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interesting little tidbit of 8-channel SDDS sound: DCI compliant audio processors can use and implement the left/center and right/center speaker that SDDS-8 featured. Word is that the new restored DCP of ‘My Fair Lady’ is encoded as such – retaining the original 1964 70mm/6-track mix configurement.
well that’s conterintuitive when every IMAX (15/70) screens are 4:3 – guess the future means we’ll get stuck with 2.0:1 / 1.9:1 image letterboxed on said screens, but still not using the full screen – ugh…
you should point out moviebuff82 that each next Avenger’s movies will be shot in Digital IMAX for the entire movie – I gather that means that 4:3 screens full screen and 1.78:1 on all IMAX-Digital screens. In other words, no alternating aspect ratios.
Press release news:
‘IMAX Corporation today announced that Marvel’s Avengers: Infinity War – Parts 1 & 2, the two-part installment to the global blockbuster franchise, will be shot in their entirety using IMAX® and ARRI’s next generation revolutionary 2D digital camera – a joint customized digital version of ARRI’s new large format camera, the Alexa 65. The two-part Avengers saga marks the first time a Hollywood feature film will have been shot completely using IMAX® cameras and will feature IMAX’s exclusive aspect ratio, providing moviegoers a uniquely immersive experience.’
Tomorrowland’s IMAX aspect ratio is slightly open matted to 1.90:1
none of the Guardians of the Galaxy was shot with IMAX cameras – but I do have to say, the IMAX ‘experience’ with the expanded screen sequences was really stunning and worked to the giant screens advantage.
^ that’s because ‘Tomorrowland’ is under performing ‘San Andreas’ is a 11th hour decision from IMAX and Warners.
chalk it up to the unadvertised fact that auditorium 12 can actually playback a 7.1 surround sound mixed film, but ugh.. the AC unit which clicked off and on during ‘Tomorrowland’ was obnoxious as sin. The screen size is also on the small size.
for some reason, I thought the ‘Widescreen’ was a fixed 2.40:1 screen – but I guess since they haven’t really shown that many 1.85 movies, (‘Gravity’ being an exception) I haven’t yet seen how such a film is projected. Got that chance with ‘Tomorrowland’ the other day since the image is 1.85 with the 2.20 aspect ratio nestled with a sliver of black borders above and below the image – the second film with an odd aspect ratio will be ‘Jurassic World’ (2.00:1). But basically the screen can expand vertically, which was a pleasant surprise.
sheesh – jump down the guy’s throat – according to imdb – the film was all digitally captured – interesting, though, the aspect ratio used for ‘Tomorrowland’ is 70mm’s 2.20:1
in terms of 15/70 IMAX prints being struck for ‘Star Wars: The Force Awakens’ – it better, not all the museums / science centers have all digital (let alone laser ) systems in place. We know that J.J. Abrams shot at least one major set piece in 15/70 – so I’d hope that Disney strike prints for this.
now in terms of ‘Jurassic World’ some scenes were filmed in 65mm and again, this film will be released in aspect ratio of 2.00:1 (yeah, go figure on that one).
with all the upgrades to this theater – I’m surprised that the largest screen hasn’t yet been announced to be converted to be a ‘Dolby Cinema’ screen – laser projection/Dolby Atmos – the whole kit and kaboodle
‘Mad Max Fury Road’ in Atmos really showed off the bass channels (auditorium #6) to stunning effect, tight, low and resonant.
Its quite possible the wrong audio encoding was ingested into the audio processor from the DCP, was there not any rear speaker sound? The presentation I heard over at Arclight Bethesda on its “wide screen” screen presented the 7.1 mix to wide effect notably in the side and rear speakers. Why ‘Furious 7’ was not given an object based mid is a mystery – lost cause really since there was a lot of ceiling sourced action that could have benefitted from accompanied sound cues.
summer is the worst time for an auditorium specifically an IMAX one to be closed for renovation – Fall (Sept.) would be the most ideal timeframe for the conversion. Thankfully the Smithsonian timed it just right (with IMAX’s help) to close, renovate, reopen the Airbus IMAX theater before the summmer movies.
initially Regal’s premium RPX screen was slated for this location, but that plan went by the wayside, which is a shame since Countryside’s screens seem on the small antiquated side. Regal could have also benefited by installing a Dolby Atmos system here, but again, no dice – Regal seems clueless at times.
with the Cinemark so close to them – Regal is trying to up the ante with the king size recliners / assigned seats aspect – but has any updates been done to the audio/image presentation – i.e, 7.1 surround sound, 4K digital projection? What IS the largest screen at this location?
saw ‘Avengers: Age of Ultron’ yesterday and was thoroughly impressed; the laser system had great colors, sharpness, ample light for the 3D to properly work and the discrete 12-channel sound while loud, had tremendous power and aural soundscaping to justify and compete with Dolby Atmos / Auro 11.1
oh and the screen under the conversion also got bumped up a foot in the process – it’s now 86 feet in width.
Auditorium #3 features:
“‘MuviXL’ is our giant screen format and will feature the largest and only MuviXL Bright White Screen that is over 72 feet diagonal, two 4K projectors with RealD XL 3D technology, and Dolby Digital 7.1 sound.”
is this the screen that is getting the new DTS-X sound system or is that another auditorium in the complex?
tonight’s the debut and reopening of the converted screen for ‘Avengers: Age of Ultron’
the mall itself screams ‘80’s as well – I can see the appeal and feel why 'Dawn of the Dead’ would be an ideal place to see that here. As to the theaters themselves – the stadium seating is decent, even if the last row is way too close to the projection window – thank you kind clueless stranger for blocking the image at one point during the movie (‘It Follows’). Pretty good sound, although the comedy ‘Get Hard’s noisier bits/bass could be heard rumbling from the adjacent auditorium.
Christie Donates Digital Cinema Projector to Kansas Town Devastated By Massive Tornado
“A Kansas town devastated by a major tornado in 2007 has rebuilt its historic theater, lighting up its giant screen with a state-of-the-art digital cinema projector donated by Christie®.
The projector illuminates the 58-foot-wide screen of the Twilight Theatre and Community Auditorium in Greensburg, Kan., which is part of Kiowa County – about 100 miles west of Wichita. The theater celebrated its grand reopening the weekend of April 24 with a red carpet-style opening night, featuring live music and a free screening of the 1985 hit movie, Back to the Future. The celebration continued over the weekend with family friendly activities and movies.
The opening of the Twilight Theatre in 1917 marked a new era of entertainment in America. It featured modern opera chairs, beautifully painted Art Deco styling throughout, and a soaring, 24-foot ceiling. It was soon offering programming that included silent films, vaudeville, musical performances, and rallies for war bonds. The entire building was destroyed in the EF-5 tornado in 2007 that also leveled 95 percent of the town and badly damaged the remaining structures. Against all odds, the town rebuilt again to become America’s leading community in LEED-Certified buildings, with wind turbine energy supplying much of its power.
The new, ultra-modern Twilight Theatre, in partnership with the Kiowa County School, will show first run movies, serve as the school’s auditorium, be a community meeting space, and host theatre, dance and other community functions. It includes an improved sound system featuring Dolby® Surround 7.1, and other modern amenities.
A Call to Action
Twilight Theatre’s Executive Director Adam Wagner, who picked up the mantle in securing funding and rebuilding the theatre, recalled walking trade show floors last year, approaching cinema manufacturers who might assist in donating equipment.
“When we approached Christie, they immediately offered to donate one of their top-of-the-line digital cinema projectors. We were absolutely thrilled by their generosity,” said Wagner. “Christie’s digital cinema projector is truly the theatre’s ‘crowning jewel,’ providing us with a state-of-the-art auditorium on par with the best, most modern facilities in the world. We are very appreciative for the consideration of great companies such as Christie.”
“Christie’s projector was installed by Cinema Equipment & Supplies (CE+S), which also donated its services, and for this I know that we, Adam, and the community, are very appreciative,” said Scott McCallum, Christie’s Midwest-based Entertainment Solutions Manager.
“Giving back to the community is an integral part of our corporate culture and something we strive to accomplish every day,” said Kathryn Cress, vice president, Global and Corporate Marketing, Christie. “We didn’t hesitate to contribute to the town’s amazing success story. They literally came back from the rubble, becoming the ultimate example of what people can accomplish when they work together for a common cause. We are proud to know that our digital cinema projector will be providing many years of exceptional entertainment to the people of this amazing community.”
mind you I heard horror stories how crappy the Olney 9 Cinemas were but where’s that listing too (here in Cinema Treasures)?? I was out there at the Olney Theater Center and was thinking that that part of Maryland or even the closed Aspen Hill theater doesn’t have a movie theater (well, it used to, but no longer).
they should have rejigged one of the auditoriums for ETX or Dolby Cinema.
got some tech news of the renovation:
I had completely forgotten that this was getting renovated:
from Old Greenbelt Theatre facebook page:
“Latest news! Renovations should be complete and the theater ready to open for our soft start in mid-April, with a Grand Opening at the beginning of May!”
screen 6’s projection system was recently converted to 4K DLP. Screen 9 also can present 4K content.
It makes sense but I didn’t realize that screens 7 and 8 are roughly the same size as the Xtreme auditoriums – 7 can sit a whopping 521 patrons. The only difference is that the screens on 6 and 9 takes up more of the wall. DisneyNature’s ‘Monkey Kingdom’ today looked and sounded (albeit in 5.1) magnificent on Screen 7 – what a treat to see a nature doc on a truly ‘large’ screen
the reopening of the converted screen will debut with the release of ‘Avengers: Age of Ultron’, 3D and as the Smithsonian commented: “the first new film to utilize the new 12 channel sound system.”