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  Discover. Preserve. Protect.
Also known as Mastbaum Memorial Theatre

Mastbaum Theatre

Philadelphia, PA
2001 Market Street
, Philadelphia, PA 19103 United States
(map)
Status: Closed/Demolished
Screens: Single Screen
Style: French Renaissance
Function: Unknown
Seats: 4717
Chain: Unknown
Architect: Unknown
Firm: Hoffman - Henon Co.
Add a photo for this theater!
The Mastbaum Theatre was the largest and most lavish movie palace ever in Philadelphia. With 4,717 seats, it was the eighth largest, and one of the grandest in the United States. Its grandeur impressed Hollywood studios, and helped put Philadelphia on the national movie map for releases. It was also a 'White Elephant', closed more often than it was open. It was too huge and expensive to operate, and a bit too far away from the subway.

Jules Mastbaum, president of the Stanley Company, planned the Jules Theatre, but he died. Warner Bros. took over the Stanley Company and with Philadelphia theatre architects Hoffman-Henon, built the Mastbaum Memorial Theatre in his memory.

Costing five and a half million dollars to build, the Mastbaum's interior was incredibly lavish, with marble, murals, gold leaf, leaded glass, tapestries, statues, paintings, and Czechoslovakian and other crystal chandeliers. A Carriage Lobby led to the Grand Lobby, which had a Fountain Lobby. There was a Grand Foyer, a main lounge downstairs, and elevators to all 8 levels. The auditorium had three balconies, a four manual Wurlitzer organ, and both the largest chandelier and the largest fire curtain in Philadelphia. A detailed description by Irvin R. Glazer appeared in Marquee Vol 7, No 1(1975) of the Theatre Historical Society, republished in Vol 37, No 2(2005).

The February 28, 1929 gala opening presented stage entertainment, the world premiere of the Warner Bros. movie "Sonny Boy" starring Davey Lee, a 75 piece pit orchestra, a choral ensemble of 50 and a corps de ballet of 32. At times, the Mastbuam Theatre packed them in, but overall lost money because it could not bring in large enough audiences compared to the size and costs of the place. Opera was the policy in 1933. In 1934, Samuel L. Rothafel, "Roxy" was brought in to attract audiences, but within 2 months the theatre closed.

The Mastbaum Theatre seldom opened again during the Great Depression, until World War Two when military expenditures saw many people employed in Philadelphia. In September, 1942, the movie "Tales of Manhattan" reopened the Mastbaum Theatre. The balconies were usually closed, but movies were shown with Irving Berlin's "This is the Army" having its premiere here and a sold out run, in 1942. Occasional stage shows featured Eddie Fisher, Dean Martin and Jerry Lewis, and Judy Garland. Among popular movies shown were "Casablanca" in 1943, "Going My Way" in 1944, "Quo Vadis" (which had a ten-week run) and "African Queen" in 1952, and Hitchcock's "I Confess" in 1953. With John Garfield appearing, "Pride of the Marines" had its world premiere in Philadelphia, in August, 1945, with first a private screening in the Bellevue Stratford Hotel ballroom, and then opened to the public at the Mastbaum Theatre. "The Bells of St. Mary" was such a popular film in 1946 that it became 'standing room only'. In the summer of 1950, star Wanda Hendrix appeared at the Mastbaum Theatre to promote her film "The Admiral Was a Lady". "Tripoli" had its world premiere here (concurrent with a cinema in both Tokyo and Seoul) on October 13, 1950. On May 23, 1951, star Eveyln Keyes appeared on the Mastbaum stage at a world premiere of the film noir "The Prowler".

After television arrived in homes, the Earle Theatre, known more for live shows than for movies, was the first downtown Philadelphia movie palace to be demolished, in 1953. The Mastbaum Theatre was next, closed and demolished in 1958. By then, for the 'scope era, the screen was 60 feet wide. The proscenium chandeliers went to the Locust Theatre. The Mastbaum Theatre site lay vacant for almost 20 years, until One and Two Commerce Square office towers were built in the late-1980's and early-1990's. Half a century after its demolition, people who visited its interior still recall the Mastbaum Theatre as the most impressive movie palace ever built in the Philadelphia region.
Contributed by Howard B. Haas


YOUR COMMENTS

 
Architects were Hoffman & henon who did a lot of work for Stanley Theaters in eastern U.S. They did a few theaters in Atlantic City; none of which survive
posted by WilliamMcQuade on Mar 22, 2002 at 7:42am
The Mastbaum was one of Center City Philadelphia's grand theatres. the others included: The Stanley, The Boyd/Sameric 4, The Aldine/Sam's Place Twin, the Fox, The Stanton, The Palace and The Earle Theatres (At one point, all of Center City Philadelphia's grand theatres were owned by The Stanley Warner Theatre Co.
posted by MikeRa on Aug 14, 2002 at 10:33pm
This theatre was built in 1929, screen size was 27' x 60'. Stars like Judy Garland, Matin & Lewis, Danny Kaye performed live. The theatre closed April 16, 1958. A sad day for Phila.
posted by ray on Jan 25, 2004 at 12:58pm
"Jules" was a projected name for this theatre, but it was never actually used. The theatre was named in honor of Jules Mastbaum, one of the top executives of the Stanley Company, and first opened in 1929 as the Mastbaum Memorial Theatre, though "Memorial" quickly disappeared from advertising and publicity. The almost overpowering exterior and interior decor was once described as "French Renaissance with a vengeance." The Mastbaum was the largest movie/vaudeville theatre ever built in Philadelphia, and the eighth largest in the USA.
posted by Warren G. Harris on Apr 1, 2004 at 1:41pm
A nice (albeit smallish) photo of the auditorium of the Mastbaum can be seen here:

http://www.philaathenaeum.org/archivescoll.html
posted by Bryan Krefft on Apr 1, 2004 at 7:24pm
Little known fact about the Mastbaum is that it was used in 1953 by Spyros Skouras and his Fox technicians as a test house for Fox' new CinemaScope process. The following year when the 3D craze kicked off, Stanley Warner quickly removed all of the 3D paraphenalia from its Aldine Theatre where "Bwana Devil" had just played a few blocks away and put it in the Mastbaum for the opening of "House of Wax."
posted by veyoung on Nov 27, 2004 at 8:48pm
They don't make theatres like that anymore. It is a shame, that Philadelphia tears down their theatres to put up a parking lot, which they did with this theatre. THis building took up a complete city block. There are now two office buildings on the site. It could have served as a great concert hall today, it it survived.
I would have loved to have sat there, and watched movies all day.
posted by andy p on Jun 10, 2005 at 10:45am
Here is a link to a picture of the Mastbaum, taken in mid to late 1957: world.nycsubway.org/perl/show?42180. you can also see, in the background, The Erlanger Theatre. Sadly, The Mastbaum Theatre, The Elanger Theatre, and the PTC 8000 series trolley cars are gone now.
posted by MikeRa on Sep 28, 2005 at 6:44pm
Back in the late 1980's, my daughter was a student at Emery University in Atlanta Ga.,and while on a vist to see her, she took us to the Spagetti Wasehouse. Much to my suprise, they had the chandelier from the Mastbaum on display. I have fond memeries of the Mastbaum, it was where my brother and I saw Dean Martin and Jerry Lewis in person and where I saw the worse movie John Wayne ever made, "The Conqueror". In fact, I think this was one of the last films shown at the theater. Philadelphia lost a treasure when they tore it down
posted by J.Dougherty on Oct 23, 2005 at 4:37pm
How interesting, J. Dougherty! Just the other day I was reading a book I own, "Philadelphia Theaters: A Pictorial Architectural History" by Irwin R. Glazer [Dover Publications, 1994]. Nine pages are devoted to the Mastbaum.

That such a monumental structure could last just three decades is amazing. By 1958, though, with the advent of television, Urban Renewal and white flight to the suburbs, I am sure it was economically unfeasible. If only it could have stood forlorn and abandoned until the 1980's, when the sense of preserving the past became more acute, it might have been restored. If that had happened, it would stand today as one of Philly's grandest and most beloved structures.

I wondered aloud to a friend the other day what happens to all the stuff from these old theaters. Mastbaum had bronze doors and staricases of Tuscan marble. Much of the artwork was purchased from The Metropolitan Museum of Art in NYC. The sub-basement [originally planned as a restaurant but never used for that purpose] was used to store artifacts from other theaters which had been torn down. These included consoles from over 40 theater organs. Now, at least I know what happened to one of the chandaliers from the Mastbaum.
posted by M Horner on Nov 5, 2005 at 6:50pm
Born in 1935 I grew up at the movies in the in the suburbs of northwest Philly and spent my youth at the Erlen, Renel, Lane, Yorktown and Keswick...all reachable by trolley and/or bus during the war years of WWII. What a time that was despite the horrors of the war! The films were glorious and the theaters were also. In those days films opened at a center city theater....ran for as long as the crowds held up and then spread out to many neighborhood theaters.

Of ALL of the center city theaters....the MASTBAUm was the most magnificent, rivaling the Roxy and Radio City Music Hall and the Capitol in NYC.

I live in Connecticut now...and have seen the demise in Philly of the great palaces of the past. Thank God that the Friends of the Boyd apparently have saved it. NO NYC center city Broadway movie theater exists from the golden age, except Radio City which is not strictly speaking a movie theater today. (And the Ziegfeld wasn't even built until the late 60's and is SMALLER than many of the neighborhood Philadelphia movie theaters from my youth.) SOOOOOOOOOO sad.....

Here in Connecticut many of the great palaces and atmospherics like the Erlen...HAVE been saved.....like the Keswick in Glenside was.....by turning them into legitimate theaters. As the sun seems to be setting on movies because of the poor prints, lousy projection, end of continuous showings, elimination of short subjects, cartoons or ANY sense of LIFE and community....and the addition of ENDLESS ads and previews in ugly curtainless auditoriums from hell....theater seems to be booming. The 3,000 seat Palace in Waterbury, CT, which, like the Erlen, was closed for decades and rotting away, roof collapsing, etc....was restored last year TOTALLY....and today is a SMASH with touring Broadway shows, concerts, ballet, singing groups. WHY were the great theaters in Center City Philadelphia, as well as its suburbs, allowed to die?

Philadelphians for many years....most of my life.....had NO appreciation for theaters and even as other cities began to save them, renovate them, and use them...Phildelphians just let them rot until they were torn down. To have lost the Keith/Randolph, the Fox, the Stanley, Stanton, Arcadia, Earle, Aldine, and Karlton/Midtown as well as the Goldman is just heartbreaking. And the MASTBAUM...operated for awhile by Roxy Rothafel himself (for which the ROXY in NYC was named and who was a guiding force behind the building of Radio City Music Hall)....the loss of that INCREDIBLE structure was a CRTME of UNBEARABLE proportions.

My mother used to say that the rich in Philadelphia...those on the Main Line....and elsewhere....were the least supportive people in America of the arts. Yes...yes...the Art Museum....but WHAT ELSE from the golden age survives besides that and the Academy of Music. Even the GORGEOUS Erlanger legitimate theater is gone....as is the Locust. How sad....when other cities preserved their heritage by adapting it to new forms.

The Fox was a beautiful theater in its day.....and home to SO many of the great films from 20th Century Fox....THE ROBE (first film in Cinemascope), Captain From Castile, Letter To Three Wizes, The Day the Earth Stood Still, Viva Zapata, Love Is A Many Splendored Thing, An Affair to Remember, There's No Business Like Show Business, Call Me Madam....those and SO many more I saw at that wonderful place.

The Mastbaum was first run to many of the great Warner's films and MGM as well. I saw MGM's QUO VADIS at the Mastbaum....as well as many other Warners films...including HOUSE OF WAX. It was STUNNING beyond belief. Elevators whisked you to the upper reaches of the balcony and one believed one was TRULY in a palace. Yes...Judy Garland, Danny Kaye, and many others had shows there that ran for a time....and THAT should have given SOMEBODY with intelligence the clue that these magnificent theaters COULD be saved by turning them into performing arts venues. If money alone is the criteria by which we live, then we are condemning ourselves to the dustbin of history.

In Asian countries they have curtains in THEIR movie palaces. Are we sooooo far along toward third worldism...that we cannot?

What a sad ending for a great American industry.
posted by Bob Ketler on Nov 8, 2005 at 7:32pm
Bob Ketler:

You are correct in saying that Philadelphians let these theatres be torn down. Looking at photos of this place must have been a sight to behold. This would have been the place to bring Broadway shows instead of the Academy of Music. I am glad that they are saving the Boyd, and I wish that the restoration would have been finished to bring "The Lion King" there. I was looking at the seating chart for the Academy of Music, and there are a lot of obstructed seating there. I saw the Philly Pops at the Academy, and there was a pole two rows in front of me, I really didn't see the show that well. Seeing shows at the Boyd will be a pleasure. I worked at various theatres as a usher in the late 60's and early 70's. I worked at the Midtown, and the Milgram Theares, sometimes filling in at the Goldman and Fox Theatres. Sure miis these places to see a Movie.

posted by andy p on Nov 9, 2005 at 2:28am
Bob K, one of the most beautiful of the midtown NYC movie palaces, the Hollywood, designed by Thomas W. Lamb, still exists, and in most of its original splendor. It served for a long time as the "legit" Mark Hellinger Theatre, but is now the Times Square Church. The next time you're in Manhattan, I urge you to visit it. Free services are held nearly every day. Once inside, you can roam around at will as long as you don't take photos or disturb parishoners.
posted by Warren G. Harris on Nov 9, 2005 at 3:35am
Andy...

You are right...the Academy was/is horrible for shows. I saw both THE KING AND I and FIDDLER ON THE ROOF there in the 70's and a worse venue for a Broadway show I could not envision. Yes...the doggone poles....AND....as bad...if you sat in the orchestra...it was SO far below stage level that you felt you were in a valley looking UP at a mountain. Just HORRENDOUS. As a child in the 40's my school took us on field trips to Young People's Concerts there...and as an orchestral venue it was perfect...but it was a TERRIBLE choice for Broadway shows. What a great idea you had....LION KING at the BOYD. Heck...I'd almost make a return to Philly to see it there. It is coming to the gigantic BUSHNELL in Hartford April thru June of 2006. Tickets went on sale this past Saturday and there was a line of 1,000 people who had camped out all night. They sold over 25,000 seats the first day...even though Hartford is no further away from NYC than Philadelphia is and so many theatre-lovers see shows first on Broadway and later at one of the now MANY converted former movie palaces scattered all over Connecticut today. The BOYD would make a GLORIOUS legit theater...on the order of the magnificent ERLANGER (which housed MY FAIR LADY in its pre-Broadway tryout)...which was torn down so long ago. The SHUBERT was quite ratty when I was growing up in the 40's and 50's...(though they DID refurbish it in the late 50's or early 60's)....and the only theater in those days besides the ERLANGER that was in ANY way attractive was the Forrest. It was the condition of THOSE theaters that prompted my mother's comments about the lack of REAL commitment to the performing arts on the part of the millionaires on the Main Line. She said that obviously they felt they had done their job with the ACADEMY OF MUSIC and needn't bother with a nice theatrical house for the city. A restored BOYD is EXACTLY what Philadelphia needed fifty years ago for legitimate theater. HOORAY to all those WONDERFUL people who saved it at the last moment from the jaws of the wreckers.

And Warren.....yes I know of the MARK HELLINGER....saw a number of shows there...including MY FAIR LADY and A JOYFUL NOISE. A magnificent theater quite similar to the ERLANGER. You are quite right in mentioning it as first a movie theater, which it was under the HOLLYWOOD name. Oddly...in a strange way....it was one of the FIRST movie theaters to be "saved" and converted for theatrical use....as was the now-named BROADWAY...which had to have its stage extended back when IT was converted.

I feel SOOOOO sad for those under 35 or 40 who missed the magnificence of these great motion picture theaters. I almost cry when I think of the incredibly beautiful atmospheric ERLEN on Cheltenham Avenue, the demarcation line to a SUBURB...now gone. In SO many ways...technology IS more exciting today than ever...and I thank the gods for HOME THEATER and the ability to recreate the past in one's living room (complete with dimmers on your lights)....BUT.....those today have NO idea of what the TRUE palaces were like. NONE. The ONLY glimpse one can REALLY get...in the NYC/Philly/Boston area...is Radio City Music Hall...even though it VERY rarely shows any films. I used to take my students on field trips to it....touring the backstage area also....and their mouths would fall open. They couldn't conceive of a theater that size that showed movies and stage shows.Yet I used to stand in line for the Christmas and Easter shows for sometimes as much as four hours to get inside. Even in ordinary months....one would often have to wait for an hour to get into one of their then 6,200 seats. I have a salute to it at: http://hometown.aol.com/ctrobert8/myhomepage/photo.html
And the crowds STAYED...all through the decline of Hollywood in the 50's and 60's...until FINALLY thining out in the 70's due to the lackluster films being made and the now ubiquitous habit of BLANKET distribution on opening day.

There was a breath-holding moment in the early 50's in Philadelphia, before they tore down the BREATHTAKING and magnificent MASTBAUM...which action was almost a signal of the end of Hollywood - much like the infamous shot of Gloria Swanson in the rubble of the magnificent Roxy (famous cartoon of the era: small boy saying to his mom as they stand in awe inside the ROXY - "Mother...Does God live here?" It WAS aptly called "The Cathredral of the Motion Picture").....when it looked as if movies MIGHT be "better than ever" (the advertising slogan of the day). The gigantic KEITH's was beautifully transformed into the stunningly modern RANDOLPH, the ugly KARLTON (where I held my nose from the fetid smell of "water cooled" air as I saw MIGHTY JOE YOUNG) was remade into the smallish, if nicer MIDTOWN, and the beautiful BOYD became the 10 year Philadelphia home of CINERAMA, (with a few breaks for showing BEN-HUR and EXODUS, etc) before Cinerma itself was destroyed by films that CALLED themselves Cinerama after 1962 and the end of TRUE Cinerama...but were no more Cinerama than an apple is an orange.

The early 50's in Philly were exciting because they WERE redoing the theaters and doing a good job of it.

Today....this fella who once went to the movies three times a week in his youth, year after year..as WWII raged on and the world was on fire......goes perhaps once or twice a year and grumbles every time because of the HORRRRRRIBLE prints (too blue or green or brown)....the AWFUL curtainless auditoriums (part of the MAGIC was seeing the curtains part)....the removal of anciliary entertainment such as the WB cartoons and Pete Smith Specialties..the removal of ushers with flashlights to "show you to your seat, Sir"..the end of continuous showings with the ebb and flow of LIFE around you. Now they are cold, empty, mauseleums offering NO warmth, no mystery, no magic....just plastic halls of boredom...that look much as the early 1900 Nickelodeons must have...bare screens. If you want a HOME version of the magic that once occurred you have to do it yourself. I have a mini-Egyptian theater in my living room and 1,500 DVDs...many from the golden age I loved so much. The image is INFINITELY better than ANY projection in movie theaters today....as it is on MOST TV sets.You can see a photo of mine at the bottom of my home page: http://hometown.aol.com/ctrobert8/MainPage.html

The day of the theaters is just about gone. In 2006, according to NEWSWEEK and ENTERTAINMENT WEEKLY they will begin releasing the DVD and the movie in theaters, as well as on Pay TV on the same day. Guess which one will be the big winner?

Hollywood ate itself...by what it did to the theaters. Legitimate Theatre almost disappeared in the 80's with too many shows geared to the intellectuals instead of providing downright, toe-tapping FUN. (And yeah...I DO like Sondheim..even if only A FUNNY THING HAPPENED ON THE WAY TO THE FORUM is the only show of his to make money.) MOST producers tried to emulate the destructive path blazed by Hollywood in doing mostly ADULT and THOUGHTFUL shows. Today...thank Heavens....they have swung back to ENTERTAINMENT...and joy (and PACKED HOUSES) is once again heard throughout the land. WICKED opens in December in Hartford.....and I tried to get a ticket the other day. EVERY SINGLE SEAT is gone for the ENTIRE engagement. It hasn't been since the days of TITANIC and ET that movies have had SRO signs up for EVERY performance for MONTHS at a time.Broadway shows regularly do now. And bravo to them for realizing their errors as well as in allowing people to come in blue jeans and shorts as well as tuxes, democratizing the audience and expanding the experience to the ordinary guy who HATES dressing up.

So very, very, very sad.....to watch movies commit suicide.

BUT.....THE BOYD....has been SAVED. BRAVO....BRAVO.....BRAVO!!!!
posted by Bob Ketler on Nov 9, 2005 at 6:30am
Thanks for the comments! They mean a lot to me
posted by M Horner on Nov 10, 2005 at 9:41pm
A truly breathtaking theater! I recall seeing "Forbidden Planet" there when I was a kid. I think I sat in one of the small alcoves along the side. I cried when I heard they were tearing it down.
posted by iobdennis on Mar 16, 2006 at 4:33am
It was Stanley Warner Theatres who had the Mastbaum Theatre closed and demolished in 1958. RKO Stanley Warner Theatres demolished the Stanley Theatre, Provident National Bank had the Fox, Milgram and Stage Door Theatres demolished, and the owners of the Liberty One and Two office complex had the Duke & Duchess Theatre and the Budco (AMC) Regency Twin Theatre demolished.

The only former theatres that are still standing are: Live Nation's (RKO Stanley Warner's) Boyd Theatre, CVS Pharmacy (United Artists Sam's Place Twin-Rugoff's Cinema 19-Viking-Stanley Warner's Aldine Theatre), United Artists Eric's Place (Trans-Lux)Theatre, Arcadia Theatre and Prince Music (AMC Midtown Twin) Theatre.
posted by MikeRa on Mar 16, 2006 at 11:30am
The Milgram family, owner of Fox, Milgram, and assuming the Stage Door was the auditorium created from the Fox stage, sold. I don't know if PNB was the developer or merely the tenant, but if not them, somebody else would have leased the office building that arose in its place.

The late Willard Rouse was the developer of Liberty Place. From what I hear, the Duke and Duchess were no great loss. The Regency wasn't a single screen past half a decade. I was in it as a twin, and in that capacity, it, too, was no great loss.

I believe that it was in 1953 that the original Stanley Warner company, which belonged to Warner Bros, was divested from Warner Bros due to antitrust law. So, it wasn't the Hollywood studio that demolished the Mastbaum, which was a "white elephant" from the start. The Mastbaum was closed more often than opened, and cost more to keep it closed than to open it. It was too huge, and too costly to staff, heat, etc. Regardless, it was one of the greatest movie palaces ever built, and those who recall it speak of it with awe, a "cathedral" or "opera house" setting that was glorious.
posted by HowardBHaas on Mar 16, 2006 at 12:07pm
I think it was 1953 when Warner Brothers Pictures split the Stanley Warner Theatre chain off, at the same time Loews Inc split into Loews Theatres and Metro Goldwyn Mayer. It was the Stanley Warner Theatres Company that closed the Mastbaum.

I believe the Stage Door Cinema was created from the stage of the Fox Theatre, much in the same way in NYC the Orleans Theatre was created from the stage of the Warner Cinerama Theatre, when that theatre was converted into The Cinerama Theatre, The Penthouse Theatre and The Orleans Theatre by Pacific East Theatres and RKO Stanley Warner Theatres.

I think Provident National Bank (PNC Bank) was just the tennant in the current PNC Bank Center.
posted by MikeRa on Mar 16, 2006 at 12:34pm
The antitrust lawsuit that caused the Hollywood studios to sell their theaters, like the Mastbaum, was brought by independent Philadelphia exhibitor William Goldman. The studios always showed their best films in their own theaters, leaving the independents to show second-rate or second-run features. After winning the lawsuit Goldman went on to build his own chain of Philadelphia theaters. William Goldman Theaters were eventually sold to Budco Quality Theaters in the mid to late 1970s.

The Duke/Duchess and Regency Twin were not the only theaters to be demolished for the Liberty Place Towers. Two small theaters on Market St. near 17th were also demolished. They were the Studio and the Center. The Studio was an independent theater that adopted an XXX policy by the time it closed.

The Center was, at one time, a Stanley-Warner theater, and was one of four downtown theaters that was open all night. (Palace, Family, and News were the others.) I attended the Center frequently in the late sixties while on a 4 to midnight shift. They changed the double feature bill three times a week (Sun, Wed, Thur) and showed every kind of film, from Polanski's Repulsion and Sartre's No Exit to Night of Bloody Horror and Man From Laramie. In addition to a double feature there was always a cartoon, usually a two-reel short, and lots of previews. It was just like a Saturday matinee. All you had to do was learn to ignore the snoring drunks.
posted by Renel-fan on Mar 26, 2006 at 1:06pm
Renel-fan, William Goldman Theatres Co (Goldman Theatre, Midtown Theatre, Regency Theatre, Andorra Theatre, Orleans Theatre, Bryn Mawr Theatre, City Line Center Theatre) were bought by Budco Quality Theatres in 1972, 1 year after Goldman closed the Randolph Theatre.

All that's left today of the Goldman Theatres that's still standing are: Midtown Theatre (operating as Prince Music Theatre) and Orleans Theatre (operating as AMC Orleans 8 Theatre).

I think, but I'm not sure, Center Theatre was closed by RKO Century Warner in the 1980's.
posted by MikeRa on Mar 26, 2006 at 6:19pm
I didn't know that they had saved the Midtown and transformed it into the Prince Music Theatre. That's great. As I mentioned above when I was a boy it was the KARLTON and was a Hoooooorrrrrrible place...ratty....fetid and "air-cooled" in the summer by fans pushing air over chunks of ice, making it feel as if you were sitting in a SWAMP. All the horror films played there. I saw MIGHTY JOE YOUNG sitting in its horribly deteriorated interior. The KEITH'S (where many years earlier a great-uncle vaudevillian of mine had played), which became the lovely RANDOLPH,was also in the late 40's very ugly and ratty and creaky. I was scared to go in it for fear the balcony would give way.

But...by the early 50's William Goldman had transformed the Midtown into a nice, if smallish, theatre and the KEITH'S became the really GORGEOUS (for its day) RANDOLPH...which housed many of the VERY BEST features of the 50's from GUYS AND DOLLS to THE CAINE MUTINY to KISS ME KATE....and in the mid-60's the loooooooong and very successful reserved seat run of the revival of GONE WITH THE WIND.

I suspect Renel-fan must have loved the old Renel on Ogontz Avenue. It was a VERY lovely little art-moderne/deco theatre.....neighborhood sized and a bit small by the standards of the day...but nice. It was always a theatre that generally had subsequent runs after the bigger theatres in the area like the KESWICK or the ERLEN or the YORKTOWN. I remember at about 7 or 8 standing at the back of the Renel with my mom to see YANKEE DOODLE DANDY. The number 6 Trolley serviced Ogontz Avenue and ran all the way to Willow Grove and the end of the line at the Park. I lived in Cedarbrook, just sounth of Glenside and so the KESWICK and the RENEL were the everyday theatres for me during the war years, since we had no gasoline. You just hopped on the number 6 and got off at the RENEL on Ogontz....or the Keswick on Glenside Avenue.

In '46 or '47 I remember seeing DUEL IN THE SUN at the RENEL in its saturation booking (a HORRRIBLE practice that helped to destroy center city theatres)...as well as films like GIANT and BRIGADOON and I think the Susan Hayward GWTW ripoff TAP ROOTS.

My favorite in that area, though, was the ERLEN on Cheltenham Avenue. It was an atmospheric....but it was very art moderne also.....with a HUGE sweeping arched and curved sunrise proscenium of gold...similar to the one at RADIO CITY....with blue velvet skies above....and a kind of Mexican or Southwestern Spanish garden look of white stucco walls with vines and flowers above the overhanging light protusions around the perimeter of the auditorium. It was quite modern in a strange kind of amalgam of art deco AND atmospheric.

The YORKTOWN on Old York Road in Elkins Park was VERY severe art deco/moderne...and was so successful during the 40's that they even enlarged it by extending the length of the theatre.

We all took ALL those theatres too much for granted....just assuming that since we had grown up WITH them....that they were there forever.....and how horribly sad to learn that they, like we, were only momentary visitors on this planet.

Ah...but the Mastbaum....one of two TRULY magnificent theatres in Philly. (The Fox being the other!) It was ALMOST as large as the Roxy and Radio City....elevators and 8 levels all....and was even run by Roxy Rothapfel for a little while after he left Radio City and just before his death.

So sad...so sad....so sad. I just saw the new Cameron Macintosh production of LES MISERABLES, which is on its way to Broadway for a six month return engagement, at the magnificent 3,000 seat restored PALACE in Waterbury, CT. It was PACKED for EVERY performance...as is every single show there. Theatre is BOOMING....last year was the best year in Broadway history. What a shame that the Mastbaum was not saved. It would have been a PERFECT venue for THIS century with its newly rediscovered love of LIVE theater as the awful tiny plastic movie theatres of today see their attendance fade into the sunset. So...again...hats off to the BRILLIANT men who have saved the Boyd. It may not be as magnificent as the Mastbaum....but it will be a TREASURE and they are TRUE heroes of Philadelphia for saving it. It will make a FORTUNE!
posted by Bob Ketler on Mar 27, 2006 at 7:58am
Damage from Hurricane Hazel in October 1954:
http://tinyurl.com/hwol9
posted by ken mc on Sep 12, 2006 at 6:15am
Very cool photo. Sorry about the theatre.
posted by mikemovies on Sep 12, 2006 at 6:52am
This is a 1929 photo of the Mastbaum Theater.

posted by Lost Memory on Mar 10, 2007 at 12:42pm
MY MOTHER AND FATHER MET AT THE MASTBAUM WHERE HE WAS A BARKER AND SHE WAS AN USHERETTE AND SHE ALSO RAN THE ELEVATORS AND SHE SAID THE BEST TIME SHE HAD WAS WHEN SHE HAD TO RIDE IN A LIMO AROUND PHILADELPHIA W/JUDY GARLANDS KIDS (LIZA INCLUDED) WHILE JUDY PERFORMED AT THE THEATER. JUDY ALSO ASKED HER TO BECOME HER PERSONAL ASSISTANT AND HELP W/THE KIDS BUT MY FATHER DID NOT WANT MY MOM TO GO, AND SO SHE DID NOT AND THEY MARRIED AND HAD ME....IF ANYONE HAS ANY PICTURES OF THE THEATER CAN YOU PLEASE EMAIL THEM TO ME SO I CAN SURPRISE HER W/THEM.
Thanks,Flo
firenze61859@yahoo.com
posted by FLO on Apr 8, 2007 at 5:07pm
A couple of photos of the demolition of the Mastbaum can be seen here.
posted by Bryan Krefft on Apr 25, 2007 at 3:43pm
Pictures like that are always bizarre to me. If there was one theatre that should have been saved (in an ideal world) in Philly this was it. And yet at the same time you realize that the demolition company was proud of the fact that they took it down. Then you realize that they had every right to be proud because 1920's theatres were generally built like a fortress. Then you stop and say: "if they took the place down on-time and on-budget, that is pretty good". Most people who frequent this forum, after all, know the story of the demolition firm that was charged with taking down Chicago's Paradise Theatre. It doesn't make sense from the standpoint of preservation to have those thoughts in the mind at the same time. But that is the reality of the matter.

posted by Life's too short on Apr 25, 2007 at 6:04pm
ROTHAFEL TO DIRECT PHILADELPHIA HOUSE; Leaving New York for First Time in 20 Years to Manage the Mastbaum Theatre.

NY Times November 15, 1934

Samuel L. Rothafel, better known as Roxy, will take over the management of the Mastbaum Theatre in Philadelphia, a Warner-operated house, on Christmas Day, according to an announcement yesterday by H.M. Warner, president of Warner Brothers Pictures, Inc.

posted by Lost Memory on Jun 12, 2007 at 7:56pm
A Wurlitzer theater organ opus 2000 style SP 4M was installed in the Mastbaum Theater on 11/30/1928.

posted by Lost Memory on Sep 20, 2007 at 7:35pm
I wish somebody would list the films that played the Mastbaum through the decades at least the last 10 years of its life. Theatre attendance as well as movie production declined in the late 1950's as well as the major movie studios being forced to divest there theatre chains. These three events help close the Roxy in New York, Fox in San Francisco and the Mastbaum along with many others and a slow decline for many more. Today all of these theares would be successful live performance venues like the Fox in Detroit and many others. brucec
posted by brucec on Apr 21, 2008 at 8:33am
I was trying to find out if the Philadelphia Arena on 46th and Market was still around, and an article mentioned that Jules Mastbaum was one of the original owners. The arena was never used for films, although it was used for just about everything else.
posted by ken mc on Jun 22, 2008 at 2:36pm
Still around? According to what I read, the Arena on Market Street between 45th and 46th Streets, was originally known as the Philadelphia Ice Palace. It was destroyed by a fire in 1983.

posted by Lost Memory on Jun 22, 2008 at 3:06pm
That's about when I left. I was curious as to what happened to it.
posted by ken mc on Jun 22, 2008 at 3:38pm
There was a rumor that the fire was intentionally set in order to collect insurance money. The first fire burned a small hole in the roof, visible from the Market-Frankford El. The next fire wiped the place out completely. Sad because though it wasn't a movie theater, it still held great memories for those of us who frequented it (Phila. Warriors Roller Derby)
posted by ntrmission on Jul 18, 2008 at 4:25pm
Can anyone help? I am trying to find any information about a live rock 'n roll performance held at the Mastbaum in the winter of 1953 or 1954. It was an amazing performance of continuous rock 'n roll music by the popular performers of the day. I was young but was mezmerized by the performance. The stage would lower with one group playing and raise with another group already playing their music. I would be interested to know anything about the program or which performers were involved. Any information would be appreciated or if you could tell me where I can search to get more information. Thanks
Envoy
posted by Envoy on Jan 19, 2009 at 1:08pm
Howard Haas...Thank you for such a wonderful intro to this theater. It's even more heartbreaking that this theater never even made it to 1960. Unfortunately, this theater was just too big and too lavish for the market to support.

As an aside, was the Mastbaum the first of the mega movie palaces to be demolished in the country?
posted by LuisV on Jan 30, 2009 at 8:02am
When Samuel Rothafel became managing director in December, 1934, the theatre was re-named the Roxy Mastbaum. It lasted only twelve weeks, and closed in late February, 1935. Rumors claimed a financial loss in the vicinity of $200,000 to $250,000, but Rothafel denied it and said it was only about $30,000. He blamed it on Philadelphia's Cardinal Dougherty, who had instructed the city's Catholics to stop attending movies until the industry took a stronger stand on censorship. "Roxy" would die eleven months later, on January 13, 1936, at age 53. He suffered from a heart condition that had been aggravated by his disappointing experience in running the two new theatres in NYC's Rockefeller Center, which culminated with his resignation in January, 1934.
posted by Warren G. Harris on Jan 30, 2009 at 10:04am
Second request- I was unable to locate your answer.
I am still trying to find any information about a live rock 'n roll performance held at the Mastbaum in the winter of 1953 or 1954. It was an amazing performance of continuous rock 'n roll music by the popular performers of the day. I was young but was mezmerized by the performance. The stage would lower with one group playing and raise with another group already playing their music. I would be interested to know anything about the program or which performers were involved. Any information would be appreciated or if you could tell me where I can search to get more information. Thanks
Please respond again as I was unable to locate your answer
Envoy
posted by Envoy on Jan 30, 2009 at 5:51pm
Best I can think of is to run through microfilmed copies of the Phiadelphia "Inquirer" and "Evening Bulletin," of that area which had full amusement sections, and also the weekly "Variety," particularly in the "Picture Grosses" pages as well as the "Music" and "Concert" areas located towards the rear of this magazine.
posted by veyoung on Jan 30, 2009 at 6:13pm
Luis, I'm glad you appreciate the Intro. As to your question, the Mastbaum was sort of the first lost, if 4000+ seaters are the "mega" definition, since NYC's Hippodrome was built for other purposes.
posted by HowardBHaas on Jan 30, 2009 at 6:29pm
The Mastbaum sounds like it was a beautiful theatre, both inside and out. What a shame that it lasted for such a short time.
posted by MPol on Feb 1, 2009 at 5:38am
I don't know if you consider it a "mega" theatre, and it wasn't a "downtown" theatre, but the Paradise in Chicago with 3612 seats saw its demolition begin in May of 1956. Putting aside the mega descriptor, I always think of the Earle Theatre in Philadelphia as being the first deluxe movie palace to be destroyed, which happened in 1954. Then, of course, in the late 50s and early 60s they started falling like dominoes.
posted by Scott on Feb 1, 2009 at 7:21am
Indeed, the did fall like dominoes.

Thanks for the mention of The Paradise. Yes, I would consider the Paradise. From what I read it too was a spectacular palace. For me, I would consider a mega palace any theater that seated at least 3,500 people, but others could go as low as 3,000 I suppose or as high as 4K.
posted by LuisV on Feb 1, 2009 at 7:40am
The destruction of the Mastbaum was certainly heartbreaking, and it ranks up there with the Roxy in NY and the Fox in SF as examples of unforgettable losses that occurred prior to the preservation movement. However, the one that is often forgotten is the 72nd Street Theatre in NY. It was an atmospheric, which was somewhat unusual for architect Thomas Lamb, and it was absolutely breathtaking. Talk about the architecture of fantasy! It closed without fanfare and was razed in 1961. I know this page is for the Mastbaum, but if anyone here hasn't checked out the 72nd Street in NYC, you should do so.

posted by Scott on Feb 1, 2009 at 8:02am
Hi Scott, It's amazing that you mention the 72nd Street Theatre as I only came across it fairly recently and was amazed at how beautiful it was and how little people know about it.

Another theater that is underappreciated is Proctors 58th St Theatre. Maybe, part of that has to do with the unfortunate name but this too was a huge and beautiful theater that people have virtually totally forgotten about.

Finally, The Center Theatre, which was a sister theater of sorts to Radio City and built just a block away. It was stunning in its "modern" way and I find it amazing that virtually no one remembers that this theater ever existed.

I think it stems from the fact that New York City just had so many incredible palaces that it was very easy for some of them to be almost invisible; especially if they were a little off the beaten path. That's one of the reasons that I am so greatful for this web site. I would never have otherwise found out about these showplaces if it weren't for Cinema Treasures.
posted by LuisV on Feb 1, 2009 at 8:10am
Yes, Proctor's 58th St, from what I gather, was more or less thrown out like yesterday's newspaper, which was the fate of many theaters back then. It was designed by Lamb, as was the 72nd St. I agree with you that the 58th St was a beautiful theatre that, sadly, does not receive much attention today.
posted by Scott on Feb 1, 2009 at 9:57am
Scott, there are so many. I look through the theaters and I can't believe how beuatiful and ornate they once were. Loews Triboro in Astoria (Queens) is one that springs to mind. It's truly astounding that they were allowed to be destroyed without much protest. In the beginning, I think it had to do with the fact that there were just so many around to begin with.

Luckily, we didn't lose them all and some of the best examples are still with us today specifically, Radio City, The Hollywood, all five Loews Wonder Theaters, The New Amsterdam and now, the fully restored Beacon.
posted by LuisV on Feb 1, 2009 at 10:36am
Unfortunately, most people didn't care about old and "obsolete" buildings back then. They were viewed, for the most part, as being passe, not in style. Perhaps you're familiar with Richard Nickel, who organized a protest and picketed in front of the Garrick Theatre in Chicago when it was announced that it would be torn down for a parking garage. Most people, at the time, thought he was crazy for trying to save it. This was around 1960 I believe. But eventually, his way of looking at beautiful old buildings became the norm.
posted by Scott on Feb 2, 2009 at 5:08am
I’m the grandson of the man hired to demolish the Mastbaum theater and current owner of Pantano & Sons Inc, known at the time as Pantano Wrecking Co. I was fascinated to discover this conversation regarding the Mastbaum after I noticed this page linked to our company website, which mentions the demolition of the theater along with a few b&w photos. I was particularly struck by Life's Too Short's post (from almost two years ago now) and his/her ability to keep perspective from both sides of the coin.

Admittedly, it does seem like a waste of an awful lot of craftsmanship and fine material, but alas it was a high profile project for my grandfather and certainly worth including in our company's history write-up. As I understand it, the theater was unfortunately too grandiose for its own good, and the operation was unable to sustain itself financially. I'm not sure how I'd post it here, but I have an old newspaper clipping from the period titled, "Too Big, Too Much. End of the era of the movie palace." if anyone is interested.
posted by jcpantano on Mar 18, 2009 at 10:35am
Hello jcpantano. I'd be interested in seeing the article, and I'm sure dozens of others would be too. I don't know how to post things on this site either, but you could contact the hosts and ask them, or click on "add theatres, news, or links" from the menu at the top, and see if that helps you.
posted by ziggy on Mar 18, 2009 at 12:32pm
If there's a date on your newspaper copy, please tell us the date and name of newspaper so researchers can look it up themselves if so inclined.

The Mastbaum indeed might have been too huge to put to economic purpose, though less excuse exists for the demolitions of the Earle, Fox, and Stanley, three of the other flagship movie palaces of downtown Philadelphia, and NO excuse exists for the Boyd. (I lead the citizen activists advocating on its behalf).
posted by HowardBHaas on Mar 18, 2009 at 1:43pm
Ok. I went to the 'Add Theater News' link and there was a blurb there about not posting articles for copyright reasons, etc. I'm not sure anyone would have a problem with a scanned image of a newspaper clipping from the 1950's, but who knows. The article was written by Sidney Hantman in the 'Philadelphia Inquirer Magazine'; I do not have the exact date unfortunately. However, judging by the content and my grandfather Pat's quotations, the article was written sometime after the April 16th, 1958 decision to demolish the building and before the end of that year (it was torn down in '58).

I have emailed the host about posting here, but in the meantime if anyone would like me to send them the faded images directly, feel free to email me at info@pantanoandsons.com As previously mentioned, there are photos on our site of the [sad] destruction (go to 'www.pantanoandsons.com/who_we_are' and click on or scroll down to 'History'). I did see somewhere in my father's files another photo of his Dad standing at the great organ before work began, and I will look for that as well. -Jason
posted by jcpantano on Mar 19, 2009 at 10:07am
Here's a selective history of a few of the films shown at the Mastbaum during the 1940s

First half of the 1940s. 29 Aug 1942 Box Office reported that the Mastbaum to reopen next Friday with "Tales of Manhattan" after being closed since 1934-35. 12 Sept 1942 Box Office reported that the Mastbaum did reopen with that film. In 1942 "Pride of the Yankees" was shown as was "Now Voyager" Noel Coward's "In Which We Serve" had a grand opening in 1943. "Arsenic and Old Lace" was shown in 1944.

To continue with the 2nd half of the 1940's, 8 Dec 1946 Box Office reported that the "Stork Club" premiere broke records with the sale of more than $15 mil of war bonds. 1947 movies included “Humoresque" “Till the Clouds Roll By” and "The Treasure of San Madre" 1948 films shown included “Easter Parade” "Rope" and "Johnny Belinda" 1949 films included "White Heat"

posted by HowardBHaas on May 3, 2009 at 11:19am
From when it reopened in WW2, the Mastbaum had a steady showing of films. This isn't a complete list, but a selection from Box Office for the 1st half of the 1950s:

1951 “Captain Horatio Hornblower”

1952 “The Quiet Man”

19 April 1952 Box Office: "Quo Vadis" ended 10 week run at Mastbaum

3 May 1952 Box Office "The African Queen"

10 Jan 1953 Box Office "April in Paris"

1953 Box Office “I Confess”

21 Nov 1953 Box Office: "How to Marry a Millionaire"

1954 “The High and the Mighty”

24 April 1954 Box Office:p 24 photo of Carnival Story star Steve Cochran in Mastbaum lobby to promote film

31 July 1954 Box Office: "Apache" broke one day house record at Mastbaum for box office

30 Oct 1954 Box Office "A Star is Born"
posted by HowardBHaas on May 6, 2009 at 6:54am
Here is a 1929 photo:
http://tinyurl.com/mmuhs3
posted by ken mc on Jun 21, 2009 at 3:36pm
Another blurry one in the photobucket.

posted by Lost Memory on Jun 21, 2009 at 6:11pm
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