June 8, 2010
Despite the many popular sequels released, this past Memorial Day was a step down from last year.
Merriman Curhan Ford analyst Eric Wold wrote in a client note that U.S. box office sales of $186.2 million were 12.1 percent higher than in the same period last year — but they were 14 percent lower than last year’s Memorial Day weekend. In 2009, Memorial Day fell a week earlier.
That brings the total for the second quarter so far to $1.65 billion, a 3.7 percent decline from last year. The decline, along with overall market weakness, has weighed on shares of Regal Entertainment Group, Cinemark Holdings Inc. and Carmike Cinemas Inc.
Read the full story from the Associated Press.
June 4, 2010
HONOLULU, HI — Consolidated Theaters, which operates theaters under several names including Consolidated, Angelika Film Centers, and City Cinemas, is joining the list of the other theater chains in installing its own proprietary big screens. The First Titan XC screen has been installed in a renovated auditorium of the company’s Ward Stadium 16. The screen measures 66 feet by 35 feet. The auditorium also boasts Dolby 7.1 surround sound and an Xpand-D 3D projection system.
One of the theater’s largest auditoriums was completely redesigned to create a world-class, theater atmosphere. Consolidated Theatres' new Titan Extreme Cinema will feature:
Huge Screen: A newly-installed wall-to-wall screen, stretching more than 66 feet wide and 35 feet tall in Titan XC will be the largest commercial movie screen in the state of Hawai'i.
Read the full story in theHonolulu Advertiser.
May 28, 2010
KANSAS CITY, MO — To comply with a Department of Justice ruling, AMC will divest itself of nine theaters it currently owns in Indianapolis, Chicago, and Denver to the Regal Entertainment Group in exchange for cash and two Regal theaters.
Regal said in a release Monday that it had entered an agreement to acquire theaters in Indiana, Illinois and Colorado from AMC in exchange for cash and two Regal theaters. Terms of the deal were not released, other than that the exchange is expected to close during the second quarter.
On Friday, the Justice Department said it was requiring Kansas City-based AMC to divest itself of the theaters as a condition for approving the $275 million acquisition of Kerasotes. Department officials said the purchase would decrease movie theater competition in Chicago, Denver and Indianapolis, leading to higher ticket prices.
The full story is in Biz Journals.
NEW YORK, NY — Maybe it was an error or maybe they received so many complaints about it, but the bottom line is AMC is lowering it’s 3-D ticket prices in some NY theaters after they crossed the $20 mark last weekend.
AMC, which offered the $20 tickets on sale online yesterday for IMAX 3-D showings of “Shrek” at several of its New York theaters, attributes it to an error. Theaters with $20 tickets on sale include AMC Kips Bay, AMC Loews 34, AMC Loews Lincoln Square and AMC Empire 42 Street.
“Unfortunately, a limited number of theatres posted incorrect pricing for ‘Shrek Forever After,’ which we immediately corrected,” AMC spokesperson Justin Scott said in a statement today. “Any guest who purchased a ticket at the incorrect price can visit Guest Services for a refund.”
Read more in the Wall Street Journal.
May 25, 2010
Many readers here on Cinema Treasures are aware of the 1948 Paramount Consent Decree which, in a nutshell, forced the big Hollywood studios of the time to divest themselves of the theater chains they owned, based on the contention that the studios unfairly controlled film distribution. These chains included some, if not most, of the greatest movie palaces ever built.
In a recent piece written for a blog at Film.com, commentator C. Robert Cargill argues that studios should once again be permitted to own theaters outright, pointing out that circumstances have radically changed since 1948 and that competition would now be enhanced not diminished if studios now had their own exhibition outlets.
The idea of the studios not being able to own their own theater chains is an outdated concept that should be challenged and overturned, something producer Joe Roth opined at the Digital Hollywood Conference a few weeks back. Roth’s beef stems from a collective boycott by a number of theater chains against his film, the runaway hit Alice in Wonderland, because they were upset with the 12-week window between their scheduled release of the film and its appearance on Blu-ray and DVD. And while that time may look short on paper, remember that Alice in Wonderland appeared in theaters on March 5 and the DVD release is still a month away.
The whole essay is here at Film.com.
LONDON, ENGLAND — Like many of their North American counterparts, independent cinemas in the UK are grappling with the seemingly relentless pressure by Hollywood to go digital. The expense of conversion may force a number of cinemas, especially in smaller towns, out of business, though the government is accelerating efforts to provide conversion assistance.
“We are financially stretched,” said its manager, Gregory Lynn. “So many indie cinemas like us cannot afford to go digital, but we don’t really have a choice.”
The movie house is among thousands of small cinemas — mostly in Europe — in danger of going bust unless they make the switch. The conversion costs may leave some small towns with no theaters, and fewer venues to screen movies may result in the shrinking of the European film industry, already concerned about the cultural dominance of Hollywood.
Read the full story in Business Week.
May 24, 2010
CYPRESS, CA — Christie, a global leader in digital cinema, announced that it is Cannes International Film Festival’s Technical Partner for the fourth year in a row, digitizing a record 22 theatres with the latest generation Christie DLP Cinema projectors. Installations include the next-generation Series 2 projector, the Christie Solaria Series, highlighted by the Christie CP2220 and Christie CP2230, which feature Academy Award*-winning DLP Cinema technology from Texas Instruments (TI) (NYSE: TXN). Ridley Scott’s Robin Hood, presented out of competition, opened Cannes with its world premiere on a Christie CP2230.
“It is a huge privilege to see our digital projectors playing such a critical role in this key event in international cinema,” remarked Christie EMEA Vice President, Dale Miller. “As a pioneer in the film industry for more than 80 years, Christie is proud to make available again its expertise and experience to the world of cinema.”
May 21, 2010
As a long time Cinema Treasures member, I wanted to share my recent episode of my web series Underbelly on the popular gaming web page screwattack.com.
3D 3D 3D! pokes fun at the 50’s to the current trend on this old fad and takes it a step forward with the help of director Uwe Boll.
Screw Attack(For mature audiences)
May 4, 2010
Echoing the complaints heard far and wide last year when “Star Trek” was released, don’t forget to do your homework before seeing a movie in IMAX these days.
And friends, ain’t nothin' you have access to, save for looking out your own two eyes, that’s more high-definition than IMAX, but do not — let me repeat — DO NOT see ‘Iron Man 2’ (or any film for that matter) in a fake IMAX theatre. To be blunt: it looks horrible, and you’re wasting your hard-earned cash for a non-upgrade.
What you want, what you NEED, is to either find a real IMAX, or the largest, high-quality DLP or 35mm screen in your area.
Read more in High Def Digest.
April 30, 2010
LOS ANGELES, CA — Blog writer Steven Zeitchik sees the recent TCM film festival as more than just a retrospective of great films of the past; he thinks that it may serve as a model of how to present cinematic gems on a regular basis in the future all over the country by creating and event-like atmosphere around great films paired with a live element.
The reason it all worked was because the festival took something that’s part of our pop-culture canon and made it fresh. In some cases, these screenings were simply a way of introducing a piece of art or entertainment to a new generation with the extra flourish of a large-scale screening; in other cases, they added something specific to our understanding of the work. (“L.A. Confidential” director Curtis Hanson, for instance, introduced “In a Lonely Place.” Who better to talk about the history of noir than someone who’s made the best modern example of the form?)
The movie business often frets about the relevance of film-going in the YouTube age, when entertainment is disposable, portable and inexpensive to view (read: typically costs nothing). Hollywood has been intent on trying to compete with these many out-of-theater experiences by mounting ever larger spectacles — see under: the 3-D revolution, a particular hobbyhorse for us and others these days. And theater owners, eager for anything that will give them a leg up or stave off obsolescence, have gone along, sometimes grudgingly, sometimes enthusiastically.
But the entertainment world, as it often does, offers another way. And the TCM festival shows us what that way might be — namely, creating a buzz around a screening of a previously released film.
The full article is in the L.A. Times.