Globe Theatre

157 High Street,
Stockton-on-Tees, TS18 1PL

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Globe Theatre

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The Globe Theatre opened on 16th December 1935, and is the third Globe cinema building on the site.

The first was a pre-war cinema of approx. 500 seats which was demolished in 1925 and replaced by the second Globe Picture House with 1,200 seats which in turn closed on 20th April 1935, and was completely demolished to make way for the existing Globe Theatre building which opened an amazing 8 months later.

This was a variety theatre and had no film programming until 1937 when it was bought by Associated British Cinema(ABC) – however a projection suite was part of the original design. ABC continued to present live shows on regular occasions amidst the film fare.

Opera, Ballet and an annual pantomime featured strongly together with touring variety, musicals, and latterly pop concerts.

The Globe Theatre was re-named ABC in 1967. It was closed on 15th June 1974.

A very short-lived attempt was then made to restore it as a theatre before bingo took over from 1978 to c.1996.

It has remained unused since then.

The Globe Theatre was designed by Percy L. Browne & Son of Newcastle Upon Tyne for brothers Charles and Alfred Lewis and was constructed by local firm Arthur McLeod Ltd of Thornton on Tees. Fibrous plasterwork was by Messrs Webster Davidson & Co Ltd of Sunderland. The building cost a reported 75,000 pounds.

The imposing facade has four sets of double doors in the wide frontage with 10 large metal framed windows (by Messrs F Braby & Co of Glasgow) on 1st and 2nd floor levels – five on each floor, grouped 1-3-1.

In-between the groupings are two squat towers with ornamental iron grills running up both levels. There is a further window at the top of each tower and between the towers is a 3rd floor housing the projection suite which windowless expanse once contained the simple lettering GLOBE.

The frontage is almost symmetrical – the left side has an extra small bay containing two small windows. There are three circular plaques between the 3 central windows the central one of which depicted comedy and tragedy. The whole is enlivened with fluted plaster typical of the period. A square canopy ran over the street from tower to tower.

Two shop units are incorporated, one on either side – at some point shortly before 1996 these wese bricked in and the lower frontage tiled, the facade was also repainted at this point.

Apart from the removal of the lettering, the replacement of the canopy, the tiling and the addition of some railings on the roof the facade is unaltered and appears to be in good condition.

The doors give access to a small vestibule and four further pairs of doors – some with etched glass – lead into the main foyer and box office. This is actually, as at the Manchester Opera House, located in the circle void but is surprising large.

It is totally as built not having been spoiled by false ceilings. Good plasterwork of square ceiling recesses edged with fluted plaster but replacement of original lights by unattractive ‘Mecca’ fittings.

At one side is an office. Pleasing amount of natural light gives the area a rather more spacious feel than is actually warranted. Concrete stairs down in each outer corner lead to a small stalls foyer, doors give direct access to the lower circle and stairs up (above the stalls stair) lead to the rear circle foyer which is lit by the three central 2nd floor windows and is now converted into a bar.

The shop space is not incorporated into the theatre.

The auditorium is on two levels and seated, depending on the source 2,574, 2,429, 2,400 or 2,372. A huge stalls floor retains its original saucer rake and now has bingo tables instead of rows of seats. The circle is also vast with 19 rows of tip up chairs.

However the sightlines from both areas are outstandingly good as the circle is somewhat higher than average meaning that the entire proscenium is visible from the stalls back row.

The circle front is almost plain with a geometric cube design along the lower portion and is curved but not returned to the proscenium wall.

The expanse of wall is instead filled by an rectangular recess containing a fountain of light. Above this are two large bas relief panels depicting sight and sound – the right hand side one has been badly damaged by what looks like the insertion of a loudspeaker.

The proscenium is rectangular and has plaster strapwork together with concealed lighting still containing coloured bulbs at the upper levels, these were like the light fountains and the two deep rectangular ceiling recesses connected to a holophane lighting board which gently varied the colours when the house was lit.

The whole of the anti-proscenium is richly decorated with angular plasterwork and has the general feeling of say the Stockport Plaza (Grade II Listed). The ceiling over the front stalls is divided into sections and contains a large rectangular recess with concealed lighting.

A similar recess exists above the circle also with hidden lighting and containing the projection ports for film presentations. The plasterwork is again of an outstanding quality and is again, panel excepted, intact.

Indeed given that the building has been unused since 1996, it is in a very good state. Damp and with obvious signs of water penetration but no falls of or bulging plaster. <br><br>The original colour scheme (painted by Messrs Fred A Foster (Nottingham) Ltd of Mapperley) had a deep jade carpet with lighter seating and shades of green, fawn and gold on the walls and ceiling.

It currently sports a subdued ‘Mecca Bingo’ colour scheme – not as garish as some of their halls but similar style of colours and lights.

The stage is large, raked though not steeply and has adequate, but not generous, wing space. The get-in doors have been bricked up but were awkwardly 3 metres above stage level as the stalls are so extensively sunk below ground level.

The only false ceiling in the place is above the stage making examination of the grid impossible. It is likely that the safety curtain and machinery are intact above this as it would make no sense to strip them when so little else has been altered.

An orchestra pit has been covered over and replaced by bingo paraphernalia but otherwise the stage is unaltered with no access to the bingo players as has happened at so many other halls.

Dimensions from the British Theatre Directory state the proscenium width to be 49'2" with a height of 37' to 40', depth of stage 39'2", height of grid 60' with 26 counterweight and 13 hemp lines.

Descriptions of the building have often mentioned the peirrot and pierrette theme which looking at contemporary reports seem to have consisted of four large decorative mirrors edged in a deep green glass depicting pierrot, pierrette, columbine and harlequin. These were designed by Stanley M. Scott and manufactured and fitted by Reed Millican & Co of Newcastle upon Tyne. There is now no trace of these – if they were situated in the auditorium, as is likely, they must have proved very distracting for films and could well therefore have been removed at an early stage.

This is an excellent example of its type which has been so very little altered as to be considered intact. The condition is good, a return to live use would not be prohibitive and with a good catchment population with no other large theatre nearer than a hour away (Sunderland Empire) should meet with success. It is unusual to see such a good example of a saucer raked floor.

— From Ian Grundy’s report which was instumental in getting a Grade II Listed building status for the Globe in 2001.

In March 2010, it was announced that the Globe Theatre would be renovated for live theatre use, work began in early-2011, for a planned 2012 re-opening.

Contributed by Ian Grundy

Recent comments (view all 14 comments)

jbn6773
jbn6773 on July 12, 2006 at 8:34 am

A recent article in the local press has announced that Stockton on Tees Council and the buildings current owners, Jomast Properties are carrying out feasability studies on proposed uses for the building.

CharlieGillett
CharlieGillett on September 20, 2006 at 8:22 am

As a teenager in the 1950s I lived on a farm in Little Stainton, about seven miles from Stockton, and was dependent on my mother Diana Lamb being prepared to buy tickets and drive us into town to see the package shows at the Globe. I’ve been tyring to fix exact dates for the people I saw there – Frankie Lymon and the Teenagers, Guy Mitchell, Lonnie Donegan (not the panto referred to above, but a package tour which had Miki & Griff on the same bill), Bill Haley, the Platters, Tommy Steele, and most memorable of all, the Crickets featuring Buddy Holly (I think I have that date, March 1958).

Can anybody help?

It would be greast to have a calendar of who played there during that era – it seemed that every major artist included Stockton on their itinerary in those days.

johnpaullucky7
johnpaullucky7 on January 14, 2007 at 4:49 pm

ive never been in this building myself with me not been born when it was the globe or abc but my mother worked there i found some pictures and here they are

here it is outside when it was the ABC back in 1973
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johnpaullucky7
johnpaullucky7 on January 14, 2007 at 4:53 pm

this is when it was mecca bingo back in 1993
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its a shame this building as gone to waste it has never been used since 1993 and the building is still up and now it looks terrible really it looks like its falling to piece’s. i hope they use the building for something soon i dont want to see a building like that go to waste. i will post up what it currently looks like as soon as i can

Ian
Ian on February 5, 2008 at 10:49 am

An exterior picture from 1991 below. I will scan and post some interiors taken after closure in the next week or so.

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Ian
Ian on February 15, 2008 at 8:41 am

A set of photographs, mainly interior, of the Globe / ABC Theatre can be found here:

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jbn6773
jbn6773 on March 11, 2010 at 7:28 pm

Some good news. Jomast have had plans to restore and refurbish the former ABC/Globe theatre passed by Stockton on Tees council and plan to re-open it as a live entertainment venue, retaining its original features and removing the horrible tiled facade at ground level. The plans also involve incorporating a vacant building adjacent to the globe into the main venue. for more information go to www.jomast.co.uk

jbn6773
jbn6773 on March 11, 2010 at 7:34 pm

to see more on the plans go to the following and type 09/2976/COU into the application reference boc

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welcomevending
welcomevending on October 8, 2012 at 7:00 am

I have a couple of pictures taken inside the foyer of the theatre with my mother Jean Dinsdale (ticket office)meeting Bruce Forsyth and the rest of the staff…was taken approximately in 1963

FanaticalAboutOdeon
FanaticalAboutOdeon on May 15, 2013 at 6:31 am

I visited the Globe twice during 1970 while managing Stockton’s Odeon. I saw a touring production of “Madam Butterfly” with full orchestra in the pit – most impressive on a stage whose proscenium arch was two feet wider than that of London’s Palladium Theatre. I also saw the film musical “Goodbye, Mr Chips” there and the CinemaScope screen was suitably vast. A prime candidate for restoration as a touring musical/concert venue I would have thought. A reborn Globe would have a huge catchment area for large scale attractions including Middlesbrough, West Hartlepool, Darlington and Billingham as well as Stockton and Thornaby. Nearest competition for what the Globe would be able to mount would be Scarborough’s Futurist and Sunderland Empire. A few years before my time on Teesside, the Globe pantomime had starred the Shadows and, while they were in residence at the theatre, they wrote the tune “Stars fell on Stockton” which was included on at least one of their subsequent albums.

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