Showing 101 - 125 of 169 comments
Comments above are somewhat correct, however Rancho Cordova is one of many “districts” of many names, but still considered Sacramento. I did error in stating I-80, theatre was actually right off Highway 50, east of downtown Sacto.
Does anyone remember when Jim Sutton managed this theatre in the early 70’s? He later left there to become district manager for No. Cal. division for National General. I remember working under him when he was DM, what a great guy he was. Would like to hear from anyone who would know where he is now.
The above photos are a sad commentary to what was a pretty decent movie theatre. Very haunting, in a sense.
What a great website for BRENDEN THEATRES. It would appear that these are first class theatres. The auditoriums and lobbys appear to be ornately decorated, with a “classic theatre” appearance. No shooting gallery appearence here!
Was also surprised that Brenden is the grandson of Ted Mann. The newer MANN THEATRES built in the 70’s and 80’s certainly do not look like the BRENDEN THEATRES of today.
Just to let you know how much I enjoy all your wonderful pictures, on almost every site I go on. I don’t know where you find them all but keep it up!! Just a long overdue thank you!
In regards to the above question regarding the PARIS THEATRE, it was located in downtown Palo Alto, about 7 miles south of Redwood City. It was in operation for years. It was classified as an art house. Very popular with the Stanford University crowd. They also served espresso style coffees which were available in the lobby. You could enjoy coffee there without obligation of admission ticket if you chose. Not very big.
The entire Majestic Theatre/Mapes Hotel block is now a public cement park with nothing more than a few benches and some shrubs scattered about. It is also the part time arena for the ice skating rink. Two beautiful buildings demolished for this, very sad.
The Granada Theatre was open until 1997 (operated by UA) when the flood hit Reno and making it impossible to renovate any building in that immediate area. Everything was torn down. A beautiful high rise condo building stands where the Granada was, a typical looking 12 screen Century Theatre sits on the other side of the street.
In regards to the above press release that a Walgreens would replace the “razed” Seavue Theatre, isn’t that just wonderful, I could not think of a better replacement.
I would say in most situations, that ushers and usherettes were about in equal quantity in most theatres. In later years, when young people became more rowdy and disruptive, males were probably used more to monitor the auditorium. When I managed in the 70’s, I always used 2 males “inside” on Friday and Saturday nights. The young people that attended on those 2 nights could sometimes be a real nightmare. I finally smartened up and monitored the box office, where I could keep out the trouble makers. This was probably the most effective method of keeping the adult patrons happy and coming back.
Monical In answer to your above question whether theatre ushers had a place in pop culture, I would say no. Being a theatre employee in the position of usher was never a big deal. There were times when an usher was moved to doorman, if male. That may have been sort of an advancement to the employee, but no difference in pay. If an usher were to be a female, she may be advanced to candy counter, then possibly to the box office. At one time, females advanced to the box office was probably the most “important” position to the females working in that theatre. I remember a lot o jealous females that did'nt get that “advancement”. Again, no difference in pay.
Monical As an employee for FWC/NGC the policy was to never show any outide ads. The exception for this policy was annual Christmas ads that did advertise local merchants. However, these ads were run from after Thanksgiving thru Christmas Day only. No other ads were ever run, with the exception of previews of coming attractions. Managers were encouraged to sell these merchant Christmas ads. MGR’s received a percentage of what they sold, and we could charge the merchant any price we could get. I remember some of the merchants I had were not even charged, as I knew they were struggling and I gave it to them for free. Others paid that could afford it. Theatre Mgrs did not get rich from this. Some Mgrs refused to participate because of the low percentage given by the company and the footwork required to enlist merchants to participate.
I agree with Previews of coming attractions showing prior to the feature presentation, because it also helps to move patrons into the auditorium with some extra time given in the event of Box Office back up. Patrons coming to the theatre do not always allow for this wait. But outside ads/commercials are totally unacceptable to me. But that is my personal opinion. The above reasons are also valid.
Back in “the days”, all theatre positions were only given to the cream of the crop, and NO KIDS NEED APPLY, was sort of the norm. It was very critical then that Box Office Cashiers be of a very special caliber to sit in that free standing little box. Males were used as ushers and doormen only. You would never see a male in the Box Office or behind the Candy Counter. That all started changing a little at a time in the mid 60’s. Now the theatres will about hire anything that can crawl thru the front door in many instances.
Clarkus….. The “The Big Doom” is sort of common knowledge among the long time employees of Fox West Coast/National General Theatres. I was employed with them since age 15 til Mann bought out the entire chain of nationwide theatres. Within a year after he bought it he started closing or leasing out the majority of theatres. I was in the San Francisco area, where NGC had many theatres between SF and San Jose. By 1977-1978 he had closed every theatre or sold the property to developers. A chain of theatres that exceeded over 600 for many years was widdled down to less than 40 to present. He was not a showman, he was really just a real estate tycoon. After he messed up a wonderful chain of theatres he died. His wife Rhonda Flemming now holds on to the proceeds of the once wonderful company I and so many others once loved.
I’m not for sure on this, but the STATE THEATRE was probably another victim of Ted Mann. He put the big doom on hundreds of theatres in the mid 70’s. He was a great showman.
The Roslyn Theatre was originally a mortuary that went out of business over 20 years ago. It was purchased at that time by Jan Donaldson, who converted the building into a very cozy and intimate movie theatre. It became an instant success to the residents of the very small countryfied town of Roslyn, Washington.(This is the same town that was used for the old TV series of NORTHERN EXPOSURE). Ms. Donaldson and her family members continue to operate this theatre, to this day. It continues to play first run films, as it always has. No sub-runs for this house!!! The seating capacity is just about 100 or less with some love seat seating available. It advertises that it is the only theatre to allow patrons to bring their dogs to the theatre with them. The continued success of this theatre, by far, has to be the wonderful, warm and friendly family, and of course, Jan that make every visit to this theatre the place to go!!
Correction to above history comment. The National General Theatre chain was sold to Mann Theatres in the early 70’s. That’s when The Fox was sold to Cineplex. Previous to Mann buying out the National General chain, it had been operated by Fox East Coast Theatres, then National General.
Looking at recent photos of the Fox Redwood marquee reminds me when that total marquee was covered in animated neon, colors consisted of pink, green, and white. The removal of all that neon leaves just a tired, old worn out sign that probably should just be removed and buried, with the rest of that wonderful history that theatre once had. Even the interior, though recently redone still does not even come close to the real beauty that theatre once had. Very sad.
Terry, Me again. In regards to proper title curtain cues, at the beginning of a film usually the “Trademark” is shown first, curtain should remain closed during this time. There usually a short dark period right after trademark is shown, this is the curtain open cue. If film preludes the trademark the curtain cue would be immediate.NEVER should a curtain open on a blank screen, that’s why there are curtain cues. The end of a film will show the curtain cue with a small “splash” at top right of screen, which is not the same as a changeover cue. Also, curtain should be closed and reopened if previews are shown before feature showing feature trademark on curtain. In the old days this format was followed, if the projectionist was well seasoned. Fox West Coast Theatres, NGC Theatres used to monitor to make sure this curtain procedure was followed.
The problem with Landmark Theatres is that they lease theatres for the most part. Some are owned. They have always “milked” their theatres, rather than “operate with showmanship”. Luxury like an operating title curtain, is not important to them. Nothing worse than going into an auditorium and staring at a blank white screen. I am sure due to downsizing for a twin cinema is the reason there is no Cinemascope screen. A theatre must have plenty of depth to accomodate this type of screen, due to visual comfort of patrons.Fox West Coast/National General Theatres ALWAYS maintained a level of showmanship that was hard to find with any other chain.
I would love to hear what long time ex-manager, Jim Scurlock would have to say about the current operation of this theatre. During the time he was there, it was operated by National General Theatres, later, Mann. It remained a first class house during the NGT days. Mann let it go to pot, does'nt look much better now.
What a thoughtful rememberance of William Hertz. I remember him well during my career with FWC/NGC/MANN THEATRES.
I would really like to know who wrote this article. No author is noted.
I remember that around the corner from the PADRE THEATRE was the RAINBOW BALLROOM which was on the corner of Market St. and San Fernando. As a frequent patron of the Rainbow, Im positive it closed in the very early 70’s.This was the same time that FAIRMONT HOTELS had planned their redevelopment. It seems that these old buildings hung around for a short period of time before being torn down.
This theatre may have been operated by the overseas division of 20th Century Fox Film Corp. But it was never owned or operated by the FOX chain or NATIONAL THEATRES circuit.
There was also a CARLOS THEATRE located in San Carlos Ca. which operated under the FOX/NATIONAL GENERAL banner. It was closed after the wonderful Ted Mann bought the chain. In fact, he sold or closed every single theatre on the entire peninsula.