Showing 76 - 100 of 1,405 comments
I absolutly love the new curtain
Perhaps for those of us unable to visit the theatre someone could photograph the curtain opening and closing and post it on You Tube
Simon I would like to point out that although CinemaScope 55 was projected in 35mm we had the advantage of the higher resolution quality from the 35mm reduction prints. Much like VistaVision which Paramount abandoned in 1963 the standard 35mm vertical reduction prints from the horizontal VV negative was rather good. I can only imagine what those images would look today projected thru the much improved Schnieder Isco lenses we have today which are a cut above the Bausch and Lomb.
Peter that was the first thing I said to him. With Smoke coming out of my ears and fire out of my mouth I reduced the little twerp to rubble and walked away. As Professor Higgins once said “I am a gentle man BUT…let a women (in his case idiot in my life :)
Oh yes Bill I shall never forget the day I went to that opening and confronted that fool running that control panel who said something along the lines of “We don’t need the man in the booth anymore” I went off on him like a bomb, I could not accept a 306 guy telling people that, it was a touchy subject at the time with all that automated stuff about to pounce on us. We knew it was the beginning of the end of projection as we knew and loved it but I still was not ready or willing to accept it. Little did we know that platters were just waiting in the wings to pounce on us or the inevitable replacement of film with Digital. “Won’t need the guy in the booth” indeed has sadly come to pass.
Bill I am a bit confussed what did you mean
“Here is the console”
The link took me to movie ads. Ole age perhaps but I can not recall why you sent me that :)
Thanks red155b always appreciate your imput
If not Cirque why was it installed in the first place?
Did they not install that additional part at the top of the proscenium to accomadate Cirque du Soleil?
I understood that it would be removed when that show leaves in 2-3 years because it would better than removing it now and have to reinstalled when Cirque returns next summer.
How has the 3-D LED screen been working has it been behaving properly? Looks like a magnificent effect
Thanks Mark I dont know why I did not just do that. Appperently the image hosting site I used hosts pornographic material as well as he more family suitable images, I was not aware of that till now and will of course never use it again. I still do no understand how the link went that image instead of the movie poster I put up, a very sick joke if you ask me My aplogies once again to those of you who clicked on that link. Meanwhile yes indeed “Tunnel Of Love” was shot in CinemaScope and Black & White
I have no exlanation as to why that link takes you to that awful picture. It should have gone to movie posters. I have written and complained to the website If you have not used that link please do not. My aplogies to those of you who have.
It had a hugh projection room with a shower in the bathroon and large windows overlooking the turnpike.
Of course working for Century in the day was the ultimate job for a projectionist.
St George I worked on that booth a few years back and left in usable two projector operation. Some additional work was recomended on the gear train on projector #2 and the scope lenses were mising but it was a workable operation The sound system, stage speaker and lamp houses were all working fine. What has happened up there since?
Thanks for that responce I sorta thought they were cooling of some kind but they semed a-bit-much for that purpose,124 degrees yikes. Temperature was also a problem with the 70mm IMAX which ran off of platters. In order to keep the film from warping and sticking together on the platter we had to introduce enough humidity into the booth to turn it into an African rainforest. :)The new Digital IMAX of course does not have that problem but sd you have explained needs cooling. Yes, I recall now REendes telling us about the change in the lamphouse for the 3-D
Jay, You are referring to the xenon exhaust vents on the film projecors, What I am interested in are the giant tubes next to the digital machines If you look at the just posted pictures of the booth you will see what I mean.
Thanks rcdt55b for those booth pictures I enjoyed seeing those.
Question if I may, what in the world are those huge tubes hanging down next to the digital projectors? They appear to be some sport of blowers to keep things cool? Also the lamp house for the #4 35/70 film projector looks different then the ones for #2 and 3 did you change that and why?
I can see now why movies won’t be shown digitally with those projectors they seem to be for effects rather than projecting a movie.
Best of luck with the shows have fun up there and of course please keep us informed
Copy that Tinseltoes please keep em coming
Hey Pete have you ever posted pics of the booth?
Love to see them
I am curious why take those machines apart an remove them rather than just cover them wih plastic and leasve them in place. Would they be of no use for anything other than the Christmas show?
Also what does the port hole config look like now with those two extra projectors?
Thanks for that, I suppose the same problem exsists for the Hall to show movies from the booth I thought perhaps the light source had improved so that movies could be shown from there even thu we would of course prefer fim:) Still it5 must be impressive to see all 6 of the projectors side by side perhaps a Picture if you can? Tanks again for the info and please keep us informed as it is much appreciated.
Projector 5 as I recall was kind of the lost brother of the group with just a 35 projector head. So now if I understand you there is #1 which is straight 35mm followed by 2-3-4 which are 35/70 have I got that right? What will the light source for the additional digital projectors be and can/will they be used in the futute for movie presentations rather than the set up in the first Mezz which was the case in the past. I apprecaite your filling in on this stuff which interests ne a great deal. thanks
Thanks Bill and to you Michael as well.
I noticed the ? mark for the run of the engaement at the syosset, I wish I could recall how long we played the picture, unfprtunatly all of the partners I had in the booth have gone to the big WSS in the sky and can’t help me recall that. I do know a fella who was with us when we reinstalled the three strip Cinerama for “The Wonderful World of the Brothers Grimm” (we took it out after "HTWWW”) I belive that was in July of 62 so the WSS run must have been at least 12 weeks. Perhaps when I speak with him next I wil ask if he recalls the length of the engagement.
Thanks redt55b I appreciate that info. Kndly let us know more about how all that will be incorporated into the show. As to the three digtal projectors in the booth where will they be located and does it mean removal of any of the film projectors to make room for them.
Ross,please post that article
Michael, I would love to see that article is it posted anywhere else?
Hi Mark nice hearing from you Any thing you find out would be appreciated
We have seen the ads for the new Christamas show and I wondered if anyone working the Hall would be kind enough to tell us more about what to expect with the shows “new digital technologhy” and what if anything will be going on the the original booth