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  Discover. Preserve. Protect.
Also known as Globe Cinema

ABC Stockton-on-Tees

Stockton-on-Tees, Cleveland, England
101 High Street
, Stockton-on-Tees, Cleveland, England, United Kingdom TTS BAD
(map)
Status: Closed
Screens: Single Screen
Style: Art Moderne
Function: Unknown
Seats: 2429
Chain: Unknown
Architect: Percy Lindsay Browne
Firm: Percy Lindsay Browne & Son
ABC Stockton-on-Tees
Circa-2001 interior view of the onetime Globe Cinema
Photo courtesy of Ian Grundy
The theatre opened on 16th December 1935 and is the third Globe Cinema on the site.

The first was a pre-war cinema of approx. 500 seats which was demolished in 1925 and replaced by the second Globe Cinema with 1,200 seats which in turn closed on 20th April 1935 and was completely demolished to make way for the existing building which opened an amazing 8 months later.

This was a variety theatre and had no film programming until 1937 when it was bought by Associated British Cinema(ABC) - however a projection suite was part of the original design. ABC continued to present live shows on regular occasions amidst the film fare.

Opera, Ballet and an annual pantomime featured strongly together with touring variety, musicals, and latterly pop concerts.

The ABC closed on 15th June 1974.

A very short-lived attempt was then made to restore it as a theatre before bingo took over from 1978 to c. 1996.

It has remained unused since then.

The Globe was designed by Percy L. Browne & Son of Newcastle Upon Tyne for brothers Charles and Alfred Lewis and was constructed by local firm Arthur McLeod Ltd of Thornton on Tees. Fibrous plasterwork was by Messrs Webster Davidson & Co Ltd of Sunderland. The building cost a reported 75,000 pounds.

The imposing facade has four sets of double doors in the wide frontage with 10 large metal framed windows (by Messrs F Braby & Co of Glasgow) on 1st and 2nd floor levels - five on each floor, grouped 1-3-1.

In-between the groupings are two squat towers with ornamental iron grills running up both levels. There is a further window at the top of each tower and between the towers is a 3rd floor housing the projection suite which windowless expanse once contained the simple lettering GLOBE.

The frontage is almost symmetrical - the left side has an extra small bay containing two small windows. There are three circular plaques between the 3 central windows the central one of which depicted comedy and tragedy. The whole is enlivened with fluted plaster typical of the period. A square canopy ran over the street from tower to tower.

Two shop units are incorporated, one on either side - at some point shortly before 1996 these wese bricked in and the lower frontage tiled, the facade was also repainted at this point.

Apart from the removal of the lettering, the replacement of the canopy, the tiling and the addition of some railings on the roof the facade is unaltered and appears to be in good condition.

The doors give access to a small vestibule and four further pairs of doors - some with etched glass - lead into the main foyer and box office. This is actually, as at the Manchester Opera House, located in the circle void but is surprising large.

It is totally as built not having been spoiled by false ceilings. Good plasterwork of square ceiling recesses edged with fluted plaster but replacement of original lights by unattractive 'Mecca' fittings.

At one side is an office. Pleasing amount of natural light gives the area a rather more spacious feel than is actually warranted. Concrete stairs down in each outer corner lead to a small stalls foyer, doors give direct access to the lower circle and stairs up (above the stalls stair) lead to the rear circle foyer which is lit by the three central 2nd floor windows and is now converted into a bar.

The shop space is not incorporated into the theatre.

The auditorium is on two levels and seated, depending on the source 2,574, 2,429, 2,400 or 2,372. A huge stalls floor retains its original saucer rake and now has bingo tables instead of rows of seats. The circle is also vast with 19 rows of tip up chairs.

However the sightlines from both areas are outstandingly good as the circle is somewhat higher than average meaning that the entire proscenium is visible from the stalls back row.

The circle front is almost plain with a geometric cube design along the lower portion and is curved but not returned to the proscenium wall.

The expanse of wall is instead filled by an rectangular recess containing a fountain of light. Above this are two large bas relief panels depicting sight and sound - the right hand side one has been badly damaged by what looks like the insertion of a loudspeaker.

The proscenium is rectangular and has plaster stapwork together with concealed lighting still containing coloured bulbs at the upper levels, these were like the light fountains and the two deep rectangular ceiling recesses connected to a holophane lighting board which gently varied the colours when the house was lit.

The whole of the anti-proscenium is richly decorated with angular plasterwork and has the general feeling of say the Stockport Plaza (Grade II Listed). The ceiling over the front stalls is divided into sections and contains a large rectangular recess with concealed lighting.

A similar recess exists above the circle also with hidden lighting and containing the projection ports for film presentations. The plasterwork is again of an outstanding quality and is again, panel excepted, intact.

Indeed given that the building has been unused for 5 years it is in a very good state. Damp and with obvious signs of water penetration but no falls of or bulging plaster. <br><br>The original colour scheme (painted by Messrs Fred A Foster (Nottingham) Ltd of Mapperley) had a deep jade carpet with lighter seating and shades of green, fawn and gold on the walls and ceiling.

It currently sports a subdued 'Mecca' scheme - not as garish as some of their halls but similar style of colours and lights.

The stage is large, raked though not steeply and has adequate, but not generous, wing space. The get-in doors have been bricked up but were awkwardly 3 metres above stage level as the stalls are so extensively sunk below ground level.

The only false ceiling in the place is above the stage making examination of the grid impossible. It is likely that the safety curtain and machinery are intact above this as it would make no sense to strip them when so little else has been altered.

An orchestra pit has been covered over and replaced by bingo paraphernalia but otherwise the stage is unaltered with no access to the bingo players as has happened at so many other halls.

Dimensions from the British Theatre Directory state the proscenium width to be 49'2" with a height of 37' to 40', depth of stage 39'2", height of grid 60' with 26 counterweight and 13 hemp lines.

Descriptions of the building have often mentioned the peirrot and pierrette theme which looking at contemporary reports seem to have consisted of four large decorative mirrors edged in a deep green glass depicting pierrot, pierrette, columbine and harlequin. These were designed by Stanley M Scott and manufactured and fitted by Reed Millican & Co of Newcastle upon Tyne. There is now no trace of these - if they were situated in the auditorium, as is likely, they must have proved very distracting for films and could well therefore have been removed at an early stage.

This is an excellent example of its type which has been so very little altered as to be considered intact. The condition is good, a return to live use would not be prohibitive and with a good catchment population with no other large theatre nearer than a hour away (Sunderland Empire) should meet with success. It is unusual to see such a good example of a saucer raked floor.

-- From Ian Grundy's report which was instumental in getting a Grade II Listed building status for the Globe in 2001.

(There is a faint possibility that the Globe could be restored and reopened as a live entertainment venue.)
Contributed by Ian Grundy


YOUR COMMENTS

 
I have read with great interest your piece on the Globe Theatre at the end of Stockton High Street. My interest comes, I suppose from the fact that my father was manager there from just before ww2 until about 1950. His name was Maurice Richard Westaway, sadly now deceased and he was greatly influential in bringing ballet and musical comedy to the theatre as it was then.

I do agree that it would be a good idea to renovate the globe into a working theatre once more, because Middlesbrough and Stockton are in dire need of a theatre of this ilk, the nearest one being, as you say, the Sunderland Empire, or the Billingham Forum, which is, I believe, to be demolished in the near future, so surely the Globe would make a splendid replacement for the Forum. Also car parking facilities near the Globe are, I believe already in place.

On a final note, why wasn't the Globe used an Arts Centre, instead of wasting all that money on removing the old Hippodrome and replacing it with Arc.
posted by ChristineHogg on Apr 6, 2003 at 11:40am
I wrote a piece about the Globe. I am attaching it hereto.


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Gillian's Globe Piece
May 16 2001 at 9:24 AM Gillians Globe Piece


--------------------------------------------------------------------------------

THE GLOBE THEATER - STOCKTON ON TEES
by Gillian W. Samples

I now live in Glendale, California, a City a few miles outside Los Angeles, but have many fond memories of my childhood/teenage years visiting the Globe at Stockton-on-Tees.

First time I ever visited the Globe was with my Grandma, my aunt and cousin. As our treat, we all went to the Christmas Pantomime that year, I think it must have been around 1958 or 59. The great Lonnie Donnegan was playing at the Globe in the Pantomime in "Aladdin." I had not been to that many shows at the tender age of about nine. In those days a lot of the "stars and musicians of the day" did not really get "up North." One must remember that these were the days before the onset of the "Great Northern Nightclubs," which was a British answer to a "Las Vegas Showroom" that were all over the North of England from around 1965 to the mid 1970's. Anyway, Lonnie Donnegan was at the height of his career, and, as I recall, he influenced a lot of the musicians of today and yesteryear. Namely, John Lennon, all the other Beatles, Joe Cocker, Van Morrison, Ritchie Blackmore of Deep Purple, just to name a few. However, Lonnie did have his famous skiffle band with him at the Panto, and at the end he came out with them and literally "brought the house down" as I recall -- and played for about an hour. People were just dancing and jiving in the aisles, including myself and my cousin. That folks, was my first "rock show" even though only 9. I was hooked. I wanted to be up there on the Globe stage with Lonnie. How could I accomplish this feat, to bang the boards of the glittering Globe stage, complete with a fancy sparkling costume and make-up?

In those days, pantos always had "Dance Troupes." As I do recall they were all called "so and so's ___ Babes" or along those lines. A dance troupe would open up the show, and they would actually be part of the whole show at timely intervals. All little girls resembling the child star "Shirley Temple" - all fully made up with suntanned orange Max factor pancake makeup and bright green or blue eye shadow, all wearing frilly white and silver costumes, complete with gleaming white buckskin tap shoes with huge pink bows on them that flopped up and down when they all "tapped together." Miniature Ziegfield Follies, all executing their timesteps in a regimental line. My god, I had to do it!! However, luck was on my side as I was friendly with a girl who lived in the same neighborhood as myself, in Acklam, Middlesbrough, who, of course, just so happened to belong to this 'dance troupe' and was an accomplished dancer and fantastic tapper! And, lo and behold, she had even met and danced with the famous Lonnie, and was up there on the Globe stage. I had to befriend her more! I was so envious of her glamorous stage life, even though everybody in our family in Middlesbrough said I was the 'double of Shirley Temple.." I had to be up there on the stage if it was the last thing I ever did.

I inquired to my friend about joining this dance school. However, on turning up at the place for practice one night I was awfully disillusioned. The school was in a freezing cold, damp, dark, seedy part of an old warehouse in an old Victorian run down part of Stockton. One bare light bulb hung from the stripped paint peeled ceiling with an old rusty faucet dripping away there in the background. This was not the Globe stage. Where was the glamour? Where was my illusion? This is like the "Black Hole of Calcutta" I thought to myself. The first night I found to be a terribly hard grueling rigmarole, coupled with the hard-faced brassy peroxide "bus conductress" looking blonde who ran the place. She was in charge? Oh my god? What a tart? Plus, the so-called "fabulous babes" turned out to be a "right rough lot." Horrible lot - oh how could Lonnie even speak to them?? A toothless old bloke in a holey cardigan and fingerless gloves crouching in the background put on a record -- shouting out "practice girls -- c'm on now -- work hard - yer bloody lazy lot" My "friend" told me to persevere as she had certainly not gotten there overnight. I felt like crying. This was awful. It was not meant to be like this was it? The paces the "peroxide" put me through rivaled that of an Olympic gymnast, which I was not. I could not even stand up straight in school the next day. I was literally on my knees. Persevere I could not. No Globe stage for me. Mind you, I had been warned. I had not realized that tap and ballet was so athletic - to which I was and still am not.

However, childhood years shifted into early teenage years. I visited the Globe many times. My mother and I had now moved out to Redcar, and I remember my school taking us all to the Globe one evening. They decided we should have a "bit of culture" in our lives, instead of listening to the junk rock n' roll we all craved for. So, we saw the Gilbert and Sullivan Operetta of The Mikado. Still, the colorful costumes, the lights, the greasepaint were all something wonderful for me. How could I have ever given up on the "Glittering Globe."

Perhaps I could be a comedienne instead? I mentioned this to a family member. I reckoned that I could still get up there on the Globe stage as comedians were becoming very big at the time? "Girls don't tell jokes" a relative of mine sniggered. Women you see at that time were not liberated at all - indeed horrors!! -- growing up in the days of post-war Britain. They were to be seen and not heard. Female comediennes were never heard of ever!!! As my musical and singing abilities appeared to be nil, I decided I would have to be a spectator and not a performer. Oh - where was Lonnie?

Over the next few years in the mid to late sixties I saw a few shows, before I left the area to go to live in London. We nicked off school one day to catch the bus from Redcar to Stockton to purchase our beloved Beatles tickets for the oncoming show at the Globe. I believed they played two shows there. Hoards of fans had queued up overnight in Stockton High Street, on the freezing cold pavements, to which did not take my fancy. However though, my mate said that if we could get there really early, we would still mange to get a ticket for the show which we did. They day they were performing - well we were stood across the High Street to wait and see them before they came in. A glimpse - anything would do. Something that resembled a Rolls Royce came screeching down Stockton High Street. The doors of it were flung open and the Fab Four all ran out straight into the foyer of the Globe. They appeared to have hellhounds on their trails. As everyone knows, the sound inside the auditorium was deafening and at the end of the show it looked like World War III had just broken out. I loved the Beatles at the time, but really wanted to hear a bit of the music. For me, it was not "cool" to scream. I thought everybody looked ":daft" screaming anyway. Stars who performed at the Globe, well they did not scream and carry on now did they?

Other stars I saw at the Globe included Cliff Richard and the Shadows. (Cliff rocked back in those days); Billy Fury and the Tornadoes. The Tornadoes actually were the first British band to have a Number l hit in the USA with "Tellstar," and that was before the Beatles.

My mates and I at the time -- well we did chase one member of Billy Fury's band down Stockton High Street. I think I was about 12 or 13 at the time. We backed him up into an alleyway. He looked terrified. He probably was. We decided to let him go. I also remember seeing a famous drummer - a Mr. Clem Cattini almost being shoved through a plate glass window that night down the High Street after a show at the Globe. He was at one time the drummer for the Tornadoes, who still performs today and has a lot of music interests in the industry.

My Dad worked for a prominent firm of building contractors in Stockton in the early sixties. As he recalled, one day after work he pulled up in his car at the traffic lights in Stockton High Street. In the car next to him were Cliff and the Shadows. They were all on their way to the Globe.

I recall an old vinyl album of the Shadows. On it was a track entitled "Stars Fell on Stockton" composed by Mr. Hank Marvin.

They most certainly did.


Gillian W. Samples© 1999
Late801522@aol.com



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posted by Snoutie on Jun 17, 2004 at 4:15pm
I was the photographer at the Northern Echo from 1960-72 and have my original photographs of the artists who appeared at the Globe during the 60s, from the Beatles, Stones, Dave Clark, Marianne Faithful, Ike And Tina Turner, Tom Jones, Cliff Richard, Gene Pitney, Roy Orbison, etc. So this is an SOS to Barry Jones who produced the 1999 Exhibition or past employess of the Globe,anyone who can provide, anecdotes, specific dates of performances, identify people in the photos, the name of the manager in the 60s, anything to put words to the pictures. Thank to everyone in advance Ian Wright at lauren_ian_wright@yahoo.co.uk
posted by Ian Wright on Apr 15, 2005 at 5:44am
The Beatles played at the ABC on 22nd November 1963, the date President Kennedy was assassinated.

The last film to play at the ABC was Robert Redford and Paul Newman in "The Sting" on 15th June 1974.

It then became a Mecca Bingo Club until they moved to new premises at Chandler's Wharf in 1993. Since then the ABC has remained shuttered and unused.
posted by KenRoe on Dec 7, 2005 at 7:05am
A recent article in the local press has announced that Stockton on Tees Council and the buildings current owners, Jomast Properties are carrying out feasability studies on proposed uses for the building.
posted by jbn6773 on Jul 12, 2006 at 5:34am
As a teenager in the 1950s I lived on a farm in Little Stainton, about seven miles from Stockton, and was dependent on my mother Diana Lamb being prepared to buy tickets and drive us into town to see the package shows at the Globe. I've been tyring to fix exact dates for the people I saw there - Frankie Lymon and the Teenagers, Guy Mitchell, Lonnie Donegan (not the panto referred to above, but a package tour which had Miki & Griff on the same bill), Bill Haley, the Platters, Tommy Steele, and most memorable of all, the Crickets featuring Buddy Holly (I think I have that date, March 1958).

Can anybody help?

It would be greast to have a calendar of who played there during that era - it seemed that every major artist included Stockton on their itinerary in those days.

posted by Charlie Gillett on Sep 20, 2006 at 5:22am
ive never been in this building myself with me not been born when it was the globe or abc but my mother worked there i found some pictures and here they are

here it is outside when it was the ABC back in 1973
http://www.flickr.com/photos/63109169@N00/357600455/

http://www.flickr.com/photos/63109169@N00/357600476/
posted by john evans on Jan 14, 2007 at 1:49pm
this is when it was mecca bingo back in 1993
http://www.flickr.com/photos/63109169@N00/357601198/

its a shame this building as gone to waste it has never been used since 1993 and the building is still up and now it looks terrible really it looks like its falling to piece's. i hope they use the building for something soon i dont want to see a building like that go to waste. i will post up what it currently looks like as soon as i can
posted by john evans on Jan 14, 2007 at 1:53pm
An exterior picture from 1991 below. I will scan and post some interiors taken after closure in the next week or so.

http://www.flickr.com/photos/12494104@N00/2243730863/
posted by Ian on Feb 5, 2008 at 7:49am
A set of photographs, mainly interior, of the Globe / ABC Theatre can be found here:

http://www.flickr.com/photos/12494104@N00/sets/72157603915628017/
posted by Ian on Feb 15, 2008 at 5:41am
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