170 Boulevard Magenta,
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Built in 1921, and opening as an independent cinema on 6th October 1921, it was later taken over the Pathe chain. The Louxor – Palais du Cinema is an Egyptian-style movie theatre, designed by architect Henri Zipcy. There was an orchestra pit and a pipe organ and the seats had Egyptian style motifs. It is the only Egyptian style theatre ever built in Paris.
Seating was provided for 1,300 in orchestra and two balcony levels. The projection booth was located under the second balcony. The building is at the corner of two main boulevards and tiles with Egyptian art are still on the upper part of the facade.
Through the years the Egyptian design and marquetry friezes by interior designer M. Tiberi had vanished from inside the auditorium, and in the 1930’s it was given an Art Deco style. In later years a CinemaScope screen hid the stage and the proscenium.
By the 1970’s the district was changing. Still owned by the Pathe chain, the Louxor Pathe turned to a new program policy with Arab and Egyptian movies. With 10,000 patrons each week, the profit was enough for Pathe to keep this theatre different from the other first run theatres of the chain.
The theatre became notorious for drug dealers and prostitution. On 30th November 1983, Pathe closed the Louxor with the Arab film “Qaid”.
The facade was given a Listed building status and the theatre was purchased by Tati, a clothing chain store, but they never opened the building. In November 1986 it was converted into a Carribean style nightcub named ‘la Derobade’. It was transformed into a a gay disco named ‘Megatown’, which opened on 20th June 1987, and operated for a year. The Louxor Pathe was then closed up and unused for over 25 years.
In 2003, the city of Paris bought the land and the building and proposed a huge renovation to return the theatre to its former appearance. In early-2008 the building was still unused, but renovation/restoration work began in 2010. The building was gutted internally, even removing and replacing the two balconies. Plans by architect Phillipe Pumain included a replication of the original Egyptian style decoration in the main auditorium, and two additional auditoriums in the basement. The Louxor re-opened to an invited audience on the morning of 17th April 2013, which was inaugurated by the Mayor of Paris, and a screening of the classic 1949 Jacques Tati film “Jour de Fete” in the main 342-seat auditorium. The seating is still arranged in orchestra and two balconies, but the majority of the space which was at the rear of the second balcony is now a bar. This auditorium has a ‘square’ screen set within the frame of the proscenium, which will be used for silent and older films, and a screen with variable masking which emerges from the top of the proscenium pelmet, and rolls down in front the ‘square’ screen, upon which modern ‘widescreen’ films will be shown. Projection is provided via a 35mm and digital projection system. The two basement cinemas, both with digital projection are attractively decorated, one in a Deco style with bands of concealed lighting across the side-walls and ceiling in a 74-seat auditorium, and a touch of Egyptian style with round pillars along the side walls in the 140-seat auditorium.
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