Showing 176 - 200 of 1,411 comments
Al Alvarez, Im glad you enjoyed the quality presentation on screen. Im a little disappointed there is no top or bottom masking but the tech did a good job to make the plate look good. Im taking great pain to make sure that print stays in the condition it is now. I am only there for 2 weeks as the projectionist, but so far our theatre is one of only a handful, and the only one in NYC with no problems. I hope to keep it that way.
The only problem with using the top down masking would be that you would have lost a lot of the side of the frame. 70MM is supposed to look like a piece of ribbon on the screen. Wide and stretched out. And its funny you mention “Far and Away.” That was the last 70mm I ran until this week.
Theatre was built on fill in 1979. Time to sue had long passed by.
I have two comments to make Cinedelphia. One, I am one of 2 projectionists at the Regal E Walk in NYC for the 70mm run. No theatre is equipped for top and bottom masking as no one has used 70 in years. Lenses were all built brand new for this movie. And as far as the equipment couldnt fit, thats BS. If they ran 35 in this theatre they can run 70. Same size equipment. AMC has been having issues all over. They lost a show at Lincoln Square. My theatre has had the best reviews in NYC. And we are showing it in the second largest house in the complex.
I was just talking about this place with someone today. I was in here twice in my life, both on school trips. The first time to see “Doctor Doolittle” when it was a single. Then a while later “Oliver” after it was twinned.
I worked at City Center for a short time after the retrofit. They did a quality job. Moved the screen up about 30 feet closer and lost 120 seats, but it was nice. Havent been there in 10 years since I left.
Thank you NYer. I will post on here if I get it.
70MM installed for “Hateful 8”. I am awaiting word on if I will be one of the projectionists there for the run.
Yup. And I cant wait to see how long it takes for the dopes running the booth will blow up the print. I applied to 3 different companies looking for PROFESSIONAL projectionists with 70MM expierience. (which I had from the 80’s and 90’s) But no response, except from one one who told me he hired students from a vocational school. Yeah, Im sure theyre gonna know what their doing. Yup this ol timer is just gonna sit back and watch the horror stories light up the internet.
In my early days as a projectionist, I worked in some older theatres that we did the same thing. It was because the theatres did not install masking motors so the projectionist could operate it from the booth.
I was told, but could not confirm, that only 3 theatres in NYC getting it in 70. Lincoln Square, E Walk and Village East
Glad you had a great time. Village East is getting it. I applied to be projectionist since they were looking for people with expierience, (39 years) and I had run 70MM in the 80’s and 90’s. I was told they hired kids from a vocational school. Lets watch that $15,000.00 print get trashed the first weekend.
I had a gentleman from Boston Light and Sound contact me but the work was in Boston for 3 weeks. Everything I would make would b e spent on hotel, etc. If it was NYC then thats a different story.
And here I am a 39 year veteran of projection who ran numerous 70MM shows in the 80’s and early 90’s, and I sit home unemployed and a part time stage hand. Damn digital.
I was the screen cleaner for clearview for a few years from about 1997 till 2004. I must have cleaned many of the screens in your theatres.
rcdt55b, yes you described what I was seeing perfectly. Thats exactly what I said to the folks I was with, that it looked like 3 sections. Every time I leave, I always look up to the booth and always wish, although I know never possible, what it would be like to see the booth. My projection career of 38 years ended 2 years ago when digital took over. Now Im just a stagehand. Have a good show run.
Saw the Christmas show tonight at 530pm. Awesome as usual. But its funny, even on the new screen, which was huge and awesome, from my seat JJ505 off aisle E, the image looked like 3 varying shades of brightness. Im wondering if its the 3D glasses causing me to see this???
And for that they are to be applauded.
I wonder if AMC even kept the 70MM projector. In most of their theatres they just rolled all film equipment right into the dumpsters.
Hard to disagree with you alps. Im just happy that in my 38 years of full time projectionist I was able to run 35, 70, and 15/70 IMAX. The last 2 years have been hard for me, now being a stagehand, but as Ive been told, time marches on.
Trust me Mikeoaklandpark, Tarantino will want any theatre that can show it on 70mm to show it in 70mm. He hates digital. At his New Beverly Cinema out in California, the first thing he did when got full ownership was trash the digital projector.
walterk, I hope we can visit that place. I have not heard from them at all. I wonder if the stuff in the attic got saved. I would go see the hateful 8 with my wife after she gets out of Radio City, if they get it.
Star Wars is going to be on every screen on every block in every neighborhood if possible. It will be out of gas within a month. I would rather see the roadshow exclusive Hateful 8 play here.
Screw Star Wars. I hope they get Hateful 8 in 70MM
I had the pleasure of meeting Mitchell a few years ago and got a tour of the place. I certainly do not want to be critical because they are trying to preserve 35mm film presentation. But when I saw MAS*H there a few years ago, I said the same thing about the changeovers. And I knew this movie well from my early days as a projectionist. I knew they were clean and it seemed to me like some footage was already run thru as if the operator threaded up too far on the leader. It saddens me because I always took great care to make them as smooth as possible. My last 35mm presentation at the CountBasie was in January, “Interstellar” and folks were amazed how they couldnt tell where the changeovers were.