more so about what and how IMAX remastered ‘To Fly!’.
The beginning which is a small section of the screen, looks hideous, it looks like blown up VHS quality (it never looked like this in it’s 15/70 print) – but when it expands to full screen, the difference is immediate and stunning. A couple of instances there is judder as the camera pans across tree shots. Very minor speckles appear, but in no way hinder the picture. It’s just odd that the remastering process didn’t digitally erase them. The scene with the skydiver, the skydiver is double imaged – that had me equally bewildered. It’s the type of anomaly you’d see in a 3D presentation when ghosting occurs, here it defies description as to why it’s present, at all (I never noticed it in 15/70 form).
The huge difference is the sound, it sounds glorious and even though the overhead sound cues are subtle and more atuned to in keeping and retaining it’s original 6-track sound configurement – the panning and placement of the music to the new side wall channels is astounding. It gave more appreciation and fondness to Bernardo Segall’s music score.
the plus for IMAX here at Tysons is that IMAX is 3D, Dolby Cinema is not – which for the price seems like a rip off. Oddly ‘The Jungle Book’ is the first Dolby Cinema release in actual 3D, yet it’s not presented here as such. Until they fix that ‘light bouncing back onto the screen’ flaw, I’m not really all that gun-ho on going back here.
interestingly I was here yesterday to see the French movie: ‘Marguerite’ the soundmix comprised of classical / Opera music was just beautiful in 5.1 – but in auditorium #1 the seats actually fold up and down, thus getting around the seats A LOT much more easier. Screen 5 though the image seems dark to me, ‘Xanadu’ (as well as last year’s showing of ‘Mary Poppins’) the luminance is lacking.
I saw ‘Batman V Superman’ here on the AMC Prime / Dolby Cinema screen this morning and I have mixed feelings about the conversion.
One) The light from the floors immediate to the screen, it casts a red light onto it, and for the many dark scenes in this movie it is VERY noticeable, there’s no way to remove them, but there should be a way to reduce the brightness during the movie. From an IndieWire.com article:
“The interior design is purposeful, and meant to virtually eliminate any light or color interference. The designers have even utilized new low ambient LED lighting for the aisles and stairs, which still comply with safety, but greatly reduce the amount of light that could interfere with the projection experience.”
this isn’t the case here.
Two) I guess I forgot about the rumbling seats, but in this case, it was downright annoying (to me) – other’s may get a kick out of it, I just want to enjoy the movie without the physical interruptions.
On the plus side, I like the seats, they don’t go far back as the IPic “Bethesda” seats. Since now there are walls in between the rows, it’s nice not to see the patrons in front of you (or even behind you).
Sound seems the same to me, as it should, there was nothing wrong with it in the first place (outside of some of the action movies being a tad too loud sometimes).
There are new surround speakers on the walls with red lights behind them, they look like the mini versions of what you’d see at a music venue/club. Lights also illuminate the ceiling speakers.
Screen is also larger and slightly curved.
Unfortunately due to limited space and zoning, Dolby couldn’t install their curved ‘video wall’ entrance